| | | | Fixing scratches on a negative...?
by Karel Bata on Oct 6, 2008 at 8:42:56 pm
in the Adobe Premiere Pro Forum
I'm trying to piece together something watchable out of telecine fragments remaining from a 16mm film I lit some years back. It shows dark scratches and dust which suggests the negative itself was scratched... How would I fix this...? I ... | | | | |
| | | | 1970's 16mm film stock w/Magic Bullet
by Jesse Barrett-Mills on Jun 19, 2008 at 10:33:46 pm
in the Magic Bullet Suite Forum
Canon XL2 video camera and editing with Final Cut Pro 6 and Magic Bullet editors. I’m wondering if anyone can suggest ways to use Magic Bullet to achieve the look of 1970’s 16mm film stock? Here are some examples of ... | | | | |
| | | | 3:2 pull down
by Tom Hepburn on Sep 30, 2008 at 10:47:44 pm
in the Adobe Premiere Pro Forum
Hello, I'm somewhat new to the latest Premier Pro, but pretty good with AE. I have some 16mm film that was shot at 24 fps. What I normally do, since it was transferred to miniDV at 29.97, is use the ... | | | | |
| | | | film grain reduction
by Ted Joyce on Sep 18, 2008 at 3:59:45 am
in the AJA Kona Forum
I getting about 12 hrs. of 16mm film transfers to HD 1080p ProRes HQ files. They look great and play fine but are grainy so I need to do film grain reduction on them. I've used Grain Surgery for 16mm ... | | | | |
| | | | Hair Removel
by Ashish Sah on Sep 17, 2008 at 7:40:07 pm
in the Adobe After Effects Forum
i had transfered my 16mm film to BETA CAM SP..i got lot of hair, grains and dust..can it possible to remove thick hair, grains and dust. Can we increase the quality of that video? Can it possb. in AE or ... | | | | |
| | | | Advice sought on HD camera rental
by Dale Doebert on Aug 28, 2008 at 4:20:36 pm
in the HD High-End Forum
MPEG IMX 50 (tape) Panasonic DVC PRO 100mb (HD) Sony MPEG IMX (XDCAM) Panasonic HD-D5 (Film Transfers) Panasonic DVC PRO 50 (tape) HDV at 1080i (with restrictions) Super 16mm Film (non-HD Guidelines) HVX-200 DVC PRO HD 100 (with HDV restrictions) ... | | | | |
| | | | color meter
by Rick Wise on Aug 29, 2008 at 5:44:37 pm
in the Lighting Design Pros Forum
So, is this meter essential? For we film shooters, back in the old days when we walked to school in our bare feet through 2 feet of snow, it was essential. We shot reversal 16mm film (a standard for 16mm) ... | | | | |
| | | | News: Teranex Showed Kodak
by Cow News Droid on Apr 26, 2007 at 3:54:46 pm
in the News & Press Releases Forum
Deame. “This demonstration shows how Kodak’s algorithms combined with Teranex processing power can provide near 35mm performance from a more portable and affordable 16mm film stock. We see this technology as an enabler for low cost film production for HD ... | | | | |
| | | | News: Director/DP Evin Grant Taps Panasonic
by Cow News Droid on Apr 10, 2006 at 5:38:47 pm
in the News & Press Releases Forum
work by Blueyed Pictures, Inc., has been an enthusiastic proponent of Panasonic's 24p HD solutions. A still photographer who migrated to filmmaking, he initially shot 16mm film and says he couldn't find a video camera he wanted to spend his ... | | | | |
| | | | News: Midwest Audio Visual Expo
by Cow News Droid on Aug 9, 2006 at 6:25:38 pm
in the News & Press Releases Forum
low-budget, art direction, sound design, workflow, and how to make video look more like film. Additional hands on workshops will fill the day. On Sunday, the entries for the 16mm Film Festival will be screened, and the first and second ... | | | | |
| | | | Award Winning Producer - FILM & HD
by caitlin maynard on Sep 27, 2008 at 1:35:31 pm
in the JOBS Wanted Forum
of short films about tiny people living inside of household appliances. Directed by Brian Meijers. Photographed by Piotr Kukla. Production Designed by Wilbert van Dorp. 16mm Film. National Television Series. Short Film Release. 1996 * Opening Film - Utrecht's Film ... | | | | |
| | | | reflecting light off windshield
by david bogie on Jul 1, 2008 at 4:56:14 pm
in the Adobe After Effects Forum
go shoot some footage on the freeway. Use two video projectors to shine the clips on the sides of the car while shooting. Take a look at the pod interiors from "2001: A Space Odyssey." All of those readouts and ... | | | | |
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