Re: Sennheiser ME2 vs ME4
by Jordan Wolf on Jul 23, 2010 at 1:42:41 pm
in the Audio Professionals Forum
Both mic types have their uses. The ME-2 will naturally be less-prone to wind noise and doesn't suffer from the proximity effect. The ME-4 will be more "focused" and will pick up less environmental noise but suffers from...
Re: Mark Out is offset by one frame
by Kevin Siwoff on Jul 23, 2010 at 11:10:53 am
in the Apple Final Cut Pro Forum
Sorry for the mess of replies, but I think I understand the issue more fully now. As it was explained to me, the FCP playhead sees the beginning of a frame, but when you set an out point the...
Re: Timecode issues
by Nick Price on Jul 23, 2010 at 8:31:48 am
in the Apple Final Cut Pro Forum
Hi Mark,
not sure of other programmes to watch the timecode, although quicktime player will do it. And its free. In the time window at the bottom left you just need to select 'timcode' rather than standard.
To burn in timecode i...
Re: Ghost Entering human body effect
by Tudor "Ted" Jelescu on Jul 23, 2010 at 3:22:29 am
in the Adobe After Effects Forum
There may be 1001 ways of doing this, but here's my idea:
1- give the "ghost" a transparent look and a slight glow. This will help identify it as the ghost.
2- us mesh warp to give the entering in the body...
Re: Photoshop Files
by Matt Callac on Jul 22, 2010 at 3:17:58 pm
in the Apple Final Cut Pro Forum
[Jeremy Garchow] "FCP will not read the PS effects, you have to flatten those first."
Or you can convert your layers that have layers styles into smart objects in photoshop. In PS right click on the layer...
Re: Sequence to Clips
by Martyn Morris on Jul 22, 2010 at 1:12:26 pm
in the Apple Final Cut Pro Forum
Thanks for the reply Chris.
That does sound like a lengthy solution but one that would work.
In the end I copied the clip from one sequence and insert paste (shift - V) in to an other.
Thanks,
Martyn....
Re: Media Manager: Error Found During Processing?
by Chance Chancellor on Jul 22, 2010 at 12:31:13 pm
in the Apple Final Cut Pro Forum
OK, I think I have found a workaround. It is not pretty.
First to find the clip with the error:
1.Duplicate the sequence you want to Media Manage.
2.Use remove attributes to remove all filters in the sequence.
3.Media manage as normal.
Now you...
Re: Combine Tracks
by Edward Wu on Jul 22, 2010 at 11:35:19 am
in the Zaxwerks Forum
Hi Stephen,
If you want to combine the objects from two Object Tracks together, select the objects from one Object Track. Next, go into the Track Commands menu, and select "Move Selected Objects to Track". Then select the Object...
Re: BlackMagic Shuttle not detected
by Martin Kay on Jul 22, 2010 at 10:37:47 am
in the Blackmagic Design Forum
could it be that they`ve made the drivers `test` the connection stas/type before even lanching any control panel etc, and simply refuse to launch the device on anything OTHER-THAN --`MAX-POTENTIAL` ??
I think this may well be what they do,...
Re: RED Post workflow first film
by Nate Adams on Jul 22, 2010 at 8:08:59 am
in the RED Camera Forum
I agree with Doug. Overall, don't try to tackle everything at once. Break it down into stages, small bite sized chunks that you can handle without stressing out. The most important advice I can give you is to get...
Re: RED Post workflow first film
by Doug Beal on Jul 22, 2010 at 8:08:52 am
in the RED Camera Forum
If you have someone with an assimilate scratch system near you they can take an EDL from the project and a ref quicktime and conform to the R3D originals, grade to the required LUT for filmout, stabilize (excellent tool) reframe,...
Re: waveform do not match the actual audio sound
by Rike Rodegro on Jul 22, 2010 at 6:01:30 am
in the Apple Final Cut Pro Forum
I had a similarly freaky sound problem in FCP the other day. It involved sound drifting out of sync and waveforms not matching actual sound.
Although the symptom description doesn't cover the waveform poblem this helped:
http://support.apple.com/kb/TS1256
Symptoms
Imported audio-only files...
Re: waveform do not match the actual audio sound
by Andrei Bocharnikov on Jul 21, 2010 at 11:29:55 pm
in the Apple Final Cut Pro Forum
Hi Ty,
yes I was able to fix the problem following the trick posted to this thread by Rike Rodegro (on Dec 17, 2009 at 5:39:42 pm) and in the next post by me you can see what exactly I did...
Re: reconforming and importing color corrections
by Arnie Schlissel on Jul 21, 2010 at 4:23:46 pm
in the Apple Color Forum
If you can't do this automatically by conforming or importing grades, here's what you can do.
Open your original Color project and save every grade. I number them starting with 001 so that they'll sort in the correct...
Re: Where is the business going?
by Craig Seeman on Jul 21, 2010 at 1:18:48 pm
in the Business & Marketing Forum
Ty,
In short, I agree with you on both your observations and response. I spent over 20 years working and big and boutique facilities. Every one of them is gone. A big part has to do with technology and its impact...
Re: Playback of 1 hour documentary
by Jerry Hofmann on Jul 21, 2010 at 11:06:21 am
in the Apple Final Cut Pro Forum
Put it on an firewire drive, and it should play OK.
Jerry
Apple Certified Trainer, Producer, Writer, Director Editor, Gun for Hire and other things. I ski. My Blog: http://blogs.creativecow.net/Jerry-Hofmann
8-Core 3.0 Intel Mac Pro, Dual 2 gig G5, AJA Kona SD,...
Re: Turning Sub Clips into Independent Master Clips
by Jeremy Garchow on Jul 21, 2010 at 11:05:48 am
in the Apple Final Cut Pro Forum
Just physically type in a new media start time in the browser that's three or four seconds later....
Re: Quick Question: Does FCP 6 work well with Tiger (OS X 10.4.9)?
by Michael Gissing on Jul 21, 2010 at 11:03:34 am
in the Apple Final Cut Pro Forum
I ended up with the last Tiger and FCP 6.0.6 which worked fine on my old G5.
I have since upgraded everything including hardware to SL, FCS3 which is even better...
Re: Apple render will not stay transparent in FCP
by Stephen Smith on Jul 20, 2010 at 10:57:26 pm
in the Apple Motion Forum
You can drag the Motion Project File into FCP and it will keep it transparent. I you want to Export it out Set It to QuickTime's Animation codec. Make sure it is set to Millions Color +. The plus stands...
Batch capturing clips with inadequate pre-roll?
by Ryan Griffin-Stegink on Jul 20, 2010 at 4:53:13 pm
in the Apple Final Cut Pro Forum
I'm trying to online a project for which the editors were novices, and captured each tape by simply doing a "capture now" from the very start of the tape. Thus, the media start time on these clips is always...
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Mirror Films
Mistika
mobile game development
Mobile Imagination, LLC
Mobile Production
Mobile Studios
Mobile TV
mocap
mocha Pro
Mode Project
modo 601
Modus FX
Modus Operandi
MOG Technologies
Molden Media
MOMA
monitor
Monitors
Mosart
motama
Mothership
Motion Capture
Motion Picture Sound Editors
Motion Theory
motion504
MotionBuilder
motionVFX.com
MOTU
Mountain High Maps Plus
Mountain Lion
Moviola
Moxie Pictures
MPC
MPSE
Mr. X
MTh
MTI Film
MTV
MTVA
Mudbox
multicam
Multicamp.TV
MultiDyne
MuraControl
museum
Mushroom Networks
music video
music videos
MXF
mxfSPEEDRAIL
MXL
MXO2 Dock
NAB
nailgun*
NAMM
Napoleon Group
National Academy of Television Arts and Sciences
National Association of Broadcasters
National Geographic
Nattress Video Scrapbook
NBCUniversal
Neat Video
NEOGAMA
NetBlender
NetEx
Netflix
NetroMedia
Netstor
Netstor Technology
never.no
New Antics
New Line Cinema
New Tag
NewBlue
NewsCutter
NewTek
NewTek 3Play
NewTek 3Play™ 425
Nexidia
Nexsan
nextLAB
Nexus
Neyrinck
Nickelodeon
Nikon D4 DSLR
NOA Audio Solutions
Noise Industries
Nola Pictures
Nomad Factory
Northern Lights
now corporation
NTP Technology
Ntropic
Nucoda Film Master
NUGEN Audio
NVIDIA
NXT STAGE
OASYS
Object Matrix
OConnor
Oculus
Odyssey Pictures
Offhollywood
Oishii Creative
OLED
Olympics
Omneon
One Fine Day
Open Effects Association
Optimo
OptiTex
OptiTrack
Optocore
ORAD Hi-Tec Systems
Original
OS X
Oscar
Oxygen Network
P S Technik
P+S TECHNIK
P2 HD
P2 Media Storage
Pacific Post
Pacifica Ventures
Padcaster
Panasonic
Panasonic AE-HE50
Panasonic AG-3DA1
Panasonic AG-3DP1 3D P2 HD
Panasonic AG-AC90
Panasonic AG-AF100
Panasonic AG-HPX250
Panasonic AG-HPX370 P2 HD
Panasonic AG-HPX600
Panasonic AJ-PCD30 P2 drive
Panasonic AJ-PD500
Panasonic AK-HC3800
Panasonic AV-HS410 Live Switcher
Panasonic AW-HE120 HD
Panasonic AW-HE50S
Panasonic BT-LH1850
Panasonic BT-LH2170
Panasonic LCD Video Monitors
Panasonic P2 AJ-HPX3100
Panasonic Solutions for Business
Panavision
PandaPanther
Pandora
Panoptica
Pansonic AG-AF100A
Paramount Pictures
ParaNorman
Park Pictures
Park Road Post
particle renderer
particleIllusion
PBS
Pegasys
PESA
PFClean
PFMill
PFSilo
Phantom
Phantom Miro M320S
Phoenix Video
Photography
Photoshop
Photron
Pictorvision
Picture Head
PipelineFX
Piston
Pixar Animation Studios
Pixel Farm
Pixel Magic
Pixeldust Studios
PixelFish
Pixelution
Pixomondo
Planar Tracking
Plug-in
Plug-ins
Plugins
PNY Technologies
PNYA
Podcasts
Poetica
PoINT Archiver
POINT.360
Polecam rig
Pomfort
Pond5
Pony Show Entertainment
PortableACPower.com Inc.
Post Asylum
Post Haste Sound
Post Production
postproduction
PostWorks New York
POV
Power SubD-NURBS
PowerProduction Software
PowerWall
Prasad Corporation
pre-production
pre-visualization
pre-viz
Preco
Pret-a-3D
Pretend LLC
Previsualization
PrimalScream Music
Prime Focus Software
Primestream
Prism Sound
Proavio
ProConsultant Informatique
proDAD
Production Pipeline Expo
Production Tool Store
Professional Wireless Systems
Projection
projectiondesign
Projector
ProMAX
Promax Awards
Prompter People
Proof Inc.
Proprompter
ProRes 422
ProVideo Solutions
PS Production Services
PS-Cam X35
pubic beta
Pula Film Festival
Qio
QTake
QTube
Quantel
Quantel Enterprise sQ
Quantel Neo
Quantel Pablo Rio
Quantum
Qube Cinema
Qube!
QuietMan
Qumu
Raamw3rk
Rabbit
Rack Mount Converters
Radar Studios
RadiantGrid Technologies
Radio France
RAID
RAID Storage
RAIDON
Ramy Katrib
RapcoHorizon
Rattling Stick
Raxco Software
RE:Vision
RealD
Reallusion
Recon Wireless
RED
Red Couch Industries
Red Echo Post
Red Giant
Reel FX
ReelSmart Motion Blur
Reference Monitor
Relativity Music Group
Reliance MediaWorks
Remote Camera Controller
Remote Control Dailies
Render Rocket
Renderplant Studios
Resident Creative Studio
Resolve 10
Retina display
reTooled
revision
RevUp Render
Rhozet
Rhythm & Hues
Rimage
Rising Sun Research
Rocket Red
Rocstor Thunderbolt
RODEO FX
Roger
Roland
Ross Video
Royale
Royalty Free
RPA
RTW
Rural Media Group
S-Log Monitoring
S3D Technologies
Saatchi
Sachtler
Safe Harbor Computers
Saints LA
San Diego Film Foundation
San Luis Obispo International Film Festival
SAN Solutions
Sapphire Edge
Scaleform
Scene Change Detection
Scenios
Schneider
Scholarship
Sci-Fi Machinima
Science.D.Visions
Scientific & Technical Awards
Scrabble Entertainment
SCRATCH
SDI
Seagate Technology
Search Party
seminar
SENSIO Technologies
shade VFX
SHAPESHIFTER
Sharp
Sharp PN-V602
Shooters, Inc
Shooters, Inc.
ShootersINC
ShootersTV
ShortsHD
Shotgun Software
ShowEast
Showlogix
Showtime
Shutterstock
Sibling Rivalry
Side People
Sienna Integration Appliance
Sienna TARO
SIGGRAPH
SIGGRAPH Asia
Signiant
SignPost
SilhouetteFX
Silicon Imaging
Silverado Systems
Silverdraft Mobileviz
Silverlight
Silverstack LT H.264
SIM Digital
Simian
Singular Software
Sirk Productions
SketchBook Designer
Sky Living
Sky News
Slamdance
Slate Media Group
Small Tree
SmartJog
SmartSound
Smoke & Mirrors
Smoke for Mac
SMPTE
Snackhaus
Snell
Social Media
Society of Camera Operators
Softel
Softron Media Services
Soho Square Studios
Sohonet
Sola
Sola ENG
SoleraTec
Solid State Logic
Solventdreams
Sonic Reality
Sonic Studio
Sonic Union
Sonicfire Pro
Sonixphere
Sonnet Technologies
Sonotechnique
Sony
Sony AXS-R5 RAW
Sony Broadcast
Sony Corporation
Sony Creative Software
Sony Electronics Inc.
Sony F-5
Sony F-55
Sony F3
Sony F65 CineAlta™
SONY HDCAM SR
Sony NEX-FS700
Sony Pictures
Sony Pictures Animation
Sony Pictures Digital Productions
Sony Pictures Imageworks
Sony Pictures Post Production Facilities
Sony Pictures Stock Footage
Sony Pictures Technologies
Sony PMW-200
Sony PMW-F3
Sony PMW-F5 CineAlta
Sony PVM-X300
Sony SxS PRO 64GB memory card
Sony Vegas
Sony XAVC
Sony XDCAM HD PMW-500
Sony's F65 CineAlta
Sony’s Professional Solutions of America
Sonzero Films
Sorenson Media
Sorenson Squeeze
Sound Devices
Sound Lounge
Soundelux
Soundminer HD
Southpaw Technology
Spacejunk
SpectraCal, Inc.
SpectraLayers
SpeedGrade
spielberg
Splice Here
Sports
SPY
SquareBox
Star Wars
Stardom
Stardust Studios
Steadicam
Steele Studios
Steinberg
Stephen Arnold Music
Stereo D
Stereoscopic 3D
SterGen
SterGen High-Tech
Steven Spielberg
Stickman Sound
Stockeon
Stop Motion
Storage
StorageDNA
StorageDNA, Inc
Storm FX
STORY
Strato Films
STRATUS
StreamGuys
streaming
StreamZ Live Broadcast
Studio l'Equipe
Studio Network Solutions
Studio Technologies
STUDIOCANAL
StudioGPU
Stun Creative
Substance Redux
Sugar Film Production
Sundance Film Festival
Super 8 mm
Super Bowl
SuperExploder
Superfad
Superlounge
Switcher
Switronix
SXSW
Symantec
Synaptic VFX
Synthetic Aperture
SynthIA
T-VIPS
Tamajii
Tamuz
tax credit
Taylor James
TC Electronic
Teak
tech support
Technicolor
Technicolor - PostWorks New York
TechSmith
Techtel
Tektronix
Telecast Fiber Systems
Telecine
Teleprompter
Telestream
Telestream ScreenFlow
Telly Awards
Teradek
Teranex Systems
TerraBlock 5.6
Testronic Labs
Thales
The A-List Awards Hollywood
The Annenberg Space for Photography
The Avengers
The Bakery
The Bridge Media Training
The Camera House
The Camera Store
The Colonie
The Cortez Brothers
The COW
The Department of the 4th Dimension (The D4D)
The DreamWorks Animation Charitable Foundation, Inc.
The Farm
The Fédération Internationale des Archives de Télévision
The Foundry
The Guild of Television Cameramen
The Hit House
The Hive
The Hollywood Post Alliance
The IABM
The Imaginarium
The Mill
The Mission
The Nation
The National Film and Television School
The Post New York Alliance
The Post Republic
The Rockefeller Foundation
The Sensorium
The Shaft
TheBDEvent
TheBlaze
theC47
thenewBlank
Therapy
Thinkbox Software
Thinware Media
Thomson Grass Valley
Thomson Video Networks
Three of Change
Thunderbird Films
Thunderbolt
Thwak! Music
THX
THX cineSpace Partner Program
THX Ltd
Tiffen
Tiger Technology
Tightrope Media Systems
Time Warner
tin tin
Tippett Studio
TITANIUM4
TITANIUM8
title graphics
TMD
TNDV: Television
TODAILIES
Todd-AO
Tokyo ReAnimator
Tolis Group
Tomboy Films
Tony Awards
Tool
Toolfarm Music Store
ToolsOnAir
ToughTech Duo
Toxic Traxx
training
Transcoder
Transcoding
Transvideo
Trapcode
Treehouse
Trendrr
Tribeca Film Festival
TriCaster™ 450 CS
TriCaster™ 450 EXTREME
TriCaster™ Rev. 3
Trilogy Communications
TRIMASTER
Tripod
Troika
Trollbäck Co.
Troma Entertainment
Tronic Studio
TSD Video
TSL Professional Products
Tucson Film
Tunewelders
TurboSquid
Tutorials
TV One
TVLogic
Tweak Software
Twentieth Century Fox
Typekit Inc
UCLA/TFT
UDC Up/Down/Cross Mini-Converter
ULEAD
Ultimatte
UltraStudio 3D
UltraViolet
Union VFX
UnitZeroVFX
Universal Pictures
UNREEL
uplink
USC Institute for Creative Technologies
USC School of Cinematic Arts
Utah Scientific
van gogh
Vancouver Film School
Variable Frame Rate
VB-Audio
Vector 3
Venice Media District
Ventuz
VFX
Vicon
Vicon House of Moves
VidChecker
Video
video adventures
Video Assist
Video Control Center
Video game graphics
video games
video streaming
VidiGo
Vidispline
VIEW Conference
Vimeo
Vinten
virtual reality
Vision Research
Visual Acuity
Visual Data Media Services
Visual Effects Society
Vitamin
Vitec
VITEC Multimedia
Viz MapBox 3D
Vizrt
VLSI Solution
VMI LImited
VMware
VMworld
VOLT
VXA
Wacom
Warner Bros. Pictures
Warner Home Video
Warner/Chappell Music
WASP3D
Waveform Monitor
web design
webinar
Wedding Video
Weisscam HS-2 MKII
West Post Digital
Weta Digital
Wexler
Wide Angle
Windows 8
Wireless
Wise Buddah
Wohler
Women In Animation International
Women In Film
WONDROS
Workflow
Workstation
World Resource Manager
Wowza Media Systems
xaitment
XDT
XDT Catapult
XenData
XEquals
Xilinx
XMiL Workflow Tools
Xytech
Xytech MediaPulse
Yahoo!
Yellowtec
Yospace
YoYotta
yU+co.
Zacuto
Zaxwerks
Zeiss
Zodiak Rights
Zoic Studios
zoom lens
Zylight LLC
ZYNC
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