Hey Joakim,
Thats the second thing I tried after asking them for over one year to do a proper recapture in 24p.
The problem is, due to the nature of editing, you slip the cadence of the pull up and its almost impossible to make a proper pull up without doing it manually for each shot.
also this will result in frame loss here and there where two cadences happen within on edit.
The Teranex does an amazing job, we tried it and it looks even better than the NTSC source.
My problem right now is that Resolve interprets the NTSC DV which is 480 instead of 486 when it actually only should process 655x480, stretch it virtually to 480 and on save recreate NTSC DV.
My crazy workaround :
Convert the QTs in another app to DPX ( not AE , because it loses frames)
Re-conform a new project from the Resolve EDLs , based on the new DPX
Color trace (thanks, oh lord) the QT project we worked on last week.
Render from Resolve in 720x480p ProRes4444 ( which the Media Express does not like)
Converting them in AE to proper NTSC DV
Playout through the Decklink , into the Teranex, to a 50i Pal tape.
Have a beer, or three...
A slice of color...
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GTX 470 / GT 120
Extreme 3D+ WAVE
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