I'll just chime in and agree with Rick here.
Somehow there's an ongoing 'rumor' that After Effects isn't a professional tool, or not up to high-end film work. And thats far from the truth.
Some people prefer a node-based compositor like Shake or Digital Fusion (not DFX+, because it's 8-bit). But After Effects has a very clean high-quality renderer. And the suggestion that After Effects effects aren't capable of working at HD resolution is utter and complete crap. Nonsense. There's a couple of 3rd party plugins that are limited to NTSC or PAL comps, so the developer can make some more money off of HD licenses. But that's all.
A main advantage of Shake is that it works in floating point color space, but eLin is a workable workaround. I'd prefer the option to work in float in AE, but eLin works for now.
Just know that After Effects is the compositing tool of choice for The Orphanage (Hellboy, The Day After Tomorrow...) and many at Tippett Studio's prefer it over Shake.
Thought you might like to know.
And fibre SAN seems to be the choice at the higher end facilities...
Bar3nd
Forum COWmunity leader for:
ADOBE AFTER EFFECTS
MAGIC BULLET SUITE
INDIE FILM & DOCUMENTARY