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Re: 10-bit RGB versus 10bit-RGB LOG

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Re: 10-bit RGB versus 10bit-RGB LOG
by Ramona Howard on Jul 3, 2008 at 7:26:45 pm

Yup, that's why we recommend it. Makes for a smooth workflow between all platforms and applications. No messy codecs or better yet no worries about what is going on within those codecs :)

You know me, just stirring it up. Wording is very important.

> I do not think there is anything superior when we are talking about handling DPX frames within a Final Cut Pro timeline.

That is more reasonable than the first comment and can't agree more :)

Even though this forum revolves around FCP, it is important for users to know that many solutions exist that use the AJA hardware AND not all are created equal, which is why I usually jump in. Wording, especially if it can be interpreted (which is pretty much everything) can lead people to think they are stuck or that it is the only solution, when in fact it is just the opposite. Clarity of information being shared is extremely important so as to not lend to the already wide spread confusion.....

FCP handling DPXs (natively) is very cool....now if only Avid would jump in, we would all have a much easier, well rounded workflow that translates well for both Film and television.


Cheers,
Ramona
Rave - Working natively with DPXs for 8 years



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