| | | | Re: Media Composer to AfterEffects HD workflow by David Braswell on Sep 15, 2009 at 9:35:32 pm in the AVID Editing Forum I've done few of these now so I'll offer a few observations in hopes it will help.
1- For some reason my AE (CS2) never interprets the fielding of Avid QT ref movies correctly. So number one I'd check the interpretation of video clips after you im | | | | |
| | | | Re: Media Composer to AfterEffects HD workflow by Dave LaRonde on Sep 15, 2009 at 8:40:12 pm in the Adobe After Effects Forum It sounds like you're really benefit from Automatic Duck. It makes AE comps out of Avid timelines. Pretty cool. It even includes dissolves, audio modifications... and perhaps even effects. Just Google Automatic Duck and you'll find it.
If you | | | | |
| | | | Re: Media Express 2 by Don Eifert on Sep 15, 2009 at 8:29:14 pm in the Blackmagic Design Forum One more thing for the fix list.
Did a 1080i w/ 12 chan audio capture from Sony SRW-5500... no problem.
When writing the clip back to tape, only the first 8 audio channels go into insert edit when all 12 are selected. The audio for 9-12 did pla | | | | |
| | | | Re: Video plays faster than Audio by Dave LaRonde on Sep 15, 2009 at 7:39:32 pm in the Apple Final Cut Pro Forum It almost sounds like the duration of one of the tracks is shorter than the other.
Try this: duplicate a couple of copies of the clip in question, then use QT Pro to extract video on one, then audio on the other. Import them both into FCP and sti | | | | |
| | | | OMF import - even bigger problems in L9 by Adam Howard on Sep 15, 2009 at 6:53:11 pm in the Apple Logic Forum Logic has never been able to import OMF's completely ie - with all fade, level and pan information.
I heard that L9 would solve all this and make it a Pro Tools competitor (for final mix at least).
With the new L9, when deleting a "bad take" au | | | | |
| | | | Re: Best results for youtube upload by Terry Mikkelsen on Sep 15, 2009 at 6:14:47 pm in the Compression techniques Forum Never use a specific data rate if you want the very best quality possible! You are limited by YouTube to a 10 min length and 2GB file. Use your math skills to maximize your data rate (don't forget to leave some headroom for the audio). Now when Yo | | | | |
| | | | Re: This is Brilliant! by David Roth Weiss on Sep 15, 2009 at 6:04:25 pm in the Business & Marketing Forum [Mike Cohen] "Incidentally, a car makes a quiet audio booth in a pinch."
Hybrids, such as the Prius, make the very best rolling audio booths. Non-hybrids require pulling over to side of the road for good recording, making them definitely inferior. | | | | |
| | | | Re: This is Brilliant! by Mike Cohen on Sep 15, 2009 at 5:48:50 pm in the Business & Marketing Forum I think we need to add some more pedals and integrate the radio and cruise control buttons on the steering wheel. We could add a jog and shuttle function to the radio dials and air conditioner knobs. All of those buttons most drivers can use without | | | | |
| | | | Re: Volume by Terry Esslinger on Sep 15, 2009 at 5:44:22 pm in the Sony Vegas basics Forum Volume envelopes arebonly available in the full Pro version. If that is what you have go to insert envelope audio volume. Then there will be a line in the event that you can add nodes to and adjust different areas to different volumes. | | | | |
| | | | Re: Kernel Panic....again by Michael Harrington on Sep 15, 2009 at 5:02:38 pm in the Apple Final Cut Pro Forum I’ve returned from my road trip and checking the settings you asked about.
Did turning off “Audio Scrubbing” in the View menu help?'>Did turning off “Audio Scrubbing” in the View menu help?
I just turned off Audio Scrubbing, although I like to us | | | | |
| | | | Video plays faster than Audio by Daniel Finley on Sep 15, 2009 at 4:49:10 pm in the Apple Final Cut Pro Forum Hello, I've been wrestling with this for a while and can't figure it out. I'm hoping someone here can help.
I have imported footage from a client's DVDs into my Mac via DVDxDV as .mov files to be edited in FCP.
After being imported, all the vid | | | | |
| | | | Re: FCP HDV Capture Question (from an Avid guy) by Shane Ross on Sep 15, 2009 at 4:29:34 pm in the Apple Final Cut Pro Forum [Mike Fay] "1) Project was shot on HDV on Sony V1U in 24p mode. We want to capture at an "online" resolution, so I don't have to uprez later on and go print back to tape without any loss in resolution. What is the best codec for this workflow? Should | | | | |
| | | | Re: Best results for youtube upload by Craig Seeman on Sep 15, 2009 at 4:19:23 pm in the Compression techniques Forum Mac or Windows computer?
Generally I'd recommend 1280x720p H.264 mov (mp4 may work find too) at 5000kbps 2 pass VBR. Audio at 44.1KHz, Stereo, 128kbps.
Don't compress the output from your sequence. Use the native codec. You don't want to compre | | | | |
| | | | Re: Compressor settings for HD to SD by Rafael Amador on Sep 15, 2009 at 3:40:07 pm in the Apple Final Cut Pro Forum Paul,
This question have been answered here tree millions times.
Important is that you set "Frame Control: ON" and the resizing filter BETTER or BEST.
About the GOPs an that, if your program is 40 minutes and have only one audio channel, you may | | | | |
| | | | Intensity Pro, 1080i, and deinterlacing by Landon Gaus on Sep 15, 2009 at 3:21:30 pm in the Blackmagic Design Forum Greetings, newbie here.
I recently purchased a Blackmagic Intensity Pro and have it hooked up via component video cables to my AT&T U-verse receiver and all I intend to do is watch 1080i television while working on my computer.
In the process o | | | | |
| | | | FCP HDV Capture Question (from an Avid guy) by Mike Fay on Sep 15, 2009 at 3:12:27 pm in the Apple Final Cut Pro Forum Hi all,
I'm cutting a short film in FCP and just have some, what I think are, basic questions. I'm an Avid editor, been doing this for 10 years, and been giving myself a crash course in FCP (read Diana Weynand's Final Cut Pro 6 book) in order to | | | | |
| | | | Re: CS4 audio sync and link help by Peter Malakey on Sep 15, 2009 at 2:42:42 pm in the Adobe Premiere Pro Forum I'm glad to finally find some editors who share my big frustration with Premiere Pro. It's not a heavy feature to implement, I don't understand why Adobe doesn't want to hear about it, I've been wasting my time synchronising elements in the timeline | | | | |
| | | | make AVI help please by Rob Alexander on Sep 15, 2009 at 1:53:48 pm in the Apple Final Cut Pro Forum Hi,
I've been asked to make an AVI from a 16min sequence that I've cut in Final Cut. The client wants as high quality as possible.
I've exported a reference movie (DV-PAL), it's anamorphic so I've changed the properties in QT to 1024x576.
L | | | | |
| | | | Blackmagic & DaVinci, and What It Means by Grant Petty on Sep 15, 2009 at 1:46:45 pm in the DaVinci - NEW ! Forum Blackmagic founder Grant Petty says that the company's purchase of DaVinci systems actually fits exactly what they have done all along: build the kinds of products they have needed for their own postproduction business, and being the kind of company | | | | |
| | | | XDCAM Export from FCP Audio issues. by Luke Henry Vanden Bosch on Sep 15, 2009 at 1:27:57 pm in the Apple Final Cut Pro Forum I'm exporting a 1080i60 XDCAM HD sequence using the File>Export>Sony XDCAM menu. I'm on a Mac Pro using Final Cut 7.
in my sequence settings if I select Stereo downmix I am presented with all audio downmixed to the left channel only. and if I sele | | | | |
| | | | Re: Volume by Alex Bennett on Sep 15, 2009 at 12:18:35 pm in the Sony Vegas basics Forum If you have an audio editor you can open the audio clip in the editor, amplify it, and copy it back into Vegas. I use a free audio editor called Wavepad which you should be able to download. In Vegas you have the option to make this your Audio editor | | | | |
| | | | Re: ecm-674 / ecm-673 by Ty Ford on Sep 15, 2009 at 12:00:56 pm in the Audio Professionals Forum Their price point makes me think they are prosumer. That and I think I would have heard something had they been targeting the pro sales channel.
Hopefully? A D50 is a lot to spend on "hopefully." I'd ant to try before I bought one to make sure whe | | | | |
| | | | Re: Vegas 9 Nesting issue with audio by Graham Bernard on Sep 15, 2009 at 8:54:19 am in the Sony Vegas Forum Known Bug. SONY is fixing it. Here's the "workaround":
"The work-around is: In the main (parent) instance of Vegas, create a time selection and start a render, but uncheck “Render loop region only”. You can cancel the render. Now when you edit t | | | | |
| | | | Re: blackmagic and psystar- one more thing by Aristides Tiropolis on Sep 15, 2009 at 7:04:09 am in the Blackmagic Design Forum [Margus Voll] "It is not the os that makes the final result. The person that operates this machine is."
Yeah, but one does need some tools and find solutions on a project. Sometimes being only on the windows world doesn't bring the best tools avai | | | | |
| | | | Re: ecm-674 / ecm-673 by Bill Davis on Sep 15, 2009 at 6:40:35 am in the Audio Professionals Forum Well, the Sony WRR and WRT systems were staples in rental houses around here for decades. So they do have a fine track record for wireless at the moderate to top end.
And as to shotguns, it's also defensible to note that whatever else you feel ab | | | | |
| | | | can't print to tape and more weirdness by ralph bertini on Sep 15, 2009 at 6:24:11 am in the Apple Final Cut Pro Forum I am experiencing a bizarre problem and am not sure if its an FCP problem or a mac issue. Working on an dual g5 and running studio 2. While editing I keep losing output to my ntsc monitor and refresh av devices frequently. What worse is I cannot ou | | | | |
| | | | Re: No sound in RAM preview by Ian Chua on Sep 15, 2009 at 6:11:13 am in the Adobe After Effects Forum I've had the same problem as yours, not having audio in RAM preview. Spent most of the morning fiddling and finally fixed it!
Try changing your Audio Hardware settings inside Preferences to "System Default Input/Output". (mine was "Built-In Line | | | | |
| | | | Media 100 | Media 100 HD | VoiceOver Recording in Media 100 Suite
In this video tutorial, Floh Peters takes a look at Media 100 Suite's new VoiceOver Tool. The VoiceOver Tool allows direct-to-timeline audio recording while playing back timeline audio and video. Primarily designed for recording narration, the VoiceOver Tool leverages Media 100 Suite's new MultiClip architecture to allow for multiple takes nested inside a single audio clip in the timeline. Tutorial, Video Tutorial Author: Floh Peters |
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| | | | DaVinci - NEW ! | Blackmagic & DaVinci, and What It Means
Blackmagic founder Grant Petty says that the company's purchase of DaVinci systems actually fits exactly what they have done all along: build the kinds of products they have needed for their own postproduction business, and being the kind of company they'd want to do business with. While important details are still being worked out, Grant has some very clear visions about how these practices can help rebuild one of the industry's most respected brands. People / Interview Author: Grant Petty |
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| | | | RE:Vision Effects | Lip-Synch with Twixtor
Key framed alignment of video to audio. In this tutorial from RE: Vision Effects, Lori Freitag covers the basic concept of aligning a video track to a different audio track using Twixtor. As an example we lip-synch an outdoor shoot to a studio recording. Tutorial, Video Tutorial Author: Lori Freitag |
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| | | | Media 100 | Media 100 HD | MultiClip Editing in Media 100 Suite
In this new video tutorial, Floh Peters of Magic Eye takes a look at Media 100 Suite's new MultiClip Editing feature. Ideal for music videos, studio and on-location television, concerts, and live events, MultiClip Editing facilitates real-time editing of multiple video and audio sources in a familiar, easy-to-use interface. A camera can be added to an existing MultiClip as its source media becomes available, allowing you to begin cutting a multicam shoot faster than ever before. Cameras can be synced via timecode, sync marks, or in-points. When syncing via timecode, additional footage can even be assigned to an existing camera - extremely helpful in situations where a camera has been stopped to change tapes or batteries. Tutorial, Video Tutorial Author: Floh Peters |
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| | | | Audio Professionals | Real Basic Audio Stuff: A Tutorial from Peter Perry
This article by Peter Perry is intended for those new to the audio side of video production. As many discover when they go to post with their first project, achieving good sounding audio requires attention to details often overlooked by inexperienced shooters, and that many audio problems are difficult or impossible to fix in post. The focus of this article is to help anticipate and avoid many of those problems. Tutorial Author: Peter Perry |
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| | | | Audio Professionals | Recording Multi-cam Audio
Editing multi-cam audio is a hot NLE feature. Maybe youre ready to shoot the video -- but are you ready to capture multiple audio sources for your multi-cam shoot? Brandt Sleeper offers tips for multi-cam audio shoots, from ENG to the front row. Tutorial Author: Brandt Sleeper |
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| | | | Audio Professionals | Audio Post Production for Digital Video by Jay Rose
CreativeCOW leader Timothy Allen takes an in depth look at Jay Rose's Audio Postproduction for Digital Video and determines that every serious non-linear editor should have this book. Read why Timothy, who is a multiple Emmy award winner as well as an accomplished musician, gives this new book in the CMP Books DV Experts Series such high marks. Review Author: Timothy Allen |
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| | | | Media 100 | Media 100 HD | New Audio Mixing Features in Media 100 Version 13
In this Media 100 video tutorial, Floh Peters of Magic Eye (Germany) takes a look at Media 100 Version 13's new multi-channel audio output capabilities. With Version 13, you can assign multiple audio tracks to virtual buses and process each bus separately in the timeline. Each bus can separately master to one or more output hardware channels. Tutorial, Video Tutorial Author: Floh Peters |
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| | | | Audio Professionals | Audio Techniques for Video Editors
Are you a video editor hoping to add more richness to your audio? In the world of video editing, its not uncommon for video editors to rely on others to perform audio post production on their projects. But in this article, well focus on ways that you can get better audio without having others do it for you. Tutorial, Feature Author: Marco Solorio |
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| | | | Audio Professionals | Jim Harvey reviews An Introduction to Digital Audio
Jim Harvey takes a look at An Introduction to Digital Audio by John Watkinson. ~ This book is published by Focal Press. Read why Jim says this book is a comprehensive book in every respect, but not for the faint of heart or those wishing to have guidance of a more practical nature in producing their audio. Review Author: Jim Harvey |
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| | | | Audio Professionals | SonicFire Pro: Great Audio Made Easy
In this article, Ron Lindeboom shows why SmartSound's Sonicfire Pro is a video content creator's dream tool. If you have a studio filled with MIDI equipment, you write your own stuff, or you love to build loops layer upon layer upon layer for hours ... then SFP is probably not for you. But if you need great audio and you need it now -- and most importantly, you need it to fit your exact edit requirements -- then Sonicfire Pro is well worth exploring. Ron concludes that this is one tool that he refuses to be without. Review, Tutorial Author: Ron Lindeboom |
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| | | | HD High-End | HD Unleashed
In this review from The Creative COW Magazine, Charles Papert, SOC, sets his Steadicam free with wireless, uncompressed HD using the IDX CAM~WAVE. Review Author: Charles Papert |
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| | | | Apple Final Cut Pro | Final Cut Studio 3 is here, and all is good!
Our man in Nepal, Jiggy Gaton, likes to live for danger. He installed a major software upgrade mid-project, with virtually no preparation, just to see what would break. Lo and behold, it all worked! And the more Jiggy works with it, the better he's liking it. Join him in this Creative COW, Real-world, Real-time Report on Final Cut Studio 3. Review Author: Jiggy Gaton |
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| | | | Adobe After Effects | Creating an Audio LED Meter
In this Tutorial, Roland Kahlenberg demonstrates creating an 'as real as you want it to be' audio LED meter using Motion Math and Expressions. At the bottom of the page is a sample of its use in Roland's demo reel -- just to give you a 'real world' example. Tutorial Author: Roland R. Kahlenberg |
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Podcasts | | | | final cut help tutorials podcast Final Cut Pro - Importing an Audio CD In this video tutorial, Ben Scott shows you how to use iTunes to import an audio CD, with the correct settings to use in Final Cut Pro. | | | | |
| | | | adobe after effects tutorials podcast AE Workflow Tips #8: Working with Audio In this podcast tutorial, Creative Cow leader Aharon Rabinowitz shares helpful hints about working with audio, including avoiding a major pitfall, as well as better methods of timing video to an audio track. | | | | |
| | | | all things apple podcast All Things Apple - Audio Production Host Walter Biscardi, Jr. talks about audio production and the music industry with Grammy nominated composer Jayne Olderman and Sound Designer/Composer Patrick Belden who's work is featured on "Good Eats". See http://blogs.creativecow.net/node/198 for more | | | | |
| | | | creative cow extras podcast Episode #004 - Audio Mastering Audio Mastering Part 2 with Charlie Grover - Charlie is an Apple Certified Trainer and Audio Producer, he talks with Franklin about how to choose a good monitor for audio mastering as well as working with various hardware interfaces. | | | | |
| | | | creative cow podcast Episode #069 - March 31, 2009 Audio Mastering Part 1 with Charlie Grover, Skype for iPhone and Blackberry, 3ds Max 2010, Adobe Director 11.5, RE:Vision Effects ReelSmart Blur, Fusion SWAT training, Wirecast 3.5 and more creative news and interviews - creativecow.net | | | | |
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