[Grant Lovering] "shot digitally in LOG, say Sony SR's S-LOG (or Genesis Panalog) does it make any difference as to whether it is captured with the 10-bitRGB codec or the 10-bitRGB LOG codec (using Kona3) or do you get the same result capturing all available data with just a different QuickTime wrapper? "
this one is full of pit falls.
simple rule of thumb is
Shoot as video - stay linear (video is considered linear)
Shoot in Log - capture into log.
That being said,
I cannot say enough good things about Bob Monaghan's Glue Tools for DPX workflows-
his tools for working at this level are far beyond anything else on the market- V3 allows users to create everything from low res SD proxies up to 2K output files within the FCS 2 workflow. Additionally he now has direct integration with your Kona cards for playback. ( DPX capture can be handled thru Aja's VTR Exchange app)
gary adcock
Studio37
HD & Film Consultation
Post and Production Workflows
Inside look at the IoHD
