Re: HD Film Look & 23.976

- if your sources are 1080/23.976p, then your project should be that as well

- the optional film settings will determine the way that various Keykode and Edgecodes are calculated and counted. You can activate them, but you don't have to. If you do, you might choose for 4-perf 35mm.

- I'm pretty sure that if you want to have an SD client monitor fed by your Mojo, then after capture/import, you need to switch the project type to SD 23.976 NTSC.

- If you are in a p-project, you don't have to worry about pulldown when doing QT exports. You can export 23.976p QT movies. A frame is a frame is a frame. No field order stuff either.

- I originally had the same issue with Quicktime exports on v3.0. Avid support advised me to go into QT settings, and select to not use DirectX but GDI only. That solved the issue for me. Much easier to do QT exports than avi, IMHO.

- You mention a 1080i deliverable. If that is SD, then I think your Mojo will do this if you switch your project to 23.976 NTSC.
However, if you need to go from 23.976p HD to 60i HD, AFAIK you can't do it straight from an Avid. Maybe on Symphony Nitris, but I'm not sure. You could also playout 23.976p, then use the deck to convert to 1080/60i.
Your Mojo SDI won't output any HD, so you'll have to do the HD playout on a different system. Adrenaline-HD, Symphony Nitris, any Nitris DX or Mojo DX system.

HTH.