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Re: Editing with RED footage in FCP and everything else

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Re: Editing with RED footage in FCP and everything else
by gary adcock on Mar 30, 2009 at 12:13:13 pm

[Kenzo Stonem] "I despise proxy editing and I'd like to retain RAW data for Color. "

Why- since you have no possible way to correctly monitor 12bit data unless you are well versed in the highend workflows. Its harder than people think to grade 12 bit data on an 8bit LCD/ TFT display than people think.


"1. What is the minimum requirements to feasibly edit in FCP in "processor intensive" RED Quicktime.
- processor, RAID (how many drives for appropriate speed?), etc "

That is simple- RED recommends the Top of the line Mac computer with 2 Gigs of RAM per core, and storage able to handle 2K uncompressed data streams ( about 350MBps)

and yes a lot of us have gone thru the process. all of them.


gary adcock
Studio37
HD & Film Consultation
Post and Production Workflows

Inside look at the IoHD
http://library.creativecow.net/articles/adcock_gary/AJAIOHD.php




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