Re: Final Cut Pro Broadcast safe Question

basically you should be colour correcting with the colour corrector and looking at the scopes

try get your whites around 90% (blacks always render safe) and try getting colours within the squares for your vectorscope and watch out for saturated white and blacks. also control click to get saturation mode in the waveform scope to see a combination of luma and chroma, useful for final checking of broadcast safe

the broadcast safe is used as a last step and can be put on a nested version of the sequence with the most conservative settings to act like a legaliser