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Red/Color Workflow Question.

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Red/Color Workflow Question.
by Joe Huggins (Film Joe) on May 6, 2008 at 9:58:10 pm

Cow Masters,

We are using FCP Color and finishing with Red 2K files. We can take an EDL from the 1K proxy offline edit, and pull a 4K cut list using Crimson. We then take that timeline in RedCine and render that cut list into 2K .mov files that Color can read. Only it is one large .mov file and no edit/cut points remain. It is too much work to manually make cut points in a feature length program. How can we render the 4K files to 2K .mov files for Color and maintain each cut point?


Thanks, Film Joe


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