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Re: 100,000 names in AE....how?
by Nick Hill on Aug 17, 2009 at 6:49:58 pm
in the Adobe After Effects Expressions Forum
I think you'd be insane to try this in AE ;) I can only think of two ways to do it - either you load one text layer with a massive string representing all 100,000 names (not practical, would probably bust the maximum length of the string, and you
Re: Chroma key scale lock
by Barend Onneweer on Aug 17, 2009 at 6:27:59 pm
in the Adobe After Effects Forum
Hi, For tracking scale you need two markers. In AE's tracker controls you can select a combination of scale, position and rotation tracking. This should be fairly easy as long as your two markers are never obscured by the models. This is assum
AE Tutorials and third party plugins
by Bjorn Fagertun on Aug 17, 2009 at 6:17:02 pm
in the Adobe After Effects Forum
I am a frequent user of CC for inspiration and problem solving issues. I have to underline that I really apriciate this site alot. But it is one thing that I would like to suggest in the AE tutorials segment. Is it maybe possible to mark the
Re: Will a Matrox benefit me?
by Damon Gaskin on Aug 17, 2009 at 4:11:09 pm
in the Matrox Video Systems Forum
As the others have said, you do not need a "supercomputer", simply because say, the X2, there aren't a lot of times you really need to render. And when you do, the rendering is extremely fast! 64 bit "is" the way to go, as Jeff stated, because yo
Re: Audio in Toxik?
by stephane Auge on Aug 17, 2009 at 3:55:45 pm
in the Autodesk Toxik Forum
Hello Ken, Well that's a big limition for broadcast job then. Toxik is probably very good for feature film compositng, for big jobs, but for day to day work like music video clip or small commercial (like i do) witch is the bread of small compan
Copy past from Premiere to AE
by Scott Rucci on Aug 17, 2009 at 2:45:42 pm
in the Adobe Premiere Pro Forum
Hi. When I copy and paste clips from Premiere to After Effects, my Premiere dissolves are not translating into AE transparency keyframes. There are no transparency keyframes in AE, just the 2 overlapping clips. Anyone experienced this? Thanks in adva
Re: Importing from AE
by Ryan McAfee on Aug 17, 2009 at 1:26:55 pm
in the AVID Editing Forum
Try maybe exporting the AE footage as a Video for windows (.avi) Ryan McAfee Moon Community Access Television www.MCA-TV.com
100,000 names in AE....how?
by Peter Whittaker on Aug 17, 2009 at 12:37:17 pm
in the Adobe After Effects Expressions Forum
Hey guys, poser for you. We've programmed a realtime setup that displays up to 100,000 overlapping names on a HD screen. The attached screenshots show it running with only 17,000 names, but hopefully you get the idea: The whole screen. 1
Re: Crumpled Paper Transition
by olof ekbergh on Aug 17, 2009 at 12:26:46 pm
in the Apple Final Cut Pro Forum
I would say you could do that in Boris Red or in AE. It would take a bit of work, but it could be done. I don't know of a readymade effect like that but someone here may. Olof Ekbergh
workflow between AVID and AE
by Pete Burge on Aug 17, 2009 at 12:14:08 pm
in the Adobe After Effects Forum
Hi, I'm working on a 5 minute promo shot on green screen. Post is a combo of AVID, cinema 4D and AE. Would love some advice on what codec would interface between them all - if any? Renders keep crashing. Was shot SD PAL digi beta. There must
WM9 and color space
by Johannes Nyholm on Aug 17, 2009 at 9:58:33 am
in the Adobe After Effects Forum
Hi, I´m using After Effects CS3 and try to render a Windows Media 9 file. But I don´t get the colors right. The blacks are too light and the whites too dark (I´ve checked the file in both VLC and Media Player). I guess it could be a color space issu
Re: Primatte Keyer for FCP, Motion, or AE
by Erik Lindahl on Aug 17, 2009 at 8:18:34 am
in the Apple Final Cut Pro Forum
I thought Red Giant software had the "feature" of "buy one, use for all" as in buy one plug-in and use it for all host-apps. I might be wrong in this however… I'm also looking for other alternatives to the Keylight plugin in After Effects. It ofte
Re: Best Comp for Premiere
by Clint Milner on Aug 17, 2009 at 8:03:12 am
in the Adobe Premiere basics Forum
The two processors you listed are pretty much the same thing. I think I usually gravitate towards AMD products, but if you can afford a quad core, I'd recommend that. I think it'd be important to get a 64 bit OS so you can jack up the RAM in yo
Importing from AE
by Daniel d'Avoine on Aug 17, 2009 at 7:54:32 am
in the AVID Editing Forum
(i have also posted this in the AE section) Hi I am currently undertaking a project were i have to export some corrected footage, removing a television screen from a shot, back to avid from where it was captured. There is an issues that the int
Exporting To Avid issues
by Daniel d'Avoine on Aug 17, 2009 at 7:54:06 am
in the Adobe After Effects Forum
Hi I am currently undertaking a project were i have to export some corrected footage, removing a television screen from a shot, back to avid from where it was captured. There is an issues that the interlacing is flicker whatever field i export it
Re: Does this composition deserve to be played in front of an audience?
by Mariam Ali on Aug 17, 2009 at 7:22:24 am
in the Music - Creation | Composition Forum
Hello, Thanks! I appreciate such kind of encouraging posts. So far, I have three compositions posted in Youtube: Last words Jasmine shadow And waiting for peace The entire list can be found in my website. Watch out, they are simple and
Re: Does this composition deserve to be played in front of an audience?
by Mariam Ali on Aug 17, 2009 at 7:17:16 am
in the Music - Creation | Composition Forum
Hello, Thanks! I appreciate such kind of encouraging posts. So far, I have three compositions posted in Youtube: Last words Jasmine shadow And waiting for peace The entire list can be found in my website. Watch out, they are simple and m
After Effects dropping frames while rendering.
by Anant Raina on Aug 17, 2009 at 4:15:14 am
in the Adobe After Effects Forum
I'm editing a DV pal timeline in FCP. I exported some footage as an Mov without any compression. I imported this Mov into After effects. I used MB Looks on the footage for color grading. I then re-exported this as an Mov using DV Pal compression. W
Re: Unpixelated image gets pixelated when I import
by william legarreta on Aug 17, 2009 at 1:37:12 am
in the Adobe After Effects Forum
I'm curious if this image you're importing was created or edited in photoshop or Illustrator . . . I know this sounds odd but when I import hi res photos I've had to make edits too prior to importing in AE- Ive gotten that issue It goes away after
Unpixelated image gets pixelated when I import
by Mike McCutchen on Aug 16, 2009 at 10:36:06 pm
in the Adobe After Effects Forum
I have a file that plays beautifully in Quicktime, but when I import that exact same file into AE, it gets that dreaded staircase effect on the diagonals. I'm just confused as to where this is coming from, because it's set at full resolution. Any tho
Audio in Toxik?
by stephane Auge on Aug 16, 2009 at 8:03:38 pm
in the Autodesk Toxik Forum
Hello, I'm a Maya and AE user. Since Toxik is now packed with Maya I've played a bit with it. I've read the doc but I can't find a way to import any audio file. Is there a way to play sync sound in Toxik like in Flame? If not I'll stick with AE si
how to ram preview ONLY work area?
by efraim or on Aug 16, 2009 at 4:19:21 pm
in the Adobe After Effects basics Forum
good evening guys. just wondering, isn't the ram preview supposed to stop when it reaches to the end of the work area? I want to ram preview only a few seconds, and those seconds under the "work area", in spite of it, the ram preview continues u
Re: [FCP 6.0] Whip / swish transicitons
by Rob Grauert on Aug 16, 2009 at 3:20:35 pm
in the Apple Final Cut Pro Forum
Here is a good tutorial on how to do it in After Effects. If you don't have AE, you can pretty much do the same thing in Motion. http://library.creativecow.net/articles/larsen_carl/simulating_whip_pans.php Robert J. Grauert, Jr. www.robgrauert.
Re: Camera pans and 3D layers rendering choppy
by Chris Niderman on Aug 16, 2009 at 2:43:50 pm
in the Adobe After Effects Forum
I have the same problem. My AE-Render-Preview is nice and smooth whereas the final render is always "choppy". For example, my 35mm camera moves along the z-axis from -700 to -500 and the final playback of the video is choppy as hell. Could anybod
How to apply after effects animations to proanimator text
by jeff sherk on Aug 16, 2009 at 2:59:15 am
in the Zaxwerks Forum
I am using ProAnimator 4.5.1 plugin for After Effects CS3. I can create the text in the ProAnimator plugin, but when I try to apply an animation preset from AE it does nothing. Is there a setting I am missing, or maybe I am going about it the w
Re: AE claims it is missing files but it is not.
by tommy strickland on Aug 16, 2009 at 2:39:18 am
in the Adobe After Effects Forum
Thank You robert and Barend for responding... The IMAGE SEQUENCE WORKED!!! Many thanks to you my friend... It most have been a codec problem.
Re: Tracking problems im going to cry :(
by robert craghead on Aug 15, 2009 at 10:54:44 pm
in the Adobe After Effects Forum
Did you try 4 point track with corner pin with AE? I only saw a low res version of your movie and don't see the jitter. With the object being out of view in the beginning, you may have to hand keyframe some frames usually not too bad if you add
Re: Newbie Workflow Question....Help Out?
by robert craghead on Aug 15, 2009 at 7:35:44 pm
in the Adobe After Effects Forum
Nice. It's perfect weather in SD right now. Prores will work in AE. It's a QuickTime component so will work in any QuickTime component software. Will have to check on the export settings in AE, but I think they will render to as well. When ren
Re: Tracking problems im going to cry :(
by James Read on Aug 15, 2009 at 6:50:23 pm
in the Adobe After Effects Forum
Ok, I did try Mocha which gave me excellent results when viewing how well my track stayed, however.. I read many tutorials on how to add my track data into AE and I finally understand it but how do you do multiple null's? Because my shot is a pan so
Re: incompatable compostion, open gl, final render
by Kevin Camp on Aug 15, 2009 at 6:15:36 pm
in the Adobe After Effects Forum
there are some effects that are not compatible with ae's multiprocessing, like cc widetime, cc time blend and i think even particle playground are a few. so that may be why mp is disabled and there may be some other aspects of your comp that are dis
Re: Tracking problems im going to cry :(
by Barend Onneweer on Aug 15, 2009 at 5:16:24 pm
in the Adobe After Effects Forum
I couldn't watch the quicktimes because I'm in iPhone with slow connection. First, I'd try Mocha AE for tracking - gives better results and is bundled with CS4. If that's not an option: try smoothing keyframes using either an expression or the
Re: deinterlacing in compressor
by Rafael Amador on Aug 15, 2009 at 4:34:52 pm
in the Apple Final Cut Pro Forum
Hi hector, The issue when de-interlacing is not which field you eliminate, but how you rebuild the lost lines. FC's de-interlacer is probably one of the worst options. RE-VISION FieldsKit is probably the most complete tool but in FC works only in
Re: Newbie Workflow Question....Help Out?
by Tony Brittan on Aug 15, 2009 at 1:35:34 pm
in the Adobe After Effects Forum
Thanks Rob! Much appreciated. So...does ProRes work in AE? This us some very cool stuff. I'm excited to dig in once I finish my current project in FCP. By the way...I'm from San Diego :-) Grew up in Penasquitos and Poway. Good times! Tony
Re: Animate in After Effects or Flash?
by travis dickie on Aug 15, 2009 at 9:35:34 am
in the Adobe Flash Forum
I've had great results when exporting AE animations as SWF files to Flash. They often export as small animation files, and though they are a pain in the ass to update once imported into flash, they are easy to handle. One thing to keep in mind th
Clouds, water and other morph/repeating animations...
by travis dickie on Aug 15, 2009 at 9:30:29 am
in the Adobe Flash Forum
Hi everybody, I've found an excellent looking cloud animation that I'm trying my best to reproduce, and I think I could be on to something. If there are any more "Flash friendly" procedures out there than mine, I would be more than happy to be let
incompatable compostion, open gl, final render
by anita sancha on Aug 15, 2009 at 8:36:23 am
in the Adobe After Effects Forum
Hi.. I have a 3 and half min animation. 15 compositions average 60 layers in each 3d with lights and adjustment layers. Many include taga imports of still photos of vegetables doing a samba conga and ending in a dream sequence all set in a forest
Re: importing video files
by Barend Onneweer on Aug 15, 2009 at 8:11:35 am
in the Adobe After Effects Forum
Is your AE 4 on the same machine? It sounds like a missing codec. QuickTime is a wrapper (.mov) that can use a wide variety of codecs, not all of them standard, or even crossplatform. Sounds like your camera records to some codec that needs to be ins
Re: 3D Match move dilemma
by Barend Onneweer on Aug 15, 2009 at 8:00:29 am
in the Adobe After Effects Forum
You can basically convert your foreground layer to a 3D layer, and parent it to AE's 3D camera. You'll have to manually position and orient the layer relative to the camera, since your cam will not be in default position anymore. Raamw3rk - d
Re: AE claims it is missing files but it is not.
by Barend Onneweer on Aug 15, 2009 at 7:52:21 am
in the Adobe After Effects Forum
My first thought would be faulty RAM or a codec error, probably the last. If you check the frames where it usually hangs and delete one layer at a time to see if it will render then - you might find the problem layer. You might be able to convert
importing video files
by John Hartman on Aug 14, 2009 at 11:46:39 pm
in the Adobe After Effects Forum
Just bought a "used" AE 6.5 for Windows standard software. Am attempting to import video files from my camera/hard drive. Camera footage is in the .MOV file format name. The AE 6.5 HELP says that 6.5 supports .mov Is .mov different than .
Specific Mask Export Question
by Andrew Furlong on Aug 14, 2009 at 10:40:47 pm
in the Adobe After Effects Forum
I know you could copy spline keyframes to text, but furthermore, I'd like to know if you could export splines from aftereffects into, say, nuke. It would really smooth out my workflow, because i'm doing my masks in mocha for after effects, and i have
Re: Primatte Keyer for FCP, Motion, or AE
by Roger Lee on Aug 14, 2009 at 9:50:04 pm
in the Apple Final Cut Pro Forum
Thanks Jason, I've been hearing a lot of really good things about the Primatte Keyer from Red Giant. Thats why I came on here to ask people who've actually used it against other keyers. I've been hearing the same things over and over. Again, th
Setting up network renders
by Erick Pinell on Aug 14, 2009 at 8:54:00 pm
in the Adobe After Effects Forum
I own 3 licensed copies of AE CS4 for Mac. I'd like to setup 3 Windows boxes to do network rendering. The problem is I don't own a windows serial number, and therefore can't seem to install some of the effects I need since they are only installed o
Re: Newbie Workflow Question....Help Out?
by robert craghead on Aug 14, 2009 at 8:53:10 pm
in the Adobe After Effects Forum
From my experience, with After Effects its all about the export. In AE, we usually create all projects in 1080p comp size for future considerations, and export to the appropriate codec for editing in FCP. In A DVCProHD1080i FCP sequence we would r
Re: AE claims it is missing files but it is not.
by robert craghead on Aug 14, 2009 at 8:40:51 pm
in the Adobe After Effects Forum
what machine are you running on? What type of files(photo, DV, HD?) are you using in AE? Robert Craghead Founder Ten Stories 2775 Kurtz Street, Suite2/3 San Diego, CA 92110 T: 619.295.5650 x101 F: 619.295.4838 rob@tenstories.com ww
Re: RAM? Multiprocessing? I'm tired of Mac spinning wheel!
by Kevin Camp on Aug 14, 2009 at 7:29:51 pm
in the Adobe After Effects basics Forum
ae can have problems with certain media types. hdv, mpeg-2, h.264 and compressed audio files like mp3 can cause issues with how ae behaves. if you are using any of those in your project, then you should convert them to other media types. some good
Re: Primatte Keyer for FCP, Motion, or AE
by Jason Diebler on Aug 14, 2009 at 6:21:23 pm
in the Apple Final Cut Pro Forum
Roger is talking about the Red Giant plugin, not the Primatte keyer that's built into Motion... they are different. Primatte Keyer Pro is definitely worth investing in if you have the $$. I've used the native filters in FCP/Motion & Keylight in A
RAM? Multiprocessing? I'm tired of Mac spinning wheel!
by Michael Mehlhorn on Aug 14, 2009 at 5:12:30 pm
in the Adobe After Effects basics Forum
So after doing some research on the site/forums I am still unsure and unable to figure out what to do so I am writing a post with attempts to fix my current issue. I am using After Effects CS3 on a Mac Pro Dual Core Intel Xeon (2 x 2.66 GHz) with 10G
Re: ZAXwerks 3D Warps - can a warped layer cast shadows???
by Matt Rhodes on Aug 14, 2009 at 5:03:10 pm
in the Zaxwerks Forum
Hi Michal. In order to have a 3D Layer Warp layer cast a shadow onto a "floor" in AE, you'll need to select that floor layer using the "Shadow Catcher Plane" option. Therefore, do the following: 1. Find the Shadow Catcher Plane parameter near
Re: automatic duck final cut pro scale--after effects zspace
by Wes Plate on Aug 14, 2009 at 4:27:47 pm
in the Automatic Duck Forum
No, Pro Import AE does not have an option to convert scale to Z position. There is probably a script out there that does that, or something could be made, I am not personally familiar with anything. -- Wes Plate Automatic Duck
Adobe After Effects
Using Text Jitter in Boris Continuum Complete 6 AE's Extruded Text FilterUsing Text Jitter in Boris Continuum Complete 6 AE's Extruded Text Filter

This video tutorial from Dirk de Jong gives you an in-depth look at the Jitter feature of Boris Continuum Complete 6 AE's Extruded Text filter. Basic functionality of the Jitter feature is explained and demonstrated. Then, the Jitter feature is shown in the context of a more developed effect involving audio and After Effects Camera and Lights.
Tutorial, Video Tutorial
Author: Dirk de Jong
Adobe After Effects
Creating a Realistic 3d Earth using only AECreating a Realistic 3d Earth using only AE

In this video tutorial, Creative Cow leader Michael Park shows you how to create a realistic 3d earth, complete with clouds and atmosphere, using only After Effects' built in effects. Special attention will be given to combining multiple instances of the CC Sphere effect to create unique layers with different specular properties for the land and water masses, as well as creating lights from urban centers on the night side of the earth.
Tutorial, Video Tutorial
Author: Michael Park
Adobe After Effects
AE Quicktips #8: Camera Raw SequencesAE Quicktips #8: Camera Raw Sequences

In this video tutorial, Creative COW contributing editor Carl Larsen shows you how to import a .jpeg or .tiff sequence into Adobe After Effects with Adobe Camera Raw development settings applied.
Tutorial, Video Tutorial
Author: Carl Larsen
Adobe After Effects
broadcastGEMs' AE Pro Volume02broadcastGEMs' AE Pro Volume02

Tim Johnson takes a thorough look at broadcastGEMs AE Pro Volume 2 and finds GEMs is well-suited for the corporate AE user or anyone that would like a quick and easy starting point for that next project.
Review
Author: Tim Johnson
Boris FX
Map an After Effects Video Layer to Boris Continuum Complete 6 AE Extruded TextMap an After Effects Video Layer to Boris Continuum Complete 6 AE Extruded Text

In this Boris FX video tutorial we show you how to map an After Effects video layer to the surface of Boris Continuum Complete 6 AE Extruded Text.
Tutorial, Video Tutorial
Author: Dirk de Jong
Boris FX
Using After Effects Masks with Boris Continuum Complete 6 AE Extruded TextUsing After Effects Masks with Boris Continuum Complete 6 AE Extruded Text

In this Boris FX video tutorial we show you how to use an After Effects mask to define custom extrusion curves as well as the baseline for text characters in Boris Continuum Complete's Extruded Text filter.
Tutorial, Video Tutorial
Author: Dirk de Jong
Boris FX
Create Extruded Text with Boris Continuum Complete 6 AECreate Extruded Text with Boris Continuum Complete 6 AE

This new video tutorial shows you the basics of using BCC Extruded Text in Adobe After Effects. BCC Extruded Text belongs to the 3D Objects category of filters which is new to Boris Continuum Complete 6. These stunning OpenGL-based filters use vertex and pixel shaders that enable the generation of animated 3D shatter, bulge, bend, taper, twist, ripple, and wave effects. You can also create reflection or texture maps for the generated 3D text - from any image or video clip in the AE timeline.
Tutorial, Video Tutorial
Author: Paul Ezzy
Boris FX
Creating Transitions with Boris Continuum Complete 6 AE's Swish Pan FilterCreating Transitions with Boris Continuum Complete 6 AE's Swish Pan Filter

Editors use transitions as a way to cut between scenes, typically creating an animated effect such as a dissolve or blur at the end of the outgoing clip and the beginning of the incoming clip. While most modern NLE systems ship with standard wipe transitions, there are some transition styles that are more of an in-camera effect rather than a synthesized gradient wipe or block dissolve. One of these effects, known as a Swish Pan, is created by panning the camera very quickly in a 180 degree arc, creating the look of a fast blur between the outgoing and incoming clips. Continuing in the tradition of making visual effects easy to create, Boris Continuum Complete 6 AE now includes a Swish Pan transition filter which is available free for registered BCC 6 AE users. In this video tutorial, we'll use the new BCC 6 Swish Pan filter to transition between a pair of clips.
Tutorial, Video Tutorial
Author: Paul Ezzy
Boris FX
Warp, Deform, and Explode 3D Extruded Text with Boris Continuum Complete 6 AEWarp, Deform, and Explode 3D Extruded Text with Boris Continuum Complete 6 AE

In this Boris FX video tutorial we show you how to employ the power of vertex shaders to warp, deform and even explode 3D extruded text using Adobe After Effects and the new 3D Objects from Boris Continuum Complete 6 AE.
Tutorial, Video Tutorial
Author: Dirk de Jong
Adobe After Effects
Creating a Shotgun Blast using 3ds Max and AE: Part 2Creating a Shotgun Blast using 3ds Max and AE: Part 2

In part two of his shotgun tutorial, Michael Park will demonstrate how to incorporate the 3d footage together with 2d footage in After effects and use different filters to create the distortion surrounding the blast from the barrel of the shotgun and the air distortion trailing the individual shotgun pellets as they race towards the camera. He will also cover some time remapping techniques to add some more interest to your shot.
Tutorial, Video Tutorial
Author: Michael Park
Boris FX
Put Electronic Makeup On Your Talent with Boris Continuum Complete 6 AE's Smooth Tone FilterPut Electronic Makeup On Your Talent with Boris Continuum Complete 6 AE's Smooth Tone Filter

BCC Smooth Tone is an image restoration filter that smoothes out skin imperfections while maintaining image detail and contrast in areas such as hair and eyes. This video tutorial from Paul Ezzy goes over the basics of applying the filter to a clip in AE and provides a brief lesson on how to use PixelChooser to increase the filter's effectiveness.
Tutorial, Video Tutorial
Author: Paul Ezzy
Boris FX
Repair DV Footage with Boris Continuum Complete 6 AE's DV FixerRepair DV Footage with Boris Continuum Complete 6 AE's DV Fixer

DV video is prone to jaggy edges and compression artifacts. BCC 6 AE's new DV Fixer will greatly improve the look of your clip without sacrificing image detail or quality. Watch how it's done inside Adobe After Effects CS4.
Tutorial, Video Tutorial
Author: Paul Ezzy
Apple Final Cut Pro
Final Cut Studio 3 is here, and all is good!Final Cut Studio 3 is here, and all is good!

Our man in Nepal, Jiggy Gaton, likes to live for danger. He installed a major software upgrade mid-project, with virtually no preparation, just to see what would break. Lo and behold, it all worked! And the more Jiggy works with it, the better he's liking it. Join him in this Creative COW, Real-world, Real-time Report on Final Cut Studio 3.
Review
Author: Jiggy Gaton
Adobe After Effects
Creating a Shotgun Blast using 3ds Max and AE: Part 1Creating a Shotgun Blast using 3ds Max and AE: Part 1

Many people are interested in creating and incorporating 3d generated footage into live action. In this 2 part tutorial, Michael Park will demonstrate how to create a shotgun blast at the camera using 3d rendered particles and distortion trails along with some 2d footage to create a convincing effect. In part 1 of this tutorial, we will create the 3d shotgun pellet geometry and material, as well as the distortion trails to be later used in the after effects composition.
Tutorial, Video Tutorial
Author: Michael Park
Adobe After Effects
Nosferatu becomes Orlok the Vampire in 3D!Nosferatu becomes Orlok the Vampire in 3D!

Nosferatu, the first vampire movie, and some say still the best, rises again in 3D! Chris Heuer used desktop tools including AE and Mocha to breathe new life into this classic of world cinema.
Feature
Author: Chris Heuer
Adobe After Effects
Markers LeaksMarkers Leaks

In this video tutorial, Creative Cow contributing editor Eran Stern gives an introduction to custom effects which trigger actions using layer markers inside of Adobe After Effects.
Tutorial, Video Tutorial
Author: Eran Stern
Imagineer Systems
Mocha for After Effects v2Mocha for After Effects v2

In this article, CreativeCOW leader Brendan Coots takes a look at Mocha for AE v2 and concludes that overall, Mocha for After Effects v2 is fast, friendly and cost effective, making it an excellent choice for freelancers and major studios alike.
Review
Author: Brendan Coots
Apple Final Cut Pro
Travel Mattes in FCP: Faster than AETravel Mattes in FCP: Faster than AE

"I about had a heart attack, as the budget did not allow for days of AE work, so I began to search for alternatives to animating a gazillion layers in Final Cut Pro." If you haven't been there yet, you will. Either way, Chris Poisson will show you how to build high-impact composites in Final Cut Pro, more quickly than you can in AE.
Tutorial
Author: Chris Poisson
Adobe After Effects
Jim Harvey reviews After Effects in Production by Trish Meyer & Chris Meyer 2nd edition for AE 6.5Jim Harvey reviews After Effects in Production by Trish Meyer & Chris Meyer 2nd edition for AE 6.5

In this article, CreativeCOW.net contributing editor Jim Harvey reviews After Effects in Production 2nd edition for AE 6.5 by Trish Meyer & Chris Meyer and published by CMP Books, 382 pages, Dec 10, 2004; Copyright 2004, ISBN: 1578202647 and writes... "When people first become aware of After Effects, the one question that is most often asked is 'What is the best way for me to learn this program?' The answer most often given is 'Pick up anything by Trish & Chris Meyer'. The book most often recommended is After Effects in Production. There is a good reason for this recommendation. The Meyers are two very talented people who completely grasp the inner working of After Effects. The plus is that they are also extremely adept at taking their knowledge and imparting it to the rest of us."
Review
Author: Jim Harvey
Adobe After Effects
Adding Z-Depth to your Logo Using AE5 PBAdding Z-Depth to your Logo Using AE5 PB

Ever wanted to extrude a logo in After Effects but on a tight budget and always looking to tinker about? Read on as Roland Kahlenberg demonstrates a cool way to introduce some z-depth to our objects in AE 5.0 Production Bundle.
Tutorial
Author: Roland Kahlenberg
Adobe After Effects
Tanx-AE: A Game for After EffectsTanx-AE: A Game for After Effects

Everyone needs a diversion now and then, so Chris Zwar took some time to write a game in After Effects just to see if he could. Here's the result: Tanx-AE, the world's first game written for Adobe After Effects. Take a moment, download the aep and have some fun with this. It's for version 5.5 and up.
Tutorial
Author: Chris Zwar

Podcasts

boris fx tutorials podcast
Boris Continuum Complete 6 - Using Text Jitter with AE's Extruded Text Filter
This video tutorial gives you an in-depth look at the Jitter feature of Boris Continuum Complete 6 AE's Extruded Text filter. Basic functionality of the Jitter feature is explained and demonstrated.
3d animation tutorials podcast
3ds Max - Introduction to 3ds Max 2010 Viewport Label Menus
In this 3ds Max 2010 tutorial, Michael Hurwicz looks at the new viewport label menus, which provide quicker access to some of the most common viewport-related functions, such as showing statistics, showing and hiding the grid, changing the view and more.
3d animation tutorials podcast
3ds Max - Introduction to 3ds Max 2010 Particle Paint Helper
In this 3ds Max 2010 tutorial, Michael Hurwicz looks at the new Particle Paint feature, which allows you to spray particle seeds on any object. You then use new operators in the Particle Flow system to convert these seeds to particles.
3d animation tutorials podcast
3ds Max - Introduction to 3ds Max 2010 Graphite Modeling Tools
In this 3ds Max 2010 tutorial, Michael Hurwicz introduces the new Graphite Modeling Tools, and the Generate Topology feature which allows you to quickly change the underlying structure of an editable poly to resemble bricks, tiles, diamonds and more.
adobe after effects tutorials podcast
AE Quick Tips #2: Preserve Transparency
In this tutorial podcast, CreativeCow leader Aharon Rabinowitz shows you an often-missed feature in AE that can help you when trying to create transparency in an image by using the layers below as the source of that transparency.
Forums

Adobe After Effects Forum
Adobe After Effects basics Forum
Adobe After Effects Expressions Forum
Adobe After Effects podcast Forum


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