Re: Sending to Color, but with Speed 50% in Sequence

Any optical flow slo-mo is gong to be superior to the FCP blended down-and-dirty. Speed re-mapping seems to be a really big gap in the Apple media model. Personally, I dig the Shake interpolations, but they can take a l-o-n-g time to get right, and you get wildly different results depending on the source media.

The other short cut to exporting speed remaps to COLOR without baking them is to push out a new Media-Managed project, deleting unused media. COLOR still renders the entire source clip, but in this case, the new source clip is the selection that you have now made independent from the original captured media -- so its only the relevant material. Then its up to you whether to stay within FCP for its approach to stretching the time-frame.

jPo

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