Creative COW SIGN IN :: SPONSORS :: ADVERTISING :: ABOUT US :: CONTACT US
Creative COW's LinkedIn GroupCreative COW's Facebook PageCreative COW on TwitterCreative COW's Google+ PageCreative COW on YouTube
FORUMS:listlist (w/ descriptions)archivetagssearchhall of famerecent posts

29.97

COW Tag
COW Tags : Video
News: All-New Templates Deliver Animated Boost for Sony Vegas Pro Users
by Cow News Droid on Jun 4, 2012 at 3:34:40 am
in the NEWS: Product News Releases Forum
Digital Juice releases ready2go Projects & Templates for Sony Vegas Pro Collection 06 (Lake Mary, Florida--June 4, 2012) Digital Juice® announced today that it is releasing ready2go™ Projects & Templates for Sony Vegas Pro Collection 6. The ready2
Re: FCPX Frame Rate Issue
by Marc D'Amour on Jun 3, 2012 at 6:56:11 pm
in the Apple FCPX Techniques Forum
Or should I convert everything in a program like Handbrake. Right now I'm using Handbrake to convert the MKV files I take from the source DVD to M4V files for use in FCPX. I have the option in Handbrake to change the Framerate (if the source is 23.
Re: FCPX Frame Rate Issue
by Marc D'Amour on Jun 3, 2012 at 6:54:10 pm
in the Apple FCPX Techniques Forum
One real quick followup here... so if I have all my clips and many are 23.976 but a handful are 29.97... I should drop the 29.97 to have FCPX create the timeline settings based on that clip and then subsequently add the 23.976 files. That is clear.
Re: FCP X hardware performance
by Michael Garber on Jun 3, 2012 at 6:47:31 pm
in the Apple FCPX or Not: The Debate Forum
Hey Oliver, Funny, I did a similar test before reading your post just yesterday. I had a whopping 2 hr render with basic color correction and broadcast safe on 10 minutes of XDCAM footage. I compared render times between FCPX, 7, and Premiere CS6
Converting 1080 30p to 1080 60i with specific codecs
by Pamela Petruski on Jun 3, 2012 at 3:56:42 am
in the AVID Forum
I am trying to convert footage that was shot in 1080p30 to 1080i60. The footage was shot on a canon 5d mark ii. I opened the project in avid as 1080 60i. I can't seem to convert the footage to an interlaced format using the codecs I am required to us
Re: What Graphics Format Should I use
by Dave LaRonde on Jun 1, 2012 at 9:51:48 pm
in the Apple Final Cut Pro Forum
DVCPro HD, 1280x1080, 29.97, upper field first. That would be the codec and horizontal & vertical resolution of your video footage. If you need transparency, make it either the PNG codec or ProRes 4444.
What Graphics Format Should I use
by Rory Keenan on Jun 1, 2012 at 9:02:47 pm
in the Apple Final Cut Pro Forum
I'm editing a pilot for a new reality TV show. We have a guy creating a graphics package for the show. I need to know what format to request the in. Footage was shot on P2 (1080i 29.97........compressor was DVCPRO HD 1080i60) I'm editing the
Re: AJA Support for Adobe CS6!
by Milan Michalik on Jun 1, 2012 at 2:14:06 pm
in the AJA Kona - PC Forum
I was so happy to hear that! But after I tested it in After Effects CS6, the joy has gone. I have 8-core PC with 36 GB RAM, Quadro 6000, Windows 7 and very fast storage. And Kona 3 (Xena2). In Premiere, everything looks fine. But In Afre Effects CS6
Exporting For Broadcast
by Edan Cohen on Jun 1, 2012 at 1:47:29 am
in the Adobe Premiere Pro Forum
Hello, I'll be exporting some commercial spots this summer and am looking for some experts on here to help me. I shoot 1080/24p but the network wants either 1080i/29.97 or 720p/59.94. I'd like to keep it progressive but am having issues exporti
Re: Apple article on Optimizing Media
by Jeremy Garchow on May 31, 2012 at 9:31:14 pm
in the Apple FCPX or Not: The Debate Forum
[Clint Wardlow] "Does PPRO and FCPX work better with mixed mediums?" That's a rather loaded question. FCPX has more control than FCP7, but I can't promise a 29.97 SD clip is going to look good in a 4k 23.98 timeline. Composite converted DV i
Frame count discrepancy - different durations in QT Pro & AE CS6 compared to AE CS5
by Scott Higgs on May 31, 2012 at 6:10:15 pm
in the Adobe After Effects Forum
Footage delivered to me as h.264 quicktime 29.97 fps shows a duration of 91 frames in Quicktime Pro. Same in After Effects CS6. In After Effects CS5 however, it shows a duration of 107 frames. When I step through the footage frame by frame, there
Frame rate issue in PP CS6
by Damian Hanley on May 31, 2012 at 1:33:21 pm
in the Adobe Premiere Pro Forum
When I shoot with my Panasonic ACAG130, I'm using 60p, but when I bring the footage into Premiere Pro, it's seeing it as 29.97, even when I set the sequence settings to 60p. I'm obviously not a seasoned pro, but I wanted to slow the footage down b
H.264 NTSC 4:3 encoded files playback with slight horizontal stretch. Advice please.
by Ollie Parke on May 31, 2012 at 2:01:40 am
in the Adobe Media Encoder Forum
Hi, I am encoding our old video library for upload to our download website. I have NTSC 4:3 AVI files that I convert into MP4 files using the AME and Mainconept H264 codec. What I end up with appears to be true 4:3 in every aspect but when played ba
Service: Cinema Gotika
by Gabriel Campañó on May 30, 2012 at 9:48:17 pm
in the COW - Services Forum
CINEMA GOTIKA [CGK] is the first "digital lab" and boutique in Latin America and our core business is apply high-end solutions to image and sound mastering for cinema and media content. We specialize in digital film restoration in order to protect,
Cinema Gotika
by Gabriel Campañó on May 30, 2012 at 2:48:17 pm
in the Forum
CINEMA GOTIKA [CGK] is the first "digital lab" and boutique in Latin America and our core business is apply high-end solutions to image and sound mastering for cinema and media content. We specialize in digital film restoration in order to protect, i
Cinema Gotika - Film Restoration & Mastering Reel
by Gabriel Campañó on May 30, 2012 at 11:51:51 am
in the Forum
CINEMA GOTIKA [CGK] is the first "digital lab" and boutique in Latin America and our core business is apply high-end solutions to image and sound mastering for cinema and media content. We specialize in digital film restoration in order to protect,
Video: Cinema Gotika - Film Restoration & Mastering Reel
by Gabriel Campañó on May 30, 2012 at 11:51:51 am
in the COW - Videos Forum
Cinema Gotika - Film Restoration & Mastering Reel CINEMA GOTIKA [CGK] is the first "digital lab" and boutique in Latin America and our core business is apply high-end solutions to image and sound mastering for cinema and media content. We specialize
Aspect Ratio issues for an animation! PAL to NTSC
by jacinda klouwens on May 30, 2012 at 8:37:20 am
in the Adobe After Effects basics Forum
Hi I'm in NZ, and am trying to create a H.264 widescreen NTSC file (for a possible USA festival screening) and just hoping someone can help me? My film is an short animation (PAL.1024x576) and whilst the ratio looks fine on the project file -
Re: Nikon video format
by Rob Manning on May 30, 2012 at 6:37:39 am
in the DSLR Video Forum
Hi Tony, Noting that the uncompressed video is not mentioned here, AKAIK it's 4.2.2 into an SSD formatted for ProRes, Avid, CineForm etc. From the online specs, http://www.nikonusa.com/pdf/manuals/dslr/D800_EN.pdf Metering TTL: exposure me
Converting 23.976 fps Non Drop Frame to 23.976 fps Drop Frame
by Jost L. Hansen on May 29, 2012 at 9:36:39 am
in the Apple Final Cut Pro Forum
Hi, I have searched for a solution for this problem, but I don't seem to be able to find one, so I hope someone can help me. I have a .avc file which in this case is 1980x1080 23.976 fps with the duration 01:32:20 The file is used for a Blu-ra
Problems capturing 16mm to DV NTSC
by Sabina Kato sabinaedonnelly@gmail.com on May 29, 2012 at 6:33:55 am
in the Apple Final Cut Pro Forum
Hi I am in Japan. I shot my footage in 16mm and got it transfered to DV NTSC. What are the correct settings to capture the film? I can play it on Final cut but when I try to capture it, it captures for two seconds and then stops. I have tried it
Re: solve not linking to source media properly
by Joseph Owens on May 28, 2012 at 8:44:47 pm
in the DaVinci Basics & Configuration Forum
[Imari Childress] "because FCP and other editors handle it so well. Mixed frame rates are common. What is a workflow to handle this in Resolve? conform everything before you start editing in FCP?" Maybe some applications handle it well, but FCP is
Re: Canon 5d 29.97 --> 23.976 conversion
by Vince Becquiot on May 28, 2012 at 1:22:22 am
in the Adobe Premiere Pro Forum
Hi Eben, [Eben Abbaan] "I accidentally shot some footage in 30fps on my 5d when I meant to shoot at 24fps. I'm assuming that it's best to just edit the 30p stuff in with all my 24p stuff and have it be converted to 24fps upon final export (rather
Re: Adding 29.97fps footage to already edited 24fps/23.97fps FCP sequence
by Rob Davis on May 27, 2012 at 4:24:27 pm
in the Apple Final Cut Pro Forum
I have and some of it looks ok, like interviews, but I imagine shots with lots of motion on the big screen will look choppy. If no one offers any better suggestions, I'm thinking I will just edit them together without doing any conversions and the
Re: Adding 29.97fps footage to already edited 24fps/23.97fps FCP sequence
by Chris Tompkins on May 27, 2012 at 12:19:50 pm
in the Apple Final Cut Pro Forum
And did you try dropping the 29.97 footage into your 24p sequence and see how it looks?
Canon 5d 29.97 --> 23.976 conversion
by Eben Abbaan on May 27, 2012 at 1:40:25 am
in the Adobe Premiere Pro Forum
I accidentally shot some footage in 30fps on my 5d when I meant to shoot at 24fps. I'm assuming that it's best to just edit the 30p stuff in with all my 24p stuff and have it be converted to 24fps upon final export (rather than converting to 24fps n
Adding 24fps/23.97fps footage to already edited 29.97fps FCP sequence
by Rob Davis on May 26, 2012 at 5:57:07 pm
in the Apple Final Cut Pro Forum
After doing lots of searching, I'm still not exactly sure what the best solution is to this problem. I have been shooting a documentary over the last two years on DSLR cameras in 24p, which I then import to FCP using the Canon plugin, creating 23.
Re: File Formats, Codecs, DSLR Oh My!
by Shane Ross on May 25, 2012 at 10:20:36 pm
in the Apple Final Cut Pro Forum
[Dan Herz] "1) Should I transcode all of the ProRes 4444 video to PR 422 or PR 422(LT) to make editing quicker and easier?" Transcode to ProRes LT or 422. 4444 is WAAAAAAYYYYY too much for that format. Yeah, things will be sluggish with that. A
Issues with Quicktime player when Encoding in FCP
by Kevin Hotz on May 25, 2012 at 5:43:44 pm
in the Apple Final Cut Pro Forum
Hello Everyone. I have read and searched for an answer to this but have not found anything. Lets give it a shot here. I am currently running 4 different mac pros. All with similar set ups. I am running FCP 7, with the Blackmagic HD extreme 3D
Closed Captioning Workflow
by Brandon Fenty on May 25, 2012 at 5:10:26 pm
in the Closed Captioning Forum
I am trying to add Closed Captions to a project for CCTV, using compressor. Here's the output standards I'm told the TV should use: MPEG2 Transport stream with AC3 audio MPEG-2 Video 3600 kb/s 23.976 fps (use 3:2 pulldown if source is 29.97) 1
Re: Getting text to look good in FCP X
by christoph Gelfand on May 25, 2012 at 3:56:37 pm
in the Apple FCPX Techniques Forum
Here's a still from the timeline. This looks the same whether I use FCP X titles or Photoshop titles. The project is 1080p 29.97. The titles for this project were all exported PSD files. They were repositioned using the Transform function is FCP X bu
Re: 60p into 24p timeline
by Bouke Vahl on May 25, 2012 at 9:01:38 am
in the Apple Final Cut Pro Forum
Not sure how to do it in FCP, but the general trick is to trash half the frames, then you have 30P. (actually 23.976) Next step is to slow that than to 24P. AE can do this, (perhaps in two steps), interpret footage and put it in a timeline (again,
Re: Working into two diferents formats
by Dave LaRonde on May 25, 2012 at 1:21:10 am
in the Adobe After Effects Forum
Sorry, but it's difficult to know what you want. Here in an NTSC country, we have 1080. Are you talking about the difference between High definition and standard definition? Are you talking about the difference between Europe's 25 frames per
Decklink: Why no 29.97/30 input in FCP Capture Presets?
by Brad Bussé on May 24, 2012 at 11:26:40 pm
in the Blackmagic Design Forum
I'd like to create a custom Capture Preset in FCP, but I'm not given the option to set the input for my Decklink HD 3D to either 29.97 or 30 Hz at 1080 resolution. Anyone know how to do this? The input source is not PsF wrapped in 1080i, but 1080 a
Re: Encore CS5.1 forcing transcode on Mpeg-2
by Bob Miller on May 24, 2012 at 9:19:44 pm
in the Adobe Encore DVD Forum
Alas, it seems 29.97 progressive is not supported in Encore. http://forums.adobe.com/thread/421178?tstart=0 I'm going to try and convert to 24p in Media Encoder and see if that works.
Re: Encore CS5.1 forcing transcode on Mpeg-2
by Bob Miller on May 24, 2012 at 6:31:20 pm
in the Adobe Encore DVD Forum
Thanks for the reply, Jeff. 1.) As far as I know this is the settings I always use. Short films seem fine. I wonder if there's something weird with longer content? 2.) My Default Transcode Settings are: MPEG-2, 1440x1080, Frame Rate: 29.97,
Re: Ki Pro doesn’t see certain files.
by AJA Sales Department on May 24, 2012 at 5:10:46 pm
in the AJA Ki Pro Forum
If you have not already, please consider contacting AJA Technical Support for assistance. You may reach them via phone or email between 9am and 5pm PST. Files are exported and used on the Ki Pro products for a variety of screenings around the world
Re: What have they done? 29 in 24 timeline...
by Shane Ross on May 24, 2012 at 4:39:19 am
in the Apple Final Cut Pro Forum
The frames are gone. The damage was done. It wont be smooth 29.97 again
What have they done? 29 in 24 timeline...
by alex diaz on May 24, 2012 at 4:31:46 am
in the Apple Final Cut Pro Forum
So here's the deal, I have been set with the task of re-editing a client's master tape for distribution. They don't have any original footage due to a fallout with the original editor. What they do have is a 23.976 fps master tape hd that has been
Getting text to look good in FCP X
by christoph Gelfand on May 24, 2012 at 2:12:08 am
in the Apple FCPX Techniques Forum
Cutting a simple 1080p 29.97 ProRes project using FCP 10.0.4 and Lion 10.7.3. Using Helvetica titles (created in Photoshop CS 5.1 anti aliased). Feeding out via Matrox MXO2 to FSI 17" monitor the text has jagged edges. It's usable, but it is not up t
Re: Canon 5d MK II -- Editing on Premier pro -- Exporting options
by John-Michael Seng-Wheeler on May 23, 2012 at 11:55:34 pm
in the Adobe Premiere Pro Forum
Actually Tero is right. The format of the video stream itself must technically be ether 25 or 29.97 FPS interlaced. However, that doen't stop you from putting 23.976p video on a DVD...
Getting text to look good in FCP X
by christoph Gelfand on May 23, 2012 at 11:31:53 pm
in the Apple FCPX or Not: The Debate Forum
Cutting a simple 1080p 29.97 ProRes project using FCP 10.0.4 and Lion 10.7.3. Using Helvetica titles (created in Photoshop CS 5.1 anti aliased). Feeding out via Matrox MXO2 to FSI 17" monitor the text has jagged edges. It's usable, but it is not up t
Re: Creating a DVD using 24p Footage
by Christopher Smith on May 23, 2012 at 9:30:04 pm
in the Apple DVD Studio Pro Forum
[Brian Dery] "Then I sent the sequence and exported it to Compressor, DVD Best Quality 90 minutes." Make sure when you encode the video (converting from MOV to M2V), that you tell Compressor you want NTSC Film, which is 24 fps. Yes, under the h
Re: MacPro versus IMAC for FCPX
by Timothy Palmer-Benson on May 23, 2012 at 3:00:47 pm
in the Apple FCPX or Not: The Debate Forum
Footage is 1920 x 1080 29.97 Apple Pro Res 422 As read under get info for one of the files in the optimized folder
Working with Hulu fitting SD Mezzanine File Formats
by Ryan Patrick on May 23, 2012 at 3:37:50 am
in the Apple Final Cut Pro Forum
So I have been doing compression for a show, than uploading to Hulu. The original codec was DV The footage I was given to work with is already formatted as follows. Pro Res 422 Linear PCM(NTSC), 31.2Mbps, 720x486 (3:2) at 29.97fps with color
News: All-New ready2go Projects & Templates Collection Pushes the Limits of Creativity!
by Cow News Droid on May 22, 2012 at 8:38:49 pm
in the NEWS: Product News Releases Forum
Digital Juice Releases New Multipurpose ready2go Collection 16 for After Effects® in Instant Download or DVD Format (Lake Mary, Florida--May 22, 2012) Digital Juice® announced today that it is releasing ready2go™ Projects & Templates for Adobe Aft
Re: Guiding kids to learn editing
by Scott Sheriff on May 22, 2012 at 6:44:03 pm
in the Art of the Edit Forum
A couple comments on the cinematographers syllabus: [Brent Bloem] "• Wrap cables properly" I like this. If I'm hiring an 'unknown' grip, utility, assistant type I throw out a 50' XLR cable and ask them to wrap it. IMO this is a quick way to ju
Re: Confused about DVX100 Capture/ Edit settings
by Dave LaRonde on May 22, 2012 at 4:42:28 pm
in the Panasonic AF100, DVX100, HMC150 Forum
[Samuel Frazier] " Some say 60i, other 30p, others say 30p but immediately after you capture, go to your Browser and change the captured clips field dominance to None. The picture is locked now, so it's a bit too late to do it immediately." In ter
Audio question
by shane worth on May 22, 2012 at 4:38:42 pm
in the Adobe Premiere Pro basics Forum
Hey there, I mostly use final cut pro x but decided I want to start doing more with premiere. My question is that I have a .mov file movie I made in final cut pro. I am re-editing in premier to tweak it because my desktop is apple and my laptop i
Re: Question about format when distributing a DVD to our high school's seniors
by Brian Mulligan on May 22, 2012 at 12:01:29 pm
in the Apple FCPX Techniques Forum
Unless you can burn a Blu-Ray, you can't make a DVD that's 1080HD. All "standard" non Blu-ray DVD's are SD 720x480. Now you do have your choice of 16x9 or 4x3. 16x9 will give you wide screen but the image is actually annimorphic. That is to say
Forums

COW - Videos Forum
Aurora Video Systems Forum
Corel Design/Video Tools Forum
Corporate Video Forum
DSLR Video Forum
Event Videographers Forum
Matrox Video Systems Forum
Video Copilot Forum
Videoguys.com Tech Talk Forum
Web Streaming - Audio|Video Forum


Related Tags

23.98
29.97
After Effects Video
After Effects Video Tutorial
AJA Video Systems
ARRI
ATTO
Aurora Video Systems
Blackmagic Design Compact Videohub
Blackmagic Design Desktop Video 9.0
Blackmagic Design Desktop Video 9.5
Blackmagic Design Universal Videohub 3
Blackmagic Design Videohub Master Control
Broadcast Video
Broadcast Videohub
Chyron
Corporate Video
da Vinci
Demo Reels
Desktop Video 9.2
Digital Video Camcorder
Digital Video Cameras
DPX
DV
Edit Decision List
EDL
Enterprise Videohub
Fast Forward Video
FireStore
Firewire
Flash Video
Haivision Network Video
HD-SDI
Iconix Video
Litepanels
MacVideo
Micro-Video Patchbay
music video
music videos
Nattress Video Scrapbook
Neat Video
NVIDIA
P2
Panasonic LCD Video Monitors
Phoenix Video
ProVideo Solutions
Quantel
Ross Video
Stock Video
Studio Videohub
Tapeless
Thomson Video Networks
Time Lapse
Training Video
Transvideo
TSD Video
Video
video adventures
Video Assist
Video Cameras
Video Capture
Video Compression
Video Control Center
Video Editing
Video Editing Software
Video Editor
Video game graphics
video games
Video Graphics
Video Podcast
Video Production
video streaming
Video Switcher
Video Tutorial
Video Tutorials
Videography Magazine
VideoRAID
VideoStudio
Wedding Video
YouTube


FORUMSTUTORIALSMAGAZINESTOCKYARDVIDEOSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

Creative COW LinkedIn Group Creative COW Facebook Page Creative COW on Twitter
© 2013 CreativeCOW.net All rights are reserved. - Privacy Policy

[Top]