| | | | Re: 100,000 names in AE....how? by Nick Hill on Aug 17, 2009 at 6:49:58 pm in the Adobe After Effects Expressions Forum I think you'd be insane to try this in AE ;)
I can only think of two ways to do it - either you load one text layer with a massive string representing all 100,000 names (not practical, would probably bust the maximum length of the string, and you | | | | |
| | | | Re: Chroma key scale lock by Barend Onneweer on Aug 17, 2009 at 6:27:59 pm in the Adobe After Effects Forum Hi,
For tracking scale you need two markers. In AE's tracker controls you can select a combination of scale, position and rotation tracking. This should be fairly easy as long as your two markers are never obscured by the models.
This is assum | | | | |
| | | | AE Tutorials and third party plugins by Bjorn Fagertun on Aug 17, 2009 at 6:17:02 pm in the Adobe After Effects Forum I am a frequent user of CC for inspiration and problem solving issues.
I have to underline that I really apriciate this site alot.
But it is one thing that I would like to suggest in the AE tutorials segment.
Is it maybe possible to mark the | | | | |
| | | | Re: Will a Matrox benefit me? by Damon Gaskin on Aug 17, 2009 at 4:11:09 pm in the Matrox Video Systems Forum As the others have said, you do not need a "supercomputer", simply because say, the X2, there aren't a lot of times you really need to render. And when you do, the rendering is extremely fast!
64 bit "is" the way to go, as Jeff stated, because yo | | | | |
| | | | Re: Audio in Toxik? by stephane Auge on Aug 17, 2009 at 3:55:45 pm in the Autodesk Toxik Forum Hello Ken,
Well that's a big limition for broadcast job then. Toxik is probably very good for feature film compositng, for big jobs, but for day to day work like music video clip or small commercial (like
i do) witch is the bread of small compan | | | | |
| | | | Copy past from Premiere to AE by Scott Rucci on Aug 17, 2009 at 2:45:42 pm in the Adobe Premiere Pro Forum Hi. When I copy and paste clips from Premiere to After Effects, my Premiere dissolves are not translating into AE transparency keyframes. There are no transparency keyframes in AE, just the 2 overlapping clips. Anyone experienced this? Thanks in adva | | | | |
| | | | Re: Importing from AE by Ryan McAfee on Aug 17, 2009 at 1:26:55 pm in the AVID Editing Forum Try maybe exporting the AE footage as a Video for windows (.avi)
Ryan McAfee
Moon Community Access Television
www.MCA-TV.com | | | | |
| | | | 100,000 names in AE....how? by Peter Whittaker on Aug 17, 2009 at 12:37:17 pm in the Adobe After Effects Expressions Forum Hey guys, poser for you. We've programmed a realtime setup that displays up to 100,000 overlapping names on a HD screen. The attached screenshots show it running with only 17,000 names, but hopefully you get the idea:
The whole screen.
1 | | | | |
| | | | Re: Crumpled Paper Transition by olof ekbergh on Aug 17, 2009 at 12:26:46 pm in the Apple Final Cut Pro Forum I would say you could do that in Boris Red or in AE.
It would take a bit of work, but it could be done.
I don't know of a readymade effect like that but someone here may.
Olof Ekbergh | | | | |
| | | | workflow between AVID and AE by Pete Burge on Aug 17, 2009 at 12:14:08 pm in the Adobe After Effects Forum Hi,
I'm working on a 5 minute promo shot on green screen.
Post is a combo of AVID, cinema 4D and AE.
Would love some advice on what codec would interface between them all - if any?
Renders keep crashing.
Was shot SD PAL digi beta.
There must | | | | |
| | | | WM9 and color space by Johannes Nyholm on Aug 17, 2009 at 9:58:33 am in the Adobe After Effects Forum Hi,
I´m using After Effects CS3 and try to render a Windows Media 9 file. But I don´t get the colors right. The blacks are too light and the whites too dark (I´ve checked the file in both VLC and Media Player). I guess it could be a color space issu | | | | |
| | | | Re: Primatte Keyer for FCP, Motion, or AE by Erik Lindahl on Aug 17, 2009 at 8:18:34 am in the Apple Final Cut Pro Forum I thought Red Giant software had the "feature" of "buy one, use for all" as in buy one plug-in and use it for all host-apps. I might be wrong in this however…
I'm also looking for other alternatives to the Keylight plugin in After Effects. It ofte | | | | |
| | | | Re: Best Comp for Premiere by Clint Milner on Aug 17, 2009 at 8:03:12 am in the Adobe Premiere basics Forum The two processors you listed are pretty much the same thing. I think I usually gravitate towards AMD products, but if you can afford a quad core, I'd recommend that.
I think it'd be important to get a 64 bit OS so you can jack up the RAM in yo | | | | |
| | | | Importing from AE by Daniel d'Avoine on Aug 17, 2009 at 7:54:32 am in the AVID Editing Forum (i have also posted this in the AE section)
Hi
I am currently undertaking a project were i have to export some corrected footage, removing a television screen from a shot, back to avid from where it was captured. There is an issues that the int | | | | |
| | | | Exporting To Avid issues by Daniel d'Avoine on Aug 17, 2009 at 7:54:06 am in the Adobe After Effects Forum Hi
I am currently undertaking a project were i have to export some corrected footage, removing a television screen from a shot, back to avid from where it was captured. There is an issues that the interlacing is flicker whatever field i export it | | | | |
| | | | After Effects dropping frames while rendering. by Anant Raina on Aug 17, 2009 at 4:15:14 am in the Adobe After Effects Forum I'm editing a DV pal timeline in FCP. I exported some footage as an Mov without any compression. I imported this Mov into After effects. I used MB Looks on the footage for color grading. I then re-exported this as an Mov using DV Pal compression.
W | | | | |
| | | | Re: Unpixelated image gets pixelated when I import by william legarreta on Aug 17, 2009 at 1:37:12 am in the Adobe After Effects Forum I'm curious if this image you're importing was created or edited in photoshop or Illustrator . . . I know this sounds odd but when I import hi res photos I've had to make edits too prior to importing in AE- Ive gotten that issue It goes away after | | | | |
| | | | Unpixelated image gets pixelated when I import by Mike McCutchen on Aug 16, 2009 at 10:36:06 pm in the Adobe After Effects Forum I have a file that plays beautifully in Quicktime, but when I import that exact same file into AE, it gets that dreaded staircase effect on the diagonals. I'm just confused as to where this is coming from, because it's set at full resolution. Any tho | | | | |
| | | | Audio in Toxik? by stephane Auge on Aug 16, 2009 at 8:03:38 pm in the Autodesk Toxik Forum Hello,
I'm a Maya and AE user. Since Toxik is now packed with Maya I've played a bit with it. I've read the doc but I can't find a way to import any audio file. Is there a way to play sync sound in Toxik like in Flame? If not I'll stick with AE si | | | | |
| | | | how to ram preview ONLY work area? by efraim or on Aug 16, 2009 at 4:19:21 pm in the Adobe After Effects basics Forum good evening guys.
just wondering, isn't the ram preview supposed to stop when it reaches to the end of the work area?
I want to ram preview only a few seconds, and those seconds under the "work area", in spite of it, the ram preview continues u | | | | |
| | | | Re: [FCP 6.0] Whip / swish transicitons by Rob Grauert on Aug 16, 2009 at 3:20:35 pm in the Apple Final Cut Pro Forum Here is a good tutorial on how to do it in After Effects. If you don't have AE, you can pretty much do the same thing in Motion.
http://library.creativecow.net/articles/larsen_carl/simulating_whip_pans.php
Robert J. Grauert, Jr.
www.robgrauert. | | | | |
| | | | Re: Camera pans and 3D layers rendering choppy by Chris Niderman on Aug 16, 2009 at 2:43:50 pm in the Adobe After Effects Forum I have the same problem. My AE-Render-Preview is nice and smooth whereas the final render is always "choppy". For example, my 35mm camera moves along the z-axis from -700 to -500 and the final playback of the video is choppy as hell.
Could anybod | | | | |
| | | | How to apply after effects animations to proanimator text by jeff sherk on Aug 16, 2009 at 2:59:15 am in the Zaxwerks Forum I am using ProAnimator 4.5.1 plugin for After Effects CS3.
I can create the text in the ProAnimator plugin, but when I try to apply an animation preset from AE it does nothing.
Is there a setting I am missing, or maybe I am going about it the w | | | | |
| | | | Re: Tracking problems im going to cry :( by robert craghead on Aug 15, 2009 at 10:54:44 pm in the Adobe After Effects Forum Did you try 4 point track with corner pin with AE? I only saw a low res version of your movie and don't see the jitter.
With the object being out of view in the beginning, you may have to hand keyframe some frames usually not too bad if you add | | | | |
| | | | Re: Newbie Workflow Question....Help Out? by robert craghead on Aug 15, 2009 at 7:35:44 pm in the Adobe After Effects Forum Nice. It's perfect weather in SD right now.
Prores will work in AE. It's a QuickTime component so will work in any QuickTime component software. Will have to check on the export settings in AE, but I think they will render to as well.
When ren | | | | |
| | | | Re: Tracking problems im going to cry :( by James Read on Aug 15, 2009 at 6:50:23 pm in the Adobe After Effects Forum Ok, I did try Mocha which gave me excellent results when viewing how well my track stayed, however.. I read many tutorials on how to add my track data into AE and I finally understand it but how do you do multiple null's? Because my shot is a pan so | | | | |
| | | | Re: incompatable compostion, open gl, final render by Kevin Camp on Aug 15, 2009 at 6:15:36 pm in the Adobe After Effects Forum there are some effects that are not compatible with ae's multiprocessing, like cc widetime, cc time blend and i think even particle playground are a few. so that may be why mp is disabled and there may be some other aspects of your comp that are dis | | | | |
| | | | Re: Tracking problems im going to cry :( by Barend Onneweer on Aug 15, 2009 at 5:16:24 pm in the Adobe After Effects Forum I couldn't watch the quicktimes because I'm in iPhone with slow connection.
First, I'd try Mocha AE for tracking - gives better results and is bundled with CS4.
If that's not an option: try smoothing keyframes using either an expression or the | | | | |
| | | | Re: deinterlacing in compressor by Rafael Amador on Aug 15, 2009 at 4:34:52 pm in the Apple Final Cut Pro Forum Hi hector,
The issue when de-interlacing is not which field you eliminate, but how you rebuild the lost lines.
FC's de-interlacer is probably one of the worst options.
RE-VISION FieldsKit is probably the most complete tool but in FC works only in | | | | |
| | | | Re: Newbie Workflow Question....Help Out? by Tony Brittan on Aug 15, 2009 at 1:35:34 pm in the Adobe After Effects Forum Thanks Rob! Much appreciated. So...does ProRes work in AE? This us some very cool stuff. I'm excited to dig in once I finish my current project in FCP.
By the way...I'm from San Diego :-) Grew up in Penasquitos and Poway. Good times!
Tony | | | | |
| | | | Re: Animate in After Effects or Flash? by travis dickie on Aug 15, 2009 at 9:35:34 am in the Adobe Flash Forum I've had great results when exporting AE animations as SWF files to Flash. They often export as small animation files, and though they are a pain in the ass to update once imported into flash, they are easy to handle.
One thing to keep in mind th | | | | |
| | | | Clouds, water and other morph/repeating animations... by travis dickie on Aug 15, 2009 at 9:30:29 am in the Adobe Flash Forum Hi everybody,
I've found an excellent looking cloud animation that I'm trying my best to reproduce, and I think I could be on to something. If there are any more "Flash friendly" procedures out there than mine, I would be more than happy to be let | | | | |
| | | | incompatable compostion, open gl, final render by anita sancha on Aug 15, 2009 at 8:36:23 am in the Adobe After Effects Forum Hi..
I have a 3 and half min animation. 15 compositions average 60 layers in each 3d with lights and adjustment layers. Many include taga imports of still photos of vegetables doing a samba conga and ending in a dream sequence all set in a forest | | | | |
| | | | Re: importing video files by Barend Onneweer on Aug 15, 2009 at 8:11:35 am in the Adobe After Effects Forum Is your AE 4 on the same machine? It sounds like a missing codec. QuickTime is a wrapper (.mov) that can use a wide variety of codecs, not all of them standard, or even crossplatform. Sounds like your camera records to some codec that needs to be ins | | | | |
| | | | Re: 3D Match move dilemma by Barend Onneweer on Aug 15, 2009 at 8:00:29 am in the Adobe After Effects Forum You can basically convert your foreground layer to a 3D layer, and parent it to AE's 3D camera. You'll have to manually position and orient the layer relative to the camera, since your cam will not be in default position anymore.
Raamw3rk - d | | | | |
| | | | Re: AE claims it is missing files but it is not. by Barend Onneweer on Aug 15, 2009 at 7:52:21 am in the Adobe After Effects Forum My first thought would be faulty RAM or a codec error, probably the last.
If you check the frames where it usually hangs and delete one layer at a time to see if it will render then - you might find the problem layer. You might be able to convert | | | | |
| | | | importing video files by John Hartman on Aug 14, 2009 at 11:46:39 pm in the Adobe After Effects Forum Just bought a "used" AE 6.5 for Windows standard software.
Am attempting to import video files from my camera/hard drive.
Camera footage is in the .MOV file format name.
The AE 6.5 HELP says that 6.5 supports .mov
Is .mov different than . | | | | |
| | | | Specific Mask Export Question by Andrew Furlong on Aug 14, 2009 at 10:40:47 pm in the Adobe After Effects Forum I know you could copy spline keyframes to text, but furthermore, I'd like to know if you could export splines from aftereffects into, say, nuke. It would really smooth out my workflow, because i'm doing my masks in mocha for after effects, and i have | | | | |
| | | | Re: Primatte Keyer for FCP, Motion, or AE by Roger Lee on Aug 14, 2009 at 9:50:04 pm in the Apple Final Cut Pro Forum Thanks Jason,
I've been hearing a lot of really good things about the Primatte Keyer from Red Giant. Thats why I came on here to ask people who've actually used it against other keyers. I've been hearing the same things over and over.
Again, th | | | | |
| | | | Setting up network renders by Erick Pinell on Aug 14, 2009 at 8:54:00 pm in the Adobe After Effects Forum I own 3 licensed copies of AE CS4 for Mac. I'd like to setup 3 Windows boxes to do network rendering. The problem is I don't own a windows serial number, and therefore can't seem to install some of the effects I need since they are only installed o | | | | |
| | | | Re: Newbie Workflow Question....Help Out? by robert craghead on Aug 14, 2009 at 8:53:10 pm in the Adobe After Effects Forum From my experience, with After Effects its all about the export. In AE, we usually create all projects in 1080p comp size for future considerations, and export to the appropriate codec for editing in FCP.
In A DVCProHD1080i FCP sequence we would r | | | | |
| | | | Re: Primatte Keyer for FCP, Motion, or AE by Jason Diebler on Aug 14, 2009 at 6:21:23 pm in the Apple Final Cut Pro Forum Roger is talking about the Red Giant plugin, not the Primatte keyer that's built into Motion... they are different. Primatte Keyer Pro is definitely worth investing in if you have the $$.
I've used the native filters in FCP/Motion & Keylight in A | | | | |
| | | | Re: ZAXwerks 3D Warps - can a warped layer cast shadows??? by Matt Rhodes on Aug 14, 2009 at 5:03:10 pm in the Zaxwerks Forum Hi Michal.
In order to have a 3D Layer Warp layer cast a shadow onto a "floor" in AE, you'll need to select that floor layer using the "Shadow Catcher Plane" option.
Therefore, do the following:
1. Find the Shadow Catcher Plane parameter near | | | | |
| | | | Adobe After Effects | Creating a Realistic 3d Earth using only AE
In this video tutorial, Creative Cow leader Michael Park shows you how to create a realistic 3d earth, complete with clouds and atmosphere, using only After Effects' built in effects. Special attention will be given to combining multiple instances of the CC Sphere effect to create unique layers with different specular properties for the land and water masses, as well as creating lights from urban centers on the night side of the earth. Tutorial, Video Tutorial Author: Michael Park |
| | | | |
| | | | Boris FX | Create Extruded Text with Boris Continuum Complete 6 AE
This new video tutorial shows you the basics of using BCC Extruded Text in Adobe After Effects. BCC Extruded Text belongs to the 3D Objects category of filters which is new to Boris Continuum Complete 6. These stunning OpenGL-based filters use vertex and pixel shaders that enable the generation of animated 3D shatter, bulge, bend, taper, twist, ripple, and wave effects. You can also create reflection or texture maps for the generated 3D text - from any image or video clip in the AE timeline. Tutorial, Video Tutorial Author: Paul Ezzy |
| | | | |
| | | | Boris FX | Creating Transitions with Boris Continuum Complete 6 AE's Swish Pan Filter
Editors use transitions as a way to cut between scenes, typically creating an animated effect such as a dissolve or blur at the end of the outgoing clip and the beginning of the incoming clip. While most modern NLE systems ship with standard wipe transitions, there are some transition styles that are more of an in-camera effect rather than a synthesized gradient wipe or block dissolve. One of these effects, known as a Swish Pan, is created by panning the camera very quickly in a 180 degree arc, creating the look of a fast blur between the outgoing and incoming clips. Continuing in the tradition of making visual effects easy to create, Boris Continuum Complete 6 AE now includes a Swish Pan transition filter which is available free for registered BCC 6 AE users. In this video tutorial, we'll use the new BCC 6 Swish Pan filter to transition between a pair of clips. Tutorial, Video Tutorial Author: Paul Ezzy |
| | | | |
| | | | Adobe After Effects | Creating a Shotgun Blast using 3ds Max and AE: Part 2
In part two of his shotgun tutorial, Michael Park will demonstrate how to incorporate the 3d footage together with 2d footage in After effects and use different filters to create the distortion surrounding the blast from the barrel of the shotgun and the air distortion trailing the individual shotgun pellets as they race towards the camera. He will also cover some time remapping techniques to add some more interest to your shot. Tutorial, Video Tutorial Author: Michael Park |
| | | | |
| | | | Apple Final Cut Pro | Final Cut Studio 3 is here, and all is good!
Our man in Nepal, Jiggy Gaton, likes to live for danger. He installed a major software upgrade mid-project, with virtually no preparation, just to see what would break. Lo and behold, it all worked! And the more Jiggy works with it, the better he's liking it. Join him in this Creative COW, Real-world, Real-time Report on Final Cut Studio 3. Review Author: Jiggy Gaton |
| | | | |
| | | | Adobe After Effects | Creating a Shotgun Blast using 3ds Max and AE: Part 1
Many people are interested in creating and incorporating 3d generated footage into live action. In this 2 part tutorial, Michael Park will demonstrate how to create a shotgun blast at the camera using 3d rendered particles and distortion trails along with some 2d footage to create a convincing effect. In part 1 of this tutorial, we will create the 3d shotgun pellet geometry and material, as well as the distortion trails to be later used in the after effects composition. Tutorial, Video Tutorial Author: Michael Park |
| | | | |
| | | | Adobe After Effects | Markers Leaks
In this video tutorial, Creative Cow contributing editor Eran Stern gives an introduction to custom effects which trigger actions using layer markers inside of Adobe After Effects. Tutorial, Video Tutorial Author: Eran Stern |
| | | | |
| | | | Imagineer Systems | Mocha for After Effects v2
In this article, CreativeCOW leader Brendan Coots takes a look at Mocha for AE v2 and concludes that overall, Mocha for After Effects v2 is fast, friendly and cost effective, making it an excellent choice for freelancers and major studios alike. Review Author: Brendan Coots |
| | | | |
| | | | Apple Final Cut Pro | Travel Mattes in FCP: Faster than AE
"I about had a heart attack, as the budget did not allow for days of AE work, so I began to search for alternatives to animating a gazillion layers in Final Cut Pro." If you haven't been there yet, you will. Either way, Chris Poisson will show you how to build high-impact composites in Final Cut Pro, more quickly than you can in AE. Tutorial Author: Chris Poisson |
| | | | |
| | | | Adobe After Effects | Jim Harvey reviews After Effects in Production by Trish Meyer & Chris Meyer 2nd edition for AE 6.5
In this article, CreativeCOW.net contributing editor Jim Harvey reviews After Effects in Production 2nd edition for AE 6.5 by Trish Meyer & Chris Meyer and published by CMP Books, 382 pages, Dec 10, 2004; Copyright 2004, ISBN: 1578202647 and writes... "When people first become aware of After Effects, the one question that is most often asked is 'What is the best way for me to learn this program?' The answer most often given is 'Pick up anything by Trish & Chris Meyer'. The book most often recommended is After Effects in Production. There is a good reason for this recommendation. The Meyers are two very talented people who completely grasp the inner working of After Effects. The plus is that they are also extremely adept at taking their knowledge and imparting it to the rest of us." Review Author: Jim Harvey |
| | | | |
| | | | Adobe After Effects | Tanx-AE: A Game for After Effects
Everyone needs a diversion now and then, so Chris Zwar took some time to write a game in After Effects just to see if he could. Here's the result: Tanx-AE, the world's first game written for Adobe After Effects. Take a moment, download the aep and have some fun with this. It's for version 5.5 and up. Tutorial Author: Chris Zwar |
| | | | |
Podcasts | | | | 3d animation tutorials podcast 3ds Max - Introduction to 3ds Max 2010 Viewport Label Menus In this 3ds Max 2010 tutorial, Michael Hurwicz looks at the new viewport label menus, which provide quicker access to some of the most common viewport-related functions, such as showing statistics, showing and hiding the grid, changing the view and more. | | | | |
| | | | 3d animation tutorials podcast 3ds Max - Introduction to 3ds Max 2010 Particle Paint Helper In this 3ds Max 2010 tutorial, Michael Hurwicz looks at the new Particle Paint feature, which allows you to spray particle seeds on any object. You then use new operators in the Particle Flow system to convert these seeds to particles. | | | | |
| | | | 3d animation tutorials podcast 3ds Max - Introduction to 3ds Max 2010 Graphite Modeling Tools In this 3ds Max 2010 tutorial, Michael Hurwicz introduces the new Graphite Modeling Tools, and the Generate Topology feature which allows you to quickly change the underlying structure of an editable poly to resemble bricks, tiles, diamonds and more. | | | | |
| | | | adobe after effects tutorials podcast AE Quick Tips #2: Preserve Transparency In this tutorial podcast, CreativeCow leader Aharon Rabinowitz shows you an often-missed feature in AE that can help you when trying to create transparency in an image by using the layers below as the source of that transparency. | | | | |
|
|