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Re: UPDATE W/ INFO: 8 Camera shoot mixed formats.

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Re: UPDATE W/ INFO: 8 Camera shoot mixed formats.
by Matt Devino on Sep 10, 2009 at 4:37:54 pm

Hi Sean,

So I think what I need to know is who is doing the offline and who is doing the online edit. It sounds like the Avid people are doing an offline edit and then sending their project over to you to conform the online edit in FCP? Is this correct? This could get messy if this is the case, even if you automatic duck the Avid sequence into an FCP sequence to do the conform some effects won't come across when you online.

If i'm mistaken about what is going on then ignore that last bit.

Just give to the tape to your client however they want it. If they want all of the footage in the same format then just layoff to a 29.97 1080i HDCAM tape. If you are using a Kona card for output then having your sequence set to ProRes HQ 29.97 no field dominance will work fine, just set your easy setup to "AJA Kona 3 - 1080i 29.97 Apple ProRes 422 (HQ)" just before you output to tape.



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