Re: Premiere Pro 6 to 5.5 frame grab comparison

Hello Dennis,

there is one more important thing to consider.
External field recorders are very popular today.
And since Apple starts to dominate the market with ProRes
in conjunction with all the recorders it is simply true:
the availability of field recorders determines the choice of NLE;
at least for all those who want a bit of more quality than
the camera manufacturers would allow to us.


We also stuck at FCP here and are still interested in the development of FXP-X,
only because of ProRes and our KiPros...


So if Premiere would get a high-end intermediate codec,
Adobe would also need to take care that there are
enough field recorders to support it immediately;
e.g. by giving away free licenses of the codec to the HW-manifacturors
(if technically possible to implement as firmware update)


Best regards,
Bernhard