| | | | Re: FCPX Frame Rate Issue
by Marc D'Amour on Jun 3, 2012 at 6:56:11 pm
in the Apple FCPX Techniques Forum
Or should I convert everything in a program like Handbrake. Right now I'm using Handbrake to convert the MKV files I take from the source DVD to M4V files for use in FCPX. I have the option in Handbrake to change the Framerate (if the source is 23. | | | | |
| | | | Re: FCPX Frame Rate Issue
by Marc D'Amour on Jun 3, 2012 at 6:54:10 pm
in the Apple FCPX Techniques Forum
One real quick followup here... so if I have all my clips and many are 23.976 but a handful are 29.97... I should drop the 29.97 to have FCPX create the timeline settings based on that clip and then subsequently add the 23.976 files. That is clear. | | | | |
| | | | Re: FCP X hardware performance
by Michael Garber on Jun 3, 2012 at 6:47:31 pm
in the Apple FCPX or Not: The Debate Forum
Hey Oliver,
Funny, I did a similar test before reading your post just yesterday. I had a whopping 2 hr render with basic color correction and broadcast safe on 10 minutes of XDCAM footage. I compared render times between FCPX, 7, and Premiere CS6 | | | | |
| | | | Converting 1080 30p to 1080 60i with specific codecs
by Pamela Petruski on Jun 3, 2012 at 3:56:42 am
in the AVID Forum
I am trying to convert footage that was shot in 1080p30 to 1080i60. The footage was shot on a canon 5d mark ii. I opened the project in avid as 1080 60i. I can't seem to convert the footage to an interlaced format using the codecs I am required to us | | | | |
| | | | Re: What Graphics Format Should I use
by Dave LaRonde on Jun 1, 2012 at 9:51:48 pm
in the Apple Final Cut Pro Forum
DVCPro HD, 1280x1080, 29.97, upper field first. That would be the codec and horizontal & vertical resolution of your video footage. If you need transparency, make it either the PNG codec or ProRes 4444. | | | | |
| | | | What Graphics Format Should I use
by Rory Keenan on Jun 1, 2012 at 9:02:47 pm
in the Apple Final Cut Pro Forum
I'm editing a pilot for a new reality TV show. We have a guy creating a graphics package for the show.
I need to know what format to request the in.
Footage was shot on P2 (1080i 29.97........compressor was DVCPRO HD 1080i60)
I'm editing the | | | | |
| | | | Re: AJA Support for Adobe CS6!
by Milan Michalik on Jun 1, 2012 at 2:14:06 pm
in the AJA Kona - PC Forum
I was so happy to hear that! But after I tested it in After Effects CS6, the joy has gone. I have 8-core PC with 36 GB RAM, Quadro 6000, Windows 7 and very fast storage. And Kona 3 (Xena2). In Premiere, everything looks fine. But In Afre Effects CS6 | | | | |
| | | | Exporting For Broadcast
by Edan Cohen on Jun 1, 2012 at 1:47:29 am
in the Adobe Premiere Pro Forum
Hello,
I'll be exporting some commercial spots this summer and am looking for some experts on here to help me.
I shoot 1080/24p but the network wants either 1080i/29.97 or 720p/59.94. I'd like to keep it progressive but am having issues exporti | | | | |
| | | | Re: Apple article on Optimizing Media
by Jeremy Garchow on May 31, 2012 at 9:31:14 pm
in the Apple FCPX or Not: The Debate Forum
[Clint Wardlow] "Does PPRO and FCPX work better with mixed mediums?"
That's a rather loaded question.
FCPX has more control than FCP7, but I can't promise a 29.97 SD clip is going to look good in a 4k 23.98 timeline.
Composite converted DV i | | | | |
| | | | Frame rate issue in PP CS6
by Damian Hanley on May 31, 2012 at 1:33:21 pm
in the Adobe Premiere Pro Forum
When I shoot with my Panasonic ACAG130, I'm using 60p, but when I bring the footage into Premiere Pro, it's seeing it as 29.97, even when I set the sequence settings to 60p.
I'm obviously not a seasoned pro, but I wanted to slow the footage down b | | | | |
| | | | Service: Cinema Gotika
by Gabriel Campañó on May 30, 2012 at 9:48:17 pm
in the COW - Services Forum
CINEMA GOTIKA [CGK] is the first "digital lab" and boutique in Latin America and our core business is apply high-end solutions to image and sound mastering for cinema and media content.
We specialize in digital film restoration in order to protect, | | | | |
| | | | Cinema Gotika
by Gabriel Campañó on May 30, 2012 at 2:48:17 pm
in the Forum
CINEMA GOTIKA [CGK] is the first "digital lab" and boutique in Latin America and our core business is apply high-end solutions to image and sound mastering for cinema and media content. We specialize in digital film restoration in order to protect, i | | | | |
| | | | Cinema Gotika - Film Restoration & Mastering Reel
by Gabriel Campañó on May 30, 2012 at 11:51:51 am
in the Forum
CINEMA GOTIKA [CGK] is the first "digital lab" and boutique in Latin America and our core business is apply high-end solutions to image and sound mastering for cinema and media content.
We specialize in digital film restoration in order to protect, | | | | |
| | | | Video: Cinema Gotika - Film Restoration & Mastering Reel
by Gabriel Campañó on May 30, 2012 at 11:51:51 am
in the COW - Videos Forum
Cinema Gotika - Film Restoration & Mastering Reel CINEMA GOTIKA [CGK] is the first "digital lab" and boutique in Latin America and our core business is apply high-end solutions to image and sound mastering for cinema and media content.
We specialize | | | | |
| | | | Re: Nikon video format
by Rob Manning on May 30, 2012 at 6:37:39 am
in the DSLR Video Forum
Hi Tony,
Noting that the uncompressed video is not mentioned here, AKAIK it's 4.2.2 into an SSD formatted for ProRes, Avid, CineForm etc.
From the online specs, http://www.nikonusa.com/pdf/manuals/dslr/D800_EN.pdf
Metering TTL: exposure me | | | | |
| | | | Problems capturing 16mm to DV NTSC
by Sabina Kato sabinaedonnelly@gmail.com on May 29, 2012 at 6:33:55 am
in the Apple Final Cut Pro Forum
Hi
I am in Japan. I shot my footage in 16mm and got it transfered to DV NTSC. What are the correct settings to capture the film? I can play it on Final cut but when I try to capture it, it captures for two seconds and then stops. I have tried it | | | | |
| | | | Re: Canon 5d 29.97 --> 23.976 conversion
by Vince Becquiot on May 28, 2012 at 1:22:22 am
in the Adobe Premiere Pro Forum
Hi Eben,
[Eben Abbaan] "I accidentally shot some footage in 30fps on my 5d when I meant to shoot at 24fps. I'm assuming that it's best to just edit the 30p stuff in with all my 24p stuff and have it be converted to 24fps upon final export (rather | | | | |
| | | | Canon 5d 29.97 --> 23.976 conversion
by Eben Abbaan on May 27, 2012 at 1:40:25 am
in the Adobe Premiere Pro Forum
I accidentally shot some footage in 30fps on my 5d when I meant to shoot at 24fps. I'm assuming that it's best to just edit the 30p stuff in with all my 24p stuff and have it be converted to 24fps upon final export (rather than converting to 24fps n | | | | |
| | | | Re: File Formats, Codecs, DSLR Oh My!
by Shane Ross on May 25, 2012 at 10:20:36 pm
in the Apple Final Cut Pro Forum
[Dan Herz] "1) Should I transcode all of the ProRes 4444 video to PR 422 or PR 422(LT) to make editing quicker and easier?"
Transcode to ProRes LT or 422. 4444 is WAAAAAAYYYYY too much for that format. Yeah, things will be sluggish with that. A | | | | |
| | | | Closed Captioning Workflow
by Brandon Fenty on May 25, 2012 at 5:10:26 pm
in the Closed Captioning Forum
I am trying to add Closed Captions to a project for CCTV, using compressor. Here's the output standards I'm told the TV should use:
MPEG2 Transport stream with AC3 audio
MPEG-2 Video
3600 kb/s
23.976 fps (use 3:2 pulldown if source is 29.97)
1 | | | | |
| | | | Re: Getting text to look good in FCP X
by christoph Gelfand on May 25, 2012 at 3:56:37 pm
in the Apple FCPX Techniques Forum
Here's a still from the timeline. This looks the same whether I use FCP X titles or Photoshop titles. The project is 1080p 29.97. The titles for this project were all exported PSD files. They were repositioned using the Transform function is FCP X bu | | | | |
| | | | Re: 60p into 24p timeline
by Bouke Vahl on May 25, 2012 at 9:01:38 am
in the Apple Final Cut Pro Forum
Not sure how to do it in FCP, but the general trick is to trash half the frames, then you have 30P. (actually 23.976)
Next step is to slow that than to 24P.
AE can do this, (perhaps in two steps), interpret footage and put it in a timeline (again, | | | | |
| | | | Re: Working into two diferents formats
by Dave LaRonde on May 25, 2012 at 1:21:10 am
in the Adobe After Effects Forum
Sorry, but it's difficult to know what you want. Here in an NTSC country, we have 1080.
Are you talking about the difference between High definition and standard definition?
Are you talking about the difference between Europe's 25 frames per | | | | |
| | | | Re: Encore CS5.1 forcing transcode on Mpeg-2
by Bob Miller on May 24, 2012 at 6:31:20 pm
in the Adobe Encore DVD Forum
Thanks for the reply, Jeff.
1.) As far as I know this is the settings I always use. Short films seem fine. I wonder if there's something weird with longer content?
2.) My Default Transcode Settings are:
MPEG-2, 1440x1080, Frame Rate: 29.97, | | | | |
| | | | Re: Ki Pro doesn’t see certain files.
by AJA Sales Department on May 24, 2012 at 5:10:46 pm
in the AJA Ki Pro Forum
If you have not already, please consider contacting AJA Technical Support for assistance. You may reach them via phone or email between 9am and 5pm PST. Files are exported and used on the Ki Pro products for a variety of screenings around the world | | | | |
| | | | What have they done? 29 in 24 timeline...
by alex diaz on May 24, 2012 at 4:31:46 am
in the Apple Final Cut Pro Forum
So here's the deal, I have been set with the task of re-editing a client's master tape for distribution. They don't have any original footage due to a fallout with the original editor. What they do have is a 23.976 fps master tape hd that has been | | | | |
| | | | Getting text to look good in FCP X
by christoph Gelfand on May 24, 2012 at 2:12:08 am
in the Apple FCPX Techniques Forum
Cutting a simple 1080p 29.97 ProRes project using FCP 10.0.4 and Lion 10.7.3. Using Helvetica titles (created in Photoshop CS 5.1 anti aliased). Feeding out via Matrox MXO2 to FSI 17" monitor the text has jagged edges. It's usable, but it is not up t | | | | |
| | | | Getting text to look good in FCP X
by christoph Gelfand on May 23, 2012 at 11:31:53 pm
in the Apple FCPX or Not: The Debate Forum
Cutting a simple 1080p 29.97 ProRes project using FCP 10.0.4 and Lion 10.7.3. Using Helvetica titles (created in Photoshop CS 5.1 anti aliased). Feeding out via Matrox MXO2 to FSI 17" monitor the text has jagged edges. It's usable, but it is not up t | | | | |
| | | | Re: Creating a DVD using 24p Footage
by Christopher Smith on May 23, 2012 at 9:30:04 pm
in the Apple DVD Studio Pro Forum
[Brian Dery] "Then I sent the sequence and exported it to Compressor, DVD Best Quality 90 minutes."
Make sure when you encode the video (converting from MOV to M2V), that you tell Compressor you want NTSC Film, which is 24 fps.
Yes, under the h | | | | |
| | | | Re: Guiding kids to learn editing
by Scott Sheriff on May 22, 2012 at 6:44:03 pm
in the Art of the Edit Forum
A couple comments on the cinematographers syllabus:
[Brent Bloem] "• Wrap cables properly"
I like this. If I'm hiring an 'unknown' grip, utility, assistant type I throw out a 50' XLR cable and ask them to wrap it. IMO this is a quick way to ju | | | | |
| | | | Audio question
by shane worth on May 22, 2012 at 4:38:42 pm
in the Adobe Premiere Pro basics Forum
Hey there, I mostly use final cut pro x but decided I want to start doing more with premiere. My question is that I have a .mov file movie I made in final cut pro. I am re-editing in premier to tweak it because my desktop is apple and my laptop i | | | | |
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