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Audio

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Reset stream when discontinuity bit is set
by Adi Molkho on Apr 15, 2012 at 12:52:35 pm
in the FFmpeg Forum
Hi I am intersted in reseting the decoder every time I identify a discontinuity bit set in the adaptation header (TS). The bit is identified in handle_packet function inside mpegts.c . I added a call to avcodec_flush_buffers function one time for
Exporting Anomalies - Out of Synch Audio AND video
by Daniel Thomas on Apr 15, 2012 at 12:46:51 pm
in the Apple Final Cut Pro Forum
I have a 90 minute project that looks fine when I play back the project file on my editing system. When I export it, however, I have several anomalous glitches. The biggest is that a sequence’s audio becomes at least 4 seconds out of synch. This ha
Re: CS6 Multicam Question
by Alex Udell on Apr 15, 2012 at 12:34:51 pm
in the Adobe Premiere Pro Forum
Todd's video seemed to indicate that it came from audio track 1 of the source sequence. So stack your cameras so that the audio you want comes is edited from track 1 in the source sequence. Alex
Re: Apple not the only NLE with an X
by Bernard Newnham on Apr 15, 2012 at 9:04:32 am
in the Apple FCPX or Not: The Debate Forum
I did my standard first look tests, remembered from BBC days.... Load a clip (no problem) Play in source window (oh look, they're the wrong way round, never mind) - works fine. Can't work out how to move the clip to the sequence window, so drop
Re: Avid workflow for canon 7d footage
by Meel Sable on Apr 15, 2012 at 9:01:50 am
in the AVID Forum
PAY NOW: Import the files into a DNxHD codec OR Transcode them with a 3rd party app into a DNxHD codec and do a FAST IMPORT into Avid What 3party apps do you know? And what about the OMFI for the audio. I learnd when I transcode, it is better t
CS6 Multicam Question
by Angelo Lorenzo on Apr 15, 2012 at 6:56:19 am
in the Adobe Premiere Pro Forum
If anyone knows, is multi-cam in CS6 able to play the master or submix from the nested sequence? Or are the audio tracks still strictly ganged to their corresponding cameras? One work around I've done is to unlink the nested sequence and only enab
Re: Can't render to RAM
by Nick White on Apr 15, 2012 at 3:28:06 am
in the Sony Vegas Forum
To add info. After reinstalling, I reloaded the project that I was running when the trouble started: it had a few extra tracks and added audio etc. It renders to RAM fine. So again, unless there is a switch, other than setting the available RA
Re: Audio Hiss --tried TrackEQ, tried Audacity
by Kelden Amadiro on Apr 15, 2012 at 2:51:49 am
in the Sony Vegas Forum
Thanks for your advice! Dave--do you have any specific mic recommendations? Nigel--Do your Rodec or Sony mics generate any background noise? If not, what is the exact kind of Rodec/Sony mics do you use? Thanks K
Re: Audio Hiss --tried TrackEQ, tried Audacity
by Nigel O'Neill on Apr 15, 2012 at 1:10:10 am
in the Sony Vegas Forum
Kelden If is appropriate, you could mask the hiss with a bit of background music played at a low volume. I use this technique when interviewing in noisy places such as restaurants where the noise in the kitchen sometimes filters through. I use
Re: AAC audio issues in AME
by Jack Gladney on Apr 14, 2012 at 11:52:32 pm
in the Compression techniques Forum
I've been struggling with exactly this same issue -- encoding f4v from AME cs5 (and 5.5) and getting a subtle echo or vibrato on the audio track. My source video is ProRes, and I've tried multiple audio codecs as source audio from mp3 to wav, 44.1 kH
Re: Avid Symphony? Not in the same league?
by dermot shane on Apr 14, 2012 at 9:47:05 pm
in the DaVinci Forum
For me? Yes, i find the color tools head & shoulders above MC/Symp... DS has nodes in the CC UI with masks/tracks/paint/plug-ins.. all while in the CC UI.. very much like Resolve, but with more tools.. plugs like Furnace Core for noise reduction,
Re: Converting TDT and MTS files into FCP 7
by Shane Ross on Apr 14, 2012 at 9:43:27 pm
in the Apple Final Cut Pro Forum
[Shawna Talbot] " but they've already done that here, but they've put some of it in a .TDT and .MTS formats." You can't log and transfer to those formats. So they did something else. Actually, .MTS is a tapeless format, AVCHD. Meaning that it h
best workflow for dual camera shoot with zoom audio?
by Bret Williams on Apr 14, 2012 at 9:34:08 pm
in the Apple FCPX Techniques Forum
I asked earlier, but I guess my title sucked. Is there a better way to work with a dual camera (5D) shoot with audio recorded to the zoom? I've taken the shots and created multi cam clips synced to the zoom audio within the multi cam clip. I basic
Re: clean install of FCP 7; will it update?
by Bret Williams on Apr 14, 2012 at 9:25:12 pm
in the Apple Final Cut Pro Forum
As I've said before, Versions is almost as ridiculous as trackless audio and the magnetic timeline in FCPX. Other than those things I like Lion and X. If you use an Apple wireless mouse or even better a magic trackpad, Lion is pretty neat. I wis
Re: How do I add a camera click to sequence of stills?
by Dave LaRonde on Apr 14, 2012 at 8:51:06 pm
in the Adobe After Effects basics Forum
Wait before we go any further here. Am I correct in reading that you have in image sequence that you've conformed to 5 frames/sec, and you want your sound effect to be there every five frames? That could get really annoying. As a demonstration
Re: Audio Hiss --tried TrackEQ, tried Audacity
by Dave Haynie on Apr 14, 2012 at 8:28:06 pm
in the Sony Vegas Forum
First thing, characterize the hiss. Using an audio editor (rather than Vegas), you can get a spectral histogram of your audio, which can very precisely locate the frequency of your hiss... assuming it's fairly fixed, which it often is. Once you know
Re: Reconnect audio in FCP 7
by Jerry Hofmann on Apr 14, 2012 at 3:57:27 pm
in the Apple Final Cut Pro Forum
Can you import these files just as a file/import? If not I'd suggest you try transcoding them from .wav's to aiff's. Jerry
Re: It's all over!
by Ron Pestes on Apr 14, 2012 at 3:13:22 pm
in the Adobe Premiere Pro Forum
No problem on the PC. We all have things we still need but I am impressed because the audio tracks are fixed and the Warp Stabalizer is now in PP. Lots of good stuff but still need a few things next time. They still hit it out of the park for me.
Re: A few more..
by Dennis Radeke on Apr 14, 2012 at 2:03:19 pm
in the Apple FCPX or Not: The Debate Forum
[John Davidson] "1. Does Premiere Pro 6 have an option for adjustment layers similar to how they work in AE?" Yes. [John Davidson] "2. Will PPro or AE now allow for multiple open projects simultaneously? Not importing, but actual separate proje
Re: It's all over!
by Daniel Startek on Apr 14, 2012 at 1:58:23 pm
in the Adobe Premiere Pro Forum
The fat lady ain't singing till Adobe adds an audio mixer control protocol for PPro comparable to FCP! Yes, I've submitted a request. Apology for not being PC!
Re: Reconnect audio in FCP 7
by José Luis Arriaga on Apr 14, 2012 at 12:50:02 pm
in the Apple Final Cut Pro Forum
Hello Jerry, the auido files are .wav's. Its wierd, the project is in an advanced stage. I'm there to finalize the film. We have 3 harddrives cloned and I tried with each of the 3 drives but still no love with reconnecting the audio... When I tr
Meters show audio but I get no sound in STP
by David Intrator on Apr 14, 2012 at 12:33:56 pm
in the Apple Soundtrack Forum
STP was running perfectly on my new macbook pro. But suddenly I see the meters but get no audio. Can't hear anything, whether I'm auditioning a clip or running it in the timeline. Checked prefs: Video out is set to none. Sound works p
Re: How do I add a camera click to sequence of stills?
by Rob Such on Apr 14, 2012 at 12:01:40 pm
in the Adobe After Effects basics Forum
Thanks. Found out the fn+down arrow does that. Any idea how to get the camera shutter audio click to centre over the still change? It keeps snapping to the clip, either start or end. I can't get it to sit over the change in still image in the timelin
Ramping from 100% > 200% speed in FCP 7.0.3
by Daniel Haythorn on Apr 14, 2012 at 11:47:56 am
in the Apple Final Cut Pro Forum
Hi folks, I'm trying to change an audio clip so that over the course of its duration, it goes from being 100% speed at the start to 200% speed by the end; but I want to do it gradually, so you can hear it change and speed up. Is this possible in F
Re: SCRI International - Avid Downward Trend Continues
by Craig Seeman on Apr 14, 2012 at 11:16:39 am
in the Apple FCPX or Not: The Debate Forum
[Chris Harlan] "The audio side of "creative enthusiast" is much larger. A lot of Guitar Center product." From the many bits I heard, Avid is mostly a hardware company (big iron) and I didn't imagine this stuff would be big enough to be considered
Re: Avid Symphony? Not in the same league?
by Bill Ravens on Apr 14, 2012 at 10:00:31 am
in the DaVinci Forum
I'm using Resolve Light and MC6.01 on my workstation. The capabilities of Resolve far exceed what I can do inside MC. The only (small) hiccup is in file transfers between the two, however, keeping everything in OP1 file format REALLY makes the interc
Re: SCRI International - Avid Downward Trend Continues
by Chris Harlan on Apr 14, 2012 at 8:50:11 am
in the Apple FCPX or Not: The Debate Forum
[Craig Seeman] "Basically I wouldn't think "creative enthusiast" was enough of their business to do that much damage." The audio side of "creative enthusiast" is much larger. A lot of Guitar Center product.
Re: Timecode slipping from compressor output to premiere sequence (24P/23.976?)
by Cassidy Clawson on Apr 14, 2012 at 6:45:00 am
in the Adobe Premiere Pro Forum
Thank you very much for the information. It's fascinating. I think I am experiencing both Compressor bugs that are discussed in that thread ... the drift of ~3 seconds per hour AND an inaccurate start time in the export. From now on I will do
Re: How do I add a camera click to sequence of stills?
by Rob Such on Apr 14, 2012 at 5:01:27 am
in the Adobe After Effects basics Forum
Thanks. I asked about this in a Premiere Pro forum. Was told this sort of stuff would be done in AE! I was thinking if I could select all the stills in the timeline and add a default transition, I could set the camera click as default audio transitio
Motion 5: Analyzing Audio for any change
by Loren Risker on Apr 14, 2012 at 2:14:12 am
in the Apple Motion Forum
Any time I change the settings in audio parameter, it starts "analyzing audio" which takes several minutes before I can see the changes. Is this normal?
Re: Audio Hiss --tried TrackEQ, tried Audacity
by John Rofrano on Apr 14, 2012 at 1:59:37 am
in the Sony Vegas Forum
While I agree with Steve that iZotope RX2 is the ultimate noise reduction plug-in, if all you need to do is remove hiss, BIAS SoundSoap 2 can do it for a lot less money. As for lav mics, I like the Audio-Techica line. I use an AT899 for all of my
Strange halo effects when playback on HDTV
by Dag Halvorsen on Apr 13, 2012 at 11:31:41 pm
in the Sony Vegas Forum
Hi guys! I really need your help, with a very frustrating problem. I shoot with XDCAM EX1R, format 1080p/25. I edit in Vegas Pro, which renders two files: m2v video file and ac3 audio file (5.1ch). I import them into DVD Architect, which says "no
Re: Audio Hiss --tried TrackEQ, tried Audacity
by Steve Rhoden on Apr 13, 2012 at 11:14:17 pm
in the Sony Vegas Forum
http://www.izotope.com/products/audio/RX/
Re: Timecode Convert 23.98 to 25
by Michael Gissing on Apr 13, 2012 at 11:06:31 pm
in the Apple Final Cut Pro Forum
Speed up will look smoother but change real time and therefore all timecodes plus pitch of the audio. Personally I haven't been satisfied with software frame rate conversions and prefer to sub contract that job to a facility with a Teranex or sim
Can I Create an "EPIC" Image of Full Size Images?
by Trevor Dooley on Apr 13, 2012 at 10:45:36 pm
in the Sony Vegas Forum
To Sony Vegas Experts: I am a long-time lurker of this forum, and this is my first post (please be gentle). I searched all over the internet, but I cannot find a solid answer for my specific question. So, I am posting here because I know the Son
Audio Hiss --tried TrackEQ, tried Audacity
by Kelden Amadiro on Apr 13, 2012 at 10:30:06 pm
in the Sony Vegas Forum
I am trying to remove audio background hiss in TrackEQ (I tried playing with threshold/amount/attack/release in track compressor but wasn't able to get noticeable changes in results). In TrackEQ when I "lower the numnber 4" I can remove the backgrou
Full Time/Freelance Promo Editor Motion Graphics
by Alexandra Lesley on Apr 13, 2012 at 10:20:00 pm
in the JOBS Offered - Higher Pay Forum
The #1 television station in San Francisco seeks a dynamic Promotions Editor. Only top notch editors who can create original and eye-popping motion graphics should apply. JOB RESPONSIBILITIES: 1. Edit high-quality promos for ABC7 News and Pro
Editor - Motion Graphics Opportunity in Raleigh, NC
by Kaileen Gersper on Apr 13, 2012 at 8:41:58 pm
in the JOBS Offered - Higher Pay Forum
Centerline Digital is a strategic, content marketing agency crafting compelling digital experiences. We are looking for talented Editors to join our growing Motion Graphics department. The ideal candidate can transform interview footage and narrat
Re: Questions for CS6
by John Davidson on Apr 13, 2012 at 8:03:35 pm
in the Apple FCPX or Not: The Debate Forum
Everything I've seen thus far looks like massive improvements, especially in regards to AE. I can't tell you how happy I am to no longer complain about lack of extruding. Seriously can't wait to drop a 3D logo over a bent, flat image behind. Somet
Re: Shooting Interviews
by Chris Lehmann on Apr 13, 2012 at 7:54:43 pm
in the COW - Tutorials Forum
[Mark Suszko] "Absolutely turn off tally lights on cameras and adjust monitors so guests can't see them, and start recording even as you're first attaching and "testing" the mic. often, your best and ONLY good candid responses happen here, before you
mute channels
by Tom Leparskas on Apr 13, 2012 at 7:38:24 pm
in the Sony Vegas basics Forum
I have a Vegas project open - when I mute one channel (audio or video) they are all muting. Where are they locked together or grouped and how do I separate them to mute just one channel in a project? First time this has happened. Is it on th
Re: How much should I charge one-minute promotional videos like this one?
by Chris Lehmann on Apr 13, 2012 at 7:34:40 pm
in the Corporate Video Forum
It's very hard to have a "one price fits all" model for video. Each project is going to have its own challenges and often what seems like a small detail could have a dramatic effect on how much time it takes to finish. Determine your hourly rate,
Re: What's Wrong with Pr?
by Tom Brooks on Apr 13, 2012 at 7:06:23 pm
in the Apple FCPX Techniques Forum
I am trying it out right now on a 720p DVCProHD project. Mac Pro 12 core, 96GB RAM, ATI Radeon HD 5770, AJA IoExpress. Number one, the responsiveness is very bad. JKL double-speed and reverse are horrible. Audio is quite often not there at all--liter
Re: FCP7 Best Codec for 720p Shot with Canon T1i DSLR?
by peter anders on Apr 13, 2012 at 6:58:59 pm
in the Apple Final Cut Pro Forum
Thanks! I use MPEG Streamclip. It gave me the option of exporting to QT, DV, AVI, and MPEG4, etc... If i want to preserve the highest video/audio quality but compress the file size down, which option do i go for? I will be doing color correction a
Re: Documentary workflow suggestions
by Cassidy Clawson on Apr 13, 2012 at 6:54:45 pm
in the Adobe Premiere Pro Forum
Excellent suggestions and I will try both! I am also going to clean up the audio tracks and merge them with the video to make cutting easier. Cheers Cassidy
Re: Can't import Garageband music
by Lisa Laughbaum on Apr 13, 2012 at 6:40:18 pm
in the Apple Final Cut Pro Forum
[Michael Gissing] "Forget iTunes. If the file from GB is not in those formats use Compressor or free software like Audacity to convert to aif or wav with those specs" Agreed! :) Export at the highest quality possible from GB... (see below)
Re: 4 channel ProRes?
by Andrew Richards on Apr 13, 2012 at 6:38:06 pm
in the Apple FCPX or Not: The Debate Forum
[Joseph Owens] "You mean like.... "tracks"?" Har har. I just want to be able to see and manipulate each audio channel independently when I expand a clip since frequently the embedded audio channels represent very different audio inputs. FCPX a
Re: 4 channel ProRes?
by Joseph Owens on Apr 13, 2012 at 6:18:33 pm
in the Apple FCPX or Not: The Debate Forum
[Andrew Richards] "There needs to be an option to see the audio in a more granular way, " You mean like.... "tracks"? jPo
News: Matrox Announces Support for Adobe Creative Suite 6 Production Premium Software
by Cow News Droid on Apr 13, 2012 at 6:15:31 pm
in the NEWS: Product News Releases Forum
(Montreal, Canada--April 13, 2012) Matrox® Video Products Group today announced support for the upcoming release of Adobe® Creative Suite® 6 Production Premium and Adobe Mercury Transmit with the Matrox MXO2™ family of I/O devices and the Matrox Moji
Re: Master Prores to HDCAM-SR Textless Timecode!
by Joseph Owens on Apr 13, 2012 at 6:09:56 pm
in the Apple Final Cut Pro Forum
[alex diaz] "Timecode of textless material must match timecode of the texted material on the master. " This is very imprecise language, which I'm seeing more and more of in various deliverables contracts. It could mean that the frame rate needs

Podcasts

final cut help tutorials podcast
You Ask, I Answer: Multicam Editing with Separate Audio in FCPX
In this tutorial, Kevin P McAuliffe answers a viewer's question about the best way to multicam edit in FCPX when your main audio source is recorded as an audio only file.
final cut help tutorials podcast
Final Cut Pro - Importing an Audio CD
In this video tutorial, Ben Scott shows you how to use iTunes to import an audio CD, with the correct settings to use in Final Cut Pro.
all things apple podcast
All Things Apple - Audio Production
Host Walter Biscardi, Jr. talks about audio production and the music industry with Grammy nominated composer Jayne Olderman and Sound Designer/Composer Patrick Belden who's work is featured on "Good Eats". See http://blogs.creativecow.net/node/198 for more
final cut help tutorials podcast
FCP: Audio Noise Reduction in Soundtrack Pro
A "how to guide" for removing audio noise in Final Cut and Soundtrack Pro. In this video tutorial Sam McGuire demonstrates how to use many of the noise reduction tools found in FCP and Soundtrack.
final cut help tutorials podcast
FCP: Export Multiple Channels of Audio
In this video tutorial, Creative COW leader Shane Ross details how to export multiple channels of audio, both to tape and to a Quicktime movie. If you want to export more than just the standard two channels that Final Cut Pro is set up to do by default...
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Web Streaming - Audio|Video Forum


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