| | | | Re: adding audio only tracks by Francois-Xavier Noulens on Nov 3, 2009 at 1:45:40 am in the Apple DVD Studio Pro Forum I wonder... if I do that, a video graphic a least with each separate audio track... will it be heavier when multiplexing ?
Documentary Director & Editor
Paris /France
Apple Certified Trainer
Apple Distinguished Professional | | | | |
| | | | Re: Vector Art in Final Cut Pro 7 by David Roth Weiss on Nov 3, 2009 at 12:05:36 am in the Apple Final Cut Pro Forum Are you editing in a DV timeline? if so, time to read what I've written below about DV compression.
http://forums.creativecow.net/readpost/8/1011833
David Roth Weiss
Director/Editor
David Weiss Productions, Inc.
Los Angeles
POST-PRODUCTION | | | | |
| | | | Re: Compressing Apple Pro Res 422 by John Fishback on Nov 2, 2009 at 11:19:08 pm in the Apple Final Cut Pro basics Forum H.264 may be your best bet. Also, breaking up the files into smaller units may make the encodes more manageable. But it will still take a long time. You might investigate Matrox's Compress HD technology for faster than realtime encoding to H.264. Li | | | | |
| | | | Re: Best Practices: Formatting the HDD Storage Module by AJA Sales Department on Nov 2, 2009 at 11:01:33 pm in the AJA Ki Pro Forum Angela,
Yes, you can move clips in the "AJA" folder on the Ki Pro Storage Module to the Trash, then perform a Finder>Empty Trash... when the Storage Module is mounted on the computer as storage.
If you leave the "AJA" labeled folder in place an | | | | |
| | | | Re: Helping a school out with an HD issue by Micah McDowell on Nov 2, 2009 at 10:44:02 pm in the Panasonic DVX100 - HMC150 Forum That camera records in AVCHD, which Final Cut Pro should be able to import via the Log and Transfer window (here's a page from Apple with information for reference).
There shouldn't be a problem unless these are pre-Intel Macs. Shooting in SD won | | | | |
| | | | Re: Finishing Format for output to HDCAM-SR by Rudy Lopez on Nov 2, 2009 at 10:02:30 pm in the Apple Final Cut Pro Forum "4444 codecs can be RGB or YCrCb, and by default the Apple ProRes codecs encode to RGB only from RGB originals and all else is maintained as YCrCb"
Hi Gary,
I think you may have the answers I am looking for. Your post does make sense to me as | | | | |
| | | | Compressing Apple Pro Res 422 by Arturo Celleri on Nov 2, 2009 at 9:18:48 pm in the Apple Final Cut Pro basics Forum Hello,
I have a big job ahead of me to compress 5 seperate events which are each about 6 hours long into a format that is easily viewable using common media players, like Quick Time, or VLC, or other.
I captured the footage on a Sony AVCHD came | | | | |
| | | | Re: OT: End of Prosumer Camcorders??? by Mitch Ives on Nov 2, 2009 at 9:14:19 pm in the Apple Final Cut Pro Forum [John Davidson] "You could also point out that Final Cut should/could support editing via H.264. Apple sure pushed that codec down our throats hard enough a few years ago. That doesn't make me a sucker to Apple, that just means Apple still has work t | | | | |
| | | | Need help figuring out my workflow for a short doc by Scott Busch on Nov 2, 2009 at 9:12:46 pm in the Art of the Edit Forum I just recently got on board a short doc as an Assistant Editor. Basically, they need me to recapture all the footage and completely recreate the fine cut because their editor captured it in SD, not HD. The editor originally captured it into Avid. Bu | | | | |
| | | | Re: How to show my files with a PC ?? by Alan Okey on Nov 2, 2009 at 9:05:29 pm in the Apple Final Cut Pro Forum Does the client need to see the original footage in HD? If not, and if you have a video interface card like an AJA Kona or Blackmagic Decklink, you could use the card to downconvert your raw footage to SD and connect the card to a standalone DVD rec | | | | |
| | | | Re: broadcast monitor playback by walter biscardi on Nov 2, 2009 at 8:49:48 pm in the AJA Kona Forum [Mitch Ives] "And this is getting less clear all the time. Right now, the h264 clips from a 5D or 7D Canon can be thrown onto the FCP timeline, and if you say yes when asked if you want the sequence to be changed to match the clips, they play on the | | | | |
| | | | Re: streamline audio processing work by Stace Carter on Nov 2, 2009 at 8:48:49 pm in the Apple Soundtrack Forum Hi Collin,
Sounds like a labor-intensive process. Obviously, eliminating the first few steps will save boatloads of keystrokes. If you are fast in FCP, you may want to investigate the following:
1. Recording into FCP via the voiceover tool (inp | | | | |
| | | | Re: Pushing the limits of cheap software by David Roth Weiss on Nov 2, 2009 at 8:03:08 pm in the Business & Marketing Forum [Todd Terry] "I wanted to take a sec though to brag on some some ultra-low-end software... the very ancient and so-easy-a-child-could-do-it Crytal Flying Fonts (which later became Crystal Impact). "
I mentioned a while back that I used 3D Impact P | | | | |
| | | | Re: Suggested bitrate for H.264 streams by Adam White on Nov 2, 2009 at 7:55:32 pm in the Compression techniques Forum Sorry - should have made that clearer!
This for progressive download (i.e. Apple trailers as you say) and I'm hosting at screencast.com.
I've just done another test 800kbps seems to give an equally satisfactory result and gives a bit of head r | | | | |
| | | | Re: monitoring 2k offline FCP7/Kona3 by walter biscardi on Nov 2, 2009 at 7:44:32 pm in the Apple Final Cut Pro Forum [Joe Procopio] "i thought prores 422 was 8bit and prores 422 HQ was 10bit.... "
Nope. Completely and utterly false. Both are 10bit. Always have been.
Walter Biscardi, Jr.
Editor, Colorist, Director, Writer, Consultant, Author.
HD Post an | | | | |
| | | | Re: Artifacts on Compressor by Daniel Low on Nov 2, 2009 at 7:44:07 pm in the Compression techniques Forum Sorry, I was looking at the wrong thing, I needed to look at the full sized picture.
I've never seen anything like that before and can offer no solution.
Have you tried a lower quality upsizing method?
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| | | | Re: Artifacts on Compressor by Daniel Low on Nov 2, 2009 at 7:38:44 pm in the Compression techniques Forum Looks like dirt, like something on the lens to me. Why are you up-rez'ing them?
__________________________________________________________________
"There's no chance that the iPhone is going to get any significant market share. No chance."
Steve | | | | |
| | | | Re: Suggested bitrate for H.264 streams by Daniel Low on Nov 2, 2009 at 7:36:43 pm in the Compression techniques Forum [Adam White] "What are your thoughts on what would be the ideal kbps to enable streaming on a range of Broadband connections - is 1,000kbps still too high to play smoothly on a variety of connection speeds"
What exactly do you mean by streaming? D | | | | |
| | | | Artifacts on Compressor by enrico parents on Nov 2, 2009 at 7:03:59 pm in the Compression techniques Forum Hello everyone
I got a problem with compressor, when I upres this video I get these strange dots especially near liner edges, if you look at the image on the link it has five dots near the picture on the wall on the left. when the video plays they | | | | |
| | | | Re: mp4 crypt streaming by Daniel Low on Nov 2, 2009 at 6:40:58 pm in the Web Streaming - Audio|Video Forum [Marco Favagrossa] "I need to play and decrypt video inside a web page"
You can't as far as I know.
__________________________________________________________________
"There's no chance that the iPhone is going to get any significant market | | | | |
| | | | Re: sound problem by Nicolas Bigler on Nov 2, 2009 at 5:59:25 pm in the Apple Final Cut Pro Forum well on this computer I can't really downgrade and the other computer is old and slow...
So I just have to hope some has a solution or that Apple will release a fix soon. I just upgraded a few month from FCP 3 to 6 and I don't have the budget yet t | | | | |
| | | | New FSI 2470W features 10bit panel by walter biscardi on Nov 2, 2009 at 5:56:41 pm in the Apple Color Forum For those of you who have to work with 10bit panels, FSI will be shipping the 2470W with LED backlight shortly. And before you ask, no I have not seen one yet.
http://www.flandersscientific.com/index/lm2470w
List price is $8995.
Walter B | | | | |
| | | | Motion Export issues. by Brandon Ivey on Nov 2, 2009 at 5:31:06 pm in the Apple Motion Forum I posted this on the Apple forums and I am not getting far. I found a way around this, but I still would like to know how to fix it.
1) I created a GFX package that was about 1:30 long, and the project was completed using the DV-NTSC settings.
2) | | | | |
| | | | Re: Optimal frame resolutions for Quicktime by Dan Daube on Nov 2, 2009 at 5:31:03 pm in the Apple Final Cut Pro Forum A lot of other variables start to come into play when you work with traditional video assuming that most Flash may have been created rather than acquired. Essentially many of the same rules of thumb apply-divisible by 16 as the primary example. A cou | | | | |
| | | | Re: Apple Color does not accept 24p vids? by Joseph Owens on Nov 2, 2009 at 5:05:15 pm in the Apple Color Forum Codec problem.
COLOR adheres to the frame rate embedded in the XML created on the "Send To..." instruction.
COLOR certainly supports 24 fps, but usually in dpx/cin workflow. A lot of consumer codecs try to simplify the language for the laity so | | | | |
| | | | Re: How is this Effect done by Diana Cimino on Nov 2, 2009 at 4:28:07 pm in the Adobe After Effects Forum they used Apple Motion for the content.
The wavy background used for the luma matte is "Lighting Flares" and the circles are either "Light Streaks" or "Light Writing"
If you open Motion, go to Library and search Content, you will find those and m | | | | |
| | | | Re: timecode burn in qt file, fastest way ? by walter biscardi on Nov 2, 2009 at 2:58:46 pm in the Apple Final Cut Pro Forum You do know that Quicktime Player 7 displays TC in the counter, right? All you need to do is export the QT file and have your client switch the counter to TC.
Walter Biscardi, Jr.
Editor, Colorist, Director, Writer, Consultant, Author.
HD Pos | | | | |
| | | | Re: monitoring 2k offline FCP7/Kona3 by Joe Procopio on Nov 2, 2009 at 2:14:20 pm in the Apple Final Cut Pro Forum okay, so with the Kona...I didn't see any 23.98 to 59.94 conversion in either the view settings in FCP or on the control panel...but i ended up having to stop my testing short since the client who wasn't supposed to be in, came in, lol...figures...
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| | | | Apple Color does not accept 24p vids? by Ivan Lee Barcellos on Nov 2, 2009 at 12:32:32 pm in the Apple Color Forum Hey guys, I'm new here...
I'm really new in Color, but I'm familiar with FCP for some time.
Well, when I send my timeline from FCP to Color, all I get are red boxes in the timeline. What's happening?
My workflow: Lumix GH1, AVHCD to .MOV with N | | | | |
| | | | 3D connexion mouse by Kevin Gardam on Nov 2, 2009 at 11:18:11 am in the Apple Motion Forum Hi does anyone have any experience of this mouse. Apple says it works
with motion 4 but theres user experience saying it doesn't. Looks a great mouse would be interested in any feedback
Thanks
Kev | | | | |
| | | | Re: AVC-Intra100 to Animation workflow by Rafael Amador on Nov 2, 2009 at 11:17:33 am in the Apple Final Cut Pro Forum Hi Felipe,
Neither I understand convert a 10b codec in 8b.
About the AVC-Intra codec, here you have all the workflow:
http://manuals.info.apple.com/en/FCP6_HD_and_Broadcast_Formats.pdf
Cheers,
rafael
www.nagavideo.com | | | | |
| | | | Re: Beefen up G5 to run Final Cut pro 6 or 7 by rukiza okera on Nov 2, 2009 at 10:11:00 am in the Apple Final Cut Pro Forum Hi There
A few years ago I bought an Apple G5 and added the "trims" which cost me close to £5,000 (five thousand pounds) then Final Cut Studio 5, another £1,200 then later upgraded to Final Cut 6. Last week I decided to upgrade to Final Cut 7 after | | | | |
| | | | Re: Speed controls in Compressor by Andy Mees on Nov 2, 2009 at 9:43:37 am in the Compression techniques Forum You don't really want to use Compressor (clunky) or FCP (can't do it) for Optical Flow Retiming ... best to send it to Motion. It's explained in the manual.
http://documentation.apple.com/en/finalcutstudio/workflows/index.html#chapter=5%26section | | | | |
| | | | Re: Quicktime Freezes giving an extra long timeline by Zane Barker on Nov 2, 2009 at 3:34:07 am in the Apple OS X Forum [Sean McCulley] "I took my mac to the Apple store where they tried one of my clips in FCP and the clip length matched the video length. They suggested to reinstall my OS - but I wanted to check with you guys first. "
I suggest the same thing. Tho | | | | |
| | | | Boris FX | Boris Continuum Complete's Witness Protection Filter
In this video tutorial, we use the BCC Witness Protection filter in Apple Final Cut Pro to obscure the face of a surfer who is surfing a wave at great speed, moving across the frame from the center to exit on the right. We will use BCC Witness Protection's built-in motion tracker to automate this process. Tutorial, Video Tutorial Author: Paul Ezzy |
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| | | | Apple Final Cut Pro | Apple's ProRes 422
Apple's ProRes 422 is the most talked-about feature in any application for quite some time. As users finally start getting their hands on Apple Final Cut Studio 2 and working with ProRes, a number of questions have popped up. Part 1 of this article compiles some of the answers to questions including capture, performance, resolution and workflow basics from across The COW. Tutorial, Feature Author: Tim Wilson |
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| | | | Apple Color | Apple Color: Building Vignettes in the ColorFX Room
Apple Color offers a variety of tools for custom effects, each with different features. Answering a commonly asked question, broadcast editor and Creative Cow leader Walter Biscardi shows you how to take advantage Colors node-based compositing to create a vignette in the ColorFX room. Tutorial, Video Tutorial Author: Walter Biscardi |
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| | | | Apple Soundtrack | Apple Soundtrack 1.0
In this review, Creative Cow's Ron Lindeboom looks at the new Soundtrack 1.0 from Apple. Soundtrack ships as part of the Final Cut Pro 4 package and users are beginning to explore this latest offering from Apple Computer -- a tool that gives Mac users many of the powers that once were only found on the PC in tools like Sonic Foundry Acid. How well does Soundtrack perform and what can new users expect? Read on... Review Author: Ron Lindeboom |
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| | | | Apple OS X | Apple BootCamp: Windows On the Mac
In this OS X review from The Creative COW Magazine, Ron Lindeboom discusses Apple BootCamp and what it brings that older versions did not. While Rosetta wasn't enough to make us jump to an Intel Mac, here's a few reasons why Boot Camp looks a lot more promising... Review Author: Ron Lindeboom |
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| | | | Apple Motion | Apple Motion - TV Screen Part 4
In this Apple Motion tutorial Ben Scott shows you how to create a TV screen effect inside Apple Motion. This is part four of a series that can be found in the Creative COW Final Cut Studio Tutorials Podcast. Tutorial, Video Tutorial Author: Ben Scott |
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| | | | Apple Motion | Painting with Apple Motion
Painting in Final Cut can be a lot of fun without the mess. This tutorial by Contributing Editor Stephen Smith showcases the new paint feature of Apple Motion. Learn how it can be used to create a brush stroke across your video. So enjoy the great tips in this video tutorial, Painting with Motion. Tutorial, Video Tutorial Author: Stephen Smith |
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| | | | RE:Vision Effects | Twixtor Overview for FCP
This video tutorial gives an overview of how to use Twixtor within Final Cut Pro, including how to apply Twixtor, how to speed up and slow down footage using Twixtor , and special considerations needed. Tutorial, Video Tutorial Author: Lori Freitag |
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| | | | Apple Color | Introducing: Stop Staring and Start Grading with Apple Color
Allow us to introduce one of the most eagerly anticipated DVDs in Creative Cow Master Series history, Walter Biscardi's overview of Apple Color. Building on nearly 20 years of professional editing experience, as well as years of experience with Apple Color (and FInal Touch HD before it), he's got the perfect perspective to make working in Color easier than you imagined. It's the disk he wished he had when he started using Color. Feature Author: Walter Biscardi |
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| | | | DaVinci - NEW ! | A Letter From Grant Petty
The fastest breaking news that is sure to rifle through IBC the quickest? Well, for starters, try this announcement from Blackmagic Design, who have acquired DaVinci Systems, the pioneering color system that for many years has been one of the dream systems in the marketplace. In the letter to employees below, Grant Petty discusses the acquisition with his team members. Editorial, Feature, People / Interview Author: Ron Lindeboom |
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| | | | Apple Final Cut Pro | A Few Bugs in Apple Final Cut Pro 6
Creative COW Leader Jeremy Garchow is one of the COW's most frequent posters. "I work in Final Cut Pro all day every day," he says, "and often all night too. These are a few of the issues I've found with Final Cut Pro 6. I assume that Apple will take care of these soon, but until then, here are some tips to help you watch where you step." Editorial, Feature Author: Jeremy Garchow |
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| | | | DaVinci - NEW ! | Blackmagic Design Buys DaVinci: Part 1
In this article, Tim Wilson begins his series on the big news already beginning to leak from IBC 2009. Blackmagic Design has acquired da Vinci Systems and yes, you read that right. BMD owns and will be developing and marketing da Vinci's award-winning colorgrading technology. What's in store? Here's Part One of Tim's look at the fast-breaking news... Editorial, Feature, People / Interview Author: Tim Wilson |
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| | | | DaVinci - NEW ! | DaVinci - Rebuilding the Brand for the 21st Century
How's this for chutzpah? The DaVinci customers at Blackmagic Design buy the company, to set it back on the right path - making big investments, expanding service while slashing fees, accelerating development, and rebuilding Da Vinci from their own experience as its customers. Feature, People / Interview Author: Grant Petty |
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Podcasts | | | | all things apple podcast All Things Apple - Episode 3 Host Walter Biscardi, Jr. talks a little Apple Green, hands out a 'special' tip of the day, puts a period on NAB 2007 with special guest Shane Ross and tosses out the first Question of the Day. See http://blogs.creativecow.net/node/177 for more. | | | | |
| | | | all things apple podcast All Things Apple - NAB 2007 Walter Biscardi reports from the floor of NAB 2007 about the release of Final Cut Studio 2 and other Apple news. | | | | |
| | | | all things apple podcast All Things Apple - Audio Production Host Walter Biscardi, Jr. talks about audio production and the music industry with Grammy nominated composer Jayne Olderman and Sound Designer/Composer Patrick Belden who's work is featured on "Good Eats". See http://blogs.creativecow.net/node/198 for more | | | | |
| | | | boris fx tutorials podcast Boris Continuum Complete 6 - Witness Protection Filter In this video tutorial, we use the BCC Witness Protection filter in Apple Final Cut Pro to obscure the face of a surfer who is surfing a wave at great speed, moving across the frame from the center to exit on the right. | | | | |
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