The camera adds the pulldown on output - what you end up with in Final Cut in this case is a 1080i/59.94 clip with embedded pulldown. You can drag this clip directly into a 1080i/59.94 sequence (in whatever codec you've chosen in your capture settings). If you want to edit in 24, you can use Cinema Tools to remove the pulldown, leaving you with 1080P/23.976 clips - ready for editing in a 24P timeline.
As you can see, it's really much much much more convenient (and higher quality, I might add) to deal with this footage natively. Considering the nominal cost of a FCP 5.1 upgrade, I think you'd be better off going that route.
--
Jesse Rosen
Director of Technical Development
Abel Cine Tech, Inc.
