| | | | Re: Avid - Mac or PC? by Ed Cilley on Nov 7, 2009 at 3:41:11 am in the AVID Editing Forum [Baz Leffler] "So maybe I too am a little biased."
Isn't that what this is all about? :)
That's what Anthony is looking for - your biased opinion. Go ahead, buy the Mac and enjoy using Leopard print or Snow kitty (once Avid approves it).
Avi | | | | |
| | | | Re: Avid - Mac or PC? by Baz Leffler on Nov 7, 2009 at 2:54:48 am in the AVID Editing Forum FWIW - I have a Mojo SDI/MC 3.1.2 which I use on both MacBookPro and a Vista Quad core system. It runs more reliably (and I think faster) on the Mac but I haven't really done the tests; just a feeling.
But I have been a PC user most my life and have | | | | |
| | | | Re: Avid - Mac or PC? by Shane Ross on Nov 7, 2009 at 1:33:13 am in the AVID Editing Forum Avid 4.0 is only supported on Leopard print...Snow Kitty is a no no.
Shane
GETTING ORGANIZED WITH FINAL CUT PRO DVD...don't miss it.
Read my blog, Little Frog in High Def | | | | |
| | | | Re: Avid - Mac or PC? by Scott Cumbo on Nov 7, 2009 at 1:32:06 am in the AVID Editing Forum these days Avid runs great on both platforms, so it's really which you like to work on, mac or PC.
I prefer PC, just because the mac OS annoys me.
by the way if you've been working on XP once you get to vista/windows 7 or a mac with whatever os t | | | | |
| | | | Re: Avid - Mac or PC? by Shane Ross on Nov 7, 2009 at 1:24:18 am in the AVID Editing Forum To say that historically Avid is associated with PC seems odd. I have cut on Avid for over 15 years, and in all shows but TWO, I was on a Mac. Avid MC 5.5 back in 1994...on a Mac Quadra. Then on Powermac 9600s, then on G3's, then G4's with the Mer | | | | |
| | | | Re: AVID Project in FCP by Shane Ross on Nov 6, 2009 at 11:41:15 pm in the Apple Final Cut Pro basics Forum [Duane Fulk] " Is it possible to open AVID projects with all the timeline and effects that are in the original?"
No. You can export an EDL of the cut and then use Automatic Duck to import, then recapture. Or export an AAF of the cut, and then FC | | | | |
| | | | Re: HD and Pro Res Workflow by Shane Ross on Nov 6, 2009 at 11:01:51 pm in the Apple Final Cut Pro Forum [Julien Rosskam] "The editor is very gung ho for using the pro res codec but I had hesitations because of the slight quality loss most of the footage would have"
We are talking REALLY slight here. It is comparable to Avid's DNxHD codec. I mean, | | | | |
| | | | DVD output by Michael Volkening on Nov 6, 2009 at 9:59:21 pm in the AVID Editing Forum One of my regular clients has XPRESS PRO 5.6.7, Sorenson Squeeze and Sonic ReelDVD. All of their finished shows, ranging from 30 - 60 minutes, are output to DVD. The standard workflow has been, from the timeline to a Quicktime Reference Movie, into S | | | | |
| | | | Re: Uncompressed vs. ProRes: Paging Bob Zelin by Matt Riley on Nov 6, 2009 at 9:46:32 pm in the AJA Kona Forum Wow, no DS love here...
Speaking as a former (still sometimes) DS user, I can tell you that for a time, those systems were great. They still are, in many ways, wickedly powerful. Way back when, the DS was ahead of its time and had some interesting | | | | |
| | | | MXF format HELP! by Christian Fauteux on Nov 6, 2009 at 9:28:08 pm in the Adobe Premiere Pro Forum Hi Everyone! I recently recorded an interview with P2 cards on Panasonic cams. We were then given the files on an external drive and they are in MXF format.
Here lies the problem, I understand how MXF containers work, but how do I convert them to | | | | |
| | | | Re: Avid - Mac or PC? by Antony Christie on Nov 6, 2009 at 9:22:22 pm in the AVID Editing Forum Thanks Ed
I'm on XP at present, this machine would be purely for video editing and outputting so no other software issues really (I use AE/PS on another PC), I'll look at the HP Z line (David suggested that too!)
I'm cutting HDV at the moment ( | | | | |
| | | | Re: Avid - Mac or PC? by Antony Christie on Nov 6, 2009 at 9:10:03 pm in the AVID Editing Forum Thanks David
I do use Adobe software (DW, PS & AE) frequently but on a different machine to my Avid - I keep my Avid PC solely for MC, Sorenson, Avid FX, Boris, by Sonic and SmartSound, and when I upgrade my machine I'll probably put my ProTools L | | | | |
| | | | Re: Avid - Mac or PC? by Ed Cilley on Nov 6, 2009 at 9:03:34 pm in the AVID Editing Forum [Antony Christie] "I have just upgraded to Media Composer v4"
So what platform are you on now if you are upgrading? Like the last post said, you may already have software for a particular platform. I have cut with Avid on both PC and Mac and bot | | | | |
| | | | Re: Workflow issues DVCProHD 23.98 over 59.94 by Simon Egleton on Nov 6, 2009 at 8:12:45 pm in the Apple Final Cut Pro Forum Hi Shane, thanks for your speedy response.
I should have mentioned that I have 120 hours of tapes to load for a documentary edit, hence the SD offline mindset.
I did check the time code on the front of the 1200 deck with a 29.97 test clip and the | | | | |
| | | | Re: Frustrating times with audio automation by Mark Hollis on Nov 6, 2009 at 6:43:52 pm in the Adobe Premiere Pro Forum What is it that you cannot do in Premiere Pro? I'm assuming you are working with real audio and not foley and ADR and you don't need to do sound design.
Sound designers I have worked with have always worked in Digidesign's ProTools (part of Avid) | | | | |
| | | | not work vitascene and boris title by soom kuttu on Nov 6, 2009 at 6:12:43 pm in the Avid Liquid Forum I using avid liquid 7. but does not work prodad Vitascene,adorage fx not transition and boris title tool kit1.1. I install all plugins this path : c/program/avid/avid liquid 7/plugin
My system windows 7,gigabyte motherboard,gigabite geforce 7100gs 5 | | | | |
| | | | Re: Avid - Mac or PC? by David Braswell on Nov 6, 2009 at 5:56:35 pm in the AVID Editing Forum I've never ran Avid on Mac, so saying the platform wars are over may be a bit shortsighted. With that disclaimer, the platform wars are over :-) Consider your graphics, audio, and DVD authoring workflow first. Do you have thousands of dollars investe | | | | |
| | | | Re: Avid Xpress 4.0.1 by Ryan McAfee on Nov 6, 2009 at 5:10:28 pm in the AVID Editing Forum I don't know what you usually edit on but I feel your pain. I used everything under the sun before I used avid. It was a big learning curve for its style of editing but once you get used to things and the get the program the way you want, its not t | | | | |
| | | | Re: .VOB import by Ryan McAfee on Nov 6, 2009 at 5:02:53 pm in the Adobe After Effects Forum Like I said sometimes it works. Just throwin ideas out there. Unfortunately there is really no easy way of importing VOB files, though, it is getting better with Adobe and Avid. I tried opening a VOB with premiere and I could get the video to work | | | | |
| | | | Re: Working Uncompressed by Joseph Owens on Nov 6, 2009 at 4:58:06 pm in the Apple Final Cut Pro Forum "So why don't you give them an EDL/cut list/use automatic duck and have them recapture to whatever they want from tape? "
I think because the media has been "treated" already in AE and recapturing from original source would mean re-creating that t | | | | |
| | | | Avid - Mac or PC? by Antony Christie on Nov 6, 2009 at 4:50:01 pm in the AVID Editing Forum Hi Guys
I'm not quite ready to part with hard cash yet but I have just upgraded to Media Composer v4 and will want to upgrade my hardware next.
I'm interested in your valued professional opinions on which platform to use. I have always used Avi | | | | |
| | | | Re: Uncompressed vs. ProRes: Paging Bob Zelin by Arnie Schlissel on Nov 6, 2009 at 4:31:03 pm in the AJA Kona Forum [Bob Zelin] "I still see idiots that think that the AVID Meridian systems are the best thing AVID ever made, and continue to use them. "
Of course they do! If they're still paying them off, they may as well continue to use them!
Arnie
Post prod | | | | |
| | | | Re: import from omga drive by Peter Ovens on Nov 6, 2009 at 4:05:29 pm in the AVID Editing basics Forum Yes they are mxf and were put there from a Vegas 8 edit system.
there are also avi files on there and I can import them into Avid no problem. thanks
Peter Ovens | | | | |
| | | | Re: Finally! A great editing system. by Dan Monro on Nov 6, 2009 at 3:58:28 pm in the Apple Final Cut Pro Forum Hey Don,
Nice to see your face. Good deal on the new system. Can we do some Rodeo spots now? With 8 versions per city.....?
Dan Monro
FCP, Avid, AfterFX, Atlanta
MacBook Pro 2.4 GHz Intel Core 2 Duo 2 GB ram
Mac OS X 10.5.7
GeForce 8600M GT F | | | | |
| | | | Avid Xpress 4.0.1 by Joshua Long on Nov 6, 2009 at 3:27:56 pm in the AVID Editing Forum The point of this email is two-fold.
First, it is typical in that if anyone has suggestions or advice it is more than welcome.
Second, it is an alert to current and potential future users of this Avid Xpress 4.0.1 software.
EFFECTS:
1. Granted, | | | | |
| | | | Re: crashing while rending by Dale Spetz on Nov 6, 2009 at 3:18:32 pm in the Sony Vegas Forum I have 8 gigs of ram on an i7.
The max 16 threads should make no difference on a system that perceives itself as an 8 core, but it seems to. In my case, it works, so I stick with it.
Nor, do I understand the relationship between Dynamic Ram se | | | | |
| | | | AVID Project in FCP by Duane Fulk on Nov 6, 2009 at 2:23:48 pm in the Apple Final Cut Pro basics Forum We are considering buying FCP to replace one of our AVIDs. Is it possible to open AVID projects with all the timeline and effects that are in the original? Also, what is the best way to transfer AVID media to FCP. Quicktime is obvious, but what is | | | | |
| | | | Re: traveling with pro gear by Matthew Sonnenfeld on Nov 6, 2009 at 8:01:16 am in the Panasonic HVX - HPX (P2) Forum http://www.filmtools.com/pelican-1510-loc-overnight-case-black-1510loc.html
http://www.filmtools.com/cinebags-revolution-backpack-cb-25.html
http://www.bhphotovideo.com/c/product/340292-REG/Petrol_PCBP_1_PCBP_1_Papoose_Mini_DV.html
or if you | | | | |
| | | | Re: Uncompressed vs. ProRes: Paging Bob Zelin by Shane Ross on Nov 6, 2009 at 12:52:30 am in the AJA Kona Forum [Bob Zelin] "I still see idiots that think that the AVID Meridian systems are the best thing AVID ever made, and continue to use them. "
Well, I know plenty of places that used them and made good use of them until the DX line came out. because th | | | | |
| | | | Re: Media Manager weirdness by Don Wilson on Nov 5, 2009 at 11:44:48 pm in the AJA Kona Forum This is a project that the "artist' ingested himself. There are multiple clips with the same friggin' name, i.e. "Clip 1". I spent lots of time doing just what you said and found there was no logical way to define which of the four or five similar na | | | | |
| | | | Re: DNxDV Codec Problems by Kevin Camp on Nov 5, 2009 at 11:00:40 pm in the Adobe After Effects Forum this is just a guess, but maybe there is a slight difference in versions of the codecs.
try installing the same version of the codecs on the avid... i think avid has recently released version 2 of their codecs.
Kevin Camp
Senior Designer
KCPQ, | | | | |
| | | | Re: DNxDV Codec Problems by Lou Borella on Nov 5, 2009 at 8:43:09 pm in the AVID Editing Forum So what you are saying is that AVID's own codecs are incompatible with each other!!!
Don't they realize that installing software on corporate PCs in large workgroups is frowned upon?
How do I determine what version of the codec I am running on th | | | | |
| | | | Re: DNxDV Codec Problems by Job ter Burg on Nov 5, 2009 at 8:18:39 pm in the AVID Editing Forum You will need to install the newest version of the codec on the system at NBC. There has been a modification in the codec with the introduction of v4. If you have downloaded the latest version of the codec at home, it can be incompatible with the cod | | | | |
| | | | DNxDV Codec Problems by Lou Borella on Nov 5, 2009 at 6:55:15 pm in the Adobe After Effects Forum Im working on a Avid Media Composer v3.5.4 at NBC.
Some of the footage I'm trying to incorporate is SD and they are AVI files.
I need to upconvert everything to HD 1920x1080 but the AVIs use a codec that is not
avail on the PCs here. So I brough | | | | |
| | | | DNxDV Codec Problems by Lou Borella on Nov 5, 2009 at 6:54:48 pm in the AVID Editing Forum Im working on a Avid Media Composer v3.5.4 at NBC.
Some of the footage I'm trying to incorporate is SD and they are AVI files.
I need to upconvert everything to HD 1920x1080 but the AVIs use a codec that is not
avail on the PCs here. So I brough | | | | |
| | | | database issues after capturing by Steve West on Nov 5, 2009 at 4:57:24 pm in the AVID Editing Forum Our system has 10 Avid MC 3.5.1 systems networked to a Unity. We have one virtual drive set up for the users to capture to and one drive set up for project files. For the longest time now we have been finding large amounts of media files to be offli | | | | |
| | | | Re: broadcast monitor playback by Mitch Ives on Nov 5, 2009 at 4:13:06 pm in the AJA Kona Forum [Jeremy Garchow] "Avid usually transcodes files upon import, a process very different to FCP. At that point, you aren't playing back h264 files, but rather Avid codec files. "
good point...
Mitch Ives
Insight Productions Corp.
mitch@insightpr | | | | |
| | | | Boris FX | Using Boris Continuum Complete 6 Animated Presets with Adobe and Avid
Boris Continuum Complete 6's new Custom Animated Presets feature lets you save and re-use every parameter animation in every BCC filter - even across host applications and platforms. For the first time, you can animate BCC filters in Adobe After Effects and transfer the animation to the Avid timeline while preserving After Effects keyframes. BCC 6 AVX includes hundreds of factory-installed animated presets. Animated presets are now saved in industry-standard XML format and can be edited by any XML-compliant text editor. Watch this video tutorial and learn more. Tutorial, Video Tutorial Author: Dirk de Jong |
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| | | | AVID Editing | MediaMover: Adding Power to an Avid Strength
Dennis Kutchera looks at MediaMover by Random Video. This third-party utility written by an editor, Tony Black, addresses a need unique to using an Avid. MediaMover greatly expands the powers of Avid's respected Media Management tools -- already an Avid strongpoint -- made even stronger by this powerful utility. With longtime Avid expert Dennis Kutchera as your guide, Avid editors will greatly benefit from this look at an Avid 'must have.' Review Author: Dennis Kutchera |
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| | | | AVID Editing | A Talk with Medéa and Avid
An exclusive report from the Creative COW Magazine, a talk with Andy Dale of Avid & Martin Bock of Medéa, regarding Avid's recent purchase of Medéa Corporation. What does Avid see ahead for the company that changed the video hard drive market forever? People / Interview Author: Walter Biscardi |
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| | | | Apple Final Cut Pro | Avid versus Final Cut Pro: One Editor's Perspective: 2006
Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth. This article has been entirely rewritten to reflect where we stand today, the start of 2006. Feature Author: Patrick Inhofer |
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| | | | AVID Editing | Using Avid Xpress Pro and Mojo by Bob Donlon
Creative Cow's Bob Donlon tears open Avid Xpress Pro and Mojo in this in-depth report. Bob explores Xpress Pro's uncompressed editing options, multi-cam capabilities, the new "DNA" (digital nonlinear accelerator) hardware capabilities found in Mojo and the five streams of realtime available for users working in DV25. Bob also gives readers a look at configuring the system for maximum performance and concludes that the Xpress Pro / Mojo combination is a powerful combination worthy of a 4 Cow rating. Review Author: Bob Donlon |
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| | | | Apple Final Cut Pro | Avid versus Final Cut Pro: One Editor's Perspective
Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth. Feature Author: Patrick Inhofer |
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| | | | AVID Editing | AVID rolls out HD, 10bit and SpectraMatte
Creative Cow's Bob Donlon reports with up-to-the-minute news for Avid users who have wondered where the company was going in the world of HD and 10-bit support. In this report, Bob offers Cow members all the news penned within hours of attending Avid's New York City December 8, 2004 press event. While attending, Bob not only watched as Avid not only rolled out their HD plans and their 10-bit support for Media Composer Adrenaline users but Avid had another big surprise up their sleeves -- the just-announced SpectraMatte chroma keyer. Read on for all the latest from the Avid mothership in Tewksbury... Review Author: Bob Donlon |
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| | | | AVID Editing | Avid Liquid 7 -- a review by broadcast designer Mark Harvey
Mark Harvey, longtime leader in Creative Cow and a noted broadcast designer/editor, gives readers a look at the new Avid Liquid 7 -- acquired when Avid bought Pinnacle Systems and given many new features in this latest version now rolling out under the Avid name. Mark gives this system much praise for its powerful background rendering and wide feature set, as well as many new features like its HDV capabilities rolling out for the first time in v7. Review Author: Mark Harvey |
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| | | | AVID Editing | Avid Xpress Pro for Windows and Macintosh (Visual QuickPro Guide)
In this article, CreativeCOW.net contributing editor Josh Martin reviews Avid Xpress Pro for Windows and Macintosh (Visual QuickPro Guide) by James Monohan and published by Peachpit Press, 712 pages, Published 2003, Copyright 2004, ISBN: 0321145976. Josh explains why the sub-title, Visual QuickPro Guide works so well with this book, "Coming into this review, I had absolutely no AVID experience. I had done some very minor non-linear editing in Adobe Premiere, but that's where my "knowledge base" ended. I'm happy to report that thanks largely in part to James Monohan's book, I am happily editing on our AVID setup...." Review Author: Josh Mrtin |
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| | | | AVID Editing | Difference Matting within the Avid
In this tutorial, Ra-ey Saleh will show you how even without shooting Green Screen you can replace the background of a shot whilst keeping the moving foreground undamaged. He'll use a technique called 'Difference Matting' and do it all within the Avid! Tutorial Author: Ra-ey Saleh |
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| | | | Boris FX | Boris Continuum Complete AVX 5: Unleash Your Avid!
Emmy Award-winning editor Vivek Narayan takes a closer look at the latest version of Boris Continuum Complete, a comprehensive set of filters and effects for leading NLEs as well as After Effects. Although it works largely the same in all hosts, Vik digs deepest into BCC operating inside Avid. He finds that the 180 filters here more than give others a run for their money: it beats out some of the industry's favorites. See why he calls buying BCC AVX 5 a no-brainer. Review Author: Vivek Narayan |
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| | | | AVID Editing | Avid rolls out lower-priced Media Composer
When most people think of Avid, low cost is not a term likely to be used in connection with the venerable leader in broadcast and film editing systems. But with today's announcements, Avid has both increased their lead in the education sector and has radically dropped the price of its flagship Media Composer software. In this article, Creative COW's Ron Lindeboom explores why we find this great news for both existing Avid customers and those who thought that they could never afford an Avid. Editorial, Feature Author: Ron Lindeboom |
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| | | | AVID Editing | Avid XPress Pro & DV by Steve Hullfish, Chris Phrommayon & Bob Donlon
In this article, CreativeCOW.net leader Alex Alexzander reviews Avid XPress Pro and DV On the Spot written by Steve Hullfish, Chris Phrommayon & Bob Donlon, and published by CMP Books, 256 pages, September 1, 2004, ISBN: 1-57820-254-X. "As I write this, I have this big grin on my face. You see, you're in a forum reading this review, and the fact that you are in this forum reading this review is exactly what makes this book so perfect for you. Allow me to explain. We all go to forums, like this one, because from time to time we have a question. Sometimes we're not clear on how to accomplish a certain task or achieve a certain goal. Perhaps you're on the other side of this coin, and you arrived here to help others with their questions. No matter where you fit into this forum, you are no doubt someone who likes tips, shortcuts, and learning new techniques." Review Author: Alex Alexzander |
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| | | | DaVinci - NEW ! | Blackmagic Design Buys DaVinci: Part 1
In this article, Tim Wilson begins his series on the big news already beginning to leak from IBC 2009. Blackmagic Design has acquired da Vinci Systems and yes, you read that right. BMD owns and will be developing and marketing da Vinci's award-winning colorgrading technology. What's in store? Here's Part One of Tim's look at the fast-breaking news... Editorial, Feature, People / Interview Author: Tim Wilson |
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| | | | RE:Vision Effects | Frame Rate Conversion with Twixtor
Often times you need to make your edit in Premiere, Final Cut Pro or Avid and then import in After Effects to finish it or simply to do the final render, using tools such as Automatic Duck to import the project. This Tutorial demonstrates how to quickly setup large edits to do frame rate conversion with Twixtor in After Effects. In particular, we use footage from the Canon 5D Mark II that can only shoot 30 FPS and convert our edit for a 24P delivery, but this method can be applied to any frame rate conversion. Tutorial, Video Tutorial Author: Lori Freitag |
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| | | | DaVinci - NEW ! | Blackmagic Design Buys the Power of daVinci: Part 2
In this article, Tim Wilson continues his series with his Part Two look at the big news leaking from IBC 2009. Blackmagic Design has acquired da Vinci Systems and with that acquisition comes what Tim refers to as The Power of da Vinci. And for the many that have used da Vinci over the years, they know full well the power of which Tim writes. And for those who might need an introduction to this power, Tim offers these words... Editorial, Feature, People / Interview Author: Tim Wilson |
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| | | | Red Giant plug-ins | Creating a Motion Graphics Film Title Treatment
In this tutorial, Motion graphics designer and director Chad Bonanno helps you recreate the titles he designed for the feature film Dreamgirls. You'll learn how to create a cool shimmering confetti effect with Trapcode Particular, as well as how to reveal text with Knoll Light Factory Pro. Tutorial, Video Tutorial Author: Chad Bonanno |
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Podcasts | | | | boris fx tutorials podcast Boris Continuum Complete 6 - Animated Presets with Adobe and Avid BCC6's new Custom Animated Presets feature lets you save and re-use every parameter animation in every BCC filter - even across host applications and platforms. Animate BCC filters in Adobe After Effects and transfer the animation to the Avid timeline. | | | | |
| | | | creative cow podcast Episode #043 - October 01, 2008 Episode 043 - Engaging the Audience with Norman Hollyn, head of the editing track at USC Film School; Avid goes RED; Cakewalk Sonar 8; Windows Cloud OS; iPhone; YouTube updates; and more creative tech news, interviews and reports - www.creativecow.net | | | | |
| | | | creative cow podcast Episode #053 - December 09, 2008 Indie Movie Promotion with Anthony Brownrigg, Nikon D3X, MacBook RAM issue, 2009 color, FontShuffle, Sapphire 3.0 for Avid, Zbrush training and more creative news and interviews - creativecow.net | | | | |
| | | | creative cow podcast Episode #047 - October 28, 2008 Inside George Lucas' Lucasarts with Michael Rubin, end of VHS, Avid buys Softimage, Microsoft Azure, RED rumors, Panasonic VariCam 2700 and more creative news and interviews - creativecow.net | | | | |
| | | | creative cow podcast Episode #079 - June 08, 2009 Motion Graphics with Scott Frizzle, Adobe BrowserLab, Boris 3D, Avid and Final Cut share, stereographic 3D comes to iPhone, nVeil SVG, Sony Blu-Code 3.0, GPU Flash acceleration, Twitter income with SuperChirp, Panasonic HDC series debut and more. | | | | |
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