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Re: adding audio only tracks
by Francois-Xavier Noulens on Nov 3, 2009 at 1:45:40 am
in the Apple DVD Studio Pro Forum
I wonder... if I do that, a video graphic a least with each separate audio track... will it be heavier when multiplexing ? Documentary Director & Editor Paris /France Apple Certified Trainer Apple Distinguished Professional
Re: Exporting asset annotations from server to FCP
by Jeff Handy on Nov 3, 2009 at 1:17:40 am
in the Apple Final Cut Server Forum
That's not built in, but is supported for third-party tools. I have yet to see a tool which taps into this feature. (originally, this was one of the features listed before release, called the clip selection tool) Once we get cooking, and I get my tra
Re: Are there Render Farms that do Sorensen Squeezing
by Daniel Low on Nov 3, 2009 at 12:35:36 am
in the Compression techniques Forum
[Craig Seeman] "The basic version of Episode is about the same as Squeeze" ?? Not in my opinion. __________________________________________________________________ "There's no chance that the iPhone is going to get any significant market sha
Re: Workflow of a professional post-production studio, experiences?
by arc nevada on Nov 3, 2009 at 12:06:39 am
in the Adobe Premiere Pro Forum
Mark Hollis, You use Adobe Premire Pro 1.5 but do you realize Adobe added the Media Encoder several years ago to the Production Premium? It works like Apple's Compressor. Why would your friend with Premiere Pro CS4 use Avid News Cutter when w
Re: Vector Art in Final Cut Pro 7
by David Roth Weiss on Nov 3, 2009 at 12:05:36 am
in the Apple Final Cut Pro Forum
Are you editing in a DV timeline? if so, time to read what I've written below about DV compression. http://forums.creativecow.net/readpost/8/1011833 David Roth Weiss Director/Editor David Weiss Productions, Inc. Los Angeles POST-PRODUCTION
Re: Stock Footage of Team Sports: Anyone know where to buy?
by David Roth Weiss on Nov 2, 2009 at 11:56:53 pm
in the Apple Final Cut Pro Forum
Here's a good one for you... Tell Jason I referred you. Jason Krieger Sales Content Manager Collegiate Images http://www.collegiateimages.com jkrieger@collegiateimages.com 818-653-6428 David Roth Weiss Director/Editor David Weiss Productio
Re: Are there Render Farms that do Sorensen Squeezing
by Daniel Low on Nov 2, 2009 at 11:54:31 pm
in the Compression techniques Forum
[Dan Schonberg] "I got a video here at Creative Cow (Internet killed the video star by aaron rabinowitz) that gave me the impression it was one of the best if not the best" A lot of people got that (wrong) impression. ________________________
Re: Compressing Apple Pro Res 422
by John Fishback on Nov 2, 2009 at 11:19:08 pm
in the Apple Final Cut Pro basics Forum
H.264 may be your best bet. Also, breaking up the files into smaller units may make the encodes more manageable. But it will still take a long time. You might investigate Matrox's Compress HD technology for faster than realtime encoding to H.264. Li
Re: Best Practices: Formatting the HDD Storage Module
by AJA Sales Department on Nov 2, 2009 at 11:01:33 pm
in the AJA Ki Pro Forum
Angela, Yes, you can move clips in the "AJA" folder on the Ki Pro Storage Module to the Trash, then perform a Finder>Empty Trash... when the Storage Module is mounted on the computer as storage. If you leave the "AJA" labeled folder in place an
Re: Helping a school out with an HD issue
by Micah McDowell on Nov 2, 2009 at 10:44:02 pm
in the Panasonic DVX100 - HMC150 Forum
That camera records in AVCHD, which Final Cut Pro should be able to import via the Log and Transfer window (here's a page from Apple with information for reference). There shouldn't be a problem unless these are pre-Intel Macs. Shooting in SD won
Re: Finishing Format for output to HDCAM-SR
by Rudy Lopez on Nov 2, 2009 at 10:02:30 pm
in the Apple Final Cut Pro Forum
"4444 codecs can be RGB or YCrCb, and by default the Apple ProRes codecs encode to RGB only from RGB originals and all else is maintained as YCrCb" Hi Gary, I think you may have the answers I am looking for. Your post does make sense to me as
Re: Are there Render Farms that do Sorensen Squeezing
by Daniel Low on Nov 2, 2009 at 9:36:07 pm
in the Compression techniques Forum
Sorenson is not an enterprise level product, as such it's highly unlikely that anyone will have built a farm using it, however it'll be very easy to take your settings and apply them to a product that is used as a farm; like Rhozet Carbon Coder or Ep
Compressing Apple Pro Res 422
by Arturo Celleri on Nov 2, 2009 at 9:18:48 pm
in the Apple Final Cut Pro basics Forum
Hello, I have a big job ahead of me to compress 5 seperate events which are each about 6 hours long into a format that is easily viewable using common media players, like Quick Time, or VLC, or other. I captured the footage on a Sony AVCHD came
Re: OT: End of Prosumer Camcorders???
by Mitch Ives on Nov 2, 2009 at 9:14:19 pm
in the Apple Final Cut Pro Forum
[John Davidson] "You could also point out that Final Cut should/could support editing via H.264. Apple sure pushed that codec down our throats hard enough a few years ago. That doesn't make me a sucker to Apple, that just means Apple still has work t
Need help figuring out my workflow for a short doc
by Scott Busch on Nov 2, 2009 at 9:12:46 pm
in the Art of the Edit Forum
I just recently got on board a short doc as an Assistant Editor. Basically, they need me to recapture all the footage and completely recreate the fine cut because their editor captured it in SD, not HD. The editor originally captured it into Avid. Bu
Re: How to show my files with a PC ??
by Alan Okey on Nov 2, 2009 at 9:05:29 pm
in the Apple Final Cut Pro Forum
Does the client need to see the original footage in HD? If not, and if you have a video interface card like an AJA Kona or Blackmagic Decklink, you could use the card to downconvert your raw footage to SD and connect the card to a standalone DVD rec
Re: broadcast monitor playback
by walter biscardi on Nov 2, 2009 at 8:49:48 pm
in the AJA Kona Forum
[Mitch Ives] "And this is getting less clear all the time. Right now, the h264 clips from a 5D or 7D Canon can be thrown onto the FCP timeline, and if you say yes when asked if you want the sequence to be changed to match the clips, they play on the
Re: streamline audio processing work
by Stace Carter on Nov 2, 2009 at 8:48:49 pm
in the Apple Soundtrack Forum
Hi Collin, Sounds like a labor-intensive process. Obviously, eliminating the first few steps will save boatloads of keystrokes. If you are fast in FCP, you may want to investigate the following: 1. Recording into FCP via the voiceover tool (inp
Re: Telecine directly to DVCAM ? Here's the correction of the inaccuracies.
by Richard Zijlstra on Nov 2, 2009 at 8:27:08 pm
in the Apple Final Cut Pro Forum
Hi There, As a total novice with the digital drawbacks I shoot all my stuff on Super 16, the last project was transfered by telecine to DVCAM tape, and after that to DPX files on hard disk. Am I right in thinking that I've lost a world of informa
Re: Pushing the limits of cheap software
by David Roth Weiss on Nov 2, 2009 at 8:03:08 pm
in the Business & Marketing Forum
[Todd Terry] "I wanted to take a sec though to brag on some some ultra-low-end software... the very ancient and so-easy-a-child-could-do-it Crytal Flying Fonts (which later became Crystal Impact). " I mentioned a while back that I used 3D Impact P
Re: Suggested bitrate for H.264 streams
by Adam White on Nov 2, 2009 at 7:55:32 pm
in the Compression techniques Forum
Sorry - should have made that clearer! This for progressive download (i.e. Apple trailers as you say) and I'm hosting at screencast.com. I've just done another test 800kbps seems to give an equally satisfactory result and gives a bit of head r
Re: monitoring 2k offline FCP7/Kona3
by walter biscardi on Nov 2, 2009 at 7:44:32 pm
in the Apple Final Cut Pro Forum
[Joe Procopio] "i thought prores 422 was 8bit and prores 422 HQ was 10bit.... " Nope. Completely and utterly false. Both are 10bit. Always have been. Walter Biscardi, Jr. Editor, Colorist, Director, Writer, Consultant, Author. HD Post an
Re: Artifacts on Compressor
by Daniel Low on Nov 2, 2009 at 7:44:07 pm
in the Compression techniques Forum
Sorry, I was looking at the wrong thing, I needed to look at the full sized picture. I've never seen anything like that before and can offer no solution. Have you tried a lower quality upsizing method? _________________________________________
Re: Artifacts on Compressor
by Daniel Low on Nov 2, 2009 at 7:38:44 pm
in the Compression techniques Forum
Looks like dirt, like something on the lens to me. Why are you up-rez'ing them? __________________________________________________________________ "There's no chance that the iPhone is going to get any significant market share. No chance." Steve
Re: Suggested bitrate for H.264 streams
by Daniel Low on Nov 2, 2009 at 7:36:43 pm
in the Compression techniques Forum
[Adam White] "What are your thoughts on what would be the ideal kbps to enable streaming on a range of Broadband connections - is 1,000kbps still too high to play smoothly on a variety of connection speeds" What exactly do you mean by streaming? D
Re: Making My Video Cross Platform Friendly
by Daniel Low on Nov 2, 2009 at 7:05:06 pm
in the Web Streaming - Audio|Video Forum
How exactly did you encode those clips? __________________________________________________________________ "There's no chance that the iPhone is going to get any significant market share. No chance." Steve Ballmer To USA Today: 30 April 2007 "
Artifacts on Compressor
by enrico parents on Nov 2, 2009 at 7:03:59 pm
in the Compression techniques Forum
Hello everyone I got a problem with compressor, when I upres this video I get these strange dots especially near liner edges, if you look at the image on the link it has five dots near the picture on the wall on the left. when the video plays they
Re: mp4 crypt streaming
by Daniel Low on Nov 2, 2009 at 6:40:58 pm
in the Web Streaming - Audio|Video Forum
[Marco Favagrossa] "I need to play and decrypt video inside a web page" You can't as far as I know. __________________________________________________________________ "There's no chance that the iPhone is going to get any significant market
Re: sound problem
by Nicolas Bigler on Nov 2, 2009 at 5:59:25 pm
in the Apple Final Cut Pro Forum
well on this computer I can't really downgrade and the other computer is old and slow... So I just have to hope some has a solution or that Apple will release a fix soon. I just upgraded a few month from FCP 3 to 6 and I don't have the budget yet t
New FSI 2470W features 10bit panel
by walter biscardi on Nov 2, 2009 at 5:56:41 pm
in the Apple Color Forum
For those of you who have to work with 10bit panels, FSI will be shipping the 2470W with LED backlight shortly. And before you ask, no I have not seen one yet. http://www.flandersscientific.com/index/lm2470w List price is $8995. Walter B
Re: Your thoughts on music libraries and commercials?
by walter biscardi on Nov 2, 2009 at 5:37:27 pm
in the Business & Marketing Forum
[Mike Cohen] "you get what you pay for. " Absolutely. Good music libraries cost more, but you can pretty much find anything you need there. And a library like Non-Stop will also work to create an original cut of music should your project require
Motion Export issues.
by Brandon Ivey on Nov 2, 2009 at 5:31:06 pm
in the Apple Motion Forum
I posted this on the Apple forums and I am not getting far. I found a way around this, but I still would like to know how to fix it. 1) I created a GFX package that was about 1:30 long, and the project was completed using the DV-NTSC settings. 2)
Re: Optimal frame resolutions for Quicktime
by Dan Daube on Nov 2, 2009 at 5:31:03 pm
in the Apple Final Cut Pro Forum
A lot of other variables start to come into play when you work with traditional video assuming that most Flash may have been created rather than acquired. Essentially many of the same rules of thumb apply-divisible by 16 as the primary example. A cou
Re: Apple Color does not accept 24p vids?
by Joseph Owens on Nov 2, 2009 at 5:05:15 pm
in the Apple Color Forum
Codec problem. COLOR adheres to the frame rate embedded in the XML created on the "Send To..." instruction. COLOR certainly supports 24 fps, but usually in dpx/cin workflow. A lot of consumer codecs try to simplify the language for the laity so
Re: DVCPRO HD and Apple ProRes playback problem. Please help, my deadline is in 10 days
by Joseph Owens on Nov 2, 2009 at 4:50:50 pm
in the Apple Color Forum
If you're going to donwrez, then staying in DVCPro "Original Format" in the Project settings might be the most effective use of your resources. ProRes is a square pixel format, so at the very least you will not be required to make any aspect ratio a
Re: How is this Effect done
by Diana Cimino on Nov 2, 2009 at 4:28:07 pm
in the Adobe After Effects Forum
they used Apple Motion for the content. The wavy background used for the luma matte is "Lighting Flares" and the circles are either "Light Streaks" or "Light Writing" If you open Motion, go to Library and search Content, you will find those and m
Re: DVCPRO HD and Apple ProRes playback problem. Please help, my deadline is in 10 days
by Seth Thy on Nov 2, 2009 at 3:09:37 pm
in the Apple Color Forum
Tnx Valter, that's good to know, 12 fps is quite ok, I just needed to know that I'm doing everything as I should. I forgot about one thing in workflow: I'm not an editor, I'm just grading color, so editors are sending me finished project as DVCP
Re: timecode burn in qt file, fastest way ?
by walter biscardi on Nov 2, 2009 at 2:58:46 pm
in the Apple Final Cut Pro Forum
You do know that Quicktime Player 7 displays TC in the counter, right? All you need to do is export the QT file and have your client switch the counter to TC. Walter Biscardi, Jr. Editor, Colorist, Director, Writer, Consultant, Author. HD Pos
Re: monitoring 2k offline FCP7/Kona3
by Joe Procopio on Nov 2, 2009 at 2:14:20 pm
in the Apple Final Cut Pro Forum
okay, so with the Kona...I didn't see any 23.98 to 59.94 conversion in either the view settings in FCP or on the control panel...but i ended up having to stop my testing short since the client who wasn't supposed to be in, came in, lol...figures...
Apple Color does not accept 24p vids?
by Ivan Lee Barcellos on Nov 2, 2009 at 12:32:32 pm
in the Apple Color Forum
Hey guys, I'm new here... I'm really new in Color, but I'm familiar with FCP for some time. Well, when I send my timeline from FCP to Color, all I get are red boxes in the timeline. What's happening? My workflow: Lumix GH1, AVHCD to .MOV with N
Re: DVCPRO HD and Apple ProRes playback problem. Please help, my deadline is in 10 days
by walter biscardi on Nov 2, 2009 at 12:27:08 pm
in the Apple Color Forum
[Seth Thy] "Problem: Everything is OK in FCP, but in Color picture jitter and plays like it's dropping frames (on comp screen and on broadcast monitor). Picture is also squeezed, but since is OK when it's back to FCP that's not a problem. " Colo
Re: Both FCP and Avid MC can's use this tape format!
by walter biscardi on Nov 2, 2009 at 12:25:02 pm
in the Apple Final Cut Pro Forum
[Chris Bové] "Totally able to capture 30i NTSC no problem... but obviously I'm going to have to online this thing in HD soon. " 30i? What's that? I've never heard of a 30 interlaced fields per frame format.... My guess is set your systems for
Re: AVC-Intra100 to Animation workflow
by Rafael Amador on Nov 2, 2009 at 11:37:01 am
in the Apple Final Cut Pro Forum
Felipe, Sorry, that doccument is not updated. I think here it is: http://documentation.apple.com/en/finalcutpro/professionalformatsandworkflows/ Rafael www.nagavideo.com
3D connexion mouse
by Kevin Gardam on Nov 2, 2009 at 11:18:11 am
in the Apple Motion Forum
Hi does anyone have any experience of this mouse. Apple says it works with motion 4 but theres user experience saying it doesn't. Looks a great mouse would be interested in any feedback Thanks Kev
Re: AVC-Intra100 to Animation workflow
by Rafael Amador on Nov 2, 2009 at 11:17:33 am
in the Apple Final Cut Pro Forum
Hi Felipe, Neither I understand convert a 10b codec in 8b. About the AVC-Intra codec, here you have all the workflow: http://manuals.info.apple.com/en/FCP6_HD_and_Broadcast_Formats.pdf Cheers, rafael www.nagavideo.com
Re: Beefen up G5 to run Final Cut pro 6 or 7
by rukiza okera on Nov 2, 2009 at 10:11:00 am
in the Apple Final Cut Pro Forum
Hi There A few years ago I bought an Apple G5 and added the "trims" which cost me close to £5,000 (five thousand pounds) then Final Cut Studio 5, another £1,200 then later upgraded to Final Cut 6. Last week I decided to upgrade to Final Cut 7 after
Re: Speed controls in Compressor
by Andy Mees on Nov 2, 2009 at 9:43:37 am
in the Compression techniques Forum
You don't really want to use Compressor (clunky) or FCP (can't do it) for Optical Flow Retiming ... best to send it to Motion. It's explained in the manual. http://documentation.apple.com/en/finalcutstudio/workflows/index.html#chapter=5%26section
DVCPRO HD and Apple ProRes playback problem. Please help, my deadline is in 10 days
by Seth Thy on Nov 2, 2009 at 9:05:32 am
in the Apple Color Forum
Hi there, I tried looking in older posts, but couldn't find an answer. In short, this is my problem: Workflow: DVCPRO HD 1080i50 edited in FCP sent to Color, than sent back and at the end it will be down converted to PAL resolution (Digi Bet
Re: Tangent Wave Control Panel Hardware Review - Apple Color
by Dibyendu Das on Nov 2, 2009 at 6:54:30 am
in the Apple Final Cut Pro Forum
Its a great single interface(USB2) control surface integration with locked trackballs. no fear of accidental damage and a elegant black pro look..........All of you must try it guys........
Re: Quicktime Freezes giving an extra long timeline
by Zane Barker on Nov 2, 2009 at 3:34:07 am
in the Apple OS X Forum
[Sean McCulley] "I took my mac to the Apple store where they tried one of my clips in FCP and the clip length matched the video length. They suggested to reinstall my OS - but I wanted to check with you guys first. " I suggest the same thing. Tho
Apple Color
Tangent Wave Control Panel ReviewTangent Wave Control Panel Review

In this article Walter Biscardi, Jr. takes an indepth look at the new Tangent Wave Control Panel.
Review
Author: Walter Biscardi
Apple Motion
Creating a 3D Text Fly InCreating a 3D Text Fly In

In this video tutorial series, Creative Cow leader Zak Peric demonstrates creating a 3D text fly in using Apple Motion.
Tutorial, Video Tutorial
Author: Zak Peric
Boris FX
Boris Continuum Complete's Witness Protection FilterBoris Continuum Complete's Witness Protection Filter

In this video tutorial, we use the BCC Witness Protection filter in Apple Final Cut Pro to obscure the face of a surfer who is surfing a wave at great speed, moving across the frame from the center to exit on the right. We will use BCC Witness Protection's built-in motion tracker to automate this process.
Tutorial, Video Tutorial
Author: Paul Ezzy
Apple Shake
Apple Shake Video Tutorial: An Introduction to Node-based CompositingApple Shake Video Tutorial: An Introduction to Node-based Compositing

Steve Wright is a visual effects veteran with 70 broadcast television commercials and over 60 feature films credits. Hes also written and taught extensively on many aspects of effects creation. Here, using Apple Shake as an example, Steve introduces the ideas and methods of node-based compositing.
Tutorial, Video Tutorial, Feature
Author: Steve Wright
Apple Color
Apple Color: Auto Balance FeatureApple Color: Auto Balance Feature

In this short Apple Color video tutorial, Walter Biscardi demonstrates the auto balance feature in color. This is a basic level tutorial.
Tutorial, Video Tutorial
Author: Walter Biscardi
Apple Final Cut Pro
Apple's ProRes 422Apple's ProRes 422

Apple's ProRes 422 is the most talked-about feature in any application for quite some time. As users finally start getting their hands on Apple Final Cut Studio 2 and working with ProRes, a number of questions have popped up. Part 1 of this article compiles some of the answers to questions including capture, performance, resolution and workflow basics from across The COW.
Tutorial, Feature
Author: Tim Wilson
Apple DVD Studio Pro
Advanced Navigation Authoring with Apple DVDSP: The Chapter Skip ButtonAdvanced Navigation Authoring with Apple DVDSP: The Chapter Skip Button

Creative Cow Contributor Jake Russell takes you deep into the advanced navigation capabilities in Apple DVD Studio Pro to show you how to take complete control over menu navigation. In this case, hell show you how to make the chapter skip button take you to a menu. It might SOUND easy, but if youve tried it, you might actually think its impossible -- but not if you follow Jakes direction.
Tutorial
Author: Jake Russell
Apple Motion
Peter Wiggins looks at the New, Revolutionary Motion from Apple: IntroPeter Wiggins looks at the New, Revolutionary Motion from Apple: Intro

Peter Wiggins takes a thorough look at the new Motion from Apple. Never before has there been such interest and anticipation over a piece of software and Peter Wiggins hopes that this article gives an insight into the creative capabilities, workflow and SPEED of Motion.
Review, Tutorial
Author: Peter Wiggins
Apple Color
Apple Color: Building Vignettes in the ColorFX RoomApple Color: Building Vignettes in the ColorFX Room

Apple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room.
Tutorial, Video Tutorial
Author: Walter Biscardi
Apple Soundtrack
Apple Soundtrack 1.0Apple Soundtrack 1.0

In this review, Creative Cow's Ron Lindeboom looks at the new Soundtrack 1.0 from Apple. Soundtrack ships as part of the Final Cut Pro 4 package and users are beginning to explore this latest offering from Apple Computer -- a tool that gives Mac users many of the powers that once were only found on the PC in tools like Sonic Foundry Acid. How well does Soundtrack perform and what can new users expect? Read on...
Review
Author: Ron Lindeboom
Apple OS X
Apple BootCamp: Windows On the MacApple BootCamp: Windows On the Mac

In this OS X review from The Creative COW Magazine, Ron Lindeboom discusses Apple BootCamp and what it brings that older versions did not. While Rosetta wasn't enough to make us jump to an Intel Mac, here's a few reasons why Boot Camp looks a lot more promising...
Review
Author: Ron Lindeboom
Apple Motion
Apple Motion - TV Screen Part 4Apple Motion - TV Screen Part 4

In this Apple Motion tutorial Ben Scott shows you how to create a TV screen effect inside Apple Motion. This is part four of a series that can be found in the Creative COW Final Cut Studio Tutorials Podcast.
Tutorial, Video Tutorial
Author: Ben Scott
Apple Motion
Painting with Apple MotionPainting with Apple Motion

Painting in Final Cut can be a lot of fun without the mess. This tutorial by Contributing Editor Stephen Smith showcases the new paint feature of Apple Motion. Learn how it can be used to create a brush stroke across your video. So enjoy the great tips in this video tutorial, Painting with Motion.
Tutorial, Video Tutorial
Author: Stephen Smith
RE:Vision Effects
Twixtor Overview for FCPTwixtor Overview for FCP

This video tutorial gives an overview of how to use Twixtor within Final Cut Pro, including how to apply Twixtor, how to speed up and slow down footage using Twixtor , and special considerations needed.
Tutorial, Video Tutorial
Author: Lori Freitag
Apple Color
Apple Color: First Time You LaunchApple Color: First Time You Launch

In this Apple Color video tutorial, Walter Biscardi demonstrates everything you need to know the first time you launch Apple Color. This is a basic level tutorial.
Tutorial, Video Tutorial
Author: Walter Biscardi
Apple Color
Introducing: Stop Staring and Start Grading with Apple ColorIntroducing: Stop Staring and Start Grading with Apple Color

Allow us to introduce one of the most eagerly anticipated DVDs in Creative Cow Master Series history, Walter Biscardi's overview of Apple Color. Building on nearly 20 years of professional editing experience, as well as years of experience with Apple Color (and FInal Touch HD before it), he's got the perfect perspective to make working in Color easier than you imagined. It's the disk he wished he had when he started using Color.
Feature
Author: Walter Biscardi
DaVinci - NEW !
A Letter From Grant PettyA Letter From Grant Petty

The fastest breaking news that is sure to rifle through IBC the quickest? Well, for starters, try this announcement from Blackmagic Design, who have acquired DaVinci Systems, the pioneering color system that for many years has been one of the dream systems in the marketplace. In the letter to employees below, Grant Petty discusses the acquisition with his team members.
Editorial, Feature, People / Interview
Author: Ron Lindeboom
Apple Final Cut Pro
A Few Bugs in Apple Final Cut Pro 6A Few Bugs in Apple Final Cut Pro 6

Creative COW Leader Jeremy Garchow is one of the COW's most frequent posters. "I work in Final Cut Pro all day every day," he says, "and often all night too. These are a few of the issues I've found with Final Cut Pro 6. I assume that Apple will take care of these soon, but until then, here are some tips to help you watch where you step."
Editorial, Feature
Author: Jeremy Garchow
DaVinci - NEW !
Blackmagic Design Buys DaVinci: Part 1Blackmagic Design Buys DaVinci: Part 1

In this article, Tim Wilson begins his series on the big news already beginning to leak from IBC 2009. Blackmagic Design has acquired da Vinci Systems and yes, you read that right. BMD owns and will be developing and marketing da Vinci's award-winning colorgrading technology. What's in store? Here's Part One of Tim's look at the fast-breaking news...
Editorial, Feature, People / Interview
Author: Tim Wilson
DaVinci - NEW !
DaVinci - Rebuilding the Brand for the 21st CenturyDaVinci - Rebuilding the Brand for the 21st Century

How's this for chutzpah? The DaVinci customers at Blackmagic Design buy the company, to set it back on the right path - making big investments, expanding service while slashing fees, accelerating development, and rebuilding Da Vinci from their own experience as its customers.
Feature, People / Interview
Author: Grant Petty
Business & Marketing
Small Steps to Big SuccessSmall Steps to Big Success

Thinking big doesn't always mean having the whole vision at once. For Walter Biscardi, it combines client service, calculated risks, and big investments - especially during down markets.
Editorial, People / Interview
Author: Walter Biscardi

Podcasts

all things apple podcast
All Things Apple - Episode 3
Host Walter Biscardi, Jr. talks a little Apple Green, hands out a 'special' tip of the day, puts a period on NAB 2007 with special guest Shane Ross and tosses out the first Question of the Day. See http://blogs.creativecow.net/node/177 for more.
all things apple podcast
All Things Apple - NAB 2007
Walter Biscardi reports from the floor of NAB 2007 about the release of Final Cut Studio 2 and other Apple news.
all things apple podcast
All Things Apple - Audio Production
Host Walter Biscardi, Jr. talks about audio production and the music industry with Grammy nominated composer Jayne Olderman and Sound Designer/Composer Patrick Belden who's work is featured on "Good Eats". See http://blogs.creativecow.net/node/198 for more
boris fx tutorials podcast
Boris Continuum Complete 6 - Witness Protection Filter
In this video tutorial, we use the BCC Witness Protection filter in Apple Final Cut Pro to obscure the face of a surfer who is surfing a wave at great speed, moving across the frame from the center to exit on the right.
all things apple podcast
NAB 2007 - Interview with Nick Rashby of AJA
Walter Biscardi and Nick Rashby discuss the new AJA IO HD card and some of the new developments with the Pro-Res codec
Forums

Apple - Windows on Mac Forum
Apple Color Forum
Apple DVD Studio Pro Forum
Apple Final Cut Pro Forum
Apple Final Cut Pro basics Forum
Apple Final Cut Server Forum
Apple Garage Band Forum
Apple iPhone Forum
Apple iPod Forum
Apple LiveType Forum
Apple Logic Forum
Apple MobileMe Forum
Apple Motion Forum
Apple OS X Forum
Apple Shake Forum
Apple Soundtrack Forum
Apple Xsan Forum
Silicon Color is now Apple Color Forum


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