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Rafael Amador

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Re: FCP Crash on H.264 Export
by Rafael Amador on Nov 26, 2009 at 3:11:37 am
in the Apple Final Cut Pro Forum
Export your sequence as a Self-contained movie with an uncompress codec (or Prores), then transcode it to H264 with Compressor, QT or MPGStreamclip. With H264 it happens the same than with MPEG-2. Everything is rendered again even if the sequence have...
first tagged by William Dron


Re: Hi, Any Instant HD (by Red Giant) Users Out here?
by Rafael Amador on Nov 25, 2009 at 5:48:20 pm
in the Apple Final Cut Pro Forum
Hi Jiggy, RedGiant released InstantHD long, long ago, but the truth is that I haven't heard much about how it works. What do you think about it? Are you happy with the picture? Can you compare it with Compressor? Cheers, rafael www.nagavideo.com...
first tagged by Jiggy Gaton


Re: Sound Level too low-Compressor
by Rafael Amador on Nov 18, 2009 at 2:17:13 am
in the Apple Final Cut Pro Forum
Hi Sascha, Set Preprocessing> Compression Preset> NONE. Rafael www.nagavideo.com...
first tagged by Sascha Engel


Re: Best Quality for Exporting
by Rafael Amador on Oct 25, 2009 at 7:10:01 pm
in the Apple Final Cut Pro Forum
Hi Wendy, Export with QT Conversion, or better with Compressor. Try H264. Reduce the size to 640x 360. Key Frameas: Automatic Set Limit data rate 400 Kbps. Field Reorder. Double pass. Set the audio AAC 96Kbps. Rafael www.nagavideo.com...
first tagged by Wendy Rowland


Re: OT: Can you use an external monitor with imovie8?
by Rafael Amador on Oct 21, 2009 at 4:31:10 am
in the Apple Final Cut Pro basics Forum
Hi Jiggy, You use the Detect Display and set the Display Preferences. It will works like any other second monitor. What you get out of the RCA is standard PAL or NTSC, depending of the TV. Correcting in a TV is the "poor man...
first tagged by Jiggy Gaton


Re: Is there a way to do quick color checking in the field with just this...
by Rafael Amador on Oct 20, 2009 at 1:46:29 am
in the Apple Final Cut Pro Forum
Hi Jiggy, That configuration is right. Set" Play All Frames'. Set the camera as VTR. If you can not make appear the picture in the TV, have a look in the camera menu. Cheers, Rafael PS: I've spend many years using a 21' SONY TV (cheap Trinitron). Even...
first tagged by Jiggy Gaton


Re: Is there a way to do quick color checking in the field with just this...
by Rafael Amador on Oct 19, 2009 at 10:49:06 pm
in the Apple Final Cut Pro Forum
Hi Jiggy, I don't know the Canon, but I guess it have three RCA connexion A/V IN/OUT. The yellow RCA should be the Video Composite. IN/OUT. Plug it to any TV with Video IN. Cheers, rafael www.nagavideo.com...
first tagged by Jiggy Gaton


Re: Install fcp 7 in a powerbook g-4
by Rafael Amador on Oct 2, 2009 at 11:43:40 am
in the Apple Final Cut Pro Forum
So if you don't believe the people of Apple you can buy FC 7 and try to install it in the G4. Please report back. rafael www.nagavideo.com...
first tagged by Nicole Haddock


Re: Correcting an ND filter
by Rafael Amador on Sep 16, 2009 at 6:49:26 am
in the Apple Final Cut Pro Forum
Time for you to learn a bit of Color Correction. Don't be afraid and drop the 3W Color Correction filter in your footage. Play with the Middle and Highlights. There are better options but you rather start by this one. Read before the FC...
first tagged by James Bragg


Re: Can I put an FCP video file and an ac3 audio file through Compressor to get a combined result?
by Rafael Amador on Sep 15, 2009 at 12:17:53 pm
in the Apple Final Cut Pro Forum
You can put audio and video together with Compressor but only if the audio is MPG-2. If the audio is PCM or AC3, the only way (I think ) to put the two files together in a single file is with...
first tagged by Paul Tilsley


Re: deinterlacing in compressor
by Rafael Amador on Aug 15, 2009 at 1:58:35 pm
in the Apple Final Cut Pro Forum
Hi hector, The issue when de-interlacing is not which field you eliminate, but how you rebuild the lost lines. FC's de-interlacer is probably one of the worst options. RE-VISION FieldsKit is probably the most complete tool but in FC works only in 8b. If...
first tagged by Hector berrebi


Re: Immediate help needed: Anamorphic gone haywire
by Rafael Amador on Aug 15, 2009 at 7:32:39 am
in the Apple Final Cut Pro Forum
Hi Jiggy, In the DVDSTP "Outline" window, double click the tracks and make sure that in the "Track inspector" > Display Mode is not set to 4x3. Hope it works. Cheers from a small A/V Production House in Vientiane:-) Rafael www.nagavideo.com...
first tagged by Jiggy Gaton


Re: Caputre Stills from footage
by Rafael Amador on Jun 24, 2009 at 6:07:17 am
in the Apple Final Cut Pro Forum
When you bring your stills to Photoshop and st "Correct for aspect ratio". rafael www.nagavideo.com...
first tagged by joey williams


Re: 16:9 looks wrong
by Rafael Amador on Jun 9, 2009 at 2:04:06 am
in the Apple Final Cut Pro Forum
Hi Stewar, There's nothing wrong with your movie. It looks distorted in QT because is interpreting the pixels as squared. rafael www.nagavideo.com...
first tagged by stewart charles


Re: creating an archive file
by Rafael Amador on May 13, 2009 at 7:48:36 am
in the Apple Final Cut Pro Forum
Hi Stewart, This you can check it right before exporting. Normally I work with XDCAM footage and I edit native. Only when everything is ready I change the codec to Proress and set "High precision". Another interesting setting is "Render Motion Effects: BEST"....
first tagged by stewart charles


Re: creating an archive file
by Rafael Amador on May 13, 2009 at 7:06:54 am
in the Apple Final Cut Pro Forum
[stewart charles] " File>export>quicktime movie Then select Setting profess 422 1080x1920 50i 48KHz And check recompress movie and make self contained? " Correct but you don't need to check "Recompress". I recommend you to set "Render all YUV material in...
first tagged by stewart charles


Re: Day for NIGHT FX
by Rafael Amador on Apr 19, 2009 at 5:48:55 am
in the Apple Final Cut Pro Forum
Hi Keith, I haven't try, butvthere is this free Day for Night plugin for FC here: http://www.riverrockstudios.com/riverrock/pages/FCP.html rafael www.nagavideo.com...
first tagged by Keith Bradley


Re: I need to kill someone.
by Rafael Amador on Apr 9, 2009 at 10:10:44 pm
in the Apple Final Cut Pro Forum
Hi Ian, You can do it very easily in Motion. Just need draw a path and use the Replicators. Here you have the manual: http://www.motionsmarts.com/tutorials/drawinglines/drawinglines1.html rafael www.nagavideo.com (and here some clips for the friends: http://www.vimeo.com/2694745 )...
first tagged by Lars Fuchs


Re: How do I color correct just the top third of a clip without making another track?
by Rafael Amador on Mar 18, 2009 at 12:30:23 pm
in the Apple Final Cut Pro Forum
Hi Elijah, Have a look here; http://celluloidhope.wordpress.com/2009/02/02/plug-it-in/ Download the Haiku plugins (Marcus plugins). There is one call "Face light" that may help you. rafael www.nagavideo.com (and here some clips for the friends: http://www.vimeo.com/2694745 )...
first tagged by Elijah Lynn


Re: Codec question
by Rafael Amador on Mar 7, 2009 at 5:12:27 am
in the Apple Final Cut Pro Forum
Hi Bruce, Just tell your Vfx guy to install the last "Pro Application Update'. Is incredible but Shake have been unable to render in 10b (no only Proress) for ALMOST ONE YEAR!!!!! With the last update he will be able to do it. Cheers, rafael...
first tagged by Trent Whittington


Re: HDV footage importing as DV Pal
by Rafael Amador on Feb 14, 2009 at 8:41:23 am
in the Apple Final Cut Pro Forum
Hi Sky, I don't know the Sony Z1, but, by any chance is your camera set to output DV? Most of the HDV cameras have that option. Cheers, Rafael www.nagavideo.com...
first tagged by Sky Neal


Re: Compressor quality on QT Conversion? What settings to use?
by Rafael Amador on Feb 3, 2009 at 7:39:45 am
in the Apple Final Cut Pro Forum
Hi Mathew, If you are starting with web videos and you will end up in web video, I propose you a different workflow. You are working with already high compressed material with a particular size, progressive and Square pixels. With your actual workflow...
first tagged by John Fishback


Re: ProRes422 codec 4:4:4 chroma filtering
by Rafael Amador on Jan 17, 2009 at 2:34:18 pm
in the Apple Final Cut Pro Forum
Hi Esky, When you digitize video to a "Chroma Downsampled' format (420,411,..) basically you make blocks of four pixels and you record the Luminance information of each pixel. But the Chroma is averaged so you keep only one value for the...
first tagged by Elijah Lynn


Re: FCP 6 errors on drive read speed
by Rafael Amador on Dec 29, 2008 at 9:47:49 pm
in the Apple Final Cut Pro Forum
Hi Ryan, Don't hesitate running few times DiskWarrior until you get the graphic fully clean. The time you spend maintaining your Mac is not lost. You will recover it when editing and rendering. Cheers, rafael. www.nagavideo.com...
first tagged by Ryan Atkins


Re: Easier way to add a bunch of dissolves
by Rafael Amador on Nov 25, 2008 at 8:12:16 pm
in the Apple Final Cut Pro Forum
Hi Beau, Select the transition you want (kind and duration) as your Favorite transition. Select in the time line all the clips that you want to put the transition. Drag the selection to the "Overwrite with transition" well. That's all. rafael www.nagavideo.com...
first tagged by Tracy White


Re: Time is running out! Should I get a new camera or just upgrade my software?
by Rafael Amador on Nov 24, 2008 at 2:16:39 am
in the Apple Final Cut Pro Forum
Hi Zoe, With this camera you won't be able to do much even upgrading to FCS2. Here are the specs: http://www.alibaba.com/product-tp/101501254/HD_8Z_Full_HD_1080p_Digital.html It records in H264. Very nice picture and small files but almost impossible to edit. Also Mac OX is not supported so...
first tagged by Zoe Elliott-Shircore


Re: okay so can this mpeg1 muxed be imported without audio awol!
by Rafael Amador on Nov 23, 2008 at 8:35:42 pm
in the Apple Final Cut Pro Forum
Hi Phil, .mpg and .MP4 are not the favorite FC formats. There are few dirty workarounds but the best is that you use MPGStreamclip and convert them in QT movies with the same setting (Audio and Video) than your sequence. Cheers, Rafael...
first tagged by Neil Ryan


Re: Cannot drag to timeline
by Rafael Amador on Sep 10, 2008 at 7:10:45 am
in the Apple Final Cut Pro Forum
May be because the Audio channels are locked? Rafael www.nagavideo.com...
first tagged by Davey Smith


COW Posts I've Tagged

Re: Checklist to prepare for broadcast
by Nick Price on Oct 26, 2009 at 2:14:17 am
in the Apple Final Cut Pro Forum
HI christian, the main thing with audio is making sure it doesnt consistently hit 6 on a PPm and that it never goes into the red (or the red light comes on...depends on your PPM monitor of course). That is the...
first tagged by Rafael Amador


Re: Audio Time-Shift
by Michael Gissing on Jun 9, 2009 at 2:39:38 am
in the Apple Final Cut Pro Forum
I strongly recommend you take the tape to an audio post facility to get it into a file that can be run through either Pitch 'N Time or MPEX3 software to stretch without changing pitch. If it is a long...
first tagged by Rafael Amador


Re: Can't recover media
by Don Greening on Jun 6, 2009 at 4:54:15 am
in the Sony EX Series XDCAM Forum
One of our forum leaders that uses Macs had to recover files from an SDHC card by using a friend's windows-based file salvage program. It might have been a SanDisk program (which is Windows only) but I'm not sure. I...
first tagged by Rafael Amador


Re: Creating Freeze Frame with Alpha
by Bret Williams on May 15, 2009 at 8:41:12 pm
in the Apple Final Cut Pro Forum
It's not that complicated. In fact, it's one keystroke. Shift+N. As long as you can see the alpha (checkerboard) in the canvas window, it will retain the alpha in the freeze frame. You can also press shift+n...
first tagged by Rafael Amador


Re: Can anyone explain Colorspace and LUTs?
by Joseph Owens on Dec 25, 2008 at 12:08:06 pm
in the Apple Color Forum
A LUT is a map, can be 2D or 3D that re-plots values between colourspaces. Colourspaces only exist because presentation media have different capabilities. Computer monitors are not grade monitors are not consumer TVs are not print magazines...
first tagged by Rafael Amador



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