Re: Timings off on 59.98fps Conformed Footage

[Eric Whitehead] "Most of the footage I shot was 1080p 23.98 fps, but there were a few sequences I wanted at 1080p 59.98fps to get the slow motion effect."

Quibble: you probably mean 59.94, no?

Otherwise, you were shooting "overcranked", so what you actually wanted to do was export the 59.94 @ 23.98 so each 1/60 frame played at 1/24. Its an old old film trick (called overcrank because Charlie Chaplin simply turned the crank faster) blha, blah, blah.

If you were to do this and export a sequence that only contained 23.98, your concept would work.

The math goes like this... if you were actually shooting 2997 interlaced or PsF (which some people mistake as 59.94, otherwise you would be talking about 60P) your footage will run at 24/30 (80%)... just sort of "dreamy". If it was 60P converted to 23.98, you'd get 24/60 or 40%, which is a truer slo-mo, not quite SuperSlo, which is 33.33%.

COLOR can deal with linear time re-maps, but not mixed framerates. It only observes the "In" timecode, and then calculates clip duration based on absolute frame count and the project frame rate.

jPo

You mean "Old Ben"? Ben Kenobi?