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Re: Media Composer to AfterEffects HD workflow
by David Braswell on Sep 15, 2009 at 9:35:32 pm
in the AVID Editing Forum
I've done few of these now so I'll offer a few observations in hopes it will help. 1- For some reason my AE (CS2) never interprets the fielding of Avid QT ref movies correctly. So number one I'd check the interpretation of video clips after you im
Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Rob Brambila on Sep 15, 2009 at 9:04:16 pm
in the Apple Final Cut Pro Forum
to make a muxed file simply export after you save. I think his delivery is for digital cinema playout. Thanks, Rob Brambila Director of Technology ProMAX Systems rob.brambila@promax.com www.promax.com
Re: Media Composer to AfterEffects HD workflow
by Dave LaRonde on Sep 15, 2009 at 8:40:12 pm
in the Adobe After Effects Forum
It sounds like you're really benefit from Automatic Duck. It makes AE comps out of Avid timelines. Pretty cool. It even includes dissolves, audio modifications... and perhaps even effects. Just Google Automatic Duck and you'll find it. If you
Re: Media Express 2
by Don Eifert on Sep 15, 2009 at 8:29:14 pm
in the Blackmagic Design Forum
One more thing for the fix list. Did a 1080i w/ 12 chan audio capture from Sony SRW-5500... no problem. When writing the clip back to tape, only the first 8 audio channels go into insert edit when all 12 are selected. The audio for 9-12 did pla
Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Tom Wolsky on Sep 15, 2009 at 8:20:55 pm
in the Apple Final Cut Pro Forum
I originally thought Paul was going to DVD, which is why I suggested Compressor. Will this technique make a muxed MPEG-2 file, or a QuickTime file with an MPEG-2 video track and ac3 tracks? All the best, Tom Class on Demand DVDs "Complet
Re: Video plays faster than Audio
by Daniel Finley on Sep 15, 2009 at 8:15:23 pm
in the Apple Final Cut Pro Forum
Brilliant! It worked. Thanks so much, Dave!
Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Rob Brambila on Sep 15, 2009 at 7:51:53 pm
in the Apple Final Cut Pro Forum
You can also use Quicktime Pro to mux the file. Download the ac3 codec for quicktime. You can get it here http://www.afreecodec.com/mac/123/quicktime-ac3-codec/ then just open the movie in quicktime. Make sure that the movie is at the beginning. Then
Pulling Spotlight Comments into Final Cut Server 1.5
by Gardiner Welch on Sep 15, 2009 at 7:45:35 pm
in the Apple Final Cut Server Forum
I am new to FCS so forgive me if this is a simple question, but I have a large SFX library that I was thinking of adding to FCS. The problem is that, upon importing a couple of test audio files, FCS doesn't seem to recognize/read the Spotlight Co
Re: ndering "General Error"
by Christian Garzone on Sep 15, 2009 at 7:42:40 pm
in the Apple Final Cut Pro Forum
Tony, Thanks for the reply...I'm kind of a boob when it comes to this...how would I re-render the audio? Thanks again for your time- Christian
Re: Video plays faster than Audio
by Dave LaRonde on Sep 15, 2009 at 7:39:32 pm
in the Apple Final Cut Pro Forum
It almost sounds like the duration of one of the tracks is shorter than the other. Try this: duplicate a couple of copies of the clip in question, then use QT Pro to extract video on one, then audio on the other. Import them both into FCP and sti
Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Paul Tilsley on Sep 15, 2009 at 7:18:50 pm
in the Apple Final Cut Pro Forum
thanks indeed PP another innovative idea, will try this too
Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Paul Tilsley on Sep 15, 2009 at 7:18:06 pm
in the Apple Final Cut Pro Forum
thanks Rafael will try this
Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Paul Tilsley on Sep 15, 2009 at 7:12:52 pm
in the Compression techniques Forum
thankyou sincerely Terry I will sure try this
OMF import - even bigger problems in L9
by Adam Howard on Sep 15, 2009 at 6:53:11 pm
in the Apple Logic Forum
Logic has never been able to import OMF's completely ie - with all fade, level and pan information. I heard that L9 would solve all this and make it a Pro Tools competitor (for final mix at least). With the new L9, when deleting a "bad take" au
Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Terry Mikkelsen on Sep 15, 2009 at 6:22:58 pm
in the Compression techniques Forum
I can't think of anyway to get compressor to do this, but may have another option. Take your video into compressor and make an appropriate .m2v file for DVDSP. Take the file into DVDSP and format/write the file to HDD. In the VIDEO_TS folder wil
Re: Best results for youtube upload
by Terry Mikkelsen on Sep 15, 2009 at 6:14:47 pm
in the Compression techniques Forum
Never use a specific data rate if you want the very best quality possible! You are limited by YouTube to a 10 min length and 2GB file. Use your math skills to maximize your data rate (don't forget to leave some headroom for the audio). Now when Yo
Re: This is Brilliant!
by David Roth Weiss on Sep 15, 2009 at 6:04:25 pm
in the Business & Marketing Forum
[Mike Cohen] "Incidentally, a car makes a quiet audio booth in a pinch." Hybrids, such as the Prius, make the very best rolling audio booths. Non-hybrids require pulling over to side of the road for good recording, making them definitely inferior.
Re: This is Brilliant!
by Mike Cohen on Sep 15, 2009 at 5:48:50 pm
in the Business & Marketing Forum
I think we need to add some more pedals and integrate the radio and cruise control buttons on the steering wheel. We could add a jog and shuttle function to the radio dials and air conditioner knobs. All of those buttons most drivers can use without
Re: Volume
by Terry Esslinger on Sep 15, 2009 at 5:44:22 pm
in the Sony Vegas basics Forum
Volume envelopes arebonly available in the full Pro version. If that is what you have go to insert envelope audio volume. Then there will be a line in the event that you can add nodes to and adjust different areas to different volumes.
TV Production Company seeks Motion Graphics Artist / 3D Animator
by Katie Pinney on Sep 15, 2009 at 5:03:33 pm
in the JOBS Offered - Higher Pay Forum
Orion Multimedia, the nation’s largest independent producer of outdoor adventure television programming and a leader across the reality genre, seeks an experienced motion graphics artist and 3D animator to join our award winning team in a full time p
Re: Kernel Panic....again
by Michael Harrington on Sep 15, 2009 at 5:02:38 pm
in the Apple Final Cut Pro Forum
I’ve returned from my road trip and checking the settings you asked about. Did turning off “Audio Scrubbing” in the View menu help?'>Did turning off “Audio Scrubbing” in the View menu help? I just turned off Audio Scrubbing, although I like to us
Video plays faster than Audio
by Daniel Finley on Sep 15, 2009 at 4:49:10 pm
in the Apple Final Cut Pro Forum
Hello, I've been wrestling with this for a while and can't figure it out. I'm hoping someone here can help. I have imported footage from a client's DVDs into my Mac via DVDxDV as .mov files to be edited in FCP. After being imported, all the vid
Re: Headphone Volume Adjustable?
by Marc Berry on Sep 15, 2009 at 4:38:42 pm
in the Panasonic DVX100 - HMC150 Forum
I have also use an audio booster in noisy situations. Take a look at http://www.boostaroo.com/ Love the camera....w Marc Marc Berry B Media Design 212.532.2301 www.bmediadesign.com
Re: FCP HDV Capture Question (from an Avid guy)
by Shane Ross on Sep 15, 2009 at 4:29:34 pm
in the Apple Final Cut Pro Forum
[Mike Fay] "1) Project was shot on HDV on Sony V1U in 24p mode. We want to capture at an "online" resolution, so I don't have to uprez later on and go print back to tape without any loss in resolution. What is the best codec for this workflow? Should
Re: Best results for youtube upload
by Craig Seeman on Sep 15, 2009 at 4:19:23 pm
in the Compression techniques Forum
Mac or Windows computer? Generally I'd recommend 1280x720p H.264 mov (mp4 may work find too) at 5000kbps 2 pass VBR. Audio at 44.1KHz, Stereo, 128kbps. Don't compress the output from your sequence. Use the native codec. You don't want to compre
Re: Compressor settings for HD to SD
by Rafael Amador on Sep 15, 2009 at 3:40:07 pm
in the Apple Final Cut Pro Forum
Paul, This question have been answered here tree millions times. Important is that you set "Frame Control: ON" and the resizing filter BETTER or BEST. About the GOPs an that, if your program is 40 minutes and have only one audio channel, you may
Intensity Pro, 1080i, and deinterlacing
by Landon Gaus on Sep 15, 2009 at 3:21:30 pm
in the Blackmagic Design Forum
Greetings, newbie here. I recently purchased a Blackmagic Intensity Pro and have it hooked up via component video cables to my AT&T U-verse receiver and all I intend to do is watch 1080i television while working on my computer. In the process o
FCP HDV Capture Question (from an Avid guy)
by Mike Fay on Sep 15, 2009 at 3:12:27 pm
in the Apple Final Cut Pro Forum
Hi all, I'm cutting a short film in FCP and just have some, what I think are, basic questions. I'm an Avid editor, been doing this for 10 years, and been giving myself a crash course in FCP (read Diana Weynand's Final Cut Pro 6 book) in order to
Re: CS4 audio sync and link help
by Peter Malakey on Sep 15, 2009 at 2:42:42 pm
in the Adobe Premiere Pro Forum
I'm glad to finally find some editors who share my big frustration with Premiere Pro. It's not a heavy feature to implement, I don't understand why Adobe doesn't want to hear about it, I've been wasting my time synchronising elements in the timeline
Re: XDCAM Export from FCP Audio issues.
by Rafael Amador on Sep 15, 2009 at 2:41:30 pm
in the Apple Final Cut Pro Forum
Only mono channels supported when exporting like that. rafael www.nagavideo.com
Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Rafael Amador on Sep 15, 2009 at 2:02:15 pm
in the Apple Final Cut Pro Forum
You can put audio and video together with Compressor but only if the audio is MPG-2. If the audio is PCM or AC3, the only way (I think ) to put the two files together in a single file is with a DVD/BR authoring tool. So I think that you need to toa
make AVI help please
by Rob Alexander on Sep 15, 2009 at 1:53:48 pm
in the Apple Final Cut Pro Forum
Hi, I've been asked to make an AVI from a 16min sequence that I've cut in Final Cut. The client wants as high quality as possible. I've exported a reference movie (DV-PAL), it's anamorphic so I've changed the properties in QT to 1024x576. L
Blackmagic & DaVinci, and What It Means
by Grant Petty on Sep 15, 2009 at 1:46:45 pm
in the DaVinci - NEW ! Forum
Blackmagic founder Grant Petty says that the company's purchase of DaVinci systems actually fits exactly what they have done all along: build the kinds of products they have needed for their own postproduction business, and being the kind of company
XDCAM Export from FCP Audio issues.
by Luke Henry Vanden Bosch on Sep 15, 2009 at 1:27:57 pm
in the Apple Final Cut Pro Forum
I'm exporting a 1080i60 XDCAM HD sequence using the File>Export>Sony XDCAM menu. I'm on a Mac Pro using Final Cut 7. in my sequence settings if I select Stereo downmix I am presented with all audio downmixed to the left channel only. and if I sele
Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by peter pop on Sep 15, 2009 at 1:26:56 pm
in the Apple Final Cut Pro Forum
I am not a compressor guru, but I don't think it is capableof such a task. If it was me doing it I would, MPEG encode my video in compressor then mux my mpeg and ac3 into a single TS in MPEGStreamclip. If i recall correctly, if you have the mpe
Re: Conforming from 25 to 24 with Cinema Tools - How to fix audio pitch
by Jeremy Garchow on Sep 15, 2009 at 12:44:40 pm
in the Apple Final Cut Pro Forum
I hear you on all those fronts, Michael. That's why I said that only you and a few others will know. I agree, there are better ways to do it, but for fast, easy and cheap, a simple conform is the best option. Jeremy
Re: Conforming from 25 to 24 with Cinema Tools - How to fix audio pitch
by Jeremy Garchow on Sep 15, 2009 at 12:40:37 pm
in the Apple Final Cut Pro Forum
[Rafael Amador] "With the Standard Conversion you end up with nothing of the original film. Risky when working with compressed material. " Hi Raf. There's a conform function in Compressor. It's not the same as Cinema Tools, but it's there. No f
Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Paul Tilsley on Sep 15, 2009 at 12:40:06 pm
in the Apple Final Cut Pro Forum
Hi we are making digital movies of comedy performances on HDV, editing them multiclip on FCP, and successfully putting them through Compressor 3.5 to export as an MPEG2 program stream at 25mbits. These files are then shown in digital cinemas throug
Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Paul Tilsley on Sep 15, 2009 at 12:38:08 pm
in the Compression techniques Forum
Hi we are making digital movies of comedy performances on HDV, editing them multiclip on FCP, and successfully putting them through Compressor 3.5 to export as an MPEG2 program stream at 25mbits. These files are then shown in digital cinemas throug
Re: Volume
by Alex Bennett on Sep 15, 2009 at 12:18:35 pm
in the Sony Vegas basics Forum
If you have an audio editor you can open the audio clip in the editor, amplify it, and copy it back into Vegas. I use a free audio editor called Wavepad which you should be able to download. In Vegas you have the option to make this your Audio editor
Re: Cost effective audio for legal video / depositions
by Ty Ford on Sep 15, 2009 at 12:07:00 pm
in the Audio Professionals Forum
[Rob Neidig] "That Behringer and Nady equipment you are considering will pass the sound to your recorder. Both brands, however, make gear that is not of the highest audio or build quality and tends to wear out quickly. You are going to be recording a
Re: ecm-674 / ecm-673
by Ty Ford on Sep 15, 2009 at 12:00:56 pm
in the Audio Professionals Forum
Their price point makes me think they are prosumer. That and I think I would have heard something had they been targeting the pro sales channel. Hopefully? A D50 is a lot to spend on "hopefully." I'd ant to try before I bought one to make sure whe
Re: Need help with correctly projecting three 4x3 video to look like one 12x3 video
by Walter Soyka on Sep 15, 2009 at 10:29:26 am
in the Live & Stage Events Forum
[eugene park] "I did draw a diagram of how I wanted the projection set up.. all three would be on a tray hanging from the ceiling so they will all share a central location as well as the laptop and expansion module. So one would be projecting straigh
Re: Vegas 9 Nesting issue with audio
by Graham Bernard on Sep 15, 2009 at 8:54:19 am
in the Sony Vegas Forum
Known Bug. SONY is fixing it. Here's the "workaround": "The work-around is: In the main (parent) instance of Vegas, create a time selection and start a render, but uncheck “Render loop region only”. You can cancel the render. Now when you edit t
Re: Conforming from 25 to 24 with Cinema Tools - How to fix audio pitch
by Michael Gissing on Sep 15, 2009 at 8:34:40 am
in the Apple Final Cut Pro Forum
Pitch correction should be applied but externally using proper software. I have a slight gripe with the slow down or speed up that is being commonly used to go from 25 to 24 or 23.976 to 25. I sat through a restripe of a doco recently with the direct
Re: blackmagic and psystar- one more thing
by Aristides Tiropolis on Sep 15, 2009 at 7:04:09 am
in the Blackmagic Design Forum
[Margus Voll] "It is not the os that makes the final result. The person that operates this machine is." Yeah, but one does need some tools and find solutions on a project. Sometimes being only on the windows world doesn't bring the best tools avai
Re: ecm-674 / ecm-673
by Bill Davis on Sep 15, 2009 at 6:40:35 am
in the Audio Professionals Forum
Well, the Sony WRR and WRT systems were staples in rental houses around here for decades. So they do have a fine track record for wireless at the moderate to top end. And as to shotguns, it's also defensible to note that whatever else you feel ab
can't print to tape and more weirdness
by ralph bertini on Sep 15, 2009 at 6:24:11 am
in the Apple Final Cut Pro Forum
I am experiencing a bizarre problem and am not sure if its an FCP problem or a mac issue. Working on an dual g5 and running studio 2. While editing I keep losing output to my ntsc monitor and refresh av devices frequently. What worse is I cannot ou
Re: No sound in RAM preview
by Ian Chua on Sep 15, 2009 at 6:11:13 am
in the Adobe After Effects Forum
I've had the same problem as yours, not having audio in RAM preview. Spent most of the morning fiddling and finally fixed it! Try changing your Audio Hardware settings inside Preferences to "System Default Input/Output". (mine was "Built-In Line
Re: Cost effective audio for legal video / depositions
by Rob Neidig on Sep 15, 2009 at 5:45:18 am
in the Audio Professionals Forum
Adrian, I'm not Ty (though I wouldn't mind playing him on TV), but as a Certified Legal Videographer who has done several hundred video depositions, I will chime in my meager opinion. That Behringer and Nady equipment you are considering will p
Media 100 | Media 100 HD
VoiceOver Recording in Media 100 SuiteVoiceOver Recording in Media 100 Suite

In this video tutorial, Floh Peters takes a look at Media 100 Suite's new VoiceOver Tool. The VoiceOver Tool allows direct-to-timeline audio recording while playing back timeline audio and video. Primarily designed for recording narration, the VoiceOver Tool leverages Media 100 Suite's new MultiClip architecture to allow for multiple takes nested inside a single audio clip in the timeline.
Tutorial, Video Tutorial
Author: Floh Peters
DaVinci - NEW !
Blackmagic & DaVinci, and What It MeansBlackmagic & DaVinci, and What It Means

Blackmagic founder Grant Petty says that the company's purchase of DaVinci systems actually fits exactly what they have done all along: build the kinds of products they have needed for their own postproduction business, and being the kind of company they'd want to do business with. While important details are still being worked out, Grant has some very clear visions about how these practices can help rebuild one of the industry's most respected brands.
People / Interview
Author: Grant Petty
Red Giant plug-ins
Controlling Time with Audio - Part 1Controlling Time with Audio - Part 1

In this episode, Aharon Rabinowitz shows you how to use audio to control time. Youll learn how to make your video automatically move forward in time to the beat of the music - a technique used in tons of music videos and commercials.
Tutorial, Video Tutorial
Author: Aharon Rabinowitz
RE:Vision Effects
Lip-Synch with TwixtorLip-Synch with Twixtor

Key framed alignment of video to audio. In this tutorial from RE: Vision Effects, Lori Freitag covers the basic concept of aligning a video track to a different audio track using Twixtor. As an example we lip-synch an outdoor shoot to a studio recording.
Tutorial, Video Tutorial
Author: Lori Freitag
Business & Marketing
Free video and demo reel hosting comes to Creative COWFree video and demo reel hosting comes to Creative COW

CreativeCOW.net has added free hosting for demo reels, music videos, commercials, short films, trailers and other media files that our members want to use to promote their businesses or just show their work. We support up to 900 pixels wide, up to 100MB in size, with AAC audio encoding.
Review, Editorial, Feature, Business
Author: Ron Lindeboom
Adobe After Effects
Using Text Jitter in Boris Continuum Complete 6 AE's Extruded Text FilterUsing Text Jitter in Boris Continuum Complete 6 AE's Extruded Text Filter

This video tutorial from Dirk de Jong gives you an in-depth look at the Jitter feature of Boris Continuum Complete 6 AE's Extruded Text filter. Basic functionality of the Jitter feature is explained and demonstrated. Then, the Jitter feature is shown in the context of a more developed effect involving audio and After Effects Camera and Lights.
Tutorial, Video Tutorial
Author: Dirk de Jong
Media 100 | Media 100 HD
MultiClip Editing in Media 100 Suite MultiClip Editing in Media 100 Suite

In this new video tutorial, Floh Peters of Magic Eye takes a look at Media 100 Suite's new MultiClip Editing feature. Ideal for music videos, studio and on-location television, concerts, and live events, MultiClip Editing facilitates real-time editing of multiple video and audio sources in a familiar, easy-to-use interface. A camera can be added to an existing MultiClip as its source media becomes available, allowing you to begin cutting a multicam shoot faster than ever before. Cameras can be synced via timecode, sync marks, or in-points. When syncing via timecode, additional footage can even be assigned to an existing camera - extremely helpful in situations where a camera has been stopped to change tapes or batteries.
Tutorial, Video Tutorial
Author: Floh Peters
Audio Professionals
Real Basic Audio Stuff: A Tutorial from Peter PerryReal Basic Audio Stuff: A Tutorial from Peter Perry

This article by Peter Perry is intended for those new to the audio side of video production. As many discover when they go to post with their first project, achieving good sounding audio requires attention to details often overlooked by inexperienced shooters, and that many audio problems are difficult or impossible to fix in post. The focus of this article is to help anticipate and avoid many of those problems.
Tutorial
Author: Peter Perry
Audio Professionals
Jim Harvey reviews  PC  Audio Editing: Broadcast, Desktop & CD  Audio ProductionJim Harvey reviews PC Audio Editing: Broadcast, Desktop & CD Audio Production

Jim Harvey takes a look at PC Audio Editing: Broadcast, Desktop & CD Audio Production by Roger Derry. ~ This book is published by Focal Press. Read why Jim gives this book 4 1/2 COWs and says,''It really belongs on your shelf if you are starting out with audio editing, and if you are already fairly comfortable with audio it is an excellent reference work.''
Review
Author: Jim Harvey
Audio Professionals
Recording Multi-cam AudioRecording Multi-cam Audio

Editing multi-cam audio is a hot NLE feature. Maybe youre ready to shoot the video -- but are you ready to capture multiple audio sources for your multi-cam shoot? Brandt Sleeper offers tips for multi-cam audio shoots, from ENG to the front row.
Tutorial
Author: Brandt Sleeper
Audio Professionals
Audio Post Production for Digital Video by Jay RoseAudio Post Production for Digital Video by Jay Rose

CreativeCOW leader Timothy Allen takes an in depth look at Jay Rose's Audio Postproduction for Digital Video and determines that every serious non-linear editor should have this book. Read why Timothy, who is a multiple Emmy award winner as well as an accomplished musician, gives this new book in the CMP Books DV Experts Series such high marks.
Review
Author: Timothy Allen
Media 100 | Media 100 HD
New Audio Mixing Features in Media 100 Version 13New Audio Mixing Features in Media 100 Version 13

In this Media 100 video tutorial, Floh Peters of Magic Eye (Germany) takes a look at Media 100 Version 13's new multi-channel audio output capabilities. With Version 13, you can assign multiple audio tracks to virtual buses and process each bus separately in the timeline. Each bus can separately master to one or more output hardware channels.
Tutorial, Video Tutorial
Author: Floh Peters
Audio Professionals
Audio Techniques for Video EditorsAudio Techniques for Video Editors

Are you a video editor hoping to add more richness to your audio? In the world of video editing, its not uncommon for video editors to rely on others to perform audio post production on their projects. But in this article, well focus on ways that you can get better audio without having others do it for you.
Tutorial, Feature
Author: Marco Solorio
Audio Professionals
Jim Harvey reviews An Introduction to Digital AudioJim Harvey reviews An Introduction to Digital Audio

Jim Harvey takes a look at An Introduction to Digital Audio by John Watkinson. ~ This book is published by Focal Press. Read why Jim says this book is a comprehensive book in every respect, but not for the faint of heart or those wishing to have guidance of a more practical nature in producing their audio.
Review
Author: Jim Harvey
Live & Stage Events
Flypacking for the Dalai LamaFlypacking for the Dalai Lama

Need a single, portable production package for image magnification, broadcast and webcast - all at the same time? Don't panic. Let Todd Gillespie's experience help lead you to inner peace.
Editorial
Author: Todd Gillespie
Audio Professionals
SonicFire Pro: Great Audio Made EasySonicFire Pro: Great Audio Made Easy

In this article, Ron Lindeboom shows why SmartSound's Sonicfire Pro is a video content creator's dream tool. If you have a studio filled with MIDI equipment, you write your own stuff, or you love to build loops layer upon layer upon layer for hours ... then SFP is probably not for you. But if you need great audio and you need it now -- and most importantly, you need it to fit your exact edit requirements -- then Sonicfire Pro is well worth exploring. Ron concludes that this is one tool that he refuses to be without.
Review, Tutorial
Author: Ron Lindeboom
DVD Authoring
Designing the Neil Young ArchivesDesigning the Neil Young Archives

An inside look at the four-year process of creating the most ambitious multimedia Blu-ray experience yet, an immersive chronicle of 10 years in an amazing rock and roll life.
Editorial
Author: Megan Mckenna
HD High-End
HD UnleashedHD Unleashed

In this review from The Creative COW Magazine, Charles Papert, SOC, sets his Steadicam free with wireless, uncompressed HD using the IDX CAM~WAVE.
Review
Author: Charles Papert
Apple Final Cut Pro
Final Cut Studio 3 is here, and all is good!Final Cut Studio 3 is here, and all is good!

Our man in Nepal, Jiggy Gaton, likes to live for danger. He installed a major software upgrade mid-project, with virtually no preparation, just to see what would break. Lo and behold, it all worked! And the more Jiggy works with it, the better he's liking it. Join him in this Creative COW, Real-world, Real-time Report on Final Cut Studio 3.
Review
Author: Jiggy Gaton
Broadcast Video
Bessie's New Tool Round-upBessie's New Tool Round-up

There are a lot of new products designed with your heavy lifting needs in mind. Here are a few that have recently managed to catch our eyes.
Review
Author: Cowdog
Adobe After Effects
Creating an Audio LED MeterCreating an Audio LED Meter

In this Tutorial, Roland Kahlenberg demonstrates creating an 'as real as you want it to be' audio LED meter using Motion Math and Expressions. At the bottom of the page is a sample of its use in Roland's demo reel -- just to give you a 'real world' example.
Tutorial
Author: Roland R. Kahlenberg

Podcasts

final cut help tutorials podcast
Final Cut Pro - Importing an Audio CD
In this video tutorial, Ben Scott shows you how to use iTunes to import an audio CD, with the correct settings to use in Final Cut Pro.
adobe after effects tutorials podcast
AE Workflow Tips #8: Working with Audio
In this podcast tutorial, Creative Cow leader Aharon Rabinowitz shares helpful hints about working with audio, including avoiding a major pitfall, as well as better methods of timing video to an audio track.
all things apple podcast
All Things Apple - Audio Production
Host Walter Biscardi, Jr. talks about audio production and the music industry with Grammy nominated composer Jayne Olderman and Sound Designer/Composer Patrick Belden who's work is featured on "Good Eats". See http://blogs.creativecow.net/node/198 for more
creative cow extras podcast
Episode #004 - Audio Mastering
Audio Mastering Part 2 with Charlie Grover - Charlie is an Apple Certified Trainer and Audio Producer, he talks with Franklin about how to choose a good monitor for audio mastering as well as working with various hardware interfaces.
creative cow podcast
Episode #069 - March 31, 2009
Audio Mastering Part 1 with Charlie Grover, Skype for iPhone and Blackberry, 3ds Max 2010, Adobe Director 11.5, RE:Vision Effects ReelSmart Blur, Fusion SWAT training, Wirecast 3.5 and more creative news and interviews - creativecow.net
Forums

Audio Professionals Forum
Web Streaming - Audio|Video Forum


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