| | | | Re: Wiggling Color by Todd Kopriva on Sep 15, 2009 at 9:49:05 pm in the Adobe After Effects Expressions Forum One tip: You might find that it's easier to wiggle the hue value in HSL than to wiggle channels in RGB if you're trying to "wiggle between different shades of red". Other than that, you just wiggle color like any other multi-dimensional property, lik | | | | |
| | | | Menu Starting after loop point by Anthony Jacoway on Sep 15, 2009 at 9:48:37 pm in the Adobe Encore DVD Forum Hello guys, hopefully some of you guys can help me shine light on an issue i have been trying to crack in encore.
I am creating a DVD menu in which the background is a video file, and the menu is a PSD with just the buttons. I have built the video | | | | |
| | | | Re: Media Composer to AfterEffects HD workflow by David Braswell on Sep 15, 2009 at 9:35:32 pm in the AVID Editing Forum I've done few of these now so I'll offer a few observations in hopes it will help.
1- For some reason my AE (CS2) never interprets the fielding of Avid QT ref movies correctly. So number one I'd check the interpretation of video clips after you im | | | | |
| | | | Re: After Effects 7.0 on Vista Ultimate 64bit by Ben Heusner on Sep 15, 2009 at 7:32:07 pm in the Adobe After Effects Forum I strongly doubt that a version this old has been tested and approved to work on Vista 64. In fact I don't believe that Adobe has even certified CS3 to work properly. You could try working in XP "Compatibility Mode" by changing the Properties on th | | | | |
| | | | Re: Enlarging Footage by Todd Kopriva on Sep 15, 2009 at 6:59:36 pm in the Adobe After Effects Forum Yeah, Instant HD is one of the third-party solutions mentioned in the resources that I pointed to.
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Todd Kopriva, Adobe Systems Incorporated
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| | | | Re: DVD Studio Pro vs. Encore - Taking Poll by eric pautsch on Sep 15, 2009 at 6:54:06 pm in the DVD Authoring Forum Not to sound like a know it all or elitist.... :)
I will always give credit where credit is due...but...there's not a person in the world who knows the real ins an outs of DVD and its production practices that would say Encore is a good authoring | | | | |
| | | | Re: Enlarging Footage by Todd Kopriva on Sep 15, 2009 at 4:51:23 pm in the Adobe After Effects Forum There's a section in After Effects Help about scaling movies up.
Keep in mind that scaling a bitmap/raster image up beyond its original resolution requires the software to, essentially, make up information. This is always going to cause some loss | | | | |
| | | | Re: This is Brilliant! by Mike Cohen on Sep 15, 2009 at 4:43:56 pm in the Business & Marketing Forum Steve - on a few occasions I have rendered files on laptop while driving to a meeting, the airport or train station. You thinking texting is dangerous while driving, try using Adobe Encore behind the wheel.
I see the occasional ad looking for peop | | | | |
| | | | Re: Preview Resolution by Richard Benfield on Sep 15, 2009 at 4:28:57 pm in the Adobe Premiere Pro Forum Hi Mike,
Thanks for the response. My displays are fine. I have two Dell 1908FPs with a native resolution of 1280x1024. They are both driven by a NVIDIA Quadro FX 1700 and are running in their native resolution. Also the problem is noticable on the | | | | |
| | | | Re: CS4 audio sync and link help by Peter Malakey on Sep 15, 2009 at 2:42:42 pm in the Adobe Premiere Pro Forum I'm glad to finally find some editors who share my big frustration with Premiere Pro. It's not a heavy feature to implement, I don't understand why Adobe doesn't want to hear about it, I've been wasting my time synchronising elements in the timeline | | | | |
| | | | Re: FCP codecs compatible with Adobe Premiere by Dennis Radeke on Sep 15, 2009 at 10:45:51 am in the Apple Final Cut Pro Forum Why not Prores? or Quicktime? Premiere Pro can use just about any codec the system can see by going to the desktop mode inside of the playback settings. You might find some information with this link:
http://blogs.adobe.com/davtechtable/2008/11/ | | | | |
| | | | Finding the Key Frame rate by Adrian Scherger on Sep 15, 2009 at 5:41:14 am in the Adobe Flash Forum Hello,
I've exported a flash file out of Final Cut using "Automatic" for "Key Frame Placement".
It there a way to find out now what Key frame rate was chosen. I assume there is a way to do it in the Adobe software?
Thanks
Adrian
Adrian | | | | |
| | | | Re: blackmagic and psystar- one more thing by Margus Voll on Sep 15, 2009 at 5:39:18 am in the Blackmagic Design Forum Exactly my point (point what Bob talks about).
Good super reliable computer on pc world are costly.
If mac hardware seems costly then you just go to pc and adobe route and thats it. No woodoo there.
I still see pretty strong balance between | | | | |
| | | | Re: RED just got some competition by Bob Zelin on Sep 14, 2009 at 11:51:48 pm in the RED Camera Forum I didn't realize I was comparing RED and Arri D21- and I don't think that anyone calls me a Red "fanboy". My hysterical statements were based on old timers (like us) - but the ones that REFUSE to learn anything new. "Don't tell me, nothing will eve | | | | |
| | | | Re: problem with submenu by Richard Williams on Sep 14, 2009 at 11:07:08 pm in the Adobe Dreamweaver Forum this is a z-indexing issue with video formats imported into your site... we'd have to have a look at the code of your page to help you make the nessasary corrections
Richard Williams
p.s. Please remember to rate our post replies and tick if solved | | | | |
| | | | Preview Resolution by Richard Benfield on Sep 14, 2009 at 10:38:34 pm in the Adobe Premiere Pro Forum I have tried to find information on this. However, I have not been able to find any. I am hopeful that among the experienced users here, this may be a quick and easy answer for someone.
I have a user who is concerned that the preview panel in Adob | | | | |
| | | | Re: Adobe Premiere Capture and HDR-HC9 by Matthew Marshall on Sep 14, 2009 at 10:02:10 pm in the Adobe Premiere Pro Forum that does not help at all, it is still not recognized... it works fine with the hdv/dv conversion on as soon as you try to capture hdv it does not work.
And yes, the format is in HDV1080i, it was captured in HDV1080i... it appears the internet has | | | | |
| | | | Re: FPS rate for Fliqz compression, need HELP! by Daniel Low on Sep 14, 2009 at 9:30:57 pm in the Compression techniques Forum I find it odd that you don't support 16:9 in this day and age, but I find it more odd that the dimensions that you suggest for video in your FAQ are wrong:
http://faq.fliqz.com/mediawiki/index.php?title=Player_FAQ#What_are_the_default_dimensions.3 | | | | |
| | | | Re: Prores codec by Dave LaRonde on Sep 14, 2009 at 9:17:21 pm in the Adobe After Effects Forum I think it's been there since QT7, and I guess it's ben overlooked by most of the planet... PNG's for stills, right?
Todd Kopriva at Adobe brought it up in a thread. One of these days I'll give it a whirl, and I expect it'll look great.
Dave LaR | | | | |
| | | | Re: Advice on cms/quicktime by Richard Williams on Sep 14, 2009 at 9:11:44 pm in the Adobe Dreamweaver Forum Hi David,
The question you pose is an interesting one. For a good cms, one to do exactly what you want it to do, its always best to just create your own. It is very difficault to try to fold aorund s created CMS program, and its only really ness | | | | |
| | | | Desktop bleeds through Premiere Workspace by Nancy L. Smith on Sep 14, 2009 at 8:41:08 pm in the Adobe Premiere Pro Forum I have searched the internet for: Adobe Premiere desktop shows through workspace and have found nothing. We are a media class with CS3. We have computers a year apart, so new computers in the Fall, 2007 and new computers in Fall, 2008. The 2008 comp | | | | |
| | | | Need help exporting to HD file in Prem Pro by Mike McMahon on Sep 14, 2009 at 8:08:55 pm in the Adobe Premiere Pro Forum I would like to maintain HD quality through the Export process to create a file that will be played on a Western Digital TV HD Media Player. I have tried a multiple of export settings without success. My goal is to play back using the WD TV player | | | | |
| | | | Re: Spry menu is moved to he by Richard Williams on Sep 14, 2009 at 7:30:10 pm in the Adobe Dreamweaver Forum glas it helped, and I'll work on my german! :o)
Richard Williams
p.s. Please remember to rate our post replies and tick if solved. Also, please remember that we here are NOT employed by Adobe, we do this out of love and fun, so its always nice to | | | | |
| | | | Blu-ray woes : flickering playback? by Susan Dempster on Sep 14, 2009 at 6:52:00 pm in the Adobe Encore DVD Forum I have 40 minutes of 29.97 1080psf footage that needs to become a blu-ray.
I have had good luck in the past creating short (5-6 minute) Blu-ray demos with a super simple menu and these instructions :
http://blogs.adobe.com/davtechtable/2008/04/ap | | | | |
| | | | Re: FCP codecs compatible with Adobe Premiere by Tom Wolsky on Sep 14, 2009 at 6:23:29 pm in the Apple Final Cut Pro Forum HQ is overkill for this media. I presume they have to edit the material in Premiere. Are they on a Mac or a PC? Uncompressed should be available to them. PhotoJPEG as well.
All the best,
Tom
Class on Demand DVDs "Complete Training for FCP6," | | | | |
| | | | FCP codecs compatible with Adobe Premiere by Joel Kotlowitz on Sep 14, 2009 at 5:41:52 pm in the Apple Final Cut Pro Forum Are there any delivery grade codecs in Final Cut that are compatible with Premiere? I am delivering some quicktimes that I cut in ProRes HQ in FCP, but the segments are being assembled by someone else using premiere. It's a mix of 720x480 and 1280x | | | | |
| | | | Re: rendering loses multicore performance by time by wim roegels on Sep 14, 2009 at 5:09:10 pm in the Adobe After Effects Forum Thanks for your response!
So far I do not have any special compressed footage in any comp: a couple of (big) PNGs used for different 3D Layers, green screen footage with Keylight (maby that causes the slow down) and that's it.
Should not be a b | | | | |
| | | | Re: Scaling upon selection by Richard Harrington on Sep 14, 2009 at 4:48:56 pm in the Adobe Photoshop basics Forum Look in options bar... might be called Show Transform Controls or something like that. Pick Move tool first
Richard M. Harrington, PMP
Author: Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot | | | | |
| | | | Re: Adjustments tab?!?!?! by Richard Harrington on Sep 14, 2009 at 4:48:22 pm in the Adobe Photoshop basics Forum Those are a CS4 thing.
You can choose Layer > New Adjustment Layer to access similar controls.
Richard M. Harrington, PMP
Author: Video Made on a Mac, Photoshop for Video, Understanding Adobe Photoshop, Final Cut Studio On the Spot and ATS:iWo | | | | |
| | | | Re: FCP Green Screen & how to key it out by Richard Harrington on Sep 14, 2009 at 4:43:41 pm in the Apple Final Cut Pro basics Forum The tools in FCS have not improved a bit.
Check out Popcorn Island for a free script that makes it easy to export your FCP sequences via XML into AE.
You can find out how to use this and key with keylight in this free chapter from my new book V | | | | |
| | | | Re: Adobe Premiere, Final Cut and XDCAM EX files by Craig Seeman on Sep 14, 2009 at 3:50:31 pm in the Sony EX Series XDCAM Forum FCP requires MOV but there may be third party plugin support.
XDCAM EX MP4 can be used in FCP with Calibrated Software plugin for example.
MP4 is really the "universal" from which you can use MP4, MOV, MXF as needed so the MP4 should always be th | | | | |
| | | | Re: toggle alpha hotkey? by Dave LaRonde on Sep 14, 2009 at 3:46:13 pm in the Adobe After Effects Forum Look here....
http://help.adobe.com/en_US/AfterEffects/9.0/WS3878526689cb91655866c1103a9d3c597-7987a.html
....and look in the "Views" section.
Dave LaRonde
Sr. Promotion Producer
KCRG-TV (ABC) Cedar Rapids, IA | | | | |
| | | | Insufficient Media error by Rachel Jenks on Sep 14, 2009 at 3:27:51 pm in the Adobe Premiere Pro Forum Hi, everyone!
I'm working in Adobe Premiere Pro (CS3), taking 3 thirty second video clips and putting them together, along with an audio track, to make a 1:30 video background with music.
I'm trying to apply a short cross dissolve to each of th | | | | |
| | | | Boris FX | Using Boris Continuum Complete 6 Animated Presets with Adobe and Avid
Boris Continuum Complete 6's new Custom Animated Presets feature lets you save and re-use every parameter animation in every BCC filter - even across host applications and platforms. For the first time, you can animate BCC filters in Adobe After Effects and transfer the animation to the Avid timeline while preserving After Effects keyframes. BCC 6 AVX includes hundreds of factory-installed animated presets. Animated presets are now saved in industry-standard XML format and can be edited by any XML-compliant text editor. Watch this video tutorial and learn more. Tutorial, Video Tutorial Author: Dirk de Jong |
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| | | | Trapcode | Creating a Waterfall
In this video tutorial, Creative Cow leader Michael Park demonstrates how to create a waterfall using After Effects and Trapcode Particular. This tutorial is in response to a couple of posts on the Trapcode Forum of CreativeCOW.net looking for this type of effect. This tutorial uses Particular 2.0, but the work flow and settings should work equally will with previous versions of Particular. Tutorial, Video Tutorial Author: Michael Park |
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| | | | Adobe After Effects | Markers Leaks
In this video tutorial, Creative Cow contributing editor Eran Stern gives an introduction to custom effects which trigger actions using layer markers inside of Adobe After Effects. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | Adobe Premiere Pro | Adobe Speech Search
In this second installment in his series of articles on Adobes latest post-production powerhouse, CS4 Production Premium, veteran editor David Roth Weiss takes closer look at Adobe Speech Search, a new speech recognition and transcription feature in both Premiere Pro CS4 and Soundbooth CS4. Speech Search is one the most exciting and eagerly anticipated new features to hit the editing world in a long time. So, if youve been wondering about it, read on, as David tells us what Speech Search is all about, how it works, and if it truly makes the grade.
Review Author: Roth Weiss |
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| | | | Adobe After Effects | Adobe Gives Sneak Peek at CS4 during IBC 2008
The Cows Eran Stern, one of the worlds most respected After Effects artists, was able to take a sneak peek at the Adobe Creative Suite, CS 4. He saw a lot to like: deeper integration across the Adobe family, new animation tools and effects, speech recognition and metadata features, and much more. Feature Author: Eran Stern |
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| | | | Adobe Illustrator | Radial Patterns with Adobe Illustrator
In this video tutorial Creative COW leader Vince Rosati presents a simple technique to use an obscure function in the rotate tool to quickly create radial patterns in Adobe Illustrator. Use this technique with gradients or more complex shapes to create incredible radial patterns. Tutorial, Video Tutorial Author: Vincent Rosati |
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| | | | Adobe After Effects | Color Link
In this video tutorial, Creative Cow contributing editor Eran Stern creates a colorful disco tunnel using shape layers and matching the look to a video footage using the color link effect. Tutorial, Video Tutorial Author: Eran Stern |
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| | | | DaVinci - NEW ! | Cinefilm's Ron Anderson: da Vinci User Since 1986
In this article, Tim Wilson talks with da Vinci user Ron Anderson in his Part Three look at Blackmagic Design's acquisition of da Vinci Systems. Ron Anderson’s relationship with da Vinci has also taken places over several decades, starting as a customer, and evolving into demo artistry even while he continues working with da Vinci systems at Atlanta’s Cinefilm.
Editorial, Feature, People / Interview Author: Tim Wilson |
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| | | | DaVinci - NEW ! | A Letter From Grant Petty
The fastest breaking news that is sure to rifle through IBC the quickest? Well, for starters, try this announcement from Blackmagic Design, who have acquired DaVinci Systems, the pioneering color system that for many years has been one of the dream systems in the marketplace. In the letter to employees below, Grant Petty discusses the acquisition with his team members. Editorial, Feature, People / Interview Author: Ron Lindeboom |
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| | | | DaVinci - NEW ! | Blackmagic Design Buys DaVinci: Part 1
In this article, Tim Wilson begins his series on the big news already beginning to leak from IBC 2009. Blackmagic Design has acquired da Vinci Systems and yes, you read that right. BMD owns and will be developing and marketing da Vinci's award-winning colorgrading technology. What's in store? Here's Part One of Tim's look at the fast-breaking news... Editorial, Feature, People / Interview Author: Tim Wilson |
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| | | | DaVinci - NEW ! | Blackmagic Design Buys the Power of daVinci: Part 2
In this article, Tim Wilson continues his series with his Part Two look at the big news leaking from IBC 2009. Blackmagic Design has acquired da Vinci Systems and with that acquisition comes what Tim refers to as The Power of da Vinci. And for the many that have used da Vinci over the years, they know full well the power of which Tim writes. And for those who might need an introduction to this power, Tim offers these words... Editorial, Feature, People / Interview Author: Tim Wilson |
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| | | | Red Giant plug-ins | Create Cool 3D Text with Trapcode Form
In this Episode of Red Giant TV, Hypa TV's Tim Clapham shows you how to build and animate 3D text with Trapcode Form. He's also show you techniques for animating the text on and off - and while they're deceptively simple, they deliver in a really big way. Tutorial, Video Tutorial Author: Tim Clapham |
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| | | | Adobe Illustrator | Creating mattes in Adobe Illustrator
Mark Simpson shows users how to create mattes in Adobe Illustrator for use in Adobe After Effects. If you're trying to do Mark's tutorial 'Animating Skies and Writing Text With Light!' but don't know how to use Illustrator, then this little 'sub-tutorial' is for you. Even if you're not doing Mark's tutorial, this is a handy tip to know. Tutorial Author: Mark Simpson |
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Podcasts | | | | adobe after effects tutorials podcast Working with Adobe Clip Notes - Part 2 In this podcast tutorial, Creative Cow leader Aharon Rabinowitz shows you how to perform collaborative commenting with Adobe Clip Notes. He'll show you how using Clip Notes can save you from stress, and how to import Clip Notes into AE. | | | | |
| | | | adobe after effects tutorials podcast Working with Adobe Clip Notes - Part 1 In this podcast tutorial, Creative Cow leader Aharon Rabinowitz shows you how to export your video as Adobe Clip Notes. Part 1 will show you how to prepare and export your AE composition so your notes appear in a PDF document alongside the video. | | | | |
| | | | adobe after effects tutorials podcast AE Quicktips #8: Camera Raw Sequences In this video tutorial, Creative COW contributing editor Carl Larsen shows you how to import a .jpeg or .tiff sequence into Adobe After Effects with Adobe Camera Raw development settings applied. | | | | |
| | | | adobe after effects tutorials podcast File Management in After Effects In this video tutorial, Creative COW contributing editor Carl Larsen shows you how to archive a project with shared assets using the consolidate footage and collect Files commands. | | | | |
| | | | adobe premiere pro tutorials podcast Multi-Camera Editing in Adobe Premiere Pro 2.x In this video podcast, Creative Cow Leader Aanarav Sareen shows you the new multi-cam editing functionality which has been added to Premiere Pro 2.0. He also gives you tips on how to maximize your use of this new feature. | | | | |
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