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Re: Red greenscreen workflow
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Re: Red greenscreen workflow
by
Uli Plank
on May 6, 2008 at 8:49:09 am
IMHO 4:4:4 doesnt matter very much, the limitations are there from the start (Bayer pattern).
I'd consider depth more important for fine-tuning in post, and DPX is preserving all the depth you can get from your sensor, while 10 bit linear (either uncompressed or ProRes) is already throwing away some of it.
Regards,
Uli
Director of the Institute of Media Research (IMF) at Braunschweig University of Arts
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Current Message Thread:
Red greenscreen workflow
by tommaso cico on May 5, 2008 at 11:00:44 am
Re: Red greenscreen workflow
by Uli Plank on May 5, 2008 at 4:37:26 pm
Re: Red greenscreen workflow
by tommaso cico on May 6, 2008 at 7:37:45 am
Re: Red greenscreen workflow
by Uli Plank on May 6, 2008 at 8:49:09 am
Re: Red greenscreen workflow
by Graeme Nattress on May 10, 2008 at 3:07:44 am
Re: Red greenscreen workflow
by Uli Plank on May 10, 2008 at 5:24:49 am
Re: Red greenscreen workflow
by Graeme Nattress on May 11, 2008 at 1:12:12 am
Re: Red greenscreen workflow
by Russell Lasson on May 6, 2008 at 2:57:09 pm
Re: Red greenscreen workflow
by gary adcock on May 6, 2008 at 5:44:42 pm
Re: Red greenscreen workflow
by Russell Lasson on May 6, 2008 at 6:29:33 pm
Re: Red greenscreen workflow
by tommaso cico on May 6, 2008 at 11:53:54 pm
Re: Red greenscreen workflow
by Gunleik Groven on May 10, 2008 at 5:32:15 pm
Re: Red greenscreen workflow
by Chris Adams on Sep 30, 2008 at 7:34:24 pm
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