| | | | News: Aurora A/V 5.0 drivers Released
by Cow News Droid on Nov 28, 2005 at 8:42:33 pm
in the News & Press Releases Forum
New Interceptor™ feature in Aurora drivers allows playback of all popular QuickTime™ CODEC types from any QuickTime-compatible application without interfering with the running application. (Sterling Heights, Michigan) Aurora Video Systems announces the immediate availability of new 5.0 drivers for Aurora ... | | | | |
| | | | News: Aurora Video Systems announces a Holiday Sale!
by Cow News Droid on Dec 5, 2005 at 5:44:23 pm
in the News & Press Releases Forum
(STERLING HEIGHTS, Michigan Dec. 5, 2005) Aurora Video Systems announces price reductions on their most popular video capture cards and converters. For a limited time get huge savings on these Pipe-family capture cards: PipeStudio with breakout box reduced from $1999 ... | | | | |
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Apple Final Cut Pro
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Aurora Video's PipeStudio
Aurora's PipeStudio is specifically designed to take full advantage of the Final Cut Pro RT Extreme architecture while providing every commonly available professional-level audio and video input and output on an Industrial-quality rackmountable breatout box. In this article, CreativeCOW.net leader and filmmaker, David Battistella takes a look at the Aurora PipeStudio and determines it is a professional product designed for professionals in a real world environment. With care and research in setting up an editing system with fast hard drives and a product like this, you can achieve great results from FCP and this card combination.
Review
Author: David Battistella |
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| | | | Aurora Video Systems website resurrected
by Andreas Holmberg on Feb 26, 2008 at 9:39:13 pm
in the Aurora Video Systems Forum
As a former European distributor of Aurora Video Systems products, we have decided to host a copy of the Aurora Video Systems website at http://www.auroravideosystems.se . This is an effort to facilitate for Aurora Video Systems users to find vital ... | | | | |
| | | | FCP Playback Problem
by John Pale on Jun 13, 2006 at 3:08:02 pm
in the Apple Final Cut Pro Forum
Seems like your systems should be fast enough for this type of work. You should check with Blackmagic about PCI slot order. With my Aurora Igniter system years ago, if I put the SCSI card ahead of the Igniter card ... | | | | |
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Aurora Video Systems
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Aurora PipePro
Aurora's PipePro is a single-slot PCI card with SDI/Firewire input with embedded audio, analog component, S-Video and composite output, 4 channel AES audio in, 6 channel AES audio out, RS-422 control, Genlock and many other features -- all for $799 (US). Here is Walter's report for Cow members.
Review
Author: Walter Biscardi |
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| | | | Monitoring SD 16x9
by David Battistella on Jun 10, 2006 at 1:40:39 pm
in the AJA Kona Forum
I wonder how hard it would be to do the anamorphice squeeze in SD to SD mode. Presumably the processing power "exists on the card to do this, it's just not in the driver. Aurora video had a letterboxing feature ... | | | | |
| | | | Thomson and aurora
by Eyeperfect on Nov 25, 2006 at 5:21:01 pm
in the Aurora Video Systems Forum
Hi, Has aurora edit from thomson anything to do with aurora video systems? By the way is aurora a city in amerika? Eyeperfect | | | | |
| | | | Any way to get from GV Aurora Browser to Avid
by mark anderson on Jan 12, 2008 at 7:54:41 pm
in the AVID Editing Forum
news is considering going with grass valley aurora, and want to use the "browser" software to send lo rez timelines down to the "craft editors" in the full blown aurora edit suites to high rez and finish. is there a ... | | | | |
| | | | Complete DVC Pro-50 FIeld & SD Post Gear - broadcast camera, deck, G-5, X-Serve Raid, Aurora Studio Pipe card, everything like new!
by Ken Nelson on Sep 19, 2005 at 1:27:23 pm
in the Classifieds, For Sale Forum
center... this is it. Very few hours. Panasonic Broadcast DVC Pro-50 camera, tripod with OC-50 fliud head, light lits, top of the line studio deck with SD to G-5 through Aurora Studio Pipe card with breakout box for multi media, ... | | | | |
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Aurora Video Systems
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A little animated about 24p?
For those of us that are still ''young at heart'' and watch cartoons on TV, you'll notice that even today many animations are still hand drawn at 24 Frames Per Second (FPS) or 24 ''fips'' as it's sometimes referred. In this article, Marco Solorio explains why this time old honored technique can still be used today for maximizing your production time and most importantly, the look and feel of your animations.
Feature
Author: Marco Solorio |
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| | | | aurora edit LT
by JIOHN TAVASZ on Nov 21, 2007 at 12:05:26 am
in the Aurora Video Systems Forum
I would like some feedback on the ease of use of the Aurora Edit LT laptop in the field using DV25-P2 as acquisition. Is it a user friendly and robust system ? Is the lo-rez sequence easily reconformed in an ... | | | | |
| | | | cording w/ Soundtrack & Aurora Igniter ...
by Eric on Jan 5, 2006 at 8:45:22 pm
in the Apple Soundtrack Forum
Audio from its default of nothing the VU meters don't spike anymore. Does anyone have any idea what could be the problem here? My first guess is that its an Aurora driver incompatibility with STP but that's only a guess. ... | | | | |
| | | | FS: Aurora Pipe card,
by arroyo on Jan 30, 2006 at 2:29:21 pm
in the Classifieds, For Sale Forum
Have an Aurora pipe card in great shape. This is a great option for Final Cut pro and suports all RT functions. We are looking for $175.00 US sales only. Thanks | | | | |
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Boris FX
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Creating the Aurora Borealis In Boris Red 2.1
This tutorial is in response to a query posted on the Borisfx forum at the COW. Creativecow leader, Mark Harvey decided to go ahead and try and recreate the northern lights, one of nature's most beautiful phenomena. Follow along as he demonstrates how to create the project using only filters that ship with Red 2.1. (No 3rd party plug-ins needed.)
Tutorial
Author: Mark Harvey |
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AJA Kona
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AJA Kona SD v2.1
CreativeCOW leader, Marco Solorio reviews the new AJA Kona SD v. 2.1. For those seeking the latest uncompressed capture card for your Final Cut Pro system, this may be the answer you're looking for. With version 2.1 in public release, this system has unique features that other capture cards can only dream of.
Review
Author: Marco Solorio |
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N.A.B. Expo
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NAB 2001: Looking Back at the Industrys Top Conference and Expo
Ron Lindeboom looks at some of the things that made NAB 2001 a worthwhile trip into the plasticene desert. His conclusions are that the broadcast industrys makeover into a digital replacement of its analog past, is near maturity. Gone are the whizz bang days of so much new that you could barely see half of it in a week. There was little that was really new at NAB 2001. Still, there was some great technology and creative options to be found by the silicon adventurers drawn to the silicone world of Las Vegas.
Editorial
Author: Ron Lindeboom |
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HD High-End
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LaCie d2 Big Disk Extreme
A few months back Walter Biscardi had the eye opening experience of testing one of the first Firewire 800 drives to come along. At that time, he did not believe all the hype about FW800 being able to run Uncompressed video with any reliability. But that test sure made a believer out of him. Now Firewire 800 is making the evolution from a single drive unit, to multiple drive units striped together in RAID format with LaCie introducing the d2 Big Disk Extreme series. In this article, Walter takes this new offering from LaCie for a test drive. Walter Biscardi is a leader in both our Final Cut Pro and Pinnacle CinéWave forum communities where Cow members have long appreciated his friendly and insightful input.
Review
Author: Walter Biscardi |
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Apple Color
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Introducing: Stop Staring and Start Grading with Apple Color
Allow us to introduce one of the most eagerly anticipated DVDs in Creative Cow Master Series history, Walter Biscardi's overview of Apple Color. Building on nearly 20 years of professional editing experience, as well as years of experience with Apple Color (and FInal Touch HD before it), he's got the perfect perspective to make working in Color easier than you imagined. It's the disk he wished he had when he started using Color.
Feature
Author: Walter Biscardi |
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