| | | | Re: Avid codec change and iDVD by Keith Sonstegard on Nov 20, 2009 at 4:26:59 am in the AVID Forum Thanks for the suggestion.
I tried deselecting that box on export and I still had no luck with iDVD.
Does anyone know if there's a difference between EXPORT and SEND TO in Avid? Or are they just two ways to do the same thing? I've always used e | | | | |
| | | | Re: Avid codec change and iDVD by Keith Sonstegard on Nov 20, 2009 at 4:11:49 am in the AVID Forum Thanks Grin -
Interesting...Until I've update to MC 4.0.3, using Avid DV25 has been the only way I've been able to export a sequence as a QT reference clip at 720 x 480 that would work in iDVD. Any clip that's 720x486 doesn't and won't work with iD | | | | |
| | | | Re: HD downconverts softening by Tim Kolb on Nov 20, 2009 at 4:07:41 am in the HD High-End Forum All I was getting at was that HD typically makes pretty snappy SD when it's downconverted properly...say with a Kona or Xena card in realtime mastering an HD sequence out to BetaCam SP or something.
If it was or wasn't a joke, I guess the response | | | | |
| | | | Workflow workflow by Craig Mieritz on Nov 20, 2009 at 3:30:51 am in the Apple Color Forum Hello-
I have been through the forums, gotten a lot of relevant info, but have a specific situation for which I need to come up with a good workflow.
Film telecined to HDCAM. That will be edited offline on an Avid Nitis. Where we want to end | | | | |
| | | | Re: voiceover industry - questions by Ed Cilley on Nov 20, 2009 at 3:30:07 am in the Business & Marketing Forum Check out a talent we have used for years...he is also a coach, author, etc.
http://harlanhogan.com/index.shtml
He has a Recommended Reading tab on the side as well as other ideas on his site.
Best wishes,
Ed
Avid and FCP Preditor
_______ | | | | |
| | | | Re: Avid codec change and iDVD by John Pale on Nov 20, 2009 at 3:04:49 am in the AVID Forum Not in front of a system now, but there should be a check box in the export dialog about whether to use the Avid DV codec or not. If you deselect, it will use the standard size QT Codec built into Quicktime, which will iDVD will probably like better | | | | |
| | | | Re: Proxy filenames in XDCAM Transfer by Peter Barrett on Nov 20, 2009 at 2:50:38 am in the Sony EX Series XDCAM Forum Hi Simon, thanks Andy for the heads-up.
I built Proximate a while ago to copy the proxies stored in the ~/Library/XDCAM Transfer folder and rename them in a folder named according to the XD disc - which means if a disc isn't named in the field, n | | | | |
| | | | Re: Avid codec change and iDVD by grinner hester on Nov 20, 2009 at 1:09:58 am in the AVID Forum It seems weird that iDVD won't import full sized SD NTSC video.
Your Avid projects have never been 720X480, even if capturing DV.
Can you just export quicktimes at 720X480?
Or just use Avid DVDit and keep everything 720X486.
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| | | | Re: Final output by Kenton VanNatten on Nov 20, 2009 at 1:02:55 am in the AVID Forum The quality of the output depends very little on the wrapper of the file, but does rely on the codec chosen. If you choose a "lossy" codec and a smaller than DV frame size then the file would look bad.
But, truthfully whenever I have to deliver a | | | | |
| | | | SMOKE Color Correction by Todd Jaspers on Nov 19, 2009 at 10:33:37 pm in the Autodesk Smoke Forum Hello, I am watching the SMOKE evolution for OS X, and it sounds pretty cool.
I have been in the process of evaluating and looking at other systems, from Speedgrade, Scratch and even Pablo.
I have been in a lot of SMOKE sessions, and I have see | | | | |
| | | | Avid codec change and iDVD by Keith Sonstegard on Nov 19, 2009 at 9:50:26 pm in the AVID Forum I've recently updated to MC 4.0.3 on a Mac OS 10.5.7 and Nitris DX. In the past, when I've wanted to create a DVD, I've exported a QT reference clip using the Avid DV25 codec with a display ratio of 720x480 and RGB color space. I would import that | | | | |
| | | | Re: Premiere Pro alternatives by Scott Sheriff on Nov 19, 2009 at 9:26:48 pm in the Art of the Edit Forum Maarten
Some thoughts on Mac Pro running Final Cut.
I came to NLE's from the CMX online world, with casual experience in Avid and Media 100. When I decided to buy my own system, I wasn't biased one way or another, but needed to get the most bang | | | | |
| | | | Re: Final output by Kenton VanNatten on Nov 19, 2009 at 7:46:34 pm in the AVID Forum [quote]"I can export it as Windows Image NTSC"[/quote]
Windows Image NTSC is a still image by the way.
Kenton VanNatten
Avid Editor (for hire) | | | | |
| | | | Re: AAF and Final Cut by Shane Ross on Nov 19, 2009 at 7:14:07 pm in the Apple Final Cut Pro basics Forum What other edit system? Avid? Then get Automatic Duck. With that, you can even use the existing media...
Shane
GETTING ORGANIZED WITH FINAL CUT PRO DVD...don't miss it.
Read my blog, Little Frog in High Def | | | | |
| | | | Re: Color Newbie by Dan Monro on Nov 19, 2009 at 7:13:04 pm in the Apple Color Forum Ryan's stuff was great. That's how I got introduced to Color. I've had Walter's DVD highly recommended to me; that's my next step. I also saw a Steve Hullfish tutorial years ago that was a great basic introduction to color correction theory, but I'm | | | | |
| | | | XDCam video playback stutters by Marc Murray on Nov 19, 2009 at 6:15:41 pm in the AVID Forum Editing on Macbook Pro 2.2 Core 2 Duo, 4GBs ram on Avid MC 3.5. Using several external drives, but for this question, it's a Lacie Rugged 500GB Firewire external (might be 5400 RPM...not sure).
My XDCam footage (35MPs) stutters horribly. I've trie | | | | |
| | | | Resolve EDL formats by Paul Carlin on Nov 19, 2009 at 5:17:15 pm in the DaVinci - NEW ! Forum What type of EDLs can Resolve accept (i.e. CMX 3600, GVG 4, etc.)?
What other type of formats can Resolve use? FCP XML? Avid AAF? Anything?
Is there a way for Resolve to interpret Reel IDs longer than 8 characters... for example, the 16 char | | | | |
| | | | Re: Premiere Pro alternatives by Maarten Mylemans on Nov 19, 2009 at 2:55:16 pm in the Art of the Edit Forum Hmm, so I've been reading up on user's experiences with FCP, and seems there are quite some gripes with that program as well. Like Apple changing the way something works and it's apparently very picky about the version of OS and Quicktime you're usi | | | | |
| | | | Re: Import Avid to FCP 6 by walter biscardi on Nov 19, 2009 at 12:49:39 pm in the Apple Final Cut Pro Forum You've been searching the forums for Avid to FCP and didn't find Automatic Duck?
http://www.automaticduck.com
Walter Biscardi, Jr.
Editor, Colorist, Director, Writer, Consultant, Author.
HD Post and Production
Biscardi Creative Media
"Foul | | | | |
| | | | Import Avid to FCP 6 by John Nelson on Nov 19, 2009 at 11:54:21 am in the Apple Final Cut Pro Forum Been searching for a thread that tells how to do this but after a half hour had no luck. I have over 175 minutes to import. Avid format is MFX. Best suggestions? Thanks.
http://www.omproductions.net | | | | |
| | | | Conflict between Avid Liquid and Adobe AE by Derek Langford on Nov 19, 2009 at 9:54:47 am in the Adobe After Effects Forum There appears to be a conflict between Liquid and Adobe After Effects(AE).
When I open the two programmes in the same session dependant on which programme I open first it appears to effect the operation of the other programme.
The conflict ta | | | | |
| | | | Re: How to capture HDV from Sony Hard drive, very stuck by Brendan Maghran on Nov 19, 2009 at 12:57:36 am in the AVID Forum Hey guys,
I FINALLY figured this hard drive thing out, thank you so much for helping me out. Ed, thanks for continually posting back and forth with me, it really clarified some things for me. I'm still in school, and most of my teacher are FCP on | | | | |
| | | | Re: How to capture HDV from Sony Hard drive, very stuck by Birger Saetre on Nov 18, 2009 at 9:59:19 pm in the AVID Forum Hello all,
I've worked with the DR-60 for a few years now and it's a very handy little device which works perfectly with avid MC.
Just to blow a few things out of the water here... do yourself a big favour and ditch the idea of going via FCP and | | | | |
| | | | Re: Replacing a clip in DS 7.5 by David Braswell on Nov 18, 2009 at 9:34:52 pm in the AVID Forum Import the new file and replace the old file with it. That's all the automatic you get since Avid creates its own (OMF or MXF) media from every file you import. | | | | |
| | | | Final output by Peter Ovens on Nov 18, 2009 at 9:30:03 pm in the AVID Forum Ok I have the project approved, How do I get my sequence from my Avid to the Client's edit system Vegas 8.0.
I can export it as Windows Image NTSC to my external drive, which has all the original material, but Vegas won't open it. do I send it to | | | | |
| | | | Re: How to capture HDV from Sony Hard drive, very stuck by Ed Cilley on Nov 18, 2009 at 9:21:34 pm in the AVID Forum Brendan,
When you import to the Avid, you will have to choose what type of file you want to create. So DNxHD 145 would be a good choice. Avid doesn't handle the raw file like FCP does. It will create it's own media clips from your ProRes files. | | | | |
| | | | Re: 24p(60) into Avid... by Shane Ross on Nov 18, 2009 at 7:43:19 pm in the Panasonic HVX - HPX (P2) Forum What he said. If you shot 24p, no matter what system you are on, it will be 59.94 with the 24p look. Only 24pN gets you to actual 23.98fps.
Shane
GETTING ORGANIZED WITH FINAL CUT PRO DVD...don't miss it.
Read my blog, Little Frog in | | | | |
| | | | Re: Editing Contest by grinner hester on Nov 18, 2009 at 6:15:18 pm in the AVID Forum You've posted all of 20 times, the last 8 being a cross post of the same ad.
This forum is for Avid discussion. Post away if you have something worth reading. We could google editing contest if we cared about stuff like this.
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| | | | slipping multiple clips or offsetting masterclip by Markus Lauterjung on Nov 18, 2009 at 5:42:50 pm in the AVID Forum Hi to all,
we came across a problem today considering batch capturing a master clip from an overlap cut tape - the media on the tape is all offset by one frame due to some problems caused by the film scanner.
wouldnt be that much of a problem, i | | | | |
| | | | Re: 24p(60) into Avid... by Jeremy Garchow on Nov 18, 2009 at 5:33:40 pm in the Panasonic HVX - HPX (P2) Forum [P2 Shooter] "I gave my client 60p not 24p?"
I don't know, what is your camera set to? 720p24 or 720pN24?
[P2 Shooter] "If I had shot 24pn would that be 24p(23.98) in playback on a monitor?"
Not in 720p. The NLE will add 3:2 progressive pu | | | | |
| | | | Re: 24p(60) into Avid... by P2 Shooter on Nov 18, 2009 at 5:25:39 pm in the Panasonic HVX - HPX (P2) Forum Thanks Jeremy,
So let me clarify. I gave my client 60p not 24p? If I had shot 24pn would that be 24p(23.98) in playback on a monitor? isn't that what the "pulldown" is supposed to do is make the playback of the 24p(over60) playback with the frame | | | | |
| | | | Re: 24p(60) into Avid... by Jeremy Garchow on Nov 18, 2009 at 5:11:47 pm in the Panasonic HVX - HPX (P2) Forum It's easy to tell. Simply step through the footage frame by frame. If the footage has 3 duplicate frames followed by two duplicate frame, you shot 24p over 60. If there's no duplicates, then you shot 24pN. During monitoring, 720p24N always gets p | | | | |
| | | | 24p(60) into Avid... by P2 Shooter on Nov 18, 2009 at 5:07:02 pm in the Panasonic HVX - HPX (P2) Forum After years of shooting P2 I had a avid(on a mac) client the other day call me to say the 720 24p(over60) footage we shot is not 24p. He says the system is not playing back the footage as 24p rather 60. In my fcp system the same clip says its 23.98 | | | | |
| | | | Re: FCP crashes after green flickering on viewer by Dan Monro on Nov 18, 2009 at 2:01:19 pm in the Apple Final Cut Pro Forum http://forums.creativecow.net/thread/8/1055718
Here's a thread on the subject.
No real solutions here yet. We're actually going to do some testing tonight using a different user and a different room but with the same media and the same project. | | | | |
| | | | Reconnect media by Danny Davis on Nov 18, 2009 at 11:12:58 am in the Apple Final Cut Pro Forum Hi,
I'll make this as quick as I can.
A 60min doc was cut on Avid and then put through Automatic Duck and conformed in FCP.
I was then given the FCP project and media on a drive and transfered it all to my FCP online
System and began the onli | | | | |
| | | | Re: Premiere Pro alternatives by Phil Lowe on Nov 18, 2009 at 9:27:02 am in the Art of the Edit Forum Yes it will run on home built systems, but it's at your own risk.
at home i'm running Media composer on a home built system and it solid as a rock, but i did a ton of research before i built it.
Agree 100%. I do, however, use my systems to make | | | | |
| | | | Re: Premiere Pro alternatives by Maarten Mylemans on Nov 18, 2009 at 7:55:33 am in the Art of the Edit Forum -get the RAM up to 8 GB minimum, 16 GB preferably
-get a couple 4 core processors
-get rid of the gamer card and get a Quadro
-make sure you have some speedy drives in a RAID configuration.
Thanks for the info, I can see how 8 GB coul | | | | |
| | | | Re: 3d warp tool by Phil Lowe on Nov 18, 2009 at 6:16:50 am in the Forum Not sure I get what you're trying to do, but I just created a 2D box in the title tool and took it to the timeline. The 3D Warp effect doesn't apply to a matte, so I deleted the alpha channel on the box (remove effect) and applied 3D Warp to the rem | | | | |
| | | | Re: More Matte issues by Phil Lowe on Nov 18, 2009 at 5:50:04 am in the AVID Forum First of all to pull in a file to use as a matte key it just needs to be "high contrast". So I went back into AE, placed a plain white background as the bottom layer, exported without alpha, followed the manual and it worked fine.
Wow. Sounds lik | | | | |
| | | | Re: View Amount of Media Stored on Various Drives by Ed Cilley on Nov 18, 2009 at 3:40:13 am in the AVID Forum We just use Media Mover - best $150 ever spent. You can choose which drives to look at, or multiple drives. It will search out all media for all projects, tell you the total size of each project and allow you to move all media for a project to an " | | | | |
| | | | Re: HD credits on SD TV by Karen Gall on Nov 18, 2009 at 1:57:20 am in the Apple Final Cut Pro Forum Hey,
It is a general question. The job was actually cut on AVID & has already been broadcast but what I'm wanting to know is that is it possible it is just the way HD is displayed on SD TV or is it likely be a field reversal issue? The credits are | | | | |
| | | | Re: Editing with different video formats by Shane Ross on Nov 18, 2009 at 12:06:25 am in the Apple Final Cut Pro Forum Just to be snarky....
Get Avid 4.0. It can mix and match formats and frame rates with NO rendering. And the student cost for it is $300. Not sure if this includes high school though...
Faster processors, RAM and fast hard drives are about w | | | | |
| | | | View Amount of Media Stored on Various Drives by Andrew Bergner on Nov 17, 2009 at 10:21:30 pm in the AVID Forum Hi all,
I am looking for a way to view the amount of media stored on multiple media drives for a single project.
We use a shared storage server and a single project will sometimes have media stored across 1-3 media drives.
Is there a console | | | | |
| | | | Re: FCP for Broadcast by Jason Ingersoll on Nov 17, 2009 at 10:16:03 pm in the Apple Final Cut Pro Forum I have uploaded 2 videos one in DV NTSC format and one in AVID DV format thanks to the link posted above they are checking it out now. Thanks for all the help.
I | | | | |
| | | | Re: Premiere Pro alternatives by Micah McDowell on Nov 17, 2009 at 9:49:14 pm in the Art of the Edit Forum Your system "may" be a bottleneck, but it's not terrible. Are your drives a RAID array or just four random separate disks? If they're striped together, that will help your performance immensely. More RAM would be very beneficial as well.
Somewh | | | | |
| | | | Boris FX | Using Boris Continuum Complete 6 Animated Presets with Adobe and Avid
Boris Continuum Complete 6's new Custom Animated Presets feature lets you save and re-use every parameter animation in every BCC filter - even across host applications and platforms. For the first time, you can animate BCC filters in Adobe After Effects and transfer the animation to the Avid timeline while preserving After Effects keyframes. BCC 6 AVX includes hundreds of factory-installed animated presets. Animated presets are now saved in industry-standard XML format and can be edited by any XML-compliant text editor. Watch this video tutorial and learn more. Tutorial, Video Tutorial Author: Dirk de Jong |
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| | | | Red Giant plug-ins | Creating an Apparition Effect with Trapcode Particular
In this tutorial, Michael Park shows you how to create an Apparition effect with Trapcode particular, as seen in a film that shall not be named. You'll learn how to create realistic shadows with Red Giant Warp. Also, you'll be introduced to color correction techniques using the After Effects standard toolset, as well as Magic Bullet Looks. In addition, you'll get a sneak peak at Michael Park's upcoming Creative Cow Master Series DVD: Practical Particles. Tutorial, Video Tutorial Author: Michael Park |
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| | | | Apple Final Cut Pro | Avid versus Final Cut Pro: One Editor's Perspective
Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth. Feature Author: Patrick Inhofer |
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| | | | AVID Editing | Avid Liquid 7 -- a review by broadcast designer Mark Harvey
Mark Harvey, longtime leader in Creative Cow and a noted broadcast designer/editor, gives readers a look at the new Avid Liquid 7 -- acquired when Avid bought Pinnacle Systems and given many new features in this latest version now rolling out under the Avid name. Mark gives this system much praise for its powerful background rendering and wide feature set, as well as many new features like its HDV capabilities rolling out for the first time in v7. Review Author: Mark Harvey |
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| | | | AVID Editing | AVID rolls out HD, 10bit and SpectraMatte
Creative Cow's Bob Donlon reports with up-to-the-minute news for Avid users who have wondered where the company was going in the world of HD and 10-bit support. In this report, Bob offers Cow members all the news penned within hours of attending Avid's New York City December 8, 2004 press event. While attending, Bob not only watched as Avid not only rolled out their HD plans and their 10-bit support for Media Composer Adrenaline users but Avid had another big surprise up their sleeves -- the just-announced SpectraMatte chroma keyer. Read on for all the latest from the Avid mothership in Tewksbury... Review Author: Bob Donlon |
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| | | | Apple Final Cut Pro | Avid versus Final Cut Pro: One Editor's Perspective: 2006
Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth. This article has been entirely rewritten to reflect where we stand today, the start of 2006. Feature Author: Patrick Inhofer |
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| | | | AVID Editing | Avid Xpress Pro for Windows and Macintosh (Visual QuickPro Guide)
In this article, CreativeCOW.net contributing editor Josh Martin reviews Avid Xpress Pro for Windows and Macintosh (Visual QuickPro Guide) by James Monohan and published by Peachpit Press, 712 pages, Published 2003, Copyright 2004, ISBN: 0321145976. Josh explains why the sub-title, Visual QuickPro Guide works so well with this book, "Coming into this review, I had absolutely no AVID experience. I had done some very minor non-linear editing in Adobe Premiere, but that's where my "knowledge base" ended. I'm happy to report that thanks largely in part to James Monohan's book, I am happily editing on our AVID setup...." Review Author: Josh Mrtin |
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| | | | AVID Editing | A Talk with Medéa and Avid
An exclusive report from the Creative COW Magazine, a talk with Andy Dale of Avid & Martin Bock of Medéa, regarding Avid's recent purchase of Medéa Corporation. What does Avid see ahead for the company that changed the video hard drive market forever? People / Interview Author: Walter Biscardi |
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| | | | AVID Editing | Avid rolls out lower-priced Media Composer
When most people think of Avid, low cost is not a term likely to be used in connection with the venerable leader in broadcast and film editing systems. But with today's announcements, Avid has both increased their lead in the education sector and has radically dropped the price of its flagship Media Composer software. In this article, Creative COW's Ron Lindeboom explores why we find this great news for both existing Avid customers and those who thought that they could never afford an Avid. Editorial, Feature Author: Ron Lindeboom |
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| | | | AVID Editing | Difference Matting within the Avid
In this tutorial, Ra-ey Saleh will show you how even without shooting Green Screen you can replace the background of a shot whilst keeping the moving foreground undamaged. He'll use a technique called 'Difference Matting' and do it all within the Avid! Tutorial Author: Ra-ey Saleh |
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| | | | AVID Editing | Using Avid Xpress Pro and Mojo by Bob Donlon
Creative Cow's Bob Donlon tears open Avid Xpress Pro and Mojo in this in-depth report. Bob explores Xpress Pro's uncompressed editing options, multi-cam capabilities, the new "DNA" (digital nonlinear accelerator) hardware capabilities found in Mojo and the five streams of realtime available for users working in DV25. Bob also gives readers a look at configuring the system for maximum performance and concludes that the Xpress Pro / Mojo combination is a powerful combination worthy of a 4 Cow rating. Review Author: Bob Donlon |
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| | | | AVID Editing | MediaMover: Adding Power to an Avid Strength
Dennis Kutchera looks at MediaMover by Random Video. This third-party utility written by an editor, Tony Black, addresses a need unique to using an Avid. MediaMover greatly expands the powers of Avid's respected Media Management tools -- already an Avid strongpoint -- made even stronger by this powerful utility. With longtime Avid expert Dennis Kutchera as your guide, Avid editors will greatly benefit from this look at an Avid 'must have.' Review Author: Dennis Kutchera |
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| | | | Boris FX | Boris Continuum Complete AVX 5: Unleash Your Avid!
Emmy Award-winning editor Vivek Narayan takes a closer look at the latest version of Boris Continuum Complete, a comprehensive set of filters and effects for leading NLEs as well as After Effects. Although it works largely the same in all hosts, Vik digs deepest into BCC operating inside Avid. He finds that the 180 filters here more than give others a run for their money: it beats out some of the industry's favorites. See why he calls buying BCC AVX 5 a no-brainer. Review Author: Vivek Narayan |
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| | | | AVID Editing | Avid XPress Pro & DV by Steve Hullfish, Chris Phrommayon & Bob Donlon
In this article, CreativeCOW.net leader Alex Alexzander reviews Avid XPress Pro and DV On the Spot written by Steve Hullfish, Chris Phrommayon & Bob Donlon, and published by CMP Books, 256 pages, September 1, 2004, ISBN: 1-57820-254-X. "As I write this, I have this big grin on my face. You see, you're in a forum reading this review, and the fact that you are in this forum reading this review is exactly what makes this book so perfect for you. Allow me to explain. We all go to forums, like this one, because from time to time we have a question. Sometimes we're not clear on how to accomplish a certain task or achieve a certain goal. Perhaps you're on the other side of this coin, and you arrived here to help others with their questions. No matter where you fit into this forum, you are no doubt someone who likes tips, shortcuts, and learning new techniques." Review Author: Alex Alexzander |
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| | | | Windows Hardware & Software | HP Skyroom: Power & Simplicity for Remote Workgroup Tasks
In this article, Ron Lindeboom looks at the powerful HP Skyroom technology, which allows team members to interact in high definition video with one another, as they work on projects and approvals remotely. Highly powerful, yet priced within reach of many small to medium-sized companies -- nevertheless, the system is powerful enough for even major players like Dreamworks Animation, who used the system during the making of the blockbuster 'Monsters vs Aliens.' Powerful, elegant, simple to use. Review, Feature Author: Ron Lindeboom |
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| | | | Red Giant plug-ins | Creating a Motion Graphics Film Title Treatment
In this tutorial, Motion graphics designer and director Chad Bonanno helps you recreate the titles he designed for the feature film Dreamgirls. You'll learn how to create a cool shimmering confetti effect with Trapcode Particular, as well as how to reveal text with Knoll Light Factory Pro. Tutorial, Video Tutorial Author: Chad Bonanno |
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| | | | Trapcode | Trapcode Suite Reviewed
In this article, CreativeCOW's Jim Harvey takes a look at Trapcode Suite from Red Giant Software--nine plug-ins that will get a workout in any studio. Review Author: Jim Harvey |
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Podcasts | | | | boris fx tutorials podcast Boris Continuum Complete 6 - Animated Presets with Adobe and Avid BCC6's new Custom Animated Presets feature lets you save and re-use every parameter animation in every BCC filter - even across host applications and platforms. Animate BCC filters in Adobe After Effects and transfer the animation to the Avid timeline. | | | | |
| | | | creative cow podcast Episode #047 - October 28, 2008 Inside George Lucas' Lucasarts with Michael Rubin, end of VHS, Avid buys Softimage, Microsoft Azure, RED rumors, Panasonic VariCam 2700 and more creative news and interviews - creativecow.net | | | | |
| | | | creative cow podcast Episode #053 - December 09, 2008 Indie Movie Promotion with Anthony Brownrigg, Nikon D3X, MacBook RAM issue, 2009 color, FontShuffle, Sapphire 3.0 for Avid, Zbrush training and more creative news and interviews - creativecow.net | | | | |
| | | | creative cow podcast Episode #043 - October 01, 2008 Episode 043 - Engaging the Audience with Norman Hollyn, head of the editing track at USC Film School; Avid goes RED; Cakewalk Sonar 8; Windows Cloud OS; iPhone; YouTube updates; and more creative tech news, interviews and reports - www.creativecow.net | | | | |
| | | | creative cow podcast Episode #071 - April 14, 2009 3D Movies at Dreamworks with David Roth Weiss, JVC 1080p 3D monitor, iZ3D makes good, Produced By Expo gets James Cameron, Kindle 2 fuzzy fonts, MacBook Air external battery, iTunes DRM free, Pantone color apps and more creative news and interviews. | | | | |
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