Creative COW SIGN IN :: SPONSORS :: ABOUT US :: CONTACT US
FORUMS: listlist (w/ descriptions)archivetagssearchhall of fame

23.98

COW Tag
COW Tags : Video
Problem Solved: Animation Codec Woes (Bakes fine, imports problems)
by Julian Vigo on Jul 15, 2008 at 7:36:05 pm
in the Adobe After Effects Forum
EDIT: moments after I posted this I tried one more test: changing my composition & render settings from 23.98fps to 24fps... That completely solved the problem... so keep that in mind.... Hey all, I have a really confusing problem. Any ...
News: AJA Video Ships Io HD, KONA, XENA and FS1 Upgrades at IBC 2008
by Cow News Droid on Sep 12, 2008 at 6:03:09 pm
in the News & Press Releases Forum
New features in the new Version 6 driver for the Io HD include: Additional format support for true progressive formats in 1080 along with intermediate formats (720p 23.98 and 525i 23.98) Added audio delay for input and output controls to ...
News: Sony Elevates Professional Video Production With First Solid-State Compact Camcorder
by Cow News Droid on Sep 18, 2007 at 8:05:07 pm
in the News & Press Releases Forum
lighting applications. The camcorder is switchable between 1080p, 1080i and 720p, with a multiple frame recording capabilities of 59.94i, 50i, 29.97P, 25P and native 23.98P. It offers a choice of bit rates -- either 35 Mb/s (high-quality mode) or 25 ...
Help improper frame rate for HD DVD at 23.98 show 29.97
by Anthony Miles on Dec 8, 2007 at 2:27:41 am
in the Apple DVD Studio Pro Forum
Help please: I have the good fortune to have recently created a funny short film and also have an HD DVD player. The problem is I encoded my short film in Compressor latest version, as 23.98 which the material and ...
can't open files from FS-100 DV24ps
by Michael Sacci on Oct 9, 2008 at 9:38:04 pm
in the FireStore Forum
the files onto your HD and import the clips into FCP. In FCP clip on the clip in the bin and then go to Tools>Remove Advanced pulldown and then the footage should show up as 23.98 and you can start ...
AJA io
The long-awaited AJA Io HD! The long-awaited AJA Io HD!

Creative COW Community leader Gary Adcock has also worked closely with a number of industry manufacturers over the years, including AJA. Gary offers a guided tour through the features of the much-anticipated Io HD, and its promise of portable, hardware-supported ProRes editing in virtually every frame size and frame rate.

Review
Author: Gary Adcock

Film at 24fps, telecine at 29,97, audio at 30. No sync.
by gary adcock on Oct 10, 2008 at 2:33:31 pm
in the Apple Final Cut Pro Forum
[Alex Saggese] "Reverse Telecine equals 24 fps, audio equals 48000Hz." NO- not if you are converting 29.97 material- it should be 23.98 (23.976 for AE users) frames per second. [Alex Saggese] "FCP won't let me play the audio at that ...
24P or 24PA for FCP?
by Tom Wolsky on Nov 20, 2006 at 10:23:45 am
in the Apple Final Cut Pro basics Forum
of the whether it's 24p or 24pa. To call 24pa true 24 is a misnomer and a misunderstanding of what the format is doing. 24pa has one advantage. It lets you work in a 23.98 sequence and output sequence that ...
Stuttered Textures
by Keith Hill on Mar 11, 2006 at 5:58:32 pm
in the Apple LiveType Forum
icon into the FCP timeline. I render the FCP timeline and get the stuttering. For example, I mostly shoot in 24Advanced using my DVX100A and create a 24p Advance Timeline (23.98) with Advanced Pulldown in Final Cut Pro. So, when ...
how can I add a 42" flatscreen for the producer to my Smoke???
by Ralph Scaglione on Oct 9, 2008 at 2:05:16 am
in the Discreet Smoke Forum
I also have a TH-50PF10UK, I feed it a 601 signal that hits a AJA HD10C2 SD/HD>RGB converter. I chose this because I heard there was a problem with 23.98 psf hd footage with an HDMI converter. I forget but ...
ProRes HQ dropped frames
by marcus ionis on Oct 9, 2008 at 7:13:21 pm
in the Apple Final Cut Pro Forum
Recently clients have been handing over 1920x1080 23.98 Apple ProRes HQ. On two back to back instances, both files were imported into FCP and the "Optimizing Warning" appeared. I've ignored the warning and placed the files into my sequences. Several ...
Apple Final Cut Pro
A Few Bugs in Apple Final Cut Pro 6 A Few Bugs in Apple Final Cut Pro 6

Creative COW Leader Jeremy Garchow is one of the COW's most frequent posters. "I work in Final Cut Pro all day every day," he says, "and often all night too. These are a few of the issues I've found with Final Cut Pro 6. I assume that Apple will take care of these soon, but until then, here are some tips to help you watch where you step."

Editorial, Feature
Author: Jeremy Garchow

Exporting issues
by Humberto Perez on Oct 6, 2008 at 5:57:58 pm
in the AJA Kona Forum
Hi, I'm having some issues with playback. We've captured HD Cam video at 29.97, which was shot at 23.98. The Kona seems to downconvert playback to the monitor acceptably, but when we export the footage down to a 4:3 and ...
Some recurring pixel issues in FCP 5 and mixing formats question
by dorit grunberger on Oct 9, 2008 at 6:30:37 pm
in the Apple Final Cut Pro Forum
I find the material we inherited to have really obvious interlacing lines. Is there anything I can do to minimize that? The sequence setting the project was edited in is 23.98 due to our footage being shot and captured with ...
Tri- Bi- Level Sync Oprations Question
by Bob Zelin on Oct 5, 2008 at 4:28:18 pm
in the HD High-End Forum
to house black (NTSC 525 for example). But now, you have to work with the SAME AJA Kona 3 card, or same Blackmagic Decklink HD Extreme card, and a Sony HVW-M2000 HD VTR at 23.98. All of a sudden, the ...
Easy Setup for 24p Question
by Claire Panke on Oct 8, 2008 at 5:00:19 pm
in the Apple Final Cut Pro basics Forum
I have footage shot in standard 24p (F5 on the DVX camera) I will be editing on a 23.98 timeline I am also working with some 24pA material, so we're planning to use Cinema Tools to convert the standard 24p ...
Having trouble converting 23.98 audio to Pal audio on comressor HELP MEEEE!!
by Genaro Carpio on Jun 27, 2008 at 8:22:37 pm
in the Compression techniques Forum
I am compressing a show that is 23.98 and converting it to pal. I changed the settings on Compressor 3 but My audio is off sync and it looks to long in the time line. I need help.
Cinematography
Shooting with RED: Testing, testing... Shooting with RED: Testing, testing...

CreativeCOW leader Gary Adcock's experience shooting both film and HD gives him a unique perspective as he takes you along for thorough testing with the new RED camera. In part 1 of this series, he focuses on the camera's benefits and shortcomings of the camera itself, as well as some of the challenges shooting with it.

Feature
Author: Gary Adcock

Encoding a 24P QuickTime in Compressor without Cinema Tool
by Michael Sacci on Oct 7, 2008 at 11:05:22 pm
in the Apple DVD Studio Pro Forum
footage down to 96%) without adding the extra frame. You will need to do the audio to your audio also. I would do a short test pass first. BTW NTSC video is not 24 fps but 23.98 anything staying in ...
HVX 720 slow motion footage for 1080 finish
by Jeremy Garchow on Oct 5, 2008 at 5:39:45 pm
in the Panasonic HVX - HPX (P2) Forum
It's just a matter of scaling up the footage to 1080. If that passes your quality test, I'd say that shooting it is a much better avenue. I assume that you are working in a 23.98 timeline? You can also ...
News: FOR-A Canada Celebrates 20th Anniversary
by Cow News Droid on Jul 22, 2008 at 6:40:38 pm
in the News & Press Releases Forum
is that of its frame rate converters. FOR-A is currently the only company manufacturing a frame rate converter that can accomplish vector motion conversion between 1080P 23.98 and 1080I 60 with its FRC-7000 and FRC-3000. The company will be a ...
Need help with aspect ratio setup for full length animation to DVD and film/TV
by Jeff Brown on Apr 10, 2007 at 2:11:35 pm
in the Autodesk Combustion Forum
For a "middle of the road" approach, I would suggest HD1080/24P, which is 1080x1920, 23.98 (progressive) frames per second. The aspect ratio is 16:9, or 1.778 if you prefer it in cinema terms. You can get a decent filmout with ...
remove pull-down on capture with Kona3
by Matt Riley on Oct 1, 2008 at 9:53:27 pm
in the AJA Kona Forum
tape? I've found some threads here on the cow about it, but I don't think I have all the setting quite right as I can't get it to work reliably. I open up a ProRes 525 23.98 sequence via the ...
Adobe Premiere Pro
Bob Zelin Looks at The AJA GEN10 Bob Zelin Looks at The AJA GEN10

The AJA GEN10 is a cost effective and flexible Blackburst and Tri-level Sync Generator. While reminding you of why blackburst and sync are very, very good ideas, Creative Cow leader Bob Zelin takes you through the GEN10's ins and 7 outs.

Review
Author: Bob Zelin

Adobe After Effects
Marco Solorio reviews: RE:Vision Effects, ReelSmart Twixtor with FieldsKit Deinterlacer Marco Solorio reviews: RE:Vision Effects, ReelSmart Twixtor with FieldsKit Deinterlacer

Looking at traditional methods of time-remapping, frame-rate conversions and other

Review
Author: Marco Solorio

Apple Final Cut Pro
Final Cut Pro 3 Final Cut Pro 3

Philip Hodgetts presents the definitive 'hands-on' preview of Apple's new Final Cut Pro 3. Read on for everything you wanted to know, and some things you hadn't even thought of yet.

Review
Author: Philip Hodgetts

Linux & Media
A Talk with SpectSoft's Jason Howard about Linux & Film Production A Talk with SpectSoft's Jason Howard about Linux & Film Production

Creative Cow's own Jason Howard, is helping bring Starship Troopers 2 to the big screen. His company, SpectSoft, has been working with the famed Tippett Studios to integrate SpectSoft's new RaveHD system into Tippett's workflow. Faced with creating a system that allowed customers like Tippett to work with many different formats and systems -- like accessing both Sony CineAlta's 1080p24 format and Panasonic VariCam's 720p60 -- and performing well with the very latest HD decks, etc. How well has RaveHD worked for Tippett over the last eight months of its use? Well, famed Tippett Studios used it for the HD editing workflow for Starship Troopers 2. Here's the story...

People / Interview
Author: Jason Howard

Apple Final Cut Pro
DVCPRO Frame Rate Converter DVCPRO Frame Rate Converter

In this Final Cut Pro video tutorial, Creative Cow Leader Shane Ross discusses taking 60p footage shot with DVCPRO HD and slowing it down to 23.98 so that it's slow motion. Please note that this only works if you are working in a 23.98 or 29.97 timeline.

Tutorial, Video Tutorial
Author: Shane Ross

Pinnacle CineWave
Cinewave 4 Cinewave 4

Walter Biscardi is a leader in both our Final Cut Pro and Pinnacle CineWave forum communities where Cow members have long appreciated his friendly and insightful input. In this article, Walter explores the new powers found in Pinnacle's CineWave 4. Walter is a longtime user of CineWave, having used it in many projects in his studio where he serves a long list of corporate and broadcast clients. How does the new CineWave meet his demands and expectations, along with those of his clients? Walter takes CineWave 4 out for a demanding ride and gives Cow members his verdict as a user whose own investment is behind his opinions. This is no editorial done by a trade journalist with a unit for review, these are the words of a guy whose own investment and decisions either makes or breaks his company's future. See what he thinks of CineWave after owning one for quite some time and growing with the system as it has developed...

Review
Author: Walter Biscardi

Related Tags

23.98
29.97
After Effects Video
After Effects Video Tutorial
AJA Video
Aurora
Aurora Video
Aurora Video Systems
Automatic Duck
Black Magic
Blackmagic
Blackmagic Card
Blackmagic Design
Blackmagic Design DeckLink
Blackmagic HD
Blackmagic HDLink
Blackmagic Multibridge
Blackmagic Video
Broadcast Video
Canon Video
Compression
DeckLink
Decklink Extreme
Decklink Pro
Decklink SDI
Demo Reels
Desktop Video
Digital Video
Digital Video Cameras
DPX
DV
Edit Decision List
EDL
FireStore
Firewire
Flash Video
HD Decklink
HD Video
HDLink
HDSDI
Multibridge
Production Editing
Sony Video
Stock Video
Teranex
Time Lapse
Training Video
Vegas Video
Video
Video Cameras
Video Capture
Video Compression
Video Editing
Video Editing Software
Video Editor
Video Graphics
Video Podcast
Video Production
Video Switcher
Video Tutorial
Video Tutorials
Videography Magazine
VideoRAID
YouTube


FORUMSTUTORIALSMAGAZINEDVDsBOOKSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

© CreativeCOW.net All rights are reserved.

[Top]