Re: Important Workflow Questions.

Hey Juan, yes, I am a top end Nuke artist been using it since it was a D2 comp program, before that Shake. Nuke and DaVinci Resolve are like an Apples and Oranges comparison. All of the color sessions are watched by clients, producers and agencies and require realtime feedback.

PROBLEM with NUKE for Grading...
1. Broadcast Monitor Support is buggy and crashes a Lot.
2. Nuke does not support real time caching.
3. Nukes Color Grading Nodes are adequate but no where close to what Resolve can provide.
4. Grading in DaVinci resolve with panel is much faster and more responsive than in Nuke with a mouse.
5. Desktop LCD/LED do not provide the proper feedback required to officially approve broadcast material with our current workflow.

We do definitely do a very close color grade in NUKE before we go to resolve, but of course its a client driven industry, and if a client wants to change a color... ad it has to be viewed in a large suite with tons of people standing around, then it always to through resolve..

Ideally, I just want to figure out a way to add more MATTES into my sessions without the system going to a snails pace...