| | | | Re: Clips timing is incorrect when transferring from FCP
by Joseph Owens on Jan 8, 2013 at 4:40:32 pm
in the Apple Color Forum
[Spencer Groshong] "everything at 60 fps, so i used cinema tools, and converted it all to 23.98 fps and depending on the shot, "
So the converted media is actually at 23.98fps? Not just pseudo-tagged and remains 59.94?
Your reference to "left | | | | |
| | | | Re: Setting the overall volume
by John Rofrano on Jan 8, 2013 at 1:16:53 am
in the Sony Vegas basics Forum
[Paul Walker] "probably average at around -12. Most importantly to me, it sounds OK without me having to adjust my speakers."That's really the main thing. Put a Hollywood DVD on and adjust the volume to a comfortable listening level. Then put your DV | | | | |
| | | | Re: Understanding FCPX under the hood.
by Jeremy Garchow on Jan 6, 2013 at 4:15:48 pm
in the Apple FCPX or Not: The Debate Forum
[Chris Harlan] "Actually, while conflicts can occur, they are rare and getting rarer. "
I would imagine that "the world' determines what motherboards are working or not.
Here's a comment from a newegg user that I came across trying to piece tog | | | | |
| | | | Re: Understanding FCPX under the hood.
by Marcus Moore on Jan 4, 2013 at 9:03:28 pm
in the Apple FCPX or Not: The Debate Forum
Outside of the MacPro, which is VERY overpriced for the components your getting right now- I don't buy it.
A comparable PC might end up a couple hundred less on a several thousand dollar machine, but I think the term "massive" is overstating it to | | | | |
| | | | Re: Voice over sync workflow - Any VO-artists here?
by Jean-Christophe Boulay on Jan 3, 2013 at 9:14:45 pm
in the Audio Professionals Forum
Hi Johannes,
Living and working in a French territory surrounded by English, I work on projects like these every day. The usual way of doing it really is what Richard is reluctant to do. If only everyone was so nice!
usually, you cut to the in | | | | |
| | | | Re: Events: Good or Bad?
by Jeremy Garchow on Dec 26, 2012 at 4:56:43 pm
in the Apple FCPX or Not: The Debate Forum
[John Heagy] "We do start edits in one shift and finnish in another, and will have up to 3 rooms working on a single show at the same time. So yes to sharing projects."
Sharing Projects is much easier as FCPX has devices in place to do so without | | | | |
| | | | Re: Marker info disappears!
by Daniel Neutzsky-Wulff on Dec 26, 2012 at 12:15:49 pm
in the Adobe Premiere Pro Forum
It is really quite a big setback when you're editing a documentary. Being able to organize material and tag clips and add descriptions is an absolute must. So yes, this is a major setback for my process. | | | | |
| | | | Re: DVD Scene Selection End Action Option
by John Rofrano on Dec 20, 2012 at 7:25:49 pm
in the Sony Vegas Forum
[Linda O'Connell] "HOWEVER, by doing this when I hit a scene, it doesn't stop after that scene, it goes to the next one. I tried fooling around with "End Action" but it doesn't seem to be working."What you want is not really scene selection. Sce | | | | |
| | | | Re: HMC 150 settings
by Randy Champion on Dec 20, 2012 at 5:29:28 pm
in the Panasonic AF100, DVX100, HMC150 Forum
Thanks Jeff,
The truth is the client knows even less than I do. This is their first venture into the trade show arena and they are looking to me to give them answers on which TV to buy and what should drive the videos. They will buy what I tell them | | | | |
| | | | Re: GH2’s still photo image quality
by Bill Bruner on Dec 20, 2012 at 10:33:22 am
in the DSLR Video Forum
Howie - The GH2 is a great still camera. I especially like the range of lenses I can use with it.
Here is what I have personally done with it:
Taken with GH2, a $199 Tamron 70-300mm (Nikon mount)and a $21 adapter: https://lh6.googleuserconten | | | | |
| | | | Check YouTube settings - screen shot
by Olly Lawer on Dec 18, 2012 at 10:54:05 am
in the Compression techniques Forum
Ok, for a while we've been using FCPX through compressor settings for encoding 1920 x 1080 XDCAM footage for YouTube.
Until YouTube started advising us during the upload that we should prepare our videos for video streaming. I presumed this mean ' | | | | |
| | | | Resizing An Inner Video in FCP X
by Andy Kw on Dec 18, 2012 at 7:09:02 am
in the Apple Final Cut Pro Forum
Hi,
I am wondering if there's a way to specify a certain dimension to re-size smaller embedded videos into the the main video itself. I can stretch and try to match it but there must be a way to specify an absolute dimensions without the trouble o | | | | |
| | | | @Debra Kaufman
by Jeremy Garchow on Dec 18, 2012 at 1:20:12 am
in the COW - Tutorials Forum
Certainly, it's a step in some sort of direction. I have no qualms about evolving the state of the art. We have all of this cool technology around, we should use it for the good of the art.
Shooting 120fps seems like it would make the most sens | | | | |
| | | | Re: Erratic audio sync - cutting to music
by Jason Jones on Dec 17, 2012 at 2:52:13 pm
in the Adobe Premiere Pro Forum
Walter "Mr. Post" Biscardi! Thanks for taking the time. Of your suggestions, the absolute most effective was the single monitor thing. I already had Program resolution down to 1/4, so nowhere to go there, but losing that second display seems to have | | | | |
| | | | Color correction
by Josh Foster on Dec 17, 2012 at 3:00:04 am
in the Adobe After Effects Forum
Hi, this is my first post here. Hopefully I won't feel like an absolute newbie.
I'd like to start off my time here by asking how this color correction was done? I absolutely love the visuals + the music
http://www.youtube.com/watch?v=0rVuZCZsz5Q& | | | | |
| | | | Service: Reverb Entertainment
by Rishhad Kothawala on Dec 15, 2012 at 7:30:34 am
in the COW - Services Forum
Editor & audio fidelity tester- Deluxe Studios Hollywood, Bangalore, India
Subtitling and textual information slating for Hollywood features and episodics.
Handling and managing production information for music scores and
soundtracks. Running audi | | | | |
| | | | Reverb Entertainment
by Rishhad Kothawala on Dec 14, 2012 at 11:30:34 pm
in the Forum
Editor & audio fidelity tester- Deluxe Studios Hollywood, Bangalore, India Subtitling and textual information slating for Hollywood features and episodics. Handling and managing production information for music scores and soundtracks. Running audio f | | | | |
| | | | Blog: Workflow Update: iMac, Adobe and the "X" Factor
by walter biscardi on Dec 10, 2012 at 11:17:57 pm
in the COW - Blogs Forum
Apple iMacs
As I noted in my previous blog, the iMacs are fast becoming my machine of choice and the newest models are even more impressive than the two we have running. At this time, barring any major announcement from Apple that changes my mi | | | | |
| | | | Re: 16x9 SD Export from HD Footage?
by Shane Ross on Dec 10, 2012 at 8:49:18 pm
in the Apple Final Cut Pro Forum
#42 - Quick and dirty way to author a DVD
Shane's Stock Answer #42 - David Roth Weiss' Secret Quick and Dirty Way to Author a DVD:
The absolute simplest way to make a DVD using FCP and DVDSP is as follows:
1. Export a QT movie, either a ref | | | | |
| | | | Workflow Update: iMac, Adobe and the "X" Factor
by walter biscardi on Dec 10, 2012 at 3:17:57 pm
in the Forum
Apple iMacs As I noted in my previous blog, the iMacs are fast becoming my machine of choice and the newest models are even more impressive than the two we have running. At this time, barring any major announcement from Apple that changes my mind,... | | | | |
| | | | Draw AP div parenting
by Areful Eeslam on Dec 8, 2012 at 10:55:19 am
in the Adobe Dreamweaver Forum
Hello friends, im kind of new to dreamweaver so pls pardon if i sound blunt. I have made my webpage html directly from photoshop then opened in dreamweaver. All i need is to place text material here. I am trying to draw AP div box & the put text in i | | | | |
| | | | Service: studioMiguel
by Michael McClain on Dec 6, 2012 at 2:07:25 am
in the COW - Services Forum
I have worked with local and international clients from ad agencies to corporate marketing teams to produce award-winning still imagery. I work primarily with Luxology's Modo as a 3D production tool with AfterEffects as an animation compositor and Ph | | | | |
| | | | studioMiguel
by Michael McClain on Dec 5, 2012 at 6:07:25 pm
in the Forum
I believe a keen desire for excellence in imagery and animation coupled with a strong work ethic and honest efforts delivers superior work, every time. At the core of what I do is an absolute passion for intriguing imagery and good storytelling. It i | | | | |
| | | | Re: Warp stabaliser workflow
by Dennis Radeke on Dec 4, 2012 at 12:23:08 pm
in the Adobe Premiere Pro Forum
There is a way to 'reverse' stabilize the footage which involves applying it twice and you so you probably would have to do that through After Effects.
You can google After Effects Reverse STabilization and should find something. Will that make | | | | |
| | | | Re: RED footage accidentally shot at 47.95
by David Battistella on Dec 1, 2012 at 11:15:30 pm
in the RED Camera Forum
I would definitely try after effects,
I would ry compressor with optical flow turned on (maybe it works in revers too)
The problem is that the shutter angle won't match a standard 180 degree shutter at 24fps (depending on whether the shutter | | | | |
| | | | Re: Timecode Burn-In Generator starting at 1
by Michael Phillips on Dec 1, 2012 at 6:54:15 pm
in the AVID Forum
You would enter the frame based values in the bin in the column called "DPX". There is also a VFX column that counts as frames in case you need two of them that track different frame based sources and offsets.
Once in the bin, the value in that f | | | | |
| | | | Re: Just starting out and not sure what to do!
by Emre Tufekcioglu on Dec 1, 2012 at 2:14:47 pm
in the Business & Marketing Forum
To add on Marks comments:
Go to your local (biggest) rental house and ask for a job. If you work at a rental house you will get your hands on every camera on the planet, play with them and get paid for it. Also you will meet all the top camera peo | | | | |
| | | | Digital Asset Management in Broadcast and Post Production
by Ryan Salazar on Nov 29, 2012 at 6:00:00 pm
in the Broadcasting Forum
One of the least considered functions at many studios is Digital Asset Management (DAM). More attention needs to be spent on this mostly under-used asset. Many files are created and then unceremoniously dumped into outer space, never to be seen again | | | | |
| | | | Re: The NLE that keeps moving forward?
by David Lawrence on Nov 29, 2012 at 2:38:40 am
in the Apple FCPX or Not: The Debate Forum
[Charlie Austin] "I guess, on reflection, I wouldn't need "tracks' per se, but as a mixer i'd want to be able to keep similar roles together in the timeline. Again I think some sort of z-order setting would do the trick. Assign whatever roles/subrole | | | | |
| | | | Re: The NLE that keeps moving forward?
by Bill Davis on Nov 28, 2012 at 8:50:25 am
in the Apple FCPX or Not: The Debate Forum
[Aindreas Gallagher] "for starters - FCPX is not a prius, its the google auto-drive car, if we're going that way."
No it's not. This is not your analogy. It's mine. So i get to make it. You can try to swipe it or re-tiniker it, but since you're no | | | | |
| | | | Re: The NLE that keeps moving forward?
by Bill Davis on Nov 28, 2012 at 8:49:14 am
in the Apple FCPX or Not: The Debate Forum
[Aindreas Gallagher] "for starters - FCPX is not a prius, its the google auto-drive car, if we're going that way."
No it's not. This is not your analogy. It's mine. So i get to make it. You can try to swipe it or re-tiniker it, but since you're no | | | | |
| | | | Re: The NLE that keeps moving forward?
by Walter Soyka on Nov 28, 2012 at 3:28:35 am
in the Apple FCPX or Not: The Debate Forum
[David Lawrence] "How so? The relationship between clips on a timeline is always temporal. Locking a fixed temporal relationship between clips doesn't require hierarchy, it requires grouping."
In a group, the related clips are peers. In a hierarch | | | | |
| | | | Re: The NLE that keeps moving forward?
by Charlie Austin on Nov 28, 2012 at 2:45:23 am
in the Apple FCPX or Not: The Debate Forum
[David Lawrence] "the problem with the FCPX timeline isn't hierarchy itself, it's that Apple engineers got the top level parent wrong. The top level parent needs to be absolute, external time; not V1."
The way i use it, that's exactly how it works | | | | |
| | | | Re: The NLE that keeps moving forward?
by David Lawrence on Nov 28, 2012 at 2:32:45 am
in the Apple FCPX or Not: The Debate Forum
[Walter Soyka] "Sometimes, clip are intended to be intercut relative to other clips. The real structure of an edit like this is hierarchical;"
How so? The relationship between clips on a timeline is always temporal. Locking a fixed temporal relati | | | | |
| | | | Re: The NLE that keeps moving forward?
by Walter Soyka on Nov 28, 2012 at 1:41:33 am
in the Apple FCPX or Not: The Debate Forum
[Aindreas Gallagher] "ask yourself - why do we have locked parent child relationships? this isn't nuke - look - they aren't even feeding each other geometrics or CC information - why? because it would make no sense - that stuff does not map to a movi | | | | |
| | | | Re: The NLE that keeps moving forward?
by Jeremy Garchow on Nov 28, 2012 at 12:32:26 am
in the Apple FCPX or Not: The Debate Forum
[Aindreas Gallagher] "And with all that said - the editing timeline is simply not on. It's borrowing too many idioms. Do you know? having parent child compositor nodal style locked expressions within an editing timeline makes absolutely no bloody sen | | | | |
| | | | Re: Have $15,000 for new HD set up. Suggestions?
by David Eaks on Nov 26, 2012 at 6:49:20 pm
in the Canon Cameras Forum
Hi Lisa,
I do much of the same type of work as you and I wholeheartedly agree with Roger about using a switcher for live stage events. I couldn't imagine working for the last 15 years without one. I record in-camera as well as the live switch in c | | | | |
Podcasts | | | | full course
The Best of Free - What the Font?
In this economy, you need to get the absolute best value for your dollar, and as the expression goes, sometimes you get what you pay for...but not in this case. | | | | |
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