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ARRI Alexa

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News: Anton/Bauer powers filmmaker’s Wondrous footage of the northern lights
by Cow News Droid on May 15, 2013 at 8:21:04 pm
in the NEWS: Product News Releases Forum
Philip Clemo Captures the Celestial Light Show in Extreme Cold with Anton/Bauer DIONIC HC and DIONIC HCX Batteries (Tromsø, Norway--May 15, 2013) When the U.K.-based filmmaker and composer Philip Clemo traveled to the northern reaches of Norway to
Burn-ins plug-in for scene numbers in FCP7?
by Patricia Cruz on May 11, 2013 at 9:17:09 pm
in the PluralEyes Forum
Hi. I'm Assistant Editing for an Arri Alexa workflow, working with Final Cut Pro 7 and ProRes. The DP wants dailies of the entire footage with the scene and take numbers burnt onto the display, does anybody know of a plug-in or program that would mak
Re: Sub 10K Camera recommendations?
by David Turner on May 10, 2013 at 11:05:55 pm
in the Cinematography Forum
I'd be interested in hearing what people have as suggestions for this as well. I work freelance, but will be advising a documentary company I do a lot of work with on what cameras to upgrade to shortly. They are still shooting on Panasonic HVX's if y
Iron Man 3: Behind the Scenes with Marvel's Victoria Alonso
by Debra Kaufman on May 10, 2013 at 9:00:00 pm
in the Film History & Appreciation Forum
Victoria Alonso, Marvel Studios Executive Vice President of Visual Effects and Post Production, began her career in the early days of the digital visual effects industry. We had the wonderful opportunity to speak with Victoria about the Iron Man movi
Iron Man 3, Marvel & The Future of the Superhero
by Debra Kaufman on May 10, 2013 at 9:00:00 pm
in the Film History & Appreciation Forum
Victoria Alonso, Marvel Studios Executive Vice President of Visual Effects and Post Production, began her career in the early days of the digital visual effects industry. We had the wonderful opportunity to speak with Victoria about the Iron Man movi
Sub 10K Camera recommendations?
by Ben Muehleisen on May 10, 2013 at 6:46:44 pm
in the Cinematography Forum
We need to update and upgrade from our fabulous workhorse Sony PMW-EX1s. We are looking to add 2 camera and would like to stay sub 10K for each camera. Our frontrunners are the EX3 or the NEX-FS700UK. Anyone have any experience with these cameras? Do
Under 10K Camera. Best options?
by Ben Muehleisen on May 10, 2013 at 6:45:31 pm
in the Videoguys.com Tech Talk Forum
We need to update and upgrade from our fabulous workhorse Sony PMW-EX1s. We are looking to add 2 camera and would like to stay sub 10K for each camera. Our frontrunners are the EX3 or the NEX-FS700UK. Anyone have any experience with these cameras? Do
ENG Camera package recommendations?
by Ben Muehleisen on May 8, 2013 at 8:52:53 pm
in the Cinematography Forum
This is a duplicate post from the XDCAM EX forum, as I thought I may get some other varied responses in this forum. We are currently building out some new camera packages. We have been using 2 EX1s for about 3.5 years now, and they have been treme
PMW-EX3 vs. NEX-FS700UK vs. PMW-200 vs. PMW-320K (or somthing else?)
by Ben Muehleisen on May 8, 2013 at 3:54:48 pm
in the Sony XDCAM - EX & Related Forum
We are currently building out some new camera packages. We have been using 2 EX1s for about 3.5 years now, and they have been tremendous for us. True workhorses. We are now in the process of upgrading our camera systems and want to end up with 4 tota
News: Brant Fagan, SOC, Relies On Anton/Bauer Batteries For Film Production Around The Globe
by Cow News Droid on May 6, 2013 at 5:11:22 pm
in the NEWS: Product News Releases Forum
(New York, United States--May 6, 2013) Cinematographer and Steadicam® Camera Operator Brant Fagan, SOC, has traveled the globe, working on countless films, episodic television programs, commercials and the occasional live event production. Working hi
Prores AMA Link Problems
by Joshua Moss-O'Brien on May 3, 2013 at 12:24:10 pm
in the AVID Forum
Hi all any help here would be much appreciated. We have been filming a documentary over the last 6 months and have filmed on a number of different cameras. Now it has come time to transcode we are running into issues. The First lot of footage w
Service: Scott Pelzel
by Scott Pelzel on May 2, 2013 at 3:31:51 pm
in the COW - Services Forum
I am an experienced commercial Editor and After Effects Animator and compositor. I am interested in editing your commercial and I can do it remotely as I have done many projects this way already. Experience: -Editing for 15 years and extensive
Scott Pelzel
by Scott Pelzel on May 2, 2013 at 8:31:51 am
in the Forum
I am an experienced commercial Editor and After Effects Animator and compositor. I am interested in editing your commercial and I can do it remotely as I have done many projects this way already. Experience: -Editing for 15 years and extensive experi
Kevin Cannon - Colorist Showreel May 2013
by Kevin Cannon on Apr 26, 2013 at 9:31:35 pm
in the Forum
Fashion, Music Videos, Narrative, and Commercial work colored at Prehistoric Digital. Artists featured include Boregore feat. Miley Cyrus, Fun., Grouplove, P.J. Morton, Hanson, James Iha, Twenty One Pilots, and Tawiah. Narrative work featured includ
Video: Kevin Cannon - Colorist Showreel May 2013
by Kevin Cannon on Apr 26, 2013 at 9:31:35 pm
in the COW - Videos Forum
Kevin Cannon - Colorist Showreel May 2013 Fashion, Music Videos, Narrative, and Commercial work colored at Prehistoric Digital. Artists featured include Boregore feat. Miley Cyrus, Fun., Grouplove, P.J. Morton, Hanson, James Iha, Twenty One Pilots,
News: Emmy® Award-Winning Cinematographer Sean Conaty Selects Anton/Bauer Batteries To Help Fuel Nar
by Cow News Droid on Apr 25, 2013 at 11:17:52 pm
in the NEWS: Product News Releases Forum
(Los Angeles, California--April 25, 2013) Beginning with his days as a Master’s student of cinematography at the University of Southern California, Emmy® Award-winning cinematographer of narrative and documentary features, commercials and music video
[FOR SALE] Arri Alexa AE-V package
by Jeremy Phillips on Apr 25, 2013 at 9:48:05 am
in the Classifieds, Personal Forum
I have the Arri Alexa AE-V package for sale. Want to get $33,000 for it. The price is final and may not be lowered. Looking for a fast deal. J lanevord@post.com
Service: Joseph Pedi
by Joseph Pedi on Apr 24, 2013 at 5:40:59 am
in the COW - Services Forum
Camera Op, Assistant Editor: on-set filming and DIT, organizing post-production workflow for reality specs and sizzles, string-outs, story editing. • Randall’s Honey Badger Camera Op and AC, assistant editor, development and production assistant
Joseph Pedi
by Joseph Pedi on Apr 23, 2013 at 10:40:59 pm
in the Forum
I am articulate, respectful, detail-oriented and able to adapt to any personality. I am fueled by passion, perseverance, collaboration and friendship. Quite simply, my goal is to write and direct beautiful work with people I love, so I strive to cont
Arri Alexa Pro Res 422 (HQ) MC to Baselight Workfkow
by David Frew on Apr 22, 2013 at 11:54:38 pm
in the ARRI Forum
Hello, I am needing some help with refining our workflow. We are currently shooting on Arri Alexa and shooting Pro Res 422 (HQ) Log - C. We intend to assemble and lock on Avid and Grade in Baselight. Our current workflow is; 1. Back up Arri
NAB 2013: Anton/Bauer
by Debra Kaufman on Apr 21, 2013 at 10:22:16 pm
in the Cinematography Forum
Anton/Bauer came to NAB 2013 to celebrate its Scientific and Engineering Award from AMPAS earlier in the year...and to introduce three new products: the Anton/Bauer Gold Spectrum Wireless Series, the result of a collaboration with sister Vitec compan
Service: HeliAir FILM
by Tobias Larsson on Apr 20, 2013 at 10:54:43 am
in the COW - Services Forum
Aerial Film Spcialists with missions in 16 countries on 5 continents. Own and operate two Cineflex systems with professional aerial crew on a helicopter fleet over 15 helicopters. Feature Film, international Tv-productions, Live Sporting events, cor
Re: C100 Kickstarter Campaign Video with Art Addams Arri Alexa 5500k profile
by Patrick Ortman on Apr 19, 2013 at 12:24:57 am
in the Canon Cameras Forum
Looks great, Gary!
Editing Alexa files in Avid Media Composer
by Neil Sadwelkar on Apr 18, 2013 at 4:39:05 pm
in the AVID Forum
For a feature being shot in India with an editor, and consultant editor from the US, and an asst editor trained in the US. DIT, DoP, 1st/2nd AC all from India. (Why is this relevant? Read on...) Movie shot on Arri Alexa as ProRes4444 2k. No Arri
Maintaing aspect ratio in Offline editing
by Ryan McLoughlin on Apr 17, 2013 at 4:08:56 pm
in the Apple Final Cut Pro Forum
Hello, I have just finished shooting a short film with the Arri Alexa into the Prores 4444 codec. I am using FCP 7 to edit but want to convert the footage into a more managable data size. I have used the media manager in FCP to convert my 4444
News: John Toll, ASC Relies on Codex for "Iron Man 3"
by Cow News Droid on Apr 16, 2013 at 8:38:58 pm
in the NEWS: Product News Releases Forum
(London, United Kingdom--April 16, 2013) Master cinematographer John Toll, ASC recently made his first feature film foray into digital cinematography on" Iron Man 3": Revealing the Mandarin, Marvel Entertainment’s latest installment of the hugely suc
Re: News: IKEGAMI and ARRI Introduce The HDK-97ARRI: Broadcast Production Camera With Digital Cinema
by Fred Jodry on Apr 12, 2013 at 5:44:14 pm
in the NEWS: Product News Releases Forum
Considering that this is what the ARRI Alexa promised from the beginning to do as one of its two duties, there is a big sigh UGH! of frustration from Alexa owners and would- be future buyers as they watch the already lacking list of useful features o
Blog: NAB 2013 - Day 3 - 5 PM
by Debra Kaufman on Apr 11, 2013 at 12:49:31 am
in the COW - Blogs Forum
The traffic on the NAB floor show is usually much lighter than Monday and Tuesday, but today the aisles were still as crowded as the first two days of the show. That's a surprise, and a pleasant one, especially since this is not a "big news" NAB. Thu
NAB 2013 - Day 3 - 5 PM
by Debra Kaufman on Apr 10, 2013 at 5:49:31 pm
in the Forum
The traffic on the NAB floor show is usually much lighter than Monday and Tuesday, but today the aisles were still as crowded as the first two days of the show. That's a surprise, and a pleasant one, especially since this is not a "big...
News: Sound Devices Introduces PIX 240i Kit At The 2013 NAB SHOW
by Cow News Droid on Apr 9, 2013 at 6:01:33 pm
in the NEWS: Product News Releases Forum
Convenient Kit Includes All Necessary Equipment for Professional Video Production (Las Vegas, NAB2013--April 9, 2013) Sound Devices, experts in portable audio and video products for field production, unveils its PIX 240i KIT, an all-inclusive kit
News: ARRI Pro Camera Accessories Bring ARRI Quality To More Setups
by Cow News Droid on Apr 8, 2013 at 8:50:31 pm
in the NEWS: Product News Releases Forum
(Las Vegas NAB Show, Nevada--April 8, 2013) With ARRI Pro Camera Accessories (PCA), cameras from a plethora of manufacturers can benefit from ARRI’s renowned ergonomic designs and robust quality. New PCA offerings complement cameras including ARRI AL
News: Rock Legends, Primetime TV And Universities Rely On Cache-A To Safeguard Their Treasured Asset
by Cow News Droid on Apr 5, 2013 at 8:17:34 pm
in the NEWS: Product News Releases Forum
(NAB 2013, Las Vegas--April 5, 2013) Booth #SL11109 – Cache-A Corporation (http://www.cache-a.com), manufacturer of award-winning archiving appliances, today revealed details of how its LTFS LTO-tape-based archive appliances, are being used by major
News: Sound Devices Highlights New 4:4:4 Feature For PIX 240 AND 240i AT THE 2013 NAB SHOW
by Cow News Droid on Apr 4, 2013 at 9:47:20 pm
in the NEWS: Product News Releases Forum
Video Recorders Can Now Record 12-Bit, 4:4:4 Content to Apple ProRes 4444 (NAB 2013, Las Vegas--April 4, 2013) For attendees in search of the latest 4:4:4 recording solutions, Sound Devicesshowcases its latest upgrade to PIX 240 and PIX 240i Produ
4:3 2k?!
by Rudolf Fitzgerald-Leonard on Apr 4, 2013 at 5:24:19 am
in the Apple Final Cut Pro Forum
Hello there, I have a somewhat strange request that I'd really appreciate some thoughts on. I am in the process of doing an offline edit on a short film project, with ProRes 4444 (2048 x 1152) 25fps footage as my source material, from an early
News: Telline Debuts New On-Set Dailies Services With Mist
by Cow News Droid on Apr 2, 2013 at 5:08:26 pm
in the NEWS: Product News Releases Forum
French rental camera company Telline elected MIST to integrate in their on-set dailies management services. (Geneva, Switzerland--April 2, 2013) Marquise Technologies announced today that Telline, a dynamic company active for more than 17 years in
Cinematographer's Journey: Rightfooted - Travels to Ethiopia
by Bill Megalos on Apr 1, 2013 at 5:15:35 pm
in the Cinematography Forum
Bill Megalos, cinematographer and documentarian, is in Ethiopia with first-time documentary feature director Nick Spark on a mission to "make a film that makes a difference." Raising money on Indiegogo, they're following Jessica Cox, a 29-y
Kate Reid Cinematography Showreel March 2013.
by Kate Reid on Apr 1, 2013 at 10:15:37 am
in the Forum
This is my most recent narrative cinematography showreel, shot across a range of formats (35mm, s16mm, Arri Alexa, Red Epic and Red MX). I hope you enjoy it - if you are interested to see more pleased visit my personal website http://www.katereid
Video: Kate Reid Cinematography Showreel March 2013.
by Kate Reid on Apr 1, 2013 at 10:15:37 am
in the COW - Videos Forum
Kate Reid Cinematography Showreel March 2013. This is my most recent narrative cinematography showreel, shot across a range of formats (35mm, s16mm, Arri Alexa, Red Epic and Red MX). I hope you enjoy it - if you are interested to see more pleased vis
Re: Alexa: ProRes vs. DNxHD
by Michael Phillips on Mar 28, 2013 at 11:57:13 am
in the AVID Forum
I don't think the DNxHD444 has been given to camera manufactures yet, or it has not yet been implemented. Maybe NAB will bring news on that front. Also keep in mind that not all of Arri Alexa's come natively with ProRes - DNxHD is an additional cost
The Nouveau French Wave of Cinematography for Television
by Claudia Kienzle on Mar 27, 2013 at 6:30:00 pm
in the Cinematography Forum
Claudia Kienzle writes on the use of Fujinon Cabrio lenses by DP Bill Sheehy ("Curb Your Enthusiasm"). The article discusses in depth about the new handheld digital cinema shooting style that pairs the lightweight Sony PMW-F3 Super35 HD cam
News: Anton/Bauer’s Dionic HD Battery To Make NAB Debut
by Cow News Droid on Mar 27, 2013 at 6:12:37 am
in the NEWS: Product News Releases Forum
New Lithium-Ion Battery Offers Unrivalled Capacity, Longer Cycle Life and Updated RealTime Display (Las Vegas, Nevada--March 27, 2013) Anton/Bauer®, part of Vitec Videocom, a Vitec Group company, and a premier global provider of batteries, charger
Arri Raw
by andrew smith on Mar 26, 2013 at 3:37:45 pm
in the DaVinci Resolve Forum
I am about to do a job which was shot on the Arri Alexa in Raw 2k format and also ProRes files were created for the offline edit to work with. I am used to just getting ProRes444 but for whatever reasons they are insisting they shoot in the Raw 2k fo
Behind the Lens: Game of Thrones with Anette Haellmigk
by Anette Haellmigk on Mar 26, 2013 at 2:35:03 pm
in the Cinematography Forum
Cinematographer Anette Haellmigk shot two episodes of Season 3's Game of Thrones, the HBO blockbuster that returns on March 31. A native of Germany, Haellmigk was the 2012 winner of Kodak's Vision Award from Women in Film Crystal + Lucy Awards. A pio
Behind the Lens: Game of Thrones with Anette Haellmigk
by Anette Haellmigk on Mar 26, 2013 at 2:35:03 pm
in the Cinematography Forum
Cinematographer Anette Haellmigk shot two episodes of Season 3's Game of Thrones, the HBO blockbuster that returns on March 31. A native of Germany, Haellmigk was the 2012 winner of Kodak's Vision Award from Women in Film Crystal + Lucy Awards. A pio
Behind the Lens: Game of Thrones with Anette Haellmigk
by Anette Haellmigk on Mar 26, 2013 at 2:35:03 pm
in the Cinematography Forum
Cinematographer Anette Haellmigk shot two episodes of Season 3's Game of Thrones, the HBO blockbuster that returns on March 31. A native of Germany, Haellmigk was the 2012 winner of Kodak's Vision Award from Women in Film Crystal + Lucy Awards. A pio
Re: Transform to color function?
by Toby Tomkins on Mar 25, 2013 at 10:26:05 pm
in the DaVinci Resolve Forum
Match the most prominent/important colour and the overall density/contrast saturation and then use broad HSL keys for 1-2 other main colours. I'm working on creating conversion LUTs between 8 different film negative stocks, the Red Epic, Arri Ale
News: Anton/Bauer Invites Attendees To Walk The Red Carpet And Celebrate Academy Award® Win At The 2
by Cow News Droid on Mar 24, 2013 at 7:05:43 pm
in the NEWS: Product News Releases Forum
(Las Vegas NAB Show, Nevada--March 24, 2013) At the 2013 NAB Show, Anton/Bauer® invites attendees to visit its booth (Vitec Videocom Booth C6025) to see the Academy Award®-winning CINE VCLX Portable Power System and get a glimpse of the Academy Plaqu
Shooting with two Arri Alexa with Gemini 4:4:4 DIT CART on SET
by David Giraldo on Mar 22, 2013 at 9:53:24 pm
in the ARRI Forum
Two Arri Alexa cameras recording both with gemini 4:4:4 my workflow is get the footage transcode it. Get dailies, color corrected for editorial and DP. that the easy part, my question are Im new for LTO Back UP, Im not afraid but curios about what wo
Service: Justin DeLong
by Justin DeLong on Mar 22, 2013 at 8:30:15 pm
in the COW - Services Forum
10/12-03/13 Colorist Digital Post Services, Baton Rouge, LA 01/08-09/12 Editor, Visual Effects Artist, & DI Colorist Digital FX, Baton Rouge, LA 2007 Editing & Visual Effects
Justin DeLong
by Justin DeLong on Mar 22, 2013 at 1:30:15 pm
in the Forum
10/12-03/13 Colorist Digital Post Services, Baton Rouge, LA 01/08-09/12 Editor, Visual Effects Artist, & DI Colorist Digital FX, Baton Rouge, LA 2007 Editing & Visual Effects Freelance Industrial & Commercial Video 02/03-12/06 Graphic Artist, VFX Com
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