Re: My problems with color correcting P2 footage.

I just sent your suggestion to my editor and hopefully I will be able to tell you the results soon. He is currently working with Final Touch in a feature film and he is gladly surprised on how much easier is to his eyes after spending eight hours a day color correcting. One thing you have to be careful is to name the files with a _ underline between spaces as Final Touch will not read the files like you can do with any other Mac document.

Somehow the clip we took from FCP to FT looked degraded in quality, we couldn't explain why. Mi intuition tells me that DVCPRO50 is a wonderfull codec for capturing but that does poorly when is manipulated. As mentioned in an earlier post, coming from tape and outputting SDI out seems seems to be the best solution so far. Does anybody knows if there is a P2 deck/device that does SDI out, or that doesn't make any sense?