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4K

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COW Tags : 4K
Re: I'm trying to make a ~$500 DSLR rig - would this setup be decent/work?
by John Young on Jun 26, 2012 at 3:25:13 pm
in the DSLR Video Forum
I understand you position Jeff, and I have been there before. Think of a couple of things as you are making your decisions. Something like a rail system with follow focus, will be an investment that you will have for a long time. If you choose wis
Re: I Need to export for a Color Corrector. What format do I render to?
by John Rofrano on Jun 26, 2012 at 3:01:53 pm
in the Sony Vegas Forum
[Ralph McCarron] "it's a person. What format do you recommend?"Sorry if my previous post wasn't clear but I'll restate it: I recommend a format that the person can ingest. You'll need to ask them what formats they accept. It will probably be dependen
Sequence settings keep changing around
by Jeremy Garchow on Jun 25, 2012 at 6:46:44 pm
in the Autodesk Smoke 2013 Forum
I have 1080 444 material as well as 4k Red which has been imported at half (2k). I am testing keying on both. It seems that the 1080 sequence will jump from 1080 to 2k on a whim. Once it's in 2k it stays. Also, rendering quality will jump,
News: Broadcast Rental Installs Universal Videohub for Broadcast of 2012 London Games in Netherlands
by Cow News Droid on Jun 25, 2012 at 6:27:00 pm
in the NEWS: Product News Releases Forum
(Manchester, England--June 25, 2012) Blackmagic Design has announced that Netherlands based Broadcast Rental has built a video routing network based around the Blackmagic Universal Videohub for use by Dutch Broadcaster NOS at the 2012 London Games.
Re: FCP 7 plug-in for QFHD?
by Rafael Amador on Jun 25, 2012 at 3:53:00 pm
in the Apple Final Cut Pro Forum
For what I've been reading QFHD is one of the few 4k flavors (http://en.wikipedia.org/wiki/4K_resolution) FCPX does 4K, but not sure if is exacly that one. You should ask in the FCPX forum. rafael
Re: Is it powerful enough for F65 4K Raw real-time grading?
by Shuhong Wang on Jun 25, 2012 at 10:10:05 am
in the DaVinci Basics & Configuration Forum
Hi, A second question about the requirements for the RAID performance. When Resolve does the color grading processing, does it need to read and write the disk array simultaneouly at uncompressed 4K data rate? Thanks in advance. wshvic
Re: After effects Work
by jon lijo on Jun 25, 2012 at 9:03:18 am
in the JOBS Wanted Forum
Hi I am intrested to do the presentation for you, Take a look at http://www.youtube.com/user/beautiandthebeast001and http://blufishmotion.com/ I'm affordable and work easily remotely. I do Stereoscopic 3d conversion,Rotoscoping, Mo
Re: Is it powerful enough for F65 4K Raw real-time grading?
by Shuhong Wang on Jun 25, 2012 at 7:00:48 am
in the DaVinci Basics & Configuration Forum
Dear Salvo, Thank you very much for your detailed reply, It's very clear and important for me. I will change the GPU card to GTX580. 1)About the RAID config, I prefer to choose a pcie2.0 x8 RAID5 disk array(16xSATA HDD), whose sustaied write s
Re: Is it powerful enough for F65 4K Raw real-time grading?
by Juan Salvo on Jun 25, 2012 at 5:33:42 am
in the DaVinci Basics & Configuration Forum
Was hoping someone with first hand experience on that hard ware would chime in. From the specs it looks like it would work, but I've never used it, so can't be sure.
After effects Rendering Services
by jon lijo on Jun 23, 2012 at 3:38:01 am
in the JOBS Wanted Forum
Hi Take a look atd http://blufishmotion.com/ We provide Motion graphics ,2K, 4k ( After effects) Rendering Services Connect to me on jonlijo@blufishmotion.com Thanks john BlufishMotion http://blufishmotion.com/
Re: Is it powerful enough for F65 4K Raw real-time grading?
by Sanjiv Patel on Jun 22, 2012 at 9:40:54 pm
in the DaVinci Basics & Configuration Forum
What about http://www.proavio.com/is316js.html I work in win7 hpz800 12 core 24gb ram avid mc 6 quad 5000 I own f65 with arri UP 16mm & 85mm I am trying to setup post workflow Any help in 4k raw f65 will be great thanks Juan
Re: Is it powerful enough for F65 4K Raw real-time grading?
by Juan Salvo on Jun 22, 2012 at 8:15:32 pm
in the DaVinci Basics & Configuration Forum
I generally work with fibre arrays.. which are generally much more expensive than SAS arrays but also have better sustained performance. There are plenty of 8GB FC chassis solutions out there. Also have rolled a dual channel Areca controller attached
Re: Is it powerful enough for F65 4K Raw real-time grading?
by Sanjiv Patel on Jun 22, 2012 at 3:26:55 pm
in the DaVinci Basics & Configuration Forum
Thank you Juan I need to setup for F65 raw 4k workflow What raid do you like in the market for 4k workflow, any link please Thanks
Re: Converting .MTS files to edit in final cut pro
by Matt Campbell on Jun 22, 2012 at 2:30:28 pm
in the Apple Final Cut Pro Forum
Do you think ProRes LT will be good enough to export out my final project or are you suggesting I edit with it and take my fine cut out in ProRes or ProRes HQ?. This wouldn't make sense because if you edit ProRes LT, you won't get any better than
Re: Stutering playback in FCP X, specs should be ok?
by Eric Santiago on Jun 22, 2012 at 11:52:31 am
in the Apple FCPX Techniques Forum
Diego you will find that spec on most apps and they are at a min. FW800 is also not viable as far as my experiences go with any HD and up Digital Video format. That was fine for SD back in the day. Do you have an eSATA option for that G-Tech? I u
Re: Is it powerful enough for F65 4K Raw real-time grading?
by Juan Salvo on Jun 22, 2012 at 4:49:03 am
in the DaVinci Basics & Configuration Forum
Well first let me tell you from the sounds of it you're building a beast. So congratulations. Looking forward to seeing you squash the standard candle test and then some. ;) First one major point... as stated in that very Resolve config guide:
Re: Is it powerful enough for F65 4K Raw real-time grading?
by Sanjiv Patel on Jun 22, 2012 at 2:24:30 am
in the DaVinci Basics & Configuration Forum
Anyone out their to answer this q
Re: Why FCPX Seems Faster on Thunderbolt Macs
by tony west on Jun 22, 2012 at 1:22:47 am
in the Apple FCPX or Not: The Debate Forum
[Michael Hadley] " I want to see/read about real world results with FCPX and the new MBPr" One of my co-workers brought his MBPr into work the other day. He had just got it so at the time had not had a chance to really work with it, but I wat
Re: Red footage and green screen
by Angelo Lorenzo on Jun 22, 2012 at 12:12:36 am
in the RED Camera Forum
It depends on your workflow, their system, your system, and hard drive space. A safe bet would be ProRes4444 which can support up to 4K footage. If there system can't handle it or they prefer something like a TIFF or DPX sequence, I would ask the
Re: Article: Zelinizing NAB 2012! Bob Zelin: The Future is Wide Open
by Matt Gottshalk on Jun 21, 2012 at 8:35:16 pm
in the COW - Tutorials Forum
Totally the opposite of my experience on MC 6 running on a self-built Windows 7 PC. Fast, stable, AMA works well, although for quickest editing you will want to transcode to DnXHD. Avid's #1 media management is something Adobe could learn a thi
Re: SSD's + GoFlex + Thunderbolt + Happy Birthday FCPX
by Craig Seeman on Jun 21, 2012 at 1:15:20 pm
in the Apple FCPX or Not: The Debate Forum
[Mark Dobson] "128Gb is too small for me so I am being very selective as to what I put on it. My current lion boot drive is 330 GB and already I'm clearing stuff out. " My 2008 MP now has 1TB and it's half full and it's not a drive I generally kee
Re: More gasoline on the fire
by Frank Gothmann on Jun 21, 2012 at 7:08:42 am
in the Apple FCPX or Not: The Debate Forum
[Jeremy Garchow] "Media management is bad, multiple user environment is bad, conform is bad, basically many of the non sexy, yet really really important parts of editing is tough in premiere, especially at the end of the project, or if you need to mo
Re: going from 4K to 1080
by Francisco Bech Gómez on Jun 21, 2012 at 6:49:34 am
in the Adobe Premiere Pro Forum
Thanks, I still need to render, is this the correct way to edit 4K in 1080? best regards
Re: More gasoline on the fire
by Herb Sevush on Jun 20, 2012 at 6:48:10 pm
in the Apple FCPX or Not: The Debate Forum
[Jeremy Garchow] "I hope that all the assurance you have received for things being developed in the future actually does come true." Me too. If not, I've already delayed my decision making for a year, hopefully something else will come along. [
Re: Higher frame rates are coming
by Walter Soyka on Jun 20, 2012 at 1:13:00 pm
in the Apple FCPX or Not: The Debate Forum
[David Cherniack] "Are we stopping at 4k? I think it may be a pit stop for non-broadcast, computer displays. Broadcast, and broadcast panels could leapfrog to 8k. That seems to be where NHK is experimenting." Great point! UHDTV supports both 4
Re: Higher frame rates are coming
by David Cherniack on Jun 20, 2012 at 1:06:02 pm
in the Apple FCPX or Not: The Debate Forum
[Walter Soyka] "Yes, the good news is that we can replace everything for HFR HD, right before we replace it all again for 4K!" Are we stopping at 4k? I think it may be a pit stop for non-broadcast, computer displays. Broadcast, and broadcast panel
Is it powerful enough for F65 4K Raw real-time grading?
by Shuhong Wang on Jun 20, 2012 at 9:24:54 am
in the DaVinci Basics & Configuration Forum
Hi,all I can not find the hardware configuration list which is used now for 4K grading in this forum, so I post this message for help here. If this topic has already existed, I'm sorry. My goal is to build a Resovle system for 4K real-
News: MTI Film Joins Sony Pictures' F65 Training Program as Workflow Partner
by Cow News Droid on Jun 20, 2012 at 6:04:49 am
in the NEWS: Product News Releases Forum
(Hollywood, California--June 20, 2012) MTI Film was recently selected by Sony Electronics’ Professional Solutions of America Group as a workflow partner in its newly-opened Digital Motion Picture Center (DMPC). The Center offers hands-on training for
News: Qube Cinema Releases Version 3.0 Digital Cinema Server Software
by Cow News Droid on Jun 20, 2012 at 5:40:23 am
in the NEWS: Product News Releases Forum
DCI-Compliant XP-D Server Provides Upgrade Options to Stereoscopic HFR 3D and 4K (Burbank, California--June 20, 2012) Qube Cinema announced the release of version 3.0 server software for its digital cinema servers. The new digital cinema server so
Re: Higher frame rates are coming
by Chris Harlan on Jun 20, 2012 at 5:37:52 am
in the Apple FCPX or Not: The Debate Forum
[Walter Soyka] "“The good news is Blu-ray has so much storage potential, it’s just a matter of the BDA releasing another spec and us replacing our Blu-ray players, and maybe even our HDTVs.” Yes, the good news is that we can replace everything for
Re: Higher frame rates are coming
by Walter Soyka on Jun 20, 2012 at 3:11:34 am
in the Apple FCPX or Not: The Debate Forum
“The good news is Blu-ray has so much storage potential, it’s just a matter of the BDA releasing another spec and us replacing our Blu-ray players, and maybe even our HDTVs.” Yes, the good news is that we can replace everything for HFR HD, right b
Re: More gasoline on the fire
by Walter Soyka on Jun 20, 2012 at 3:01:21 am
in the Apple FCPX or Not: The Debate Forum
[Craig Seeman] "Interesting how the word "Windows" is never mentioned." Why? They don't talk about OS X on the Apple page. From http://www.tekserve.com/business/Partners/Apple [link]: "Tekserve's partnership with Apple began in 1987, as the fi
HyperDeck Studio Pro
by Roger Suski on Jun 19, 2012 at 9:38:13 pm
in the Blackmagic Design Forum
I must have overlooked this fact, but there's 4 channels of input/output on the BMD Hyperdeck Studio Pro. Says that its for 4k workflow yadda yadda. Can those 4 inputs be fed separate traditional 1080i/720p feeds and have a single unit record all
NAB 2012: A Wide Open Future
by Bob Zelin on Jun 19, 2012 at 2:12:14 pm
in the NAB Expo Forum
Industry leader, visionary, and wielder of baseball bats and shotguns Bob Zelin takes a look at the world through NAB-colored glasses and sees that, from now on, anything goes.
Re: What is the BEST WAY TO ARCHIVE OLD PROJECTS and related media?
by Ryan Patch on Jun 19, 2012 at 2:08:27 pm
in the Adobe Premiere Pro Forum
LTO tapes are considered the industry standard. However, these are very expensive. For a small business, I would just recommend sticking to hard drives. However, use bare drives that you mount in docks instead of buying new externals every time.
Re: going from 4K to 1080
by Tero Ahlfors on Jun 19, 2012 at 11:38:37 am
in the Adobe Premiere Pro Forum
You don't need to scale them in the motion panel. Just select all clips in the timeline and right click -> scale to frame size.
going from 4K to 1080
by Francisco Bech Gómez on Jun 19, 2012 at 8:46:25 am
in the Adobe Premiere Pro Forum
Hello, I want to edit a 4k project in 1080. I select a 1080 sequence and then I am changing the motion scale of the clips from 100 to 43 to fit the viewer and then rendering. Am i doing the right process or I can do all this without the rendering an
News: Canon U.S.A. Launches New Program To Benefit Film Independent Filmmakers At The 2012 Los Angel
by Cow News Droid on Jun 19, 2012 at 3:51:19 am
in the NEWS: Product News Releases Forum
(Los Angeles, California--June 19, 2012) Canon U.S.A., Inc., a leader in digital imaging solutions, today launched the new Canon Filmmaker Award Program in partnership with Film Independent, the non-profit arts organization that produces the Spirit A
Re: Smoke 2013 trial very slow
by Ben Rojas on Jun 19, 2012 at 12:50:16 am
in the Autodesk Smoke 2013 Forum
Right there with you Duane... Same MP except running an NVidia card. I have yet to get a format to run smoothly. My frustration, I'm a Smoke guy and have been waiting for the day it would be my all-in-one solution... Not only at the office but at h
Re: Create DCP directly from DaVinci? + sound?
by Jonathon Lee on Jun 18, 2012 at 11:02:41 pm
in the DaVinci Resolve Forum
2 cheap and easy... Cheapest... 1) DoReMi Labs has an FCP plugin for $1000 that does unencrypted DCP authoring. 2) DigitAll in australia has a PC based player that plays unencrypted DCP SMPTE and Interop for $250 Better Fraunhofer has a
Re: Problem with R3d clips
by Tero Ahlfors on Jun 18, 2012 at 8:02:38 pm
in the Adobe Premiere Pro basics Forum
Your machine can't probably handle the 4K footage. Try lowering the playback resolution and see if it helps.
News: New Digital Cinema Deployment Company Opens in Mumbai
by Cow News Droid on Jun 18, 2012 at 6:59:15 pm
in the NEWS: Product News Releases Forum
Cinetech Eases Transition to 4K 3D Digital Cinema Systems For Theatres Across Southern Asia (Mumbai, India--June 18, 2012) Cinetech Entertainment India Pvt Ltd, a new digital cinema deployment company, has set up its head office Mumbai, India, to
News: JVC Partners with ITA; Providing 'Cinema Libre' System as 35mm Projector Replacement
by Cow News Droid on Jun 18, 2012 at 6:56:36 pm
in the NEWS: Product News Releases Forum
(Wayne, New Jersey--June 18, 2012) JVC Professional Products Company, a division of JVC Americas Corp., today announced it has partnered with the Independent Theatre Alliance (ITA) to offer the “Cinema Libre” digital cinema projection system for inde
transfer r3d to prores 444 problem
by Francisco Bech Gómez on Jun 18, 2012 at 5:35:26 pm
in the Apple Final Cut Pro Forum
Hello I am trying to log and transfer r3d clips, red one at 4k, in FCP7 . The clips at 444 show a lot of noise in FCP in the canvas, it I export the sequence as quick time movie with present settings I get black video. Only if I transfer the r3d c
transfer r3d to prores 444 problem
by Francisco Bech Gómez on Jun 18, 2012 at 5:09:13 pm
in the Apple Final Cut Pro Forum
Hello I am trying to log and transfer r3d clips, red one at 4k, in FCP7 . The clips at 444 show a lot of noise in FCP in the canvas, it I export the sequence as quick time movie with present settings I get black video. Only if I transfer the r3d c
101 Burning Questions Answered about Smoke 2013
by Brian Mulligan on Jun 18, 2012 at 4:07:11 pm
in the Forum
Autodesk Smoke is now available in its first Pre-Release Trial. I am sure you have many questions, so here are a few answers. I have been a beta tester on for Smoke 2013, and have been a long time user. So beyond that, I have...
Create DCP directly from DaVinci? + sound?
by Øystein Rabbe on Jun 18, 2012 at 11:18:40 am
in the DaVinci Resolve Forum
Is there a way to create a DCP-master without buying expensive software? Want to create it in 4K resolution, so preferably not something that goes with Final Cut Pro.
Re: Best Export Codec in Redcine X for PC
by Trent Ubben on Jun 17, 2012 at 7:09:14 pm
in the Adobe Premiere Pro Forum
Thanks alot for the great responses guys. Todd, so simply downscale/reframe the 2:1 4K files into the 1080 16:9 frame/sequence within premiere? I see what you're saying, makes alot of sense. Just a couple more questions, does scaling each file wit
Re: Hello PC: The Journey to Mac and Back
by Gary Huff on Jun 16, 2012 at 5:02:16 pm
in the COW - Tutorials Forum
[Jiggy Gaton] "macs are all 2008 vintage and still running strong with the latest OS, no problems whatsoever (well, maybe a few nits)." So is the PC I built myself back in 2006. It's still running great (though, obviously, some of the components h
Re: System Going Forward? PC vs Mac Pro vs iMac
by Alex Gerulaitis on Jun 16, 2012 at 8:57:28 am
in the What Computer Should I Buy? Forum
A Sandy Bridge system from Puget or ADK for around $3-4K is likely the best bet for a budget-conscious NLE buyer. As far as RAID, I'd just go for a G-RAID or G-Speed Q then. Either offers eSATA so whenever you switch to a PC, you'd be able to use
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