Re: Color and RedCam

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Re: Color and RedCam
by Jack Tunnicliffe on Apr 16, 2009 at 5:56:34 pm

We're using Technicolor for the film print. They are doing a Lustre pass to move the color space from Rec 709 to the color space for the film to be printed. Right now the producers are negotiating with Fuji and Kodak. Technicolor is asking for titles to be separate from the DPX reels. We're not sure how we are creating these files as yet.

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Color and RedCam by Jack Tunnicliffe on Apr 16, 2009 at 3:00:45 pm
- Re: Color and RedCam by Jack Tunnicliffe on Apr 16, 2009 at 3:38:39 pm
  - Re: Color and RedCam by Robert Due on Apr 16, 2009 at 3:43:27 pm
  - Re: Color and RedCam by Ben Scott on Apr 16, 2009 at 5:00:53 pm
    - Re: Color and RedCam by Jack Tunnicliffe on Apr 16, 2009 at 5:56:34 pm
      - Re: Color and RedCam by Oliver Peters on Apr 16, 2009 at 11:15:39 pm
        Re: Color and RedCam by Jack Tunnicliffe on Apr 16, 2009 at 11:18:14 pm
        Re: Color and RedCam by Uli Plank on Apr 17, 2009 at 3:25:42 pm
        Re: Color and RedCam by Jack Tunnicliffe on Apr 17, 2009 at 3:24:34 pm
        Re: Color and RedCam by Uli Plank on Apr 17, 2009 at 10:00:09 pm
        Re: Color and RedCam by Chad Terpstra on Apr 17, 2009 at 5:57:01 pm
        Re: Color and RedCam by Uli Plank on Apr 17, 2009 at 9:46:55 pm
        Re: Color and RedCam by Joseph Owens on Apr 18, 2009 at 1:23:10 am
        Re: Color and RedCam by Uli Plank on Apr 18, 2009 at 9:25:17 am
        Re: Color and RedCam by Jack Tunnicliffe on Apr 20, 2009 at 9:52:50 pm
        Re: Color and RedCam by Jack Tunnicliffe on Apr 20, 2009 at 11:29:57 pm
  - Re: Color and RedCam by Colin Hubick on Jan 20, 2010 at 8:35:39 pm


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