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Archiving

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COW Tags : Archiving
Re: Archiving multiple projects?
by Jacob Brown on May 20, 2013 at 6:38:02 pm
in the Apple FCPX Techniques Forum
For the feature film I am editing I back up in this manner: I have all the media in 3 events. I have multiple projects. On a backup drive I keep a copy of the "Final Cut Events" folder and a copy of the "Final Cut Projects" folder. I tend to ju
Re: Atempo Digital Archive LTO not backing up alias files on Xsan
by William Davis on May 20, 2013 at 1:41:21 pm
in the Archiving and Back-Up Forum
Thanks for the reply, Mathieu. Our FCP X workflow tends to be to store all the materials related to a job to a centralized Project Elements folder that is broken out by year, client, job, etc. and then import assets into FCP X without copying the
Archiving multiple projects?
by William Davis on May 20, 2013 at 1:25:17 pm
in the Apple FCPX Techniques Forum
I'm wrapping up a pretty sizable job, and I'm wondering if anyone has any thoughts on best practices for archiving. The Project Library for this job contains around 15 broadcast promos, and they are all based on the same pool of media in one event
News: Euroson America, Inc. Announces Archive Solutions for Avid Projects
by Cow News Droid on May 16, 2013 at 6:30:41 pm
in the NEWS: Product News Releases Forum
Solutions Provide AVID users Archiving, Disaster Recovery, Business Continuity and Inter-Site Workflows with 50+ Year Archive Reliability and Accuracy (Brentwood, New York--May 16, 2013) Euroson America, Inc. http://www.eurosonamerica.com, an esta
Re: Shared Storage for Print Design - Replacing Xserve
by Adam Hatch on May 14, 2013 at 10:44:02 pm
in the - ARRAYS & RAID Set-Up - Forum
Hi John If you have a moment I would check out the ProMAX Platform and Platform Studio in your research. You will find great solutions and I am sure there is one that will spark your interest. Platform allows clients to start with networked storag
Service: Mario L. Cash
by Mario Cash on May 14, 2013 at 8:59:37 pm
in the COW - Services Forum
2011 Assistant Editor, 2011 One Shot Films, Los Angeles, CA. Responsibilities • Assembled and gathered all raw footage, with camera shots either recorded or transferred onto video tape. • Inputted uncut rushes and sound and synchronized and sto
News: EditShare Ships Field 2 Portable Shared Storage
by Cow News Droid on May 14, 2013 at 8:42:09 pm
in the NEWS: Product News Releases Forum
Next-generation shared storage platform integrates media asset management in a portable form factor for on-the-move tapeless productions (Boston, Massachusetts--May 14, 2013) EditShare®, the technology leader in shared media storage and end-to-end
Mario L. Cash
by Mario Cash on May 14, 2013 at 1:59:37 pm
in the Forum
2011 Assistant Editor, 2011 One Shot Films, Los Angeles, CA. Responsibilities • Assembled and gathered all raw footage, with camera shots either recorded or transferred onto video tape. • Inputted uncut rushes and sound and synchronized and stored th
Re: Atempo Digital Archive LTO not backing up alias files on Xsan
by Mathieu Xavier on May 14, 2013 at 6:15:05 am
in the Archiving and Back-Up Forum
William, I don't think any software is going to follow all aliases or symbolic links to the original material to backup or archive it for you. Either you have a separate job to copy an original data source folder or you copy footage into events
Re: Backup Strategy Advice
by Michael Sanders on May 13, 2013 at 7:40:32 am
in the Apple FCPX Techniques Forum
[Jeff Kirkland] "I've oscillated between keeping media in the events folder and just linking to it over the time I've been using FCPX. There are definite advantages to just linking and if I do, then I use Magic Bullet Grinder, ClipWrap, or MPEG Strea
Re: Backup Strategy Advice
by Jeff Kirkland on May 12, 2013 at 9:15:25 pm
in the Apple FCPX Techniques Forum
I've oscillated between keeping media in the events folder and just linking to it over the time I've been using FCPX. There are definite advantages to just linking and if I do, then I use Magic Bullet Grinder, ClipWrap, or MPEG Streamclip to ingest/
Re: Backup Strategy Advice
by Michael Sanders on May 12, 2013 at 5:38:48 pm
in the Apple FCPX Techniques Forum
I've been messing with this the past few days as I've just retired my old Drobo S as its too slow... The first thing I do is make optical copies of the rushes. I have a LG blu ray burner for this reason. 50GB discs are about £6 ea now and I make
Iron Man 3, Marvel & The Future of the Superhero
by Debra Kaufman on May 10, 2013 at 9:00:00 pm
in the Film History & Appreciation Forum
Victoria Alonso, Marvel Studios Executive Vice President of Visual Effects and Post Production, began her career in the early days of the digital visual effects industry. We had the wonderful opportunity to speak with Victoria about the Iron Man movi
Iron Man 3: Behind the Scenes with Marvel's Victoria Alonso
by Debra Kaufman on May 10, 2013 at 9:00:00 pm
in the Film History & Appreciation Forum
Victoria Alonso, Marvel Studios Executive Vice President of Visual Effects and Post Production, began her career in the early days of the digital visual effects industry. We had the wonderful opportunity to speak with Victoria about the Iron Man movi
News: TOLIS Group Announces Dam (Digital Asset Management) And Windows Tape Archiving Solutions At N
by Cow News Droid on May 8, 2013 at 12:21:16 am
in the NEWS: Product News Releases Forum
(Scottsdale, Arizona--May 8, 2013) TOLIS Group provides market leading asset archiving-to-tape solutions and is pleased to announce two extensions to these proven solutions. From Ingest to Edit to Management to Archival and Delivery - TOLIS Group ha
News: TOLIS Group Announces Dam (Digital Asset Management) And Windows Tape Archiving Solutions At N
by Cow News Droid on May 8, 2013 at 12:21:16 am
in the NAB Expo Forum
News: CINEGY expands in Florida and Brazil with CIS GROUP
by Cow News Droid on May 7, 2013 at 7:54:19 pm
in the NEWS: Product News Releases Forum
(Munich, Germany--May 7, 2013) CIS GROUP, a technology re-seller and systems integration company, is proud to announce its partnership as a reseller with Cinegy. Responsible for the Brazilian, Argentinian, Caribbean and Florida (USA) markets, CIS Gr
With Adobe forcing Creative Cloud and Apple tainting / reversing a decade of professional market FCP
by Bryan Roberts on May 7, 2013 at 4:40:14 pm
in the AVID Forum
My jaw dropped when I heard yesterday that Adobe would be forcing all CS applications into a "cloud based" subscription system. I had my eye on Premiere and was wondering if they'd slowly take the reins from the disgruntled FCP7 market as Final Cut p
Re: How to copy 20TB to LTO 5(or 6)
by Tom Goldberg on May 7, 2013 at 4:37:55 pm
in the Archiving and Back-Up Forum
[Eric Weiner] "I have a Cache-A unit, which can also span tapes, but if you lose one of those tape in a span for what ever reason, you don't only lose the tape, you lose everything it is spanning too. " Eric's comment is really not correct. When
Re: Premiere Pro CC it is then?
by Jeremy Garchow on May 6, 2013 at 10:09:30 pm
in the Apple FCPX or Not: The Debate Forum
[Sandeep Sajeev] "Sure. The issue is what happens down the line. I had to revisit an old Nike spot I cut a couple of years ago last week, and I opened up FCP7 and made the changes the agency needed. This is the type of thing that concerns me."
News: NOA Sources VitroVac Heads to Prolong Life of Studer-based Archive Operations
by Cow News Droid on May 6, 2013 at 6:01:47 pm
in the NEWS: Product News Releases Forum
(Vienna, Austria--May 6, 2013) NOA Audio Solutions has acted to secure the availability for the archiving community of a large stock of ¼” audio heads for Studer tape machines. The heads, part of a last manufacturing run from AM Belgium before produc
News: SIM Digital Acquires Canada’s PS Production Services
by Cow News Droid on May 6, 2013 at 5:00:02 pm
in the NEWS: Product News Releases Forum
(Los Angeles, California--May 6, 2013) SIM Digital, one of the leading suppliers of digital production equipment and post production services in North America, today announced that it has acquired PS Production Services Ltd, one of Canada’s largest r
Re: Wish List For Final Cut Pro X
by Lance Bachelder on May 5, 2013 at 3:59:31 am
in the Apple FCPX or Not: The Debate Forum
All of the above and improved media management so we can get a clean/trimmed timeline out for archiving etc. from either/or a Project AND a Event.
Re: Best Way to Organize DSLR Video Metadata
by Sandeep Sajeev on May 4, 2013 at 7:10:56 am
in the Apple FCPX Techniques Forum
Scott, a quick note on wrangling your data on set. Apologies if you're already aware of all this, but just in case you're not, this may save you some grief at some point. It's good practice to have multiple cards on set. They should all be labe
Re: Best Way to Organize DSLR Video Metadata
by Sandeep Sajeev on May 2, 2013 at 7:18:20 pm
in the Apple FCPX Techniques Forum
I've totally skipped over archiving, as you mentioned that you've got that sorted. I also forgot to add that when Production hands over MovieSlate data, I feed that into FCPX as well. I deal with external audio in a similar way, but the device ide
Re: Do I need original file?
by Shane Ross on May 2, 2013 at 5:03:26 pm
in the AVID Forum
When you import into Avid...and create MXF media...you can then remove the original files. The only time Avid references those is when they are connected via AMA. So you can import, and then remove the drive the originals are one and put it on
Re: Archiving with Project Manager and including AE Linked Comps?
by Tim Kolb on May 2, 2013 at 11:40:46 am
in the Adobe Premiere Pro Forum
Sorry Aza, manual gathering of anything that isn't actual media and isn't imported into the project is necessary to compile everything in a given project outside of Premiere Pro...which includes AE specific project and asset files as well as Audition
Archiving with Project Manager and including AE Linked Comps?
by Aza Allen on May 2, 2013 at 10:17:24 am
in the Adobe Premiere Pro Forum
What is the best/easiest way to archive projects using project manager with Projects that also have a lot of Linked AE Comps? Thanks all!
Re: Outputting for future use!
by Ryan Holmes on May 1, 2013 at 5:17:05 pm
in the Adobe Premiere Pro Forum
We've been archiving in different ways depending on the project. One way is to create, like Tim said, very high data rate h.264 files and then burn that to a data disc (DVD or Blu-ray depending on the size). The data rates vary from 40Mbps to 80-100M
Re: Outputting for future use!
by Tim Kolb on May 1, 2013 at 4:00:13 pm
in the Adobe Premiere Pro Forum
[Chris Tompkins] "We've taken to archiving the project of course, and mastering to the P2 format." P2 is a data format, but not a video format. You archive in AVC-I 100 then?
Re: Outputting for future use!
by Chris Tompkins on May 1, 2013 at 3:47:54 pm
in the Adobe Premiere Pro Forum
We've taken to archiving the project of course, and mastering to the P2 format. P2 can be opened by any pro edit sys. mac or pc. Then, backed up to redundant USB drives.
For Sale: Tolis BRU Producer's Edition
by Michael Holmes on Apr 27, 2013 at 7:56:12 pm
in the Classifieds, Personal Forum
I am selling my license for Tolis BRU Producer's Edition. I have used it frequently for archiving and recovering video files with an LTO-6 tape drive. The program is very easy to use. It is so much quicker and more straight forward than writing Te
Re: Archiving FCP project folder to send
by Mathieu Xavier on Apr 23, 2013 at 9:50:11 pm
in the Archiving and Back-Up Forum
Use hditutil in Terminal to make a disk image of your project folder. It will be the same size. Then use hdiutil to segment it into tiny 100M pieces to make uploading and downloading easier. It will take a long time, depending on your internet connec
Article: NAB 2013: Bob Zelin: The Evolution & Revolution
by Bob Zelin on Apr 22, 2013 at 6:40:04 pm
in the COW - Tutorials Forum
Archiving and Back-Up NAB 2013: Bob Zelin: The Evolution & Revolution Calling Bob Zelin one of the industry's most respected voices of engineering and systems experience is an understatement. (We might also have to add "most feared.") For
News: Not Your Parents' Cable Access Channel BATV Implements ToolsOnAir as Part of a 21st Century Wo
by Cow News Droid on Apr 22, 2013 at 5:58:07 pm
in the NEWS: Product News Releases Forum
(Brookline, Massachusetts--April 22, 2013) On any given day, the studios of Brookline Access Television are abuzz with people and productions, creating and delivering a busy schedule of local programming and services. But BATV is more than just
NAB 2013: Panasonic
by Debra Kaufman on Apr 22, 2013 at 11:45:27 am
in the NAB Expo Forum
Panasonic used NAB 2013 to unveil a number of new products and technologies. Chief among them was the third generation VariCam, the first to incorporate Panasonic's new AVC-ULTRA video codec for native 1080/60p operation. The company also unveiled th
NAB 2013: Bob Zelin: The Evolution & Revolution
by Bob Zelin on Apr 22, 2013 at 11:40:04 am
in the Archiving and Back-Up Forum
Calling Bob Zelin one of the industry's most respected voices of engineering and systems experience is an understatement. (We might also have to add "most feared.") For over 20 years, he has been at the leading edge of building next-generat
Re: getting HDV off HV30 with broken firewire
by Craig Alan on Apr 20, 2013 at 9:26:36 pm
in the Canon Cameras Forum
I think large file sizes are something we all have to get used to. The black magic intensity would not only let you capture all your tapes but could be used to record directly from the HV cam in a much higher codec than HDV and without using any tap
Copying all a projects media files to another drive
by Adam White on Apr 19, 2013 at 6:53:22 pm
in the AVID Forum
Hi, I have just completed an edit using Media Composer 6.5. Working on OS X. For client archiving purposes, I have been asked to provide a firewire drive that contains all of the projects media, along with the Avid project file and bins. I w
Re: Fair use laws when using commercial video?
by Tim Wilson on Apr 18, 2013 at 11:44:43 pm
in the Business & Marketing Forum
[Todd Terry] " In fact I can recall a couple of times them mentioning some obscure film and saying "... unfortunately we don't have any clips of it to show you, but..." " A humongous and critical point. If they didn't have actual written, contrac
Service: Metus Technology
by Nalan KOC on Apr 18, 2013 at 12:08:48 pm
in the COW - Services Forum
Metus Technology software solutions are chosen and used in 65 countries all around the world with more than 500 clientele, as it produces cutting edge corporate management solutions for recording, archiving, editing and distributing video, audio and
Metus Technology
by Nalan Koc on Apr 18, 2013 at 5:08:48 am
in the Forum
Metus Technology software solutions are chosen and used in 65 countries all around the world with more than 500 clientele, as it produces cutting edge corporate management solutions for recording, archiving, editing and distributing video, audio and
Library -1...?
by Aaron Rock on Apr 17, 2013 at 10:23:04 pm
in the CatDV Forum
We've been using CatDV for about a year now with great results. Our usual archiving method transfers all our media to one shared drive. /KLTV Library/Media During the archiving of our most recent project we ran into an odd issue with the volume n
News: Hearst Television Makes Signiant the Centerpiece of Innovative New Solution to Speed Delivery
by Cow News Droid on Apr 17, 2013 at 5:50:07 pm
in the NEWS: Product News Releases Forum
Automated Solution Demonstrates the Promise of Software-Oriented Architectures for Streamlined Ad Delivery; Aims to Accelerate Time to Air, Time to Revenue for 29 Local Stations (Las Vegas, Nevada--April 17, 2013) Signiant, the market leader in in
Re: CatDV doesn't like m2t files,what are my options?
by Rolf Howarth on Apr 17, 2013 at 9:20:17 am
in the CatDV Forum
H.264 isn't a great codec for editing (it's optimised for small file sizes not for ease of editing), but then nor is AVCHD .m2t (as that's basically just H.264, in an MPEG wrapper). There are three main approaches you can use when working with AVCHD:
Re: CatDV Archiving Workflow Question
by Rolf Howarth on Apr 17, 2013 at 8:43:27 am
in the CatDV Forum
It should prompt you about any drives that aren't loaded but will continue and restore the other available files if you press Ok. Then you can mount the other drive (and choose it as the archive location if necessary) and restore from that one.
News: John Toll, ASC Relies on Codex for "Iron Man 3"
by Cow News Droid on Apr 16, 2013 at 8:38:58 pm
in the NEWS: Product News Releases Forum
(London, United Kingdom--April 16, 2013) Master cinematographer John Toll, ASC recently made his first feature film foray into digital cinematography on" Iron Man 3": Revealing the Mandarin, Marvel Entertainment’s latest installment of the hugely suc
News: XenData LTO Archive System Selected for New Facility at GlobeCast in Singapore
by Cow News Droid on Apr 16, 2013 at 5:47:39 pm
in the NEWS: Product News Releases Forum
XenData teams up with Ideal Systems to deliver a reliable, cost effective digital video archive solution for the new broadcast facility at GlobeCast in Singapore's thriving media hub Mediapolis (Walnut Creek, California--April 16, 2013) XenData, a
News: Complete StorNext System Ideal for Mid-Size Post and Broadcast Facilities
by Cow News Droid on Apr 15, 2013 at 6:17:28 pm
in the NEWS: Product News Releases Forum
(Las Vegas, Nevada--April 15, 2013) Quantum Corp. (NYSE:QTM), a proven global expert in big data management and data protection, today announced three new StorNext appliances that enable high-speed collaboration and workflow management from ingest th
DLSR: edit native or ProRes. With intent to export ProRes as final, digital master on Export?
by Matt Campbell on Apr 15, 2013 at 4:27:19 pm
in the Adobe Premiere Pro Forum
I've recently made the switch to PProCS6. Love it so far. My question is, its one thing to edit native, Canon 7D footage which is fast, but what about exporting your digital master for archiving. With FCP, all our digital master are ProRes 422 or HQ

Podcasts

adobe premiere pro podcast
Archiving Your Projects: The Project Manager
In this Premiere Pro video tutorial Andrew Devis outlines how to use the Project Manager to create both trimmed and full archived projects ready with all your footage to put on an external hard drive and save...
adobe after effects podcast
AE Workflow Tips #1: AE Duplication
In this Video Tutorial, Creative Cow Leader Aharon Rabinowitz helps you improve your workflow through the use of duplication in After Effects. Topics covered include duplicating layers, render settings, overwriting renders, and creating videotape containing both RGB and Alpha transparency information for archiving.
avid media composer podcast
Learn Media Composer Lesson 37: Media Organization
Project Archiving: In this lesson, Kevin P McAuliffe answers a viewer's e-mail about the organization of media outside of MC/Symphony, and then shows you how using a free, third-party media management application will simplify your archiving process.
adobe after effects podcast
Adobe After Effects Quick Tip - Cleaning up messy projects
Nothing is worse than trying to work in an After Effects project that's an absolute mess. In this Quick Tip, you will see how simple it is to clean up a project to make it easier to work in, or archive.
adobe premiere pro podcast
Premiere Pro CS6 Techniques: 41: Project Management
In this tutorial, Andrew Devis starts be going over resetting your workspace to the default CS6 workspace if your project was created in a previous version of Premiere Pro.
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