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Re: Red greenscreen workflow
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Re: Red greenscreen workflow
by
Uli Plank
on May 10, 2008 at 5:24:49 am
Looking at my images, I'm very sure you take great care of edges in them. Thanks for your excellent work!
We get great keys even from just pulling them in with Log & Transfer as ProRes using values from a firstlight from REDAlert.
As stated before: The best workflow depends on the deliverables you need. If it's for high quality film-out, go 4:4.4 DPX log. If it's for lower cost options, ProRes can look perfect.
Regards,
Uli
Director of the Institute of Media Research (IMF) at Braunschweig University of Arts
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Current Message Thread:
Red greenscreen workflow
by tommaso cico on May 5, 2008 at 11:00:44 am
Re: Red greenscreen workflow
by Uli Plank on May 5, 2008 at 4:37:26 pm
Re: Red greenscreen workflow
by tommaso cico on May 6, 2008 at 7:37:45 am
Re: Red greenscreen workflow
by Uli Plank on May 6, 2008 at 8:49:09 am
Re: Red greenscreen workflow
by Graeme Nattress on May 10, 2008 at 3:07:44 am
Re: Red greenscreen workflow
by Uli Plank on May 10, 2008 at 5:24:49 am
Re: Red greenscreen workflow
by Graeme Nattress on May 11, 2008 at 1:12:12 am
Re: Red greenscreen workflow
by Russell Lasson on May 6, 2008 at 2:57:09 pm
Re: Red greenscreen workflow
by gary adcock on May 6, 2008 at 5:44:42 pm
Re: Red greenscreen workflow
by Russell Lasson on May 6, 2008 at 6:29:33 pm
Re: Red greenscreen workflow
by tommaso cico on May 6, 2008 at 11:53:54 pm
Re: Red greenscreen workflow
by Gunleik Groven on May 10, 2008 at 5:32:15 pm
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