| | | | Re: Raiders of the Lost Ark IMAX
by Tim Wilson on Sep 14, 2012 at 6:02:32 am
in the Film History & Appreciation Forum
[Mike Cohen] "But what about films shot at 1920x1080? Is there enough resolution in HDCAM or whatever to uprez to IMAX?"
Roger Deakins did a presentation at IBC talking about the ARRI Alexa, shooting ARRIRAW at 1920x1080 for the new James Bond and | | | | |
| | | | News: ALEXA Shines On The Biggest Screens
by Cow News Droid on Sep 11, 2012 at 4:31:51 am
in the NEWS: Product News Releases Forum
(Amsterdam IBC, Netherlands--September 11, 2012) With IMAX and 4K DCP releases for The Avengers and Skyfall, ALEXA passes the ultimate test of image quality. This year has seen an increase in ARRIRAW recording for big-screen blockbuster movies, with | | | | |
| | | | Working with Raw Video Files in Adobe Premiere Pro CS6
by Richard Harrington on Sep 10, 2012 at 8:42:00 pm
in the Forum
Adobe Premiere CS 6 makes it easier than ever to work with RAW files. Rich Harrington walks you through some of the advantages of Premiere's approach to RAW support, including ARRIRAW and such RED formats as 5K. Working with Raw... | | | | |
| | | | KiPro Quad
by Robin Moran on Sep 10, 2012 at 4:46:02 am
in the AJA Ki Pro Forum
Now that IBC is here, does AJA plan on having ARRIRAW built-in to this? | | | | |
| | | | Arriraw plug-in for Adobe Premiere Pro CS6
by Sareesh Sudhakaran on Sep 7, 2012 at 3:56:31 am
in the Adobe Premiere Pro Forum
Don't know if this was available before but Adobe has an Arriraw plug-in for Premiere Pro CS6: http://labs.adobe.com/technologies/arriraw/
It supports management of color space, exposure, and white balance with ARRI RAW footage.
Unfortunately, | | | | |
| | | | Tutorial: WORKING WITH RAW FILES
by Richard Harrington on Sep 7, 2012 at 12:58:13 am
in the COW - Tutorials Forum
Adobe Premiere Pro WORKING WITH RAW FILES Adobe Premiere CS 6 makes it easier than ever to work with RAW files. Rich Harrington walks you through some of the advantages of Premiere's approach to RAW support, including ARRIRAW and such RED formats a | | | | |
| | | | WORKING WITH RAW FILES
by Richard Harrington on Sep 6, 2012 at 5:58:13 pm
in the Adobe Premiere Pro Forum
Adobe Premiere CS 6 makes it easier than ever to work with RAW files. Rich Harrington walks you through some of the advantages of Premiere's approach to RAW support, including ARRIRAW and such RED formats as 5K. | | | | |
| | | | Re: BMCC alternate workflow
by gary adcock on Sep 6, 2012 at 5:56:06 am
in the Apple FCPX or Not: The Debate Forum
[Jeremy Garchow] "Why stop there? BMDCC XYZ is an image sequence with RAW. Let's do it all!"
ah....
most of the higher end use some level of sequential frames
that list also includes Arriraw, DPX, the BMCC's CinemaDNG format but do not forg | | | | |
| | | | Codex at IBC 2012
by Debra Kaufman on Aug 31, 2012 at 9:00:10 am
in the ARRI Forum
Codex is coming to IBC 2012 with new technology. Although its Onboard S will be shown for the first time at a European tradeshow, the big news is that the company is unveiling its capacity to support Canon Cinema RAW at up to 120 fps at 4K. At an inc | | | | |
| | | | Re: Win7 driver config for GTX680 and Quadro 4000?
by Jay Mahavier on Aug 17, 2012 at 12:34:46 am
in the DaVinci Resolve Forum
More info.
While waiting for the FC card to arrive to connect to the SAN I have temporarily installed a eSATA card and connected a couple of gTech G Speed drives. Each one is configured into it's own Raid0. I put my ArriRAW source media on one d | | | | |
| | | | Re: Win7 driver config for GTX680 and Quadro 4000?
by Dwaine Maggart on Aug 15, 2012 at 12:13:07 am
in the DaVinci Resolve Forum
The System Overview is good. It won't actually say GPU Only by the GPU card. If it's in the list, and doesn't have a GUI label, it's being used as a GPU card.
So I would guess your low ArriRaw render speed is probably storage related. | | | | |
| | | | Re: Win7 driver config for GTX680 and Quadro 4000?
by Jay Mahavier on Aug 15, 2012 at 12:09:15 am
in the DaVinci Resolve Forum
In System Overview it lists
Video Card 1: Quadro 4000 - GUI Only
Video Card 2: GeForce GTX 680
It does not list the GTX as GPU only.
The drives I know are an issue. I haven't gotten the FC card in yet so I'm using some internal temporar | | | | |
| | | | Re: Win7 driver config for GTX680 and Quadro 4000?
by Dwaine Maggart on Aug 14, 2012 at 9:39:45 pm
in the DaVinci Resolve Forum
I currently have a single GTX460 in my test system. It's rendering 2880x2160 ArriRaw files to DNxHD36 QT's at about 20 FPS. Rendering 1920x1080 ProRes444 files to DNxHD36 QT's at about 25 FPS.
It could be that the large size of the ArriRaw is mak | | | | |
| | | | Re: Win7 driver config for GTX680 and Quadro 4000?
by Jay Mahavier on Aug 14, 2012 at 8:53:43 pm
in the DaVinci Resolve Forum
It really appears to be. When the warning comes up it displays the green Nvidia eye logo. The version number that it list matches an application I located named ComUpdatus.exe. And when I went into Services and stopped NVIDIA Update Service Daemon | | | | |
| | | | Service: Iron Box FIlms Ltd
by Nathan Haines on Jul 7, 2012 at 10:56:20 pm
in the COW - Services Forum
Feature Film Production..mnb ljjl Variouslkjb
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ouovuv 58 Sotheby Road, Highbury London London United Kingdom , Film, , Film Production, | | | | |
| | | | Re: SpeedGrade
by gary adcock on Jul 6, 2012 at 9:31:35 pm
in the AJA Kona - Mac Forum
[Stuart Smith] "Just curious, why would you mention windows specifically? "
It was because Iridas developed the Speedgrade App on the Windows Platform and since the Adobe acquisition was only in September of last year , there was not even a full y | | | | |
| | | | Re: CPU vs GPU and rendering speed
by Rohit Gupta on Jun 6, 2012 at 7:43:54 am
in the DaVinci Resolve Forum
With Red footage, you are limited by the Red decode speeds, typically Red Rocket which does about 22-23 fps for Epic 5K. So not matter how many GPUs you use or how fast your CPUs are, you are limited the source codec.
Other formats like ProRes/DNx | | | | |
| | | | News: ARRI ALEXA Shines at Cannes
by Cow News Droid on Jun 4, 2012 at 3:42:55 am
in the NEWS: Product News Releases Forum
(Munich, Germany--June 4, 2012) For the third year in a row, ARRI played host to the Cannes International Film Festival Director’s Fortnight Happy Hour events, bringing together directors, producers, cinematographers and industry professionals from | | | | |
| | | | Re: No performance difference with 2 GTX580 cards?
by Juan Salvo on May 29, 2012 at 5:05:31 pm
in the DaVinci Resolve Forum
You're not using the lite version, correct? As that is limited to only one GPU.
What kind of fps are you getting? The red footage is still CPU debayered, which means it's probably your bottle neck and 2 GPUs won't make a huge difference.
F65 is | | | | |
| | | | Re: ARRI Alexa and CS6 Workflow
by Alan Gordon on May 27, 2012 at 9:31:20 pm
in the Adobe Premiere Pro Forum
I would personally recommend shooting ProRes4444 for this situation. While you probably don't need ArriRaw, the Alexa can go to 4444 on board so why shoot less quality? The space requirement isn't that great and it will playback realtime off any driv | | | | |
| | | | ARRI Alexa and CS6 Workflow
by Chris Tarroza on May 25, 2012 at 2:29:24 pm
in the Adobe Premiere Pro Forum
I will be working on a project that will be shot on the ARRI Alexa. I'm thinking of cutting it in Premiere Pro CS6 seeing how it "should" be faster than FCP7. The other side of this is that I'm pretty unfamiliar with PPr so I might actually work fast | | | | |
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