| | | | Initialization error Adobe Premiere Pro CS3
by Saimon Romero on Sep 24, 2009 at 3:37:21 pm
in the Adobe Premiere Pro Forum
I am sending this message to try to solve a problem..
I'm not getting my boot Adobre Premiere
I saw some people commenting on error source..
But did not understand what it means..
How can I fix it?
Await response and I thank you.. | | | | |
| | | | Some free VJ loops
by Erand Meca on Sep 24, 2009 at 11:14:01 am
in the COW - Free Stuff Forum
I have made some new VJ Loops,editing with adobe premiere, check them and feel free to download.
erandistic
http://www.erandistic.com/category/freebies/ | | | | |
| | | | Cameras other then MINI DV
by Chris Burgess on Sep 23, 2009 at 2:02:13 pm
in the Adobe Premiere Pro Forum
Hi Guys,
I work for a college in Buckinghamshire that provides a Television/Film course, we are thinking of upgrading are Canon MD205 cameras to solid state i.e SD cards.
We edit on Adobe premiere Pro here at the college and some of the staff h | | | | |
| | | | HELP with Urban Style Effect
by Wolfgang Weinbauer on Sep 22, 2009 at 9:53:27 pm
in the Adobe Premiere Pro Forum
Hello, first i can not good speak english, because i came from Austria.
My problem is, that i want to make a real cool Intro in Adobe Premiere Elements 4.0, but i don´t know how to do it:
Here is what i want to creat: for example at: 0:11
http | | | | |
| | | | no sound
by chuck paulus on Sep 22, 2009 at 2:01:28 pm
in the Adobe Premiere Pro Forum
I downloaded some avi files and intend to convert to flv for my website. (I have permission). Upon importing in "Adobe Premiere Pro", CS3, the conforming file bar comes up and finishes. The video plays but with no sound. I can load the avi file in "U | | | | |
| | | | Creating an Animated 3D Motion Graphics Logo
by Carl Larsen on Sep 22, 2009 at 8:44:39 am
in the Forum
In this tutorial, Telescope Media Group's Carl Larsen shows you how to create a motion graphics logo using an array of 3D particles, built with Trapcode Form. He'll show you how you can do in After Effects what, under most circumstances, must be done | | | | |
| | | | Imported video will not play
by pat deneen on Sep 20, 2009 at 10:05:56 pm
in the Adobe Premiere Pro Forum
I have been trying to use adobe premiere pro cs4 for the last two months. I thought that I had worked through most of my issues but it appears that I have not and I know think I need help.
I have reloaded the program a number of times to deal wit | | | | |
| | | | Re: pmw-ex1
by Danny Soderberg on Sep 19, 2009 at 11:53:14 pm
in the Sony EX Series XDCAM Forum
Thanks for the links, though I actually use Adobe Premiere and After Effects to edit.
-Daniel | | | | |
| | | | Re: Freelance Graphic Designer - Phoenix, Arizona
by Faisal Nizami on Sep 19, 2009 at 9:12:26 pm
in the JOBS Wanted Forum
Muhammad Faisal Nizami
House No. C-28 Block J North Nazimabad Karachi
Karachi, Pakistan
Cell: +92-332-8296770
faisalnizami2003@hotmail.com
OBJECTIVE:
In search of Challenging position in electronic media, this would offer an opportunity | | | | |
| | | | Re: What Camera Should I get
by Tim Kolb on Sep 18, 2009 at 2:01:44 am
in the Adobe Premiere Pro Forum
[Danny Winn] "You should get the Canon XH A1s (around $3.399) and worth it. It shoots full HD and is beautiful."
When most would refer to "full HD" it would typically be referring to full raster (1920x1080), and of course the Canon looks very good | | | | |
| | | | Re: Video codecs and formats questions for broadcast
by Bruno Silva on Sep 17, 2009 at 11:13:37 pm
in the Broadcast Video Forum
The company is new and we are at this point very limited. So I just hava a simple desktop machine with 4Gb ram, double core 2.4 and some random medium g-force, dont remember the model , but is nothing special.
I use the Adobe software workflow.
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| | | | Re: pmw-ex1
by Danny Soderberg on Sep 17, 2009 at 1:55:40 am
in the Sony EX Series XDCAM Forum
I am using (will be using) the camera to make short narrative films. I use Adobe Premiere Pro to import and After Effects to edit. I simply am looking for the best quality picture and of course the closest thing to actual film.
So far from what | | | | |
| | | | Re: Adobe Premiere CS4 do not recognize .mov files
by Adil El Arbi on Sep 16, 2009 at 11:04:55 pm
in the Adobe Premiere Pro Forum
Hey, I have the same problem and I intsalled Quicktime 7.4.5, but Adobe Premiere cs4 still doesn't recognize it.
I have imported HD files with Final Cut of a Mac Computer, and now I want to import those files in Adobe Premiere CS 4 on Windows an | | | | |
| | | | Re: Final Cut Movie File vs QuickTime files
by Shane Ross on Sep 16, 2009 at 8:20:01 pm
in the Apple Final Cut Pro Forum
[paolo drusi] "When I try to playback any of those files they play fine on my machine (where the actual projects are stored) but, as soon as I try play them on any other machine, either mac or pc, I can hear the audio only in some of them, some other | | | | |
| | | | Final Cut Movie File vs QuickTime files
by paolo drusi on Sep 16, 2009 at 7:37:53 pm
in the Apple Final Cut Pro Forum
Hello,
I'm a bit confused. I've got a bunch of files coming from different (several) projects. They are all .mov files, I thought they all were self-contained but I'm not sure anymore. The reason is that, when I open the finder and I list the bunc | | | | |
| | | | export to .f4v in high quality and low file size
by Xander van Baarsen on Sep 16, 2009 at 3:47:05 pm
in the Adobe Premiere Pro Forum
I'm having a problem which I'm sure there's an answer to. I'm exporting an movie, which I edited in Adobe Premiere Pro CS4, to a .f4v file. I'm exporting the file using Adobe Encoder CS4.
Everything goes like planned and I succeed but the file siz | | | | |
| | | | Re: FCP codecs compatible with Adobe Premiere
by Dennis Radeke on Sep 15, 2009 at 10:45:51 am
in the Apple Final Cut Pro Forum
Why not Prores? or Quicktime? Premiere Pro can use just about any codec the system can see by going to the desktop mode inside of the playback settings. You might find some information with this link:
http://blogs.adobe.com/davtechtable/2008/11/ | | | | |
| | | | Preview Resolution
by Richard Benfield on Sep 14, 2009 at 10:38:34 pm
in the Adobe Premiere Pro Forum
I have tried to find information on this. However, I have not been able to find any. I am hopeful that among the experienced users here, this may be a quick and easy answer for someone.
I have a user who is concerned that the preview panel in Adob | | | | |
| | | | Re: Adobe Premiere Capture and HDR-HC9
by Matthew Marshall on Sep 14, 2009 at 10:02:10 pm
in the Adobe Premiere Pro Forum
that does not help at all, it is still not recognized... it works fine with the hdv/dv conversion on as soon as you try to capture hdv it does not work.
And yes, the format is in HDV1080i, it was captured in HDV1080i... it appears the internet has | | | | |
| | | | Desktop bleeds through Premiere Workspace
by Nancy L. Smith on Sep 14, 2009 at 8:41:08 pm
in the Adobe Premiere Pro Forum
I have searched the internet for: Adobe Premiere desktop shows through workspace and have found nothing. We are a media class with CS3. We have computers a year apart, so new computers in the Fall, 2007 and new computers in Fall, 2008. The 2008 comp | | | | |
| | | | Need help exporting to HD file in Prem Pro
by Mike McMahon on Sep 14, 2009 at 8:08:55 pm
in the Adobe Premiere Pro Forum
I would like to maintain HD quality through the Export process to create a file that will be played on a Western Digital TV HD Media Player. I have tried a multiple of export settings without success. My goal is to play back using the WD TV player | | | | |
| | | | Re: FCP codecs compatible with Adobe Premiere
by Tom Wolsky on Sep 14, 2009 at 6:23:29 pm
in the Apple Final Cut Pro Forum
HQ is overkill for this media. I presume they have to edit the material in Premiere. Are they on a Mac or a PC? Uncompressed should be available to them. PhotoJPEG as well.
All the best,
Tom
Class on Demand DVDs "Complete Training for FCP6," | | | | |
| | | | FCP codecs compatible with Adobe Premiere
by Joel Kotlowitz on Sep 14, 2009 at 5:41:52 pm
in the Apple Final Cut Pro Forum
Are there any delivery grade codecs in Final Cut that are compatible with Premiere? I am delivering some quicktimes that I cut in ProRes HQ in FCP, but the segments are being assembled by someone else using premiere. It's a mix of 720x480 and 1280x | | | | |
| | | | Re: Adobe Premiere, Final Cut and XDCAM EX files
by Craig Seeman on Sep 14, 2009 at 3:50:31 pm
in the Sony EX Series XDCAM Forum
FCP requires MOV but there may be third party plugin support.
XDCAM EX MP4 can be used in FCP with Calibrated Software plugin for example.
MP4 is really the "universal" from which you can use MP4, MOV, MXF as needed so the MP4 should always be th | | | | |
| | | | Insufficient Media error
by Rachel Jenks on Sep 14, 2009 at 3:27:51 pm
in the Adobe Premiere Pro Forum
Hi, everyone!
I'm working in Adobe Premiere Pro (CS3), taking 3 thirty second video clips and putting them together, along with an audio track, to make a 1:30 video background with music.
I'm trying to apply a short cross dissolve to each of th | | | | |
| | | | Re: Adobe Premiere, Final Cut and XDCAM EX files
by Marvin Holdman on Sep 14, 2009 at 2:15:58 pm
in the Sony EX Series XDCAM Forum
We use both systems in our house. Generally, we convert the EX-1 footage to MXF's via the XDCAM viewer software. The MXF files are provided for edit. Usually less confusing for the Premiere editor. Obviously, the mov files won't work.
If you're P | | | | |
| | | | Re: Adobe Premiere, Final Cut and XDCAM EX files
by Adam Browning on Sep 14, 2009 at 11:39:19 am
in the Sony EX Series XDCAM Forum
I didn't know about this particular workflow- thanks for the tip. By the way, what program did you use for that tutorial?
I forgot to indicated that the client I'm working with is using two different systems. They have one Final Cut System (which | | | | |
| | | | Re: Adobe Premiere, Final Cut and XDCAM EX files
by Noah Kadner on Sep 13, 2009 at 10:12:44 pm
in the Sony EX Series XDCAM Forum
I suspect the way FCP re-wraps XDCAM EX is not compatible with Premiere. But then again it is a QT codec. But on the other hand, no one expects much in the way of FCP-Premiere cross-compatibility. Are these two installed on the same system?
Noah
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| | | | Re: Adobe Premiere Pro CS4 Playback Problems
by Rick Connolly on Sep 13, 2009 at 9:33:11 pm
in the Adobe Premiere Pro Forum
I've tried everything....the funny thing is I was using it the other day and worked on a large project and everything went great, except that I had to reboot from time to time when I sensed things were slowing down.
Today I opened the same projec | | | | |
| | | | Adobe Premiere, Final Cut and XDCAM EX files
by Adam Browning on Sep 13, 2009 at 9:07:36 pm
in the Sony EX Series XDCAM Forum
I use Final Cut Pro as my primary editing software, and I recently needed to give some of my XDCam EX files to someone to edit in Adobe Premiere CS4. I know that Premiere can generally work with Quicktime files, and there was a sequence setting for X | | | | |
| | | | Re: Adobe Premiere Capture and HDR-HC9
by William Ackerman on Sep 13, 2009 at 7:56:47 am
in the Adobe Premiere Pro Forum
I encounter this exact problem with an HDR-HC7 which is almost identical to the HC9. Whether it is the computer or the camera, the system is VERY picky about the order in which the camera is powered on, the cable is connected to the camera, Premiere | | | | |
| | | | Re: Adobe Premiere Capture and HDR-HC9
by Danny Winn on Sep 12, 2009 at 7:43:49 pm
in the Adobe Premiere Pro Forum
After your project is open, open the capture window. In the upper right area of the window you'll see a"Logging" and a "Settings" tab, click settings and make sure that it reads "Capture Format HDV", not SD. Many times when I would set up a new proje | | | | |
| | | | Adobe Premiere Capture and HDR-HC9
by Matthew Marshall on Sep 12, 2009 at 4:04:29 pm
in the Adobe Premiere Pro Forum
I am having difficulty capturing from the Sony HDR-HC9.
The is set to HDV 1080i for recording and the output is HDVout. Conversion to dv is off.
Basically i does not recognize the device is connected. "Cannot activate recorder, try resetting de | | | | |
| | | | Error exporting movie
by Sergio Barrozo on Sep 11, 2009 at 6:11:31 pm
in the Adobe Premiere Pro Forum
I have a project (Adobe Premiere CS3 - Matrox RT.X2 LE card) with several sequences. I have exported to movie almost all the sequences without problems. But there´s one sequence that when I try to export, when rendering (compiling process), suddenly | | | | |
| | | | Re: liquid v pinnacle ?
by David Gale on Sep 11, 2009 at 3:09:45 pm
in the Avid Liquid Forum
Why bother? Having jumped off the Adobe Premiere perpetual, expensive upgrades bandwagon, we invested hugely in the skill set around Liquid Edition. Avid's distinct lack of customer focus has made us nervous to the point of ditching it.
If you're | | | | |
| | | | Windows Hardware & Software | HP Skyroom: Power & Simplicity for Remote Workgroup Tasks
In this article, Ron Lindeboom looks at the powerful HP Skyroom technology, which allows team members to interact in high definition video with one another, as they work on projects and approvals remotely. Highly powerful, yet priced within reach of many small to medium-sized companies -- nevertheless, the system is powerful enough for even major players like Dreamworks Animation, who used the system during the making of the blockbuster 'Monsters vs Aliens.' Powerful, elegant, simple to use.
Review, Feature
Author: Ron Lindeboom |
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| | | | DaVinci - NEW ! | Blackmagic Design Buys DaVinci: Part 1
In this article, Tim Wilson begins his series on the big news already beginning to leak from IBC 2009. Blackmagic Design has acquired da Vinci Systems and yes, you read that right. BMD owns and will be developing and marketing da Vinci's award-winning colorgrading technology. What's in store? Here's Part One of Tim's look at the fast-breaking news...
Editorial, Feature, People / Interview
Author: Tim Wilson |
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| | | | DaVinci - NEW ! | A Letter From Grant Petty
The fastest breaking news that is sure to rifle through IBC the quickest? Well, for starters, try this announcement from Blackmagic Design, who have acquired DaVinci Systems, the pioneering color system that for many years has been one of the dream systems in the marketplace. In the letter to employees below, Grant Petty discusses the acquisition with his team members.
Editorial, Feature, People / Interview
Author: Ron Lindeboom |
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| | | | DaVinci - NEW ! | Blackmagic Design Buys the Power of daVinci: Part 2
In this article, Tim Wilson continues his series with his Part Two look at the big news leaking from IBC 2009. Blackmagic Design has acquired da Vinci Systems and with that acquisition comes what Tim refers to as The Power of da Vinci. And for the many that have used da Vinci over the years, they know full well the power of which Tim writes. And for those who might need an introduction to this power, Tim offers these words...
Editorial, Feature, People / Interview
Author: Tim Wilson |
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| | | | Red Giant plug-ins | Creating an Animated 3D Motion Graphics Logo
In this tutorial, Telescope Media Group's Carl Larsen shows you how to create a motion graphics logo using an array of 3D particles, built with Trapcode Form. He'll show you how you can do in After Effects what, under most circumstances, must be done in a 3D application. Get ready to learn the true power of 3D particle systems in AE.
Tutorial, Video Tutorial
Author: Carl Larsen |
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| | | | DaVinci - NEW ! | Cinefilm's Ron Anderson: da Vinci User Since 1986
In this article, Tim Wilson talks with da Vinci user Ron Anderson in his Part Three look at Blackmagic Design's acquisition of da Vinci Systems. Ron Anderson’s relationship with da Vinci has also taken places over several decades, starting as a customer, and evolving into demo artistry even while he continues working with da Vinci systems at Atlanta’s Cinefilm.
Editorial, Feature, People / Interview
Author: Tim Wilson |
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| | | | Adobe Premiere Pro | DVD Creation using Adobe Premiere
Dan Gordon explores the process of DVD Authoring using Adobe Premiere for Windows. The techniques he lays out can be used in both 5.1 and in 6.x. Dan looks at the set-up, export, compression, audio and other considerations that are a part of the DVD Authoring process. In an easy to understand, graphically presented overview, Dan makes the topic of DVD Authoring a quick jump for those considering the subject.
Tutorial
Author: Dan Gordon |
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| | | | Red Giant plug-ins | Building an Airport Scene - Part 2: Compositing
In this episode of Red Giant TV, Mathias Möhl continues his airport building project, and shows you how to motion track your footage with Mocha For After Effects. Then he'll use that data along with MochaImport (his own script) to easily rotoscope and create a solid composite.
Tutorial, Video Tutorial
Author: Mathias Mohl |
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| | | | Red Giant plug-ins | Create Cool 3D Text with Trapcode Form
In this Episode of Red Giant TV, Hypa TV's Tim Clapham shows you how to build and animate 3D text with Trapcode Form. He's also show you techniques for animating the text on and off - and while they're deceptively simple, they deliver in a really big way.
Tutorial, Video Tutorial
Author: Tim Clapham |
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| | | | Adobe Premiere Pro | Adobe Premiere Pro 1.5 Studio Techniques
CreativeCOW.net leader and contributing editor Tim Kurkoski gives rave reviews to Adobe Premiere Pro 1.5 Studio Techniques by Jacob Rosenberg and published by Adobe Press, 504 pages, June 28, 2004, ISBN: 0321220528. Tim says, 'If you use Premiere Pro, and your name isn't Jacob Rosenberg (or possibly Tim Kolb), you should look at this book. In fact, you should probably buy it. Jacob, well known for his in-depth Total Training videos, has written the most comprehensive book about Premiere Pro available. From top to bottom, almost everything about Premiere Pro 1.5 is covered in this book and the accompanying DVD, from setting up a computer for editing to exporting for DVD.'
Review
Author: Timothy Kurkoski |
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| | | | Adobe Premiere Pro | Adobe Premiere Pro: A First Look
If you are one of the many using Adobe Premiere in your studio or are one of the many people Adobe is targeting with a greatly expanded tool kit, then the latest release of Premiere -- now rechristened ''Premiere Pro'' -- is sure to be big news. In this ''first look'' overview, Creative Cow's Mike Velte explores many areas of Premiere Pro and concludes that this latest incarnation is a winner. Mike gives it 4-1/2 Cows. Read on to learn why..
Review
Author: Mike Velte |
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| | | | Adobe Premiere Pro | Total Training's Adobe Premiere 6.5
Tim Kolb looks at the new Total Training series, Total Premiere 6.5 with Jacob Rosenberg -- a series that's been drawing high praise among users. Tim finds Jacob's style and knowledge to be quite noteworthy and concludes that the series is a great addition to the respected line-up at Total Training.
Review
Author: Tim Kolb |
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| | | | Adobe Premiere Pro | Creative Cow Adobe Premiere Pro HD Report
Rick Gerard explored the latest offerings while at NAB 2004 and came away with one of his show favorites, the new HD capabilities found in Premiere Pro 1.5 as seen in systems like 1 Beyond's HD Pro which Rick reports "...uses the latest PC technology in the internal structure to speed up data throughput. It uses the wide 64 bit fast PCI-X bus and unlike consumer computers that have one PCI bus, it has three separate PCI buses. This avoids the limitations of even the fastest PCI-X buses from becoming the data path bottle neck." Focusing on a totally rewritten Premiere Pro which has been optimized to harness all the powers of WindowsXP, has Premiere finally shed its compromised past of trying to be "all things to every OS" in its move to professional editing in HD? Rick thinks so. Here is his report...
Review
Author: Rick Gerard |
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| | | | Adobe Premiere Pro | Bullet-Time Effect in Adobe Premiere
In this tutorial, Satish Kumar demonstrates the famous Matrix style Bullet-time effect in Premiere: A man leaps in the air with a gun, fires a shot, and then hovers in the air while the camera moves around him by 180 degrees. To create this effect, we have the shot of the man leaping in the air as a video and 6 still shots of him in the air at different angles. The still shots will be morphed between using the WinMorph plugin for Premiere. This morphed video composited with a moving background will give the 180 degree camera rotation effect.
Tutorial
Author: Satish Kumar |
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| | | | Adobe Premiere basics | Adobe Premiere Pro 2.0 Review
Adobe has released a major release in their Adobe Production Studio. In this article, Creativecow leader, Aanarav Sareen, an Adobe Certified Expert in Premiere, gives us an overview of the new Premiere Pro 2.0. In this review, Aanarav gives Creative Cow members a look at not only the many new features that make Premiere Pro 2 a formidable upgrade but also gives special emphasis to the new interface and integration capabilities- areas which take the new Production Studio tools to a level of seamless integration that no suite of tools in this industry has enjoyed before. Aanarav also explores the new multi-cam editing that use nested sequences and many other new features.
Review
Author: Aanarav Sareen |
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Podcasts | | | | adobe premiere pro tutorials podcast
Multi-Camera Editing in Adobe Premiere Pro 2.x
In this video podcast, Creative Cow Leader Aanarav Sareen shows you the new multi-cam editing functionality which has been added to Premiere Pro 2.0. He also gives you tips on how to maximize your use of this new feature. | | | | |
| | | | adobe premiere pro tutorials podcast
Basics of Color Correction
In this video tutorial, Aanarav Sareen takes a look at how to utilize the basic functionality of the Fast Color Corrector effect that ships with Adobe Premiere Pro 2.0. | | | | |
| | | | adobe premiere pro tutorials podcast
Alternative Capturing Solutions
In this podcast, Creative Cow Leader Aanarav Sareen takes a look at alternative capturing solutions as well as batch capturing. | | | | |
| | | | adobe premiere pro tutorials podcast
Capturing in Premiere Pro 2.0
A brief tutorial that goes over some of the digital capturing concepts and the procedures required to capture from a DV deck. | | | | |
| | | | adobe premiere pro tutorials podcast
DVD Authoring in Premiere Pro 2.0
In this video podcast, Creative Cow Leader Aanarav Sareen demonstrates how to use Premiere Pro 2.0's DVD Authoring capabilities. | | | | |
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