Re: FCP Workflow: RED 2K @ 78fps & 4K @ 24 fps

Thanks, David, that's exactly what I wanted to say. I've seen camerafolks on both sides of the pool shooting straight 24 fps with the RED, but that's only good for cinema.

Sorry, Lisa, but you have to make sure for all shots if the were shot as 24 or 23.97 fps and treat them accordingly. Camerapeople who don't ask on which medium their footage is supposed to end up are not doing their job correctly and now you have to cure it.

I can't remember how many times I had to cure things in post because of insufficient communication between production and post-production…

Best regards,

Uli

Director of the Institute of Media Research (IMF) at Braunschweig University of Arts