Avid's role in the reverse telecine process

Got an indie digi-film. Shot 720p @ 59.94 fps in DVC-ProHD with the Panny 900. Edited on Avid Adrenaline HD and (will eventually be) mastered onto DVCProHD in 720p @ 59.94.

Q:
What's the process from this point to transfer it to 35mm film? Is it the same age-old reverse telecine? Or are there additional/better methods given that it is 720p?

I'm still off-lining it, so even if part of the process can be Avid-based then there is still time. Mosify the sequence and re-batch digitize it in a 720p 24fps project? I dunno.

Thanks soooo much for ANY insights!



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`(=)`/...Pixel Monkey
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A picture says 1000 words. Editors give them meaning.