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Blog: The NAB News Onslaught Continues - More TB news, Adobe shows us some more gary adcock - 2 years ago
Ok, I am going to start off with the good stuff. Adobe has released "sneak peak video" at the CS6 announcement that is obviously eminent I am supprised that you have to log into facebook to see them, but information is where yo...

Blog: Surgical Video: The Sequel Mike Cohen - 3 years ago
A few years ago I was honored to write the following article for Creative COW Magazine. Ever since, after countless nice comments on the article, and as the world of op...

Blog: Ki Pro Mini - The Results Don Greening - 4 years ago
We decided that today (Feb 24) would be a good day to shoot some test footage with our recently required Ki Pro Mini. The weather is clear, cold and windy. Okay, cold for us on the west coast but for anyone visiting it's just cool-ish. We went back t...

Blog: Ki Pro Mini - An Unscientific Setup Don Greening - 4 years ago
About a week ago I finally acquired my Ki Pro Mini but only now have I had the time to write about it. I ordered it back in September when they were first announced, which is why mine showed up before the broadcast supply houses in my area. With AJA ...

Re: Sony's Tapeless Workflow mohammed anwerzada - 4 years ago
hi I need help. I recently shot a corporate film on XDcam ex1. While copying BPAVfolders to my external hard disc to create safety back up, I did not copy the entire BPAV but instead copied only CPLR folder that has MP4 file and its supporting read...

Blog: Sony Announces PL mount member of the XDCamEX family. gary adcock - 4 years ago
Yesterday Sony announced the PDW F3K camera, a new PL mount member of the EX camera line. Initially the camera looks interesting, $16K without lenses, Super 35MM sensor, w/ HDSDI, genlock, even dual link outputs( future upgrade) that shoots to th...

Blog: The New Merry Pranksters, Epilogue # 1: Getting Home The New Merry Pranksters - 4 years ago
It’s 4 AM Monday morning. Bob can’t sleep. Time to blog. Episode #15 was finished on the bad road to Arusha on Thursday. We dropped by African Environments to say goodbye to the staff and tell the engineer, welders, etc. how well their back...

Blog: The New Merry Pranksters, Episode 9: Tactics of Wildlife Cinematography The New Merry Pranksters - 4 years ago
The Serengeti Wildlife Preserve is roughly 15,000 sq. kilometers, or approx. 8,000 square miles. If that doesn’t impress you, perhaps you died. Each day hundreds of driver/guides give and take info about where the animals are. Just like a...

Blog: The New Merry Pranksters, Episode 7: Why our ‘A’ Camera can touch your heart The New Merry Pranksters - 4 years ago
Now that the Weisscam was sorted out and we had learned how to use it, we started a 3-position rotation, with each Prankster moving daily to a different camera. Our ‘A’ camera was the workhorse of the show. The Fujinon 25:1 and Image Stabilizer ...

Re: Blog: The New Merry Pranksters, Chapter 1: The gear and preparations Rafael Amador - 4 years ago
[The New Merry Pranksters] "Except for the PMW-350's SxS cards which we intend to use just for that camera's pre-roll image cache, we chose to output both cameras to AJA's portable and versatile Ki-Pro boxes that instantly convert our HD/SDI output t...

Blog: The New Merry Pranksters, Chapter 2: The gear and preparations The New Merry Pranksters - 4 years ago
It took 6 long days for the three of us to check out, trouble shoot and pack our gear, even with all of Clairmont Camera's years of expertise and Denny Clairmont himself nursing us through a challenging Saturday. This was much, much harder than any ...

@Mike Gilligan Don Greening - 4 years ago
Yeah, it's to do with the Apple program called Spotlight. If you go to the preferences icon in the Dock and click on Spotlight in the prefs pop-up you'll see 2 tabs, Search results and Privacy. Open the Privacy tab and drag the card desktop icon into...

Blog: Saturday- Test, Test, Test. gary adcock - 4 years ago
Fletcher's Dana Hill and Arri's Michael Bravin through the camera's eye Ok, for me camera testing is not just fun and games just going out to shoot pretty pictures in my world it is often the really boring testing that shows me something c...

Blog: ALEXA un-boxed Day2 gary adcock - 4 years ago
Ok, Here she is. I am not different from anyone else here on the Cow, so when there is a new toy in town I am really glad when I get to be one of the first inline. Stay tuned for the next week while I share my thoughts on a camera that is ...

Long Time...No Blog Mike Cohen - 4 years ago
It has been a busy Q1. We have several private label projects going that are taking a lot of time and energy. One of the best things about new projects is it gives us a chance to think up new creative ways to do what we do best. Back in December w...

yeah... and then some. gary adcock - 4 years ago
Well I could have worded my point a little better, but I needless to say someone like me is very excited about working with this camera. I spent time talking to insiders on both companies and even they are excited about this collaboration, I expect b...

Sony's Tapeless Workflow Andrew Kimery - 5 years ago
Sony had a little demo/presentation happening at our office the other day and I must say I still really like the XDCAM HD workflow and wish that we could use it where I am working currently. They are also trying to bridge the gap between XDCAM EX (S...

XDCAM EX Onsite Workflow Don Greening - 6 years ago
A week ago last Sunday we did a 3 camera shoot for a wedding and I must say that the combination of the EX1, Macbook Pro and our little G-RAID Mini made the SxS Pro memory card transfers a total breeze and dirt simple. My wife was the card wrangler a...

Chronosync- invaluable tool for tapeless workflow Noah Kadner - 6 years ago
Here's a tool for anyone working with the solid-state and tapeless workflow, for example the Panasonic HVX200 and Sony EX1. If you've been dragging and dropping footage from your folders to your hard drive you could be a bit more at risk than you...

New version of XDCAM EX Transfer Software Available Noah Kadner - 6 years ago
If you're having any problems with Sony XDCAM EX footage the latest version of the XDCAM transfer software might be a big help. It has some new error correction built in that can recover corrupted material. The PDZ-KP1 XDCAM Transfer Software ...

ReelsReels / Videos:

Color Grading Reel - Benoit Cote - 2014
2014 color grading reel. Edit by Emeline Declerck Music by Jack White - High Ball Stepper
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My Showreel
vizrt,Cinema 4d,3d max,After Effects...
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Ten Tips to Indie Filmmaking: Rick Casteñeda
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LTFS and Incompatible standalone and library tape Formats
I've been sitting on this for a while since we uncovered the issue, but there have been no updates in the LTFS world concerning tapes formatted in a standalone drive and those formatted using a library-based solution. Therefore, I'm sharing with you folks. There is a serious compatibility problem between...
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My hopes for IBC this year and a great Labor Day offer from Small Tree
I’m heading out to IBC and there are a number of things I hope to see there. Of course, I’ve got customers asking me about SSDs, and engineers working on 40Gb Ethernet and people want to bring it all together. Really, what’s the hold up here? My short wish list:...
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Creating daily dramas for German TV
Production company standardizes on an Adobe Creative Cloud workflow to efficiently deliver up to 28 TV episodes per week For more than 20 years, UFA SERIAL DRAMA has produced some of the most popular serial dramas in Germany. Classic shows such as Good Times, Bad Times ( Gute Zeiten, Schlechte...
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LightGrid Script and Demo Tutorial Part TWO with New Feature
LightGrid Script creator Brian Charles demonstrates his newly modified After Effects script for rigging lights in grids and circles.
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LightGrid Script and Demo Tutorial
LightGrid Script creator Brian Charles demonstrates his After Effects script for rigging lights in grids and circles. The script is available as a free download in the Project Files folder.
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Post Production: Pixel vs. DPI for Graphics
In this Post Production Quick Tip: Walter explains why pixel size matters over dpi when you create graphics for video.
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Post Production: What Is A Raid?
In this Post Production Quick Tip: Walter Biscardi, Jr. gives a very simple introduction to the media arrays which are often used in Post Production for high performance media storage and playback.
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Post Production: Renaming Audio and Video Tracks
In this Post Production Quick Tip: Walter shows how taking just a few moments to rename your editing audio and video tracks in your NLE can pay big dividends for organization, collaboration, finish and revisions later in your production cycle.
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