Creative COW SIGN IN :: SPONSORS :: ABOUT US :: CONTACT US
HDV FORMAT: HDV Format ForumTutorialsApple FCP ForumAdobe Premiere Pro ForumSony Vegas Forum

Screen shots from JAG

Cow Forums : HDV Format

<< PREVIOUS THREAD   •   VIEW ALL THREADS   •   PRINT   •   NEXT THREAD >>
Screen shots from JAG
by Steve Mullen on Mar 7, 2005 at 3:06:38 am

You'll remember I stated the Z1 shots were soft and the Z1 shot of the boat was out of focus. I've now found JAG shots that show this clearly.

First HDCAM: http://www.nabs.net/Personal/Jeff/Movies/Capture/JAG0218-04.jpg

Now Z1: http://www.nabs.net/Personal/Jeff/Movies/Capture/JAG0218-03.jpg

Note the extra "ghost" to the right of the gunsite and to the left of the front of the boat. Watching 1080i HDV frame by frame I often see a displaced color image. It is often red.

You can this to the left of the white wake from the very out of focus boat:

http://www.nabs.net/Personal/Jeff/Movies/Capture/JAG0218-02.jpg

Simply compare the first pix (HDCAM) to the third (1080 HDV) and you can see the huge quality difference.

Now it may be that the oroginal HDV does look better which is what the guy showed at Sundance. Thus what this may show is the degredation of sending 1080i HDV through several steps of compression: HDV >> HDCAM >>> D-5 or HDCAM-SR >> MPEG-2.



Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by DARRELL on Mar 7, 2005 at 3:24:01 am

lets not forget that part of the reason the hdv footage looks so bad is the way the focus seems to be set on the machine gun. on the f900 footage, the helo is fauther away so the boat and it look like their more sharper.

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Guy Barwood on Mar 7, 2005 at 3:43:52 am

notice the heavy macroblock compression on the rotor and roof of the hewy, and the white blob on the back of the boat in the F900 shot. It is much worse on the Z1 shots but somehow I have my doubts about the method used to obtain these screen captures, like it has been through some form of heavy MPG4 compression scheme.

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Steve Mullen on Mar 7, 2005 at 4:54:21 am

Direct CBS to a PC disk file, The frame grab with minimal/no JPEG compression.

In any case, both the HDCAM and HDV have been through the same process. Moreover, the shots are exactly as I saw them and re-saw them from my HD-DVR.

These fare from the AVS forum.



Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Guy Barwood on Mar 7, 2005 at 5:04:54 am

OK, but what is the bit rate of the transmission standard? HDTV is about 16Mbps isn't it? Here (no idea about the US) I believe a digital TV channel is about 25Mbps and is used to transmit a single HDTV stream at about 16-18Mbps and a SDTV stream at about 6-8Mbps, plus a few content other feeds like tv programs channels etc.

All which would mean there is more compression in the transmission than the origonal capture would it not? I've certainly seen native Z1 frame captures without any visible macroblock structure like the ones in your posted frames.

Perhaps if Jody had access to native frame captures from the cameras RAW footage a real frame comparison could be made with much more meaning.

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Steve Mullen on Mar 7, 2005 at 5:17:57 am

CBS only sends one 19.4Mbps HD program.

And HOW do you expect to get your HDV to an audience? Carry the original tape to everyone in the USA?


Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Guy Barwood on Mar 7, 2005 at 7:22:42 am

I'm not into any TV production so I will be waiting for HD-DVD, Blue Ray or HD-WMV (at whatever bit rate I choose). Film makers will be interested in Film transfers I assume, or projection from a digital projection unit in some way, but not via a reduced bit rate transmission standard.

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Shannon W. Rawls on Mar 7, 2005 at 4:45:26 am

Steve,

it looks like the Z1 is focused on the M60 Machine Gun, thus resulting in Depth-Of-Field of the boat...which means a blurry boat is a GOOD thing. The camera may have been focused on the M60 gun firing off crazy rounds at a far distance boat.

What do ya think?

- ShannonRawls.com

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Steve Mullen on Mar 7, 2005 at 5:03:57 am

That's what I think too, but Jody denied this and claimed the boat ws in perfect focus.

Moreover, the blurry boat is a very bad thing. When viewing a 6 foot screen you want the illusion of being in the copter with normal human vision. If anything, the human eye would be focused on the boat, not the gun. But, the best would be both in focus so you have the vision of both the gun and the boat plus the sense of almost falling-out of the copter. You want DEPTH!

When you watch real HD on a big screen you can really sense depth. That's why I so stronly recommend HD only be viewed on a 6 to 9 foot screen. The original HD design was that the screen should be slightly wider than your field of view. It should look like going to a real movie house, not a multiplex.

Of course, there are those that claim Jody's best shots weren't used. But no one can explain why.


Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Shannon W. Rawls on Mar 7, 2005 at 4:10:26 pm

AHhhhhhh, OK Cool.

- ShannonRawls.com

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Simon Wyndham on Mar 10, 2005 at 4:58:16 pm

I don't buy the idea that the camera was focussed on the gun. If the boat was that far out of focus as a result it would mean that the Z1 has quite a shallow depth of field, something I very much doubt is the case.

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Ron Lindeboom on Mar 10, 2005 at 5:21:20 pm


Simon,

Just as still photographers "bracket" their shots so that there are a variety of shot options to choose from, it is VERY common when shooting for television to shoot the shot from different angles, with differing F-stops and focusing options.

What many people here are missing is that OFTEN shots are chosen because they convery an emotion or reinforce a POV rather than being the one with the best and most far-reaching DOF, for example. It is the "art" of editing, not the science of DOF.

If the shot was chosen because it quickly focused the viewers attention on the "feeling" that they were in a helicopter manning that gun, then why is it so hard for some people to possible imagine that that just *may* have been done for art's sake.

No one here knows why this shot was chosen and no one can do anything but guess as to the motivation for the use of that shot.

As David Cherniak has stated -- and oh god, I'm now agreeing with him ;o) -- drawing any real conclusion from a single frame is asking way more than common sense would dictate.

Ron Lindeboom


Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Simon Wyndham on Mar 10, 2005 at 5:54:21 pm

Ron, I can accept that focus on one object will have been an artistic decision. I also accept that that screenshot doesn't say a whole lot because of the movement. I am not commenting on that screenshots quaulity or lack thereof. I am however commenting on reasons people in this forum are giving for lack of focus etc. You may be able to open up the Z1's aperture all the way, but in such a small CCD camera it doesn't make a whole lot of difference unless you zoom in and reduce the focal length. I highly doubt that in the space of the helicopter, and the perspective visible on the gun, whether this was actually done to any degree. And because a 1/3" CCD camera such as the Z1 will have a very deep DOF I don't believe that artistic focussing can be used as a reason in this argument.

Of course the only person who knows the setting is Jody. I'm just going on what I see from the screenshot.

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Simon Wyndham on Mar 10, 2005 at 6:00:02 pm

In addition another reason why the gun may be more in focus closer to the camera may well be because that pert of the gun won't move as far as the end of the gun. If the gun was being moved the laws of leverage mean that the end of the gun will travel further given the pivot point. For the lack of image quality I am more inclined to believe that it is down to camera movement, NOT focus.

The only way to make a true comparison between the two cameras is to point them at a res chart, a colour chart, and examin them under a waveform monitor. Then the real defects will show themselves if they are there.

In the mean time I don't really care a whole lot about this business. Use whatever camera you need to. I'm sure that most people here who really do do video for a living will hire a camera out if someone wants something in particular, or in fact hire out all the time anyway! This whole comparison thing is very 'consumer' orientated. People need to start discussing truly examinable facts using real test equipment. Or else all these arguments are totally invalid.

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by David Roth Weiss on Mar 10, 2005 at 7:00:50 pm

[Simon Wyndham] "People need to start discussing truly examinable facts using real test equipment. Or else all these arguments are totally invalid. "


Simon,

Most technical issues with video are identified via anecdotal observation, and not with scientific apparatus. Seldomly does a director yell "cut, back to first positions," because of something he saw on a vectorscope. And, in the editing room, 99% of the time, an editor spots a problem with his eyeballs, and only then checks those observations against the waveform/vectorscope. The typical audience certainly doesn't require a test bench to know when something doesn't look right on TV.

God knows, there have been hundreds of questionable comparisons and unscientific facts bandied about on this forum. But, to say that only test equipment can determine the validity of all discussions is equally off base. That's not to say that invalid arguments can't be better challenged with scientific measurement, but there is no substitute for the trained eye.

DRW






Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Simon Wyndham on Mar 10, 2005 at 10:07:50 pm

No. A production will choose equipment before filming starts. If there is money involved you can guarantee all the tests with scopes and serious subjective tests were performed beforehand. Rarely will a serious production start shooting with unknown equipment. In the case of JAG they almost certainly didn't just pick up the camera and start shooting with it. They chose it because they would have seen footage from it previously, or someone performed proper tests to make sure there was a high chance, or even guaranteed chance, that the HDCAM and Z1 footage would cut together.

I was reading a very interesting post elswhere on the web from a guy who has made his living out of setting up cameras, and specifically defining all the settings for most cameras for the BBC to use to obtain a film look. He rightly pointed out that he could make a HDW700 look worse than an FX1 and vice versa, purely on the settings. He made the point that comparing high end professional cameras is pointless because they are so adjustable and have so many parameters to set them up with that you can make any one of them sing or to look better than the other.

All of this setting up is done before production begins by experts using waveform monitors and vectorscopes. You are correct that at the end of the day it is a subjective judegment, but this judegment certainly wasn't made in the case of JAG when production began. It was done before.

As I said, these comparisons are silly. Okay, JAG used a Z1, and the Z1 is available to all of us. There's no point in dwelling on it because if any one of us needs to use one it is within reach. it's within most peoples reach with a bit of saving to make a short movie with a 700 actually. Use the equipment you need at the time. If someoneasks you do to a wedding in high def, either hire out the camera, or if the job is so priced and you are doing well, buy the camera and let it pay for itself in one job.

There is nobody to get left behind here. There's no first person into this market, no last person either. Nobody will lose out because the equipment is there to be used if it is needed.

I think there is a lot of feeling, although not so much said, the people are hoping to be the first ones to make a wide release indy no budget feature using an FX1 or Z1. This is the only reason I can see for these 'my equipment is better than yours' arguments. As if to say 'I'll be making money from my feature while your DVX100 film will never sell to anyone because it's not HD'. Because the people who make money from video will, as I mentioned, hire or buy depending on requirement. They don't buy and then create a requirement afterwards.

At the end of the day only test equipment and the cameras tested under exacting controlled conditions using fully calibrated charts can show the real abilities of each camera. And even then in the case of the 900 series Cinealta do you compare the cameras after it has been calibrated? And then what has it been calibrated to? Some people might want the detail circuits turned off for a filmout, in which case resolution charts won't show as well. Some may prefer a sharper picture, in which case edge sharpening will be more visible and therefore the camera might be rated worse.

So each camera would have to be calibrated as much as possible with the adjustments avaialble to match the colours of both cameras, to match the sharpness levels of both cameras etc, etc. All this has to be done under properly controlled conditions. A subjective judegement is one thing, but making subjective judgements does not show which camera can do what. It just creates these confusing arguments that nobody can win. If someone did a test under highly controlled conditions everything would be black and white. Anything else after that is an artistic or budgetary requirement.

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Steve Mullen on Mar 10, 2005 at 11:49:02 pm

I spent yesterday afternoon at Sony NJ picking up a Z1 and deck. (Very nice limo to and from -- Sony is always a class organization --who else serves reporters sushi at Press Conferences.)

I detailed the debate going on here to them. They offered some good insights:

1) The goal for the Z1 was a hi-rez version of the PD170. Really nothing more.

2) But they made the DSP a lot better than one might expect. (I assume they'll use the chip into future higher end products - which make sense to me.) Thus the camera CAN deliver a near HDCAM quality pix leaving everyone surprised and hence the origin of the debate.

3) They see the debate about "picture" quality as missing the point. They see the choice of equipment as being client driven:

* If you must shoot under really tough lighting conditions, you really need $25K lenses and 2/3-inch CCDs.

* If you must work in very low light, you need the 2/3-inch CCDs.

* And as the last point -- if you need to make major alterations to look -- you need more than the few settings offered by the Z1.

* If you must work in harsh conditions, you need Broadcast not Consumer built equipment.

* If you need 24p, you need CineAlta.

* If the signal will go through concatinated compression stages, you need HDCAM.

* If your client has certain quality standards (no tiny MPEG artifacts, max rez., etc.) you can't afford not to shoot with HDCAM because HDV isn't able to deliver such a "pristine" picture.

On the other hand, if you can work within the limits of 1/3-inch CCDs, a consumer built camcorder, and low bit-rate MPEG-2 -- you can indeed to get video that to most viewers will look very much like HDCAM.

PS -- for those who keep commenting on the use of still pix -- the pix are directly from the MPEG-2 CBS bit-stream and therefore relect exactly what those who have HDTVs saw. The pix were posted only to show the vast majority what they didn't see because most here don't have HDTV. Contray to assertions made by some, I never made claims -- other than the color fringing -- based upon still pix! I have an HD-PVR so I was able to view the 2 seconds over and over. Lastly, it is the color fringing which I see in these stills and when I edit that I'm most puzzled by.

Hopefully, this will end this debate -- unless, of course, you want to debate Sony. I'll have no part of this.



Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by David Roth Weiss on Mar 11, 2005 at 11:25:21 am

[Steve Mullen] "Contray to assertions made by some, I never made claims -- other than the color fringing -- based upon still pix! "

Steve, have you forgotten that you broached the focus issue that is the focus of most of the debate on this thread?

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Steve Mullen on Mar 11, 2005 at 6:55:01 pm

OK David, listen up. The focus issue was posted in a post long ago -- after from watching the show on HD and from an HD-PVR. All evluations were made from CBS broadcast -- not the pix. Is that now perfectly clear.

However, Jody, claimed in response to my post, the boat was in focus. Most members seemed to believe him as they have no HDTV.

AVS forum members who did see it in HD also noted the focus and lack of sharpness. These pix were ONLY to confirm that the boat was not in focus -- which it was not. Now all can see that.

However, the interesting thing -- which was in stills -- we can see the color fringing on the edges of motion. I pointed this out and others saw it to. But most seem to want to ignore this issue, and keep talking about everything else but, Including you.

Now is this perfectly clear?

Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by David Roth Weiss on Mar 10, 2005 at 11:53:38 pm

Simon,

Of your approximately 1100 word response, about 12 had anything to do with what I wrote in my post. For example, did I ever say anything about shooting with a camera that isn't calibrated (in advance)?

What I was speaking about was actually based on your earlier analysis of the focus "on" vs. "not on" the machine gun, which was not (in my opinion) accurate. Would scientific measuring tools have helped make your analysis any more accurate? I don't think so, because it appeared to me that you were not considering many elements intrinsic to the still image that are very much apparent to the naked eye.

DRW




Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Simon Wyndham on Mar 11, 2005 at 9:26:40 am

I won't respond to the rest of your message as this debate, along with many like it, are purely ridiculous. You said that people wouldn't judge a shot or equipment on the day of shooting with a waveform. I merely pointed out that no perhaps they wouldn't, but that all quality control tests on an equipment level would be done beforehand. This is all I'm going to say on the matter. Steve has nicely summed up Sony's response and that as far as I am concerned, barring somebody performing real scientific tests, is all that ever needs to be said on the matter ever again.

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by David Roth Weiss on Mar 11, 2005 at 11:19:56 am

[Simon Wyndham] "You said that people wouldn't judge a shot or equipment on the day of shooting with a waveform."

No, that's not what I said, that's you paraphrasing what I said, and paraphrasing incorrectly.

Just so you know Simon, I've lived and worked professionally in Los Angeles for twenty-seven years plus years, and among other things, I happen to be a qualified video engineer. I say this not to impress you, rather to point out to you that, as a bonified professional working in a production hub like Los Angeles, calibrated equipment is the norm, and its use assumed.

Nonetheless, and I repeat, in 99% of all cases, problem video is first spotted anecdotally (i.e. by trained observers using their eyes). And, a trained observer also does not require scientific instruments to determine the validity of an argument on The HDV Forum on the Cow.

All the best to you in Worchestershire,
DRW


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Simon Wyndham on Mar 11, 2005 at 12:23:57 pm

We're not talking about problem equipment. We are talking about minute differences in picture capability between two cameras of completely different price ranges. The only way to compare the two cameras properly is with scientific examination of controlled tests. Comparing two different screen shots is pointless. This is definitely my last post regarding this matter.

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by David Roth Weiss on Mar 11, 2005 at 3:19:01 pm

Strangely Simon we seem to agree[Simon Wyndham] "Comparing two different screen shots is pointless."

Precisely the point of all of my posts in this thread, thank you.

I'm glad we can finally agree on something...

Good bye!!!





Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Ron Lindeboom on Mar 10, 2005 at 7:02:34 pm

[Simon Wyndham] "In the mean time I don't really care a whole lot about this business. Use whatever camera you need to. I'm sure that most people here who really do do video for a living will hire a camera out if someone wants something in particular, or in fact hire out all the time anyway! This whole comparison thing is very 'consumer' orientated."


I couldn't agree more, Simon.

That is the whole point in this: The guy that got the shot and also the money for doing it, did so and it was accepted and used in the series. Perfect brush for the painting? -- if I might borrow the metaphor. Probably not. But we do not live in a perfect world and in the end, real pros know that these are merely tools -- some better and some worse than the others. There are few things in this market today that can be deemed useless. But the tired rhetoric of some of these threads seems to derive from, as you said, from a consumer point of view.

Expecting one tool to be *the* answer is comical in the world of working pros. The goal is to get the job, perform to client satisfaction and hammer the check. It isn't any more glamourous than that. Standing around bragging that "mine is bigger and badder than yours" is for little kids in the school yard.

Thanks for bringing things down to the real basics, Simon -- where tools are just tools and the real issue is performing the job and fulfilling the obligations well enough to support your family and/or household.

Now *that's* prettier than any of the cameras or other stuff that I've owned over the years.

Ron Lindeboom


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by David Cherniack on Mar 10, 2005 at 6:51:27 pm

[Ron Lindeboom] "As David Cherniak has stated -- and oh god, I'm now agreeing with him ;o) "

Heh. heh...

There are strange things done in the midnight sun
By the men who moil for gold;
The Arctic trails have their secret tales
That would make your blood run cold;
The Northern Lights have seen queer sights,
But the queerest they ever did see
Was that night on the marge of Lake Lebarge
I cremated Sam McGee.

From Robert W. Service
The Cremation of Sam McGee



David
AllinOneFilms.com

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Peter DeCrescenzo on Mar 7, 2005 at 6:24:05 am

[Shannon W. Rawls] "it looks like the Z1 is focused on the M60 Machine Gun, thus resulting in Depth-Of-Field of the boat...which means a blurry boat is a GOOD thing."

I believe Steve is also pointing out the leading left-edge artifacts in the Z1 footage. I don't know if this is caused by over-sharpening in the Z1 or problems introduced in post or distribution.

When I saw Z1 imagery on good Sony HD monitors (in Sony's booth at DV Expo & in Apple's booth at MacWorld) I noticed similar artifacts. The overall image looked crisper than most 1/3" 3-CCD DV25 footage I've seen, but when I looked at any smaller area of the picture it looked about as good/bad as those DV cams.

That's why I'm investigating using a native 2/3" 3-CCD DV25 interlaced cam instead of a 1/3" HDV cam (FX1, Z1 or whatever might be announced at NAB).

Sure a 2/3" DV25 cam has typically cost more, but the price of these is coming way down due to what's going on in the market.

- Peter

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by David Roth Weiss on Mar 7, 2005 at 4:59:34 am

Unfortunately Steve, this example doesn't make the point you'd like it to make.

The HDV shot is obviously a handheld POV shot from the perspective of the door gunner in a vibrating Huey chopper. Not only is the focus on the gun, as was already mentioned, but the vibration of the chopper and camera are obviously distorting the image of the boat as well. And, the focal length is obviously not set at wide-angle, which would have minimized the apparent effects of the vibration. Thats not a fault of the camera.

On the other hand, the HDCAM shot obviously isn't a POV shot, and it was shot with a fairly wide-angle lens, thus minimizing the vibration. In fact, for all we know, the camera may well have been on a gyro mount.

In any case, instead of showing how inferior the Z1 camera is, these examples really only point out the possible advantages of shooting with a wide-angle lens from a vibrating helicopter.

DRW

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Steve Mullen on Mar 7, 2005 at 5:27:03 am

"The HDV shot is obviously a handheld POV shot from the perspective of the door gunner in a vibrating Huey chopper."

You are right, but the glowing descriptions of the original footage make no mention of vibrations, etc. In other words, not even Jody used your defense. He claims it all looked great.

So we are left with the Sundance/Sony/Jody claims verses the results we all can see.

None of the PR said this is an example of HDV compromised by the conditions of the shoot. The PR was that "look how HDV can be cut into an HDCAM Broadcast HDTV program without anyone seeing much difference."

That PR was B.S.

It's like "I caught a huge fish -- but the line broke."


Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by David Roth Weiss on Mar 7, 2005 at 4:22:34 pm

Steve,

What a bullshit response. The fact is, you've tried to use this single shot to shoot down the Z1, because you think (a mistaken assumption) that the shot supports your position. No matter how you'd like to spin it now, there can be no other explaination for your posting that shot here. And you have the nerve to call yourself neutral???

The fact is, that shot apparently filled the bill quite adequately. The creators of JAG evidently appreciated the visceral nature of the handheld helicopter footage enough to use in their sucessful series and enough to allow its use promote the Z1 camera worldwide. Perhaps they should have used a locked-down studio lit shot, but then that's not what they were shooting.

I suggest that the next time you introduce evidence to support your "neutral" position, you scutinize the material a little more thoroughly. This example says precioius little about the Sony Z1 camera, and whole lot about you and your neutrality.

DRW

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Ron Lindeboom on Mar 7, 2005 at 6:47:39 pm

[Steve Mullen] "So we are left with the Sundance/Sony/Jody claims verses the results we all can see. None of the PR said this is an example of HDV compromised by the conditions of the shoot. The PR was that "look how HDV can be cut into an HDCAM Broadcast HDTV program without anyone seeing much difference." That PR was B.S. It's like "I caught a huge fish -- but the line broke.""


If the use of a fishing metaphor is going to define this argument, then "landing the fish" must define the success or failure of the attempt.

Since Jody did indeed "land the fish" and the shot was used and was deemed "good enough" by the directors and producers of the show, then the line is hardly BS but is merely a difference in opinion as to what you may think is a good shot or not.

Jody is a RESPECTED industry pro and reducing him to the level of an industry shill is both disingenuous and will ultimately backfire on you if you care to keep pursuing this line of discourse.

How you can argue against the Sony while defending the JVC to such great lengths, makes many here question what is up here -- me included.

None of these cameras is perfect and while I do indeed that to be the case, I also know quite well that some of JVCs GY-DV500s and other cameras had well-known and on-going issues which required well-documented service calls, etc. On the other hand, I cannot think of a single prosumer or above Sony camera which has fallen into that category in the last five years or so.

Sony builds very good stuff. So does Panasonic. So does JVC. The same goes for Canon.

Sadly, Jody wrote me and said that he wanted no part of this forum as it is contentious and disrespectful. I for one was very sorry to see him go. The Cow is about respect and give and take -- no one's opinion is Gospel here, not even my own. There are many hosts that I disagree with that are on the host team here at the Cow. If it were only my own opinion, this would be a boring one-dimensional place.

I think it all comes down to that "throwing out the baby with the bathwater" thingie...

Best regards,

Ron Lindeboom



Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Steve Mullen on Mar 7, 2005 at 8:50:07 pm

"Jody is a RESPECTED industry pro and reducing him to the level of an industry shill is both disingenuous and will ultimately backfire on you if you care to keep pursuing this line of discourse."

Ron, my post showed the actual differences between HDV and HDCAM. Many (most) here had no opportunity to see this. The stills matched what I saw on HDTV and did not match what Jody said they looked like. Many others -- an an other site -- have commented on the exactly same thing. Moreover, the color fringing is a serious problem since it matches what I see from 1080i.

"How you can argue against the Sony while defending the JVC to such great lengths, makes many here question what is up here -- me included."

Until I saw video from the Sony I was a strong defender of the Sony against those who were heavily criticising it. Have you forgotten.?

However, when Sony raised the Z1 price and continued to push CF24 as giving a "film look" -- the tide turned for me, And, once I compared 1080i HDV against 720p HDV it was clear that 2 years had gone by for very little increase in image quality.

What you call "arguing against the Sony" is strongly pointing out that the dramatically postive reports by Sony buyers does not match my experience in ANY way.

And, saying the HD10 delivers a better look than the Sony is hardly "defending" JVC. Stating progressive is far better than interlace is not "defending" JVC. I don't know anyone who wants interlace -- even the CineAlta from Sony is progressive.



Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by David Roth Weiss on Mar 7, 2005 at 9:16:09 pm

[Steve Mullen] "Ron, my post showed the actual differences between HDV and HDCAM."

There you go again!!! Get it through your head Steve, those shots did nothing to show the differences between the cameras themselves, the only difference exemplified in those two shots is in the way the cameras were used.

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Sanjin Jukic on Mar 7, 2005 at 9:30:34 pm

[David Roth Weiss] "the actual differences between HDV and HDCAM"

Finally people have to get that HDV is better than DV but is not better than a real HD. Areal HD you should call it HDCAM, SR HD CAM and the native DVCPRO HD from Varicam that should be a bit different than future consumer HDVCPRO HD). That's it, simple and easy explanation of HDV(a low cost HD) for everyone.



Sanjin Jukic

S J Digital Productions
http://www.sanjinjukic.com
sanjinjukic@yahoo.com
Vienna
Austria
Europe

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Ron Lindeboom on Mar 7, 2005 at 9:31:37 pm


[Steve Mullen] "Until I saw video from the Sony I was a strong defender of the Sony against those who were heavily criticising it. Have you forgotten?"


Hi Steve,

I am not trying to be argumentative when I say that I have little recollection of times where you actually *defended* the Sony. As for the Sony and your comments in regards to it, you have been very pointedly anti-Sony for nearly all of this situation -- even before the camera was actually released. This is one of the reasons why many in these threads are remarking as to what they perceive as a strong anti-Sony posture, one that has been quite on-going.

As DRW pointed out in his remarks to one of your posts, he felt that your claim to being "neutral" in regards to Sony's HDV cameras were preposterous and disingenuous.

It matters little who is right or wrong in this. I have long argued online that facts are of little consequnce, as "perception is everything in a marketing war." The perception is that you are quite pointedly anti-Sony and pro-JVC.

I often argue my own point-of-view, Steve. Usually, I try to use operative terms like "in my opinion" and "based on my experience." I try to leave people with their own opinions and life experiences (usually, though there have been a few times where I have put my foot down but that's usually no more than two or three times in the course of an average year).

Having worked in the satellite television industry for years and having been to dinner on numerous occasions with Charlie Eregen (founder of EchoStar and Dish Network), I know how compressed digital television is and how far removed it is from what was probably seen in the first generation that Jody saw when he shot and submitted the shots which were approved. I *highly* doubt that what came across on television was what was submitted.

Having been involved in the *original* General Instruments® DigiCipher™ project (not what later was shipped using the name) -- which was the first real HD system of any developmental consequence in the USA -- and having been an editor for years, I have little faith that what you recorded is what Jody saw in the original footage.

None of this is life-or-death, it is merely art -- subject to interpretation, classification, recompression and dissection -- but in the end, I've never met a paint brush which is a "one size fits all" in all situations, nor totally useless either. In the hands of a great painter, any brush can take on a life of its own based on the degree of talent of the painter.

If a painter hates a brush, then it makes little sense to use it. But in that regard, whereas I have little doubt that NAB will usher in new and exciting things in the days ahead, I think it's a safe bet to gamble that users buying a Sony have made a reasonable purchase that should fairly easily make back the investment proffered. (And no, we do not and never have gotten advertising support from Sony. But I do like to try to be fair.)

Best regards,

Ron Lindeboom
creativecow.net



Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Steve Mullen on Mar 7, 2005 at 10:45:49 pm

"It matters little who is right or wrong in this. I have long argued online that facts are of little consequnce, as "perception is everything in a marketing war." "

Since there is a written record of what happened in the past -- it can be easily checked. But since you don't care about "facts" there's little point in wasting the time diggerng them out.

"The perception is that you are quite pointedly anti-Sony and pro-JVC."

The fact that I have ONLY bought Sony camcorders for over 2 decades is a FACT that obviously will make no difference since "perception" is the what matters.

In any case, I'm comfortable with anyone's perception because I don't let perception guide my product reviews. Once one considers anything but technology one is no longer able to be honest. For example, what if I find serious flaws in the new JVC and say so -- which, of course, I will do. Should I worry now that folks will consider me as "anti-JVC." Should I be happy if Jan likes my postive views of DVCPRO50 and DVCPRO HD, but be unhappy she might not be pleased with my opinion of P2?

After over a decade of praising and damming product features from all the companies I've been perceived as pro and anti by everyone. There is nothing new happening here.


Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Ron Lindeboom on Mar 7, 2005 at 11:04:07 pm

[Steve Mullen] Ron Lindeboom said: ""It matters little who is right or wrong in this. I have long argued online that facts are of little consequnce, as 'perception is everything in a marketing war.'" Since there is a written record of what happened in the past -- it can be easily checked. But since you don't care about "facts" there's little point in wasting the time diggerng them out."


Steve:

Mark Twain said it best: "There are liars, damned liars -- and then there are statiticians." I am NOT calling you a liar but I do believe that it has been quite clear for some time that you do NOT treat Sony with the same degree of respect that you do JVC, for example.

What you consider indelible fact, is not seen as indelible fact by all of those present here. We have been getting mail for weeks from people asking Kathlyn why you have it out for Sony and is that our "official" site policy. Some say that they feel as if you are a college professor lecturing and talking down to your audience and that the only passing grade in this class is the one that agrees with your own interpretation.

The point I am making, Steve, is that so much of this is subjective -- thus, the Mark Twain reference -- and you are as clearly "pro JVC" as Leo Ticheli is "Pro Panasonic." There is NOTHING wrong with that, but it is rather disingenuous to assert that there has been a LEVEL playing field here in this forum where the facts simply do not bear that out.

But that is just my interpretation of the "facts" and those that disagree are more than welcome to their own interpretation of the irrefutable and incontrovertibly obvious facts of all this. (pun intended) ;o)

Best regards,

Ron Lindeboom
creativecow.net

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Leo Ticheli on Mar 7, 2005 at 11:32:22 pm

Hi Ron,
I'm very pro Panasonic VariCam, because it makes very pretty 4:2:2 pictures at 24p and shoots at variable frame rates; it's a direct replacement for almost everything a film camera can do. I've been shooting almost exclusively with it for three years and it's served me very well; I know it's capabilities and feel I can contribute what I know to the Cow. I've been very happy with the service and tech support I've received from Panasonic as well.

By the way, I get no compensation of any kind from Panasonic; no cash, no gear, no tee-shirts, or free lunches. They did send me a cheap card around Christmas.

Just because I find fault with an interlaced HDV camera does not make me an antagonist to Sony. I believe the camera has "characteristics" that make it a poor choice for my business. It may fit well for others.

I want to make it quite clear that I am definitely not anti Sony! If anything, I'm pro Sony!

Most of the labels in my facility are "Sony" and I firmly believe they are a great company with terrific people, some of whom I consider to be "partners" in my business. I've generally found Sony's products to be robust and their service admirable. Prior to the VariCam, I shot all my video projects on a Sony Digital BetaCam camera and I still believe the images from it are superb. All our SD mastering goes to Sony Digital BetaCam decks and our linear editing is all Sony. As a disclaimer, I have received a tee shirt from Sony... no, wait, that was from Discreet... but I was taken to lunch once by my Sony Rep, and they send a much nicer card.

Best regards,
Leo



Respond to this post   •   Return to posts index

Oops...
by Leo Ticheli on Mar 7, 2005 at 11:42:14 pm

Upon further review, I think the Sony holiday card are as cheap as the ones from Panasonic.

I have to call it a draw in the battle of the cards...

Best regards,
Leo

Director/Cinematographer
Panasonic VariCam Owner & Evangelist
Southeast USA

Respond to this post   •   Return to posts index


Re: Oops...
by kenh on Mar 7, 2005 at 11:53:48 pm

Aloha Leo,

Have you ever had a high-end, hardware upconversion from Digibeta to HDCAM done? And if so, what do you think about the results.


Aloha,

Ken



Respond to this post   •   Return to posts index

Re: Oops...
by Leo Ticheli on Mar 8, 2005 at 12:41:16 am

Hi Ken,
I've not done a "high-end" hardware up-conversion of Digital BetaCam to HDCA. I have cut a few Digital BetaCam shots into HD material and was generally pleased with the results. I've also intercut my VariCam footage into 35 MM commercials with total transparency! I must admit that I was surprised; I expected to see something, but we color corrected and added just a bit of "film grain" and we could not spot the cut-in shots. I'm not saying that HD and film are the same, just that we were able to match them in these cases.

It will be interesting to see Sony's new 24p version of Digital BetaCam; it should be spectacular looking. With it's low compression ratio, Digital BetaCam is a fabulous format. The only thing wrong with it is that it doesn't have "HD" in the name! I fear it's a format that has come too late.

Good shooting!
Leo

Director/Cinematographer
Southeast USA



Respond to this post   •   Return to posts index

Re: Oops...
by kenh on Mar 8, 2005 at 1:47:29 am

Thanks Leo!

Aloha,
Ken

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Ron Lindeboom on Mar 7, 2005 at 11:52:26 pm


Hi Leo,

I was not disparaging you at all and I hope that you did not read it as such.

I am a huge fan of certain tools, as you probably know. Others, I am less keen on. I have no problem having or exercising my opinion. The problem I was expressing is that while it is natural to have opinions, it is counter-productive to try to make them the only allowed viewpoint. In all of 2004, I think I banned maybe five people out of over 220,000+ unique people that visit the Cow in a month. They weren't banned for having opinions, they were banned for not wanting to give others any respect for their own hard-earned (or not) opinions.

As you know, Leo, the Cow has always had a wide range of viewpoints but when a consummate pro like Jody feels like he has to run a gauntlet to participate in this forum -- to the point that he leaves rather than suffer the slings and arrows of outrageous fortune -- then there is definitely "something rotten in Denmark." (Feeling like I need to quote the Bard to insure that I still can after all these new gray hairs that have been coming in.)

;o)

Best regards,

Ron Lindeboom
Friend of Cowdog & His Beerâ„¢



Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Leo Ticheli on Mar 8, 2005 at 12:26:19 am

No kidding!

I'm caught a few of those arrows flying around the Cow myself!

There is a lively debate here, to be sure; decent is not always welcome. That's ok, but I have noticed some ad hominem attacks here that are, in my opinion, out of place. We can use all the professionals we can get; perhaps Jody will reconsider...

Thanks for everything; I wish the Cow had been around when I was just starting in this crazy game!

Leo

Director/Cinematographer
Southeast USA

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Ken Hodson on Mar 8, 2005 at 6:27:22 am

Ron, love your site, but I have to say that your overseer view point is adding nothing to the debate except your disrespect of Steve. He is making technical observations, and very good ones.
People slamed the JVC HDV cams out of ignorance. Steve studied them and stated their true ability angering some.(He never said they were perfect). People heralded the new Sony cams as being perfect. Again out of pure ignorace. Steve studied the new cams and stated their true ability angering some.
If anything he is the perfect moderator of this revolution called HDV. He is arguing the technical side, not the popular side. That is worth READING. This hole Sony/Jag thing is a joke. 2 seconds of admittedly poor visuals, and Steve is being crucified because of it?

Respond to this post   •   Return to posts index


Re: shots from JAG & Ron owes me an apology
by Gary on Mar 8, 2005 at 11:48:15 am

And I was crucified for the same statements. I was "told" by Ron to apologize when I felt there was no "real" reason to. Yet I still obliged with a sincere apology in hopes to put out the fire. Then Jody said publicly in this forum that I did not offend him in anyway. I expected Ron to reply on here to me after Jody made that statement and there was no mention of anything. And I was also challenged publicly by Ron on my credentials when he has known for many years who I am and what I have done over the last 30 years in my career. Ron, you have had my resume and bio for at least four years. I helped host your Vegas forum twice, we talked about things over dinner and we have discussed things over the years on the phone. Yet, you chose to publicly challenge my credentials, again?

I feel that you, Ron, owe me a public apology for attacking me here while trying to act like you are saving Jody. I never offended Jody and I was always only talking about how bad it was that that there was only two seconds of video in the show. You and Derek assumed that I (and possibly others) was offending him.

If you don't want to apologize and want to ban me, then go ahead. I don't care because I don't have the need or desire to post. I can easily find any info I need at times from many other places and people. I am not the first person you have disrepected and it appears that I am not the last. If it gets down to this, then I am also telling you to immediately delete "all" of my tutorials, book reviews and Vegas veg files that you have on the COW. I have donated a lot of my time over the years helping you and your forum along with many readers and I have only asked for mutual respect.

My family and I have have always felt that you were a friend of ours, but after flip flopping on me "twice" in public on your forum, I don't know who you are anymore. I have no hate or anger towards you, just true dissapointment.

Gary

Respond to this post   •   Return to posts index

Re: shots from JAG & Ron owes me an apology
by Ron Lindeboom on Mar 8, 2005 at 2:58:37 pm

Gary,

I had no idea who you were or weren't when I demanded an apology from you for Jody. This as "Gary" is not exactly an uncommon name and because you post using your first name only -- as do many people around here -- I have no idea how to keep straight who is who. There are so many "Dave" and "Michael" and "Gary" and "Fred" accounts around here that there is simply no way to keep track of who people are.

If you were disappointed, imagine my disappointment when I learned that the same guy who was going after Jody with some very uncalled for comments was you. Jody and I corresponded privately for a while and the reason that Jody said that he didn't need an apology was more to do with the class that he has, than to your claims that you hadn't tried to insult him. You took the argument personal and went after the man, not the artistry -- or lack of it.

As I have said many times over the years and said again in this forum just this week: You are entitled to say whatsoever you wish about a project, a file, a shoot or just about any other created thing -- but when people fail to show respect to others, then there is going to be a problem. It has always been that way at the Cow and it has both worked for you, Gary, and against you, as you well know.

Your articles will be down today, Gary, as I will not in this case change my mind. You insulted the man and tried to slam him as sure as eggs is eggs. If you wish to end a long friendship over insisting that you were innocent of trying to slam Jody when you know quite well that that was indeed your intent, then that is your call.

I have defended you against an entire forum who turned on you, Gary, and have stood as one of the only people willing to stand in the heat to defend you when your name was being torn apart for no good reason. But when you and one or two others treated Jody in a manner that was quite unbefitting of the Cow, I do not care if you are Gary Gowman or Gary Williams or Gary One Thousand -- you will either apologize (which you did) or you will leave.

I never apologized to you, Gary, because you were wrong. I do not care if Jody had so much class that he shrugged it all off with an "Aw shucks, I wasn't offended" aside -- it just shows his class.

Gary: If you wish to be right in all this, then by all means, do so -- me, I will stand by my words that you owed Jody an apology and if you don't see why, you are free to think whatsoever you wish.

I will instruct Kathlyn to pull your articles and stuff down today.

Regretfully, I hate to see things end on such a sour note but I cannot and will not encourage nor abide people treating others as in the manner that Jody received from a handful of people on this forum, of which you were one.

Attack dog mode has never been one of the acceptable codes of conduct here at the Cow.

Ron Lindeboom

ADDENDUM:
PS: I just spoke with Kathlyn and neither she nor I can recall ever getting a resumé from you. We have never asked any of our leaders for one and out of about 350 leaders over the years, we've been sent two or three by their own prerogative -- none were from you. I thought that maybe you had sent one to Kathlyn and so I didn't mention it in my original reply to you. She just came into the office and we spoke about this, we can recall when people attacked your credentials, we heard from you about certain "in general" things but nothing specific with names and dates, as would be covered in a resumé.

If you are going to make claims, Gary, please at least keep them within the realm of what actually happened.


Respond to this post   •   Return to posts index

Re: shots from JAG & Ron owes me an apology
by James Green on Mar 9, 2005 at 7:57:07 am

If it gets down to this, then I am also telling you to immediately delete "all" of my tutorials, book reviews and Vegas veg files that you have on the COW. I have donated a lot of my time over the years helping you and your forum along with many readers and I have only asked for mutual respect.

Talk about sour grapes! It's really a damn shame that someone whining about what they think they are owed (an apology)can lead to a stupid scorched earth act that only harms users (in this case, Vegas Forum users) who more than likely had nothing to do with this dispute. I saw the comments that Ron asked you to apologize for and I felt his response was appropriate but the sincerity of your apology sorely lacking. In a business where who you know is almost as important as what you know, people like Jody are a valuable resource. I'm not saying I agree with everything because of who a person is, but I definately weigh input from someone like Jody differently than I do from someone named "Gary".

Shame on you Gary, shafting dozens of Vegas users by demanding an apology that wasn't rightfully yours. My grandfather once said:
You can want in one hand and piss in the other and see which one gets filled faster.

I guess it's obvious what's in your hands. It's just too bad you had to fling it all over the Vegas community here at the COW.

James Green

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Ron Lindeboom on Mar 8, 2005 at 3:17:18 pm

[Ken Hodson] "People heralded the new Sony cams as being perfect. Again out of pure ignorace. Steve studied the new cams and stated their true ability angering some."


I have to chuckle, Ken, at this oft repeated mantra because it seems that some here want to believe that if they repeat something often enough, that makes it true. I have been following this discussion and for the life of me, I can't find all of this espousing perfection that you guys are referring to...

Sure, there is the to-be-expected oddball comment here and there that crosses the line but a return-in-kind on-going claim of "perfection" that you guys use for ripping on both the Sony cameras and, at times, even those who use them -- that I cannot find. But I can find *plenty* of day-after-day endless diatribe of people tearing into the Sony and those who use them.

Think what you wish, Ken, that is your prerogative.

Personally, I do not like the way Sony cameras are calibrated to look, period. It's why I bought a Canon XL1 years ago instead of the Sony. Like Steve, I much prefer the warmer and richer look of the way that cameras such as the Canons and JVCs look. So it is not Sony I am defending but merely that I fail to find all these "claims to perfection" on the part of Sony users that you and some point to time after time, ad nauseum.

There are 120+ forums in the Cow and this is the only one that has the personality that this forum has. It is so irreflective of what the Cow is that Kathlyn and I have even talked about just yanking the plug on it as we believe that people are more important than bits and bytes and that in a world where no tool is perfect, to argue day after day against a good tool -- not a perfect one in any regard -- is quite self defeating and pointless.

But you are quite welcome to think what you will about it all.

Ron Lindeboom




Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Ron Lindeboom on Mar 8, 2005 at 1:02:45 am


[Steve Mullen] "Ron, my post showed the actual differences between HDV and HDCAM. Many (most) here had no opportunity to see this. The stills matched what I saw on HDTV and did not match what Jody said they looked like. Many others -- an an other site -- have commented on the exactly same thing. Moreover, the color fringing is a serious problem since it matches what I see from 1080i. "


Steve,

As I said elsewhere and will reiterate here, I herald back to the days of satellite TVRO and actually helped pencil out the original marketing plan for what became DirecTV sipping Jack Daniels Lemonade in the bar at the Opryland Hotel with the founder of DirecTV (who was then the head of the National Rural Telecommunications Cooperative (NRTC)) and one of the key future investors. I also have been to dinner on numerous occasions with Charlie Eregen, founder of EchoStar and Dish Network.

My point in saying this, is that I have a L-O-N-G history in satellite broadcasting and know full well how radically different what is broadcast is from what was first generation...

I am not surprised at all at how things degrade when uplinked to the satellites.

But the fact remains that Jody is the first DP that I know of to grab a shot using HDV that was "good enough" for the directors and producers of a *very* major network show.

To disparage that and try to make Jody look like a clown indicates to me that you either do not really understand what the process is of getting things recompressed and up onto one of the birds for terrestrial distribution, or you do not care and merely wish to discredit a man.

That's how I see it from here and I feel like you owe the man an apology -- not for the work, you are entitled to think whatsoever you wish about that -- but for the way that you have impugned his reputation and good name and have tried to disparage both his work and his professional judgment.

But that is just my opinion.

Ron Lindeboom
creativecow.net


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by kenh on Mar 7, 2005 at 9:39:20 pm

Aloha Steve,

David is right about stabilized versus unstablized shots in these images. There is no doubt about that. The other thing is that if you look at the nose up attitude of the Huey and the wake on the boat in the 900 image, they are going much slower. The Huey is nearly hovering in that image. In the HDV images, particularly the second one, the boat is out of focus for whatever reason (you can debate that forever, only Jody can tell us). However, if you look at the reflections on the water, which are not moving they are out of focus and stretched. This is pretty clearly a result of deinterlacing the 1080i footage (I think it was shot at 50i if I remember right). Since they were deinterlacing you can pretty much assume that the 900 was shot at 1080 24p, which would also come up with a much better image. Are there differences. There better be or no one in there right mind would buy a 900. Is the HDV footage useable? I don't think this is a particularly good test of that. We'll have to wait and see when someone produces a documentary that is broadcast (and you can bet there will be some) and you can see the whole thing on TV rather than a few seconds of aerials. My two cents.

Ken


Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Peter DeCrescenzo on Mar 7, 2005 at 5:24:38 am

Steve: Interesting illustrations for this discussion!

Question: If the same scenes were shot by a native 16:9 2/3" 3-CCD interlaced standard definition "DV25" camera (such as a Sony DSR-570WSL or Ikegami HL-DV7AW) outfitted with an average "pro" lens, and the the images were deinterlaced, would the results not be as sharp as the F900, but also not exhibit some of the artifacts seen in the Z1 images?

Or another way of asking this: Would good-quality 16:9 SD DV25 video upconverted to progressive HDCAM or DVCPROHD look similar to or better than native Z1 HDV?

Obviously the FX1 & Z1 are _much_ less expensive than the camera configurations mentioned above. I'm just discussing image characteristics, not cost.

All the best,

- Peter

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Steve Mullen on Mar 7, 2005 at 5:35:05 am

"Question: If the same scenes were shot by a native 16:9 2/3" 3-CCD interlaced standard definition "DV25" camera (such as a Sony DSR-570WSL or Ikegami HL-DV7AW) outfitted with an average "pro" lens, and the the images were deinterlaced, would the results not be as sharp as the F900, but also not exhibit some of the artifacts seen in the Z1 images?"

Wow -- what a great question. I'll bet shooting DVCPRO50 16:9 at 24p with an SDX-900 would upconvert much better. These cameras are the best SD camcorders made. When I viewed such footage on a 6-foot screen via analog component to my projector -- it blew away any HDV footage I've watched -- but not HDCAM/Varicam. That's why the claim the FX1 is better than ANY SD camera is simply an absurd claim.


Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Peter DeCrescenzo on Mar 7, 2005 at 5:53:00 am

[Steve Mullen] "I'll bet shooting DVCPRO50 16:9 at 24p with an SDX-900 would upconvert much better. These cameras are the best SD camcorders made. When I viewed such footage on a 6-foot screen via analog component to my projector -- it blew away any HDV footage I've watched -- but not HDCAM/Varicam."

I appreciate your SDX-900 comment, but keeping this to 25 mbit/sec formats & my question: Might footage shot by native 16:9 2/3" DV25 cams (such as the DSR-570 & HL-DV7AW and their ilk) deinterlaced & upconverted to HDCAM or DVCProHD look similar to or better than native Z1-shot HDV footage?

Since I'm close to buying a camera as a step up from my DSR-250, this is one of those "$64,000 Questions" in my life these days. ;-)

- Peter

P.S.: Yes, I'm going to wait for NAB next month, but the answer to the above question might be knowable before NAB and be very helpful in putting NAB announcements in context!

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Derek Antonio Serra on Mar 7, 2005 at 5:55:38 am

[Steve Mullen] "That's why the claim the FX1 is better than ANY SD camera is simply an absurd claim. "

Of course it would be ridiculous to compare vastly more expensive SD cameras with a $ 3200 camcorder. But compared to other similarly priced $ 3000 - $ 4000 SD camcorders it is superior in terms of resolution. Even Barry Green was forced to admit that it blows away the competition in HDV mode. Herein lies the crux of the differences of opinion on this forum. For a relatively poor independent filmmaker, at present the FX1/Z1 offers amazing quality. It is only of academic interest to a struggling filmmaker that $ 30 000 - $100 000 produce better pictures - he'll never buy a camera like that.

I see HDV as providing such filmmakers with better quality images than the DV cameras they could previously afford. Of course, it's a compromise, of course there are challenges, but in the end this is the only way some filmmakers can even hope to improve the quality of their independent productions. The fact that the Z1 has been used to shoot footage for JAG seems incredibly irksome for some - the producers of the show where happy with the footage, as where the millions who watched the show. Only a handful of people on earth where unhappy about it - and bizarrly they seem to all reside on this forum.

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by David Roth Weiss on Mar 7, 2005 at 7:10:03 am

[Derek Antonio Serra] "Only a handful of people on earth where unhappy about it - and bizarrly they seem to all reside on this forum. "

WELL STATED!!!



Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Steve Mullen on Mar 7, 2005 at 7:23:38 am

Only shows you don't read other forums that cover HDTV.

Where do you think I got these images? There is a long thread on AVS about how bad the Z1 footage looked on JAG. Read more widely and you'll learn a lot more than if you hang around here looking for supporting comments from FX1 owners.


Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Peter Wright on Mar 7, 2005 at 9:00:11 am

The real question for me Steve is why you have such a vindictive attitude to the Sony cameras.

I see you have a JVC yourself, but so what - I've had Panasonic and Sony cameras, and have no feelings whatsoever about cameras I don't own.

If you are an honest person and have an agenda which you bring to this forum, you have a duty to declare it so we are all aware of the context in which your comments are made.

Remember, you are not just an average poster, you are an HDV forum leader.

Peter Wright
Perth, Western Oz
www.allroundvision.com.au


Respond to this post   •   Return to posts index

Re: DV is dead in our local film industry.
by Guy Barwood on Mar 7, 2005 at 7:33:56 am

[Derek Antonio Serra] "For a relatively poor independent filmmaker, at present the FX1/Z1 offers amazing quality. It is only of academic interest to a struggling filmmaker that $ 30 000 - $100 000 produce better pictures - he'll never buy a camera like that. "

Interestingly, I have been told that the Australian body who provide grants for film production in this country have now mandated that their minimum standard format you have to use to be eligable for any grant is HDV. DV/DVCAM is no longer accepted.


Respond to this post   •   Return to posts index

Re: DV is dead in our local film industry.
by Steve Connor on Mar 7, 2005 at 9:25:55 am

Whilst I find the majority of Steve's post to be very useful, I cannot understand some like this one that tries to illustrate how bad HDV is, especially based on the strength of ONE SHOT!

We have no idea how it was handled through the production process, what compressions were used during editing etc.You certainly cannot hold it up as an example of how HDV will look on broadcast. We know HDV has limitations, but Producers and editors who know these limitations will tailor their post process to minimize their impact.

We don't know enough to make a judgement, how was the HDV footage transferred to the edit system? Was it transferred to tape first and then input into the NLE for finishing.

The jury is still out on how HDV will fare on transmission, until we have more examples, we can't convict it based on one shot!

Steve Connor
Cardinal HD







Respond to this post   •   Return to posts index


Re: DV is dead in our local film industry.
by Peter Wright on Mar 7, 2005 at 10:53:54 am

Exactly Steve - anyone who's really neutral has to be incredibly impressed with the quality of HDV ..... hence this forum.

And, the fact that it's going to cut it for HD broadcast is extremely interesting, but even if the answer was definitely NO, I would still love it to death.

Like many others, whether someting I do gets broadcast is a possibility, but not important.

I happened to need a new camera after my old faithful Panasonic 3CCD DV cam began to break. I make a comfortable living making video programs. None of my clients has even heard of HDV. For the time being, I am shooting with a Z1 and putting out SD, on DVD, VHS, CDRom, whatever ...

I've never watched JAG, but friends who have always comment on the picture quality of the programme. What better an "opening comparison" for the FX1/Z1 to be introduced.



p.s. We've already read that Jody shot choices for the editor, like "Gun in focus", "Boat in focus", and "Both in focus" - this was weeks ago. I could capture a still of Abba singing "Mama Mia" and say "LOOK - the backgrounf singers are soft!!"

Peter Wright
Perth, Western Oz
www.allroundvision.com.au


Respond to this post   •   Return to posts index

Re: DV is dead in our local film industry.
by Steve Mullen on Mar 7, 2005 at 11:31:35 am

I love HDV and very much like the FX1. It's the camcorder I would most likely buy -- were I to need to buy a camcorder.

What I don't like is the totally uncritical PR the Sony cameras is getting and the uncritical attitude of those who accept such PR. Really, the PR on this site for the Sony has been like movie reviews penned by flacks who go on free press junkets. "Better than any SD camcorder" says X. "Can't tell it from CineAlta" says Y. "Far better picture than the HD20: says Z. "Run out and buy it today!" Don't get left out of the HDV Revolution." None of this is true. Not even close to the truth.

For most people $5K to $6K is a lot of money! Most folks have no need real for HD this spring and there certainly won't be any great HDV editing solutions until summer. So why the need to rush to buy a product now that already dosen't meet filmakers needs and may not be as good as coming products.

Why try to convince folks Discovery HD, etc. will accept HDV, when you have no evidence this is, or will be, true?

Going slow, being open, and noy buying PR is not a sign of hostility -- it is, a month before NAB, a reasonable position to take. In fact, I'm open to Panasonic's new camcorder blowing HDV out of the water. Camcorders are like computers -- simply tools. Tools that are obsolete within a year. :) There's no need to promote or defend tools.

And, DV far from being dead -- going back On Topic -- will continue world-wide for another half decade or more. Remember, most TV stations and independent productions still use Beta SP. Proof -- XDCAM and P2 have been developed to sell into this huge Beta market.

The "low cost HD" revolution has hardly begun.


Steve Mullen
Digital Video Consulting
www.mindspring.com/~d-v-c
===
HDpartner Prime -- Real-time 1080i and 720p HDV Editing with FCP HD
GR-HD1 and JY-HD10 HDV Shooting Guide
AG-DVX100 Shooting Guide


Respond to this post   •   Return to posts index

Re: DV is dead in our local film industry.
by Sanjin Jukic on Mar 7, 2005 at 12:03:58 pm

[Steve Mullen] "I'm open to Panasonic's new camcorder blowing HDV out of the water."

It would be very good to get a low cost DVCPRO HD camcorder about US $ 3000-4000 but we would have to wait for NAB 2006 or even 2007 for Pana's low cost HD dream cam. Till than Sony would make a lot of money with FX1/Z1. JVC was always interested in special markets like in the case of HD10/HD1 for 60 region or the worst like case PD1 that they did not unlock firewire for HD users of 50 region. It was not kind of HD for masses as they said. It was low cost HD for 60 region that is far from the masses. JVC already failed on low cost HD revolution. JVC ProHD claims to be Phoenix kind of rebirth for HD to masses. So wait and have a look.



Sanjin Jukic

S J Digital Productions
http://www.sanjinjukic.com
sanjinjukic@yahoo.com
Vienna
Austria
Europe

Respond to this post   •   Return to posts index


Re: DV is dead in our local film industry.
by Derek Antonio Serra on Mar 7, 2005 at 12:22:44 pm

[Steve Mullen] "I love HDV and very much like the FX1. It's the camcorder I would most likely buy -- were I to need to buy a camcorder.

What I don't like is the totally uncritical PR the Sony cameras is getting and the uncritical attitude of those who accept such PR"


Heh, heh. I didn't realise you were such a joker, Steve. I don't think that most posters to this and other forums have been uncritical towards it at all - hell, if you've read any of my user reports I complain about a number of irritating aspects of the camera. At the end of the day, though, the camera produces pictures superior to anything else in its price range, including your beloved HD10.

For broadcast DV is definitely going to be around a while still - the reference to HDV being the latest minimum requirement by the Australian grant funders makes sense for short films, documentaries and ultra-low budget features which were previously being shot on DV/DVCAM. For the same budget these filmmakers now get 4x DV resolution. So you see, Steve, this format DOES meet the requirements of filmmakers, and more importantly, the funders of their films. Filmmakers are impatient, edgy types by nature - telling them to wait six months for the next half-decent filmmaking tool is a waste of breathe. They want to make their films, and they want to make them now!





Derek Antonio Serra
Filmmaker
www.controversifilms.co.za
www.indv.co.za

Respond to this post   •   Return to posts index

Re: DV is dead in our local film industry.
by Guy Barwood on Mar 8, 2005 at 7:26:16 am

[Derek Antonio Serra] "this format DOES meet the requirements of filmmakers, and more importantly, the funders of their films"

Absolutely, however it will be very interesting to see if the Sony Z1 or the new JVC (with 720p) will actually gain the 'prefered option' before the third gen cameras come to market.

Leo has said how 720p Varicam footage could be worked in post to be indistinguishable from his film shots, so I can only assume the resolution of 1280x720 is not a limiting factor, then the advantage of being natively progressive and in HDV less compression than 1080i.

Let's not forget that HDV is MPEG2 based, and all MPG2 encoders are not created equal. I don't think anywone who has seen the results would disagree that Cinemacraft Encoder (CCE) MPG2 encoder produces better results for the same bit rate than Pinnacle Studio...

I got cought up in the '1920x1080' PR for a while, but the more you look into it the less advantages it really has over 720p (starting with the fact it is not 1920x1080).

Respond to this post   •   Return to posts index

Re: DV is dead in our local film industry.
by Peter Wright on Mar 7, 2005 at 2:14:02 pm

Yes, fine Steve. Glad to hear you're neutral.

Of course it's early days, and of course there'll be new products - but, even though I've had more than my share of hiccups dealing and editing with HDV with my Z1 , a few glimpes of the quality that is possible keeps me smiling.

Peter Wright
Perth, Western Oz
www.allroundvision.com.au


Respond to this post   •   Return to posts index


Re: DV is dead in our local film industry.
by kwshaw1 on Mar 7, 2005 at 3:15:16 pm

"Most folks have no need real for HD this spring and there certainly won't be any great HDV editing solutions until summer."

Having seen what HDV can do today from a $3500 camera, I would love nothing better than to chuck all my SD equipment right now and record all future projects in HD. I will be bringing an FX1 to all future wedding shoots whether or not the couple pays for HD output, because I think it would be a shame not to capture HD footage of these once-in-a-lifetime events. And regarding HDV editing options, the Canopus NX and SP reportedly offer excellent real-time, multi-layer editing with full-quality HD monitoring, provided you have a fast dual-processor system to run them on. Not sure what else you want in terms of editing, unless you're waiting for something equivalent to show up for the Mac platform.

I haven't seen direct playback of footage from high-end SD cameras, but it defies logic to claim that these can rival the detail of a camera which records four times as many pixels per frame. And even if that were somehow the case, that hardly matters if I can get results which look at least as good to customers from a camera which costs a fraction of the price. Add to this the fact that HDV is a true native widescreen format with all the benefits that has to offer (even for SD output), and the Sony HDV cameras are nothing short of amazing considering the price. Perhaps in the future we'll look back on current HDV cameras as marginal compared to what's available then, but for right now they're the game to beat for small-budget video production.

Respond to this post   •   Return to posts index

Re: DV is dead in our local film industry.
by stuwillis on Mar 24, 2005 at 3:34:43 am

"I haven't seen direct playback of footage from high-end SD cameras, but it defies logic to claim that these can rival the detail of a camera which records four times as many pixels per frame."

Um. No, it doesn't.

There is far far more to an image - and image quality - than the size of the frame. Compression, bit-depth, latitude, s/d ratio, sensor-size, DSP, colormetry, the lens... All these directly, and indirectly, affect detail.


---
www.biki.net

Respond to this post   •   Return to posts index

Re: DV is dead in our local film industry.
by kwshaw1 on Mar 24, 2005 at 4:43:44 pm

"There is far far more to an image - and image quality - than the size of the frame. Compression, bit-depth, latitude, s/d ratio, sensor-size, DSP, colormetry, the lens... All these directly, and indirectly, affect detail."

Granted, but I've never seen a standard-definition video image which even comes close to the level of detail offered by the Sony HDV cameras, and the reactions of people who have seen HDV footage played on my HDTV confirm this impression. DV records (about) 720x480 pixels regardless of the quality of the camera, and that's what you've got to work with in your final image. HDV records 1440x1080 pixels, which results in a strikingly more detailed image.

We can debate whether the overall image quality of HDV looks better than the best SD footage under various conditions, but in terms of detail it's simply no contest. It's like saying that a really good 2 megapixel still camera might be able to make an image as good as a mediocre 9 megapixel camera ihn the hands of a talented professional...but we don't see many professional photographers buying 2 megapixel cameras these days.

Standard definition video is on its way out for professional purposes. Not right away perhaps, but soon enough in the overall scheme of things.

Respond to this post   •   Return to posts index


Re: DV is dead in our local film industry.
by Simon Wyndham on Mar 24, 2005 at 4:59:04 pm

Thats nice. But has anyone with an HDV camera around here or on any of the other forums actually made something as opposed to just talking about hypothetical technical aspects? I've seen one really cool music video, and that was made with the intention of an SD downconversion.

High res is nice, but speaking from an audience point of view, wow me with your story, acting, expert lighting and cinematography, not what you think your camera may or may not be able to do.

I saw Soul Searcher projected on the big screen the other day. An indie movie I had performed fight choreography and Glidecam duties for. It was shot entirely on an XL1s. Projected onto the screen as it was via a not so great projector at the Borderlines film festival, it wouldn't have made a jacks ass in hell difference if it was shot on HD or SD. It was well acted, had exellent lighting and cinematography, great sound, and even a full (real) original 60 piece orchestral soundtrack. It was just plain cool. I forgot about the bad projection as I was watching it.

I really do get the impression that many people who have rushed out to buy the FX1 and Z1 really don't care or have the knowledge to make anything good. They just wish to discuss technicalities about what they could do if they wanted to. Maybe that isn't the case, but it's certainly the impression I get.

Respond to this post   •   Return to posts index

Re: DV is dead in our local film industry.
by kwshaw1 on Mar 24, 2005 at 5:19:04 pm

"I really do get the impression that many people who have rushed out to buy the FX1 and Z1 really don't care or have the knowledge to make anything good. They just wish to discuss technicalities about what they could do if they wanted to. Maybe that isn't the case, but it's certainly the impression I get."

A better way to put that could be that many early HDV adopters are caught up in their enthusiasm about the technology, which makes it seem like we're downplaying other aspects of video production. But that's not the point: it's just that in this case we're talking about a significant technological development which affects one important piece of the production process. HDV won't change the need for good production values, but people who value good production may find low-cost HD to be a desirable option.

I get the impression that most HDV naysayers have never seen a good HDV video sample played on a decent HDTV. Once you've done that, there's not much left to discuss except the limitations of current HD options, and how that might be improved in the future.

P.S. I'm editing my first HDV-based project now and already have one HDV wedding booked for this summer, with others possibly to follow. If nothing else, the true widescreen image of the HDV format makes it an easy choice over most SD cameras, even if you don't have immediate plans to create HD output.

Respond to this post   •   Return to posts index

God bless those early adopters. Or: It's the pioneers that catch all the arrows.
by Ron Lindeboom on Mar 7, 2005 at 5:39:23 pm

In every market that ever develops, there are three classes of adopters: there are the "early adopters," those who want to be on the bleeding edge and are there as products come out of the gate -- they pay a premium and by doing so, often seize opportunities that early adopters are privy to due to being in the market first (along with the equal chance of risk and failure); then, there are those who wait until things shake out a bit and come in once the market begins to take shape and acheive some sense of legitimacy; lastly, there are those who wait and wait for the price to drop and drop before getting into the market.

Opportunities and the risk of failure are about equal within any of the aforesaid market adopter groups. (Meaning: There is greater ooportunity in the early adopters, just as there are more risks. In the middle, there are fewer opportunities but also fewer risks. If you wait long enough, it is almost risk free but you are also in a market that is nearly void of opportunity, as well.)

A great example of this is that I had no confidence whatsoever in DV when it first came out. None. Call me skeptical -- especially when I owned a top-of-the-line Media 100 back then, along with an Avid Xpress Elite system. It was BetaSP or better for the ole Boomie.

By the time I came to believe in DV as a format, Larry Jordan had already built 2-POP focused on DV and FCP (which I first refused to do, due to all the long drawn out problems that had ensued for nearly two-and-a-half years in getting FCP to market -- I was around during the Macromedia "Key Grip" days and even did TV shows with Randy Ubillos (creator of both Adobe Premiere and Key Grip/FCP)).

Larry quickly built 2-POP into a vehicle that he sold to Creative Planet for some rather large money, while we had already built the W.W.U.G. (and had many times his traffic) but he got a huge deal that we never got.

One time in New York City, Kathlyn and I were having dinner with Ralph Fairweather (co-creator of 2-POP along with Larry Jordan) and Ralph thanked us for not believing in either DV or FCP. "You left the door open for us to come in at an opportune time and if you had jumped on it when it first appeared, we'd not have stood a chance against you because you already had the lion's share of the traffic and most all of the good traffic." (Back then, there were few sites of this kind and it was not as it is today with a myriad of sites, some more general in scope (as is the Cow) and others, far more specialised in their focus and content.)

We didn't believe in DV as a format until late in 1997, when we finally added it to our forums line-up. Call us skeptics. Skepticism is not a bad thing but it can sometimes be a costly preoccupation when it comes to "reading your own press releases"

I have learned to take myself a lot less seriously because my own depth of knowledge (though some would argue a lack of knowledge) cost me dearly -- but my knowledge was indeed correct at the time, as broadcasters were open to BetaSP and better and DV had yet to prove itself. Still, I watched someone else take our model and run with it and take it all the way to the bank. Even Ralph Fairweather said in our meeting that Creative Planet loved our old site and were interested in it but chose to buy 2-POP instead because we had missed the boat where DV was concerned.

The moral of the story???

Today, I subscribe to the belief that there are no perfect answers and that *every* answer out there is incomplete and the real issue is finding out what compromises you are willing to live with based on your own circumstances.

HDV is no panacea for producers and I doubt that it ever will be. But what it is -- at least at the moment -- is a means for getting images that look head and shoulders above anything that I have seen in this price range. Some people prefer the "warmer" look of the "golds and ambers of Fall" that Kodak has been historically noted for over the years; others prefer the crisp, sharp but "colder" images that the "greens and blues" look of Fuji film gives you. JVC and Canon tend to calibrate their look to emulate the Kodak warmer look and Sony and Panasonic tend to strive for the Fuji look -- at least in my opinion. In the end, what we sell to clients are images and a look. Based on that -- and in a world where perfection is the Holy Grail still unfound -- we settle on what works for us.

But being too married to an idea in a market that is in rapid flux, is what once cost Ole Boomie here a lot of opportunity -- and money based on what Ralph told me Creative Planet paid for 2-POP. Today, call me "a much more malleable" Boomer.

;o)

Best regards,

Ron Lindeboom
creativecow.net

Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Steve Connor on Mar 7, 2005 at 5:59:38 pm

Words of wisdom Ron - always a pleasure to read your posts


Steve Connor
Cardinal HD

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by David Cherniack on Mar 7, 2005 at 7:58:37 pm

[Steve Connor] "always a pleasure to read your pos"

Well, not always :), but in this case most certainly.

David
AllinOneFilms.com

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Ron Lindeboom on Mar 7, 2005 at 8:44:44 pm



I must say, David, that the sentiment is indeed mutual.

Ron Lindeboom


Respond to this post   •   Return to posts index


Re: MOO!
by Harry Pallenberg on Mar 8, 2005 at 4:28:09 am

Well put.

Thanks,
Harry.

Forum Cowmunity Leader: OSX
Forum Cowmunity Leader: Indie & Doc

Dual 1.8 G5 ** 1GB ** 10.3.6

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Kent on Mar 7, 2005 at 4:37:56 pm

Come on, the shots with the HDV camera were obviously focused on the gun, and as you can see, the foreground (gun) is in pretty good shape and compares very well with the HD shot. I wonder what would happen if you took a long shot with HDCAM and pulled the focus back to 6 inches, and compared those shots. And it's an action shot, so 30 of those are coming across in a second, and as action footage, it cuts in very well. After reading the post I thought that there was a huge difference, but seeing the shots, I see that HDV is still what it claims, close to HD, slight difference, but for cost vs what you get, very impressive.

Kent

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by George on Mar 8, 2005 at 3:34:31 am

the hdcam and hdv both look really bad.


Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by Dan Achatz on Mar 9, 2005 at 1:25:09 am

I have seen all this 100 times before. No real DP want's to shoot with a baby camera, and without a real lens. So they do everything they can to make the camera that they don't want to use look bad. The shooter probably had the camera in auto everything and the camera focused on the gun.

Do you remember when they shot the first ER with HDcam? It looked like crap. The same thing happened there. The DP didn't want to use it, so they shot everything hand held and trashed the video. Well gee, I think since then they may have shot a feature film or two using HDCam.

I'm not buying the results of this test.

HDV will hit the HD network shows and you'll never know the difference. It will start with reality shows first. Throw away cams. Then the bean counters will see it and say that's good enough. And then you'll know that you should have sold that old Digi-beta when it was worth something.

Dan



Respond to this post   •   Return to posts index

HDV wins anyway
by James Green on Mar 9, 2005 at 8:14:01 am

You know Steve, the fact that you are so hot and bothered to compare an HDV shot to an F900 shot only says that this is a comparison that is worthy of scutiny. Despite a concerted effort to discount HDV as a viable HD format, you lend credibility to it by continuing to compare it to a Cinealta regardless of your personal feelings.

You kinda keep walking into a hornets nest here. I would think that if you were so certain of your opinions about the Sony camera, you would be comfortable to just sit back and watch everyone who adopts this camera fall flat on their faces. You seem to be trying too hard and it only begs the question: Why?

Oh and by the way, I think the Z1 pictures look awesome. It's always easier to critique a still frame than it is to catch it in motion where you don't have the opportunity to hover over it and fault find. If you ask me, Sony should have waited until after the footage had aired and then said part of the JAG shoot was done with a Z1. The we would have all been saying, "Whoa! Really?"
Like it or not, Z1 footage WAS intercut with F900 successfully. The things we should be doing is asking how we can do it better in the future instead screaming about why it's not possible or why it should not be done.

James Green

Respond to this post   •   Return to posts index

Re: Screen shots from JAG
by Bob Tur on Mar 10, 2005 at 1:24:42 am

Actually you got it right the first time. There's little comparison between the Sony's HDV and its bigger brother, HDCAM. The HDV is a prosumer camera. While I use exclusively HDCAM, the HDV would make a great pov camera. A camera that could be used in places that you are unable, or unwilling to use the heavier F-900 or 750.



Respond to this post   •   Return to posts index


Re: Screen shots from JAG
by David Roth Weiss on Mar 10, 2005 at 1:45:49 am

Hey guys, meet Bob Tur. Among other things, he is almost singlehandedly responsible for creating the spectacle of live helicopter coverage of the police pursuit as we know it...

Welcome Bob, I've been watching your work for for years, and I hate to admit it, but I'm a big fan of televised police pursuits. BTW, I directed innumerable reenactments for Real Stories of the Highway Patrol, and got to stage and ride along on enough high-speed chases (at full speed) to choke any insurance man.

All the best,
DRW

David Roth Weiss
Director/Editor
David Weiss Productions, Inc.
Los Angeles

Respond to this post   •   Return to posts index

<< PREVIOUS THREAD   •   VIEW ALL THREADS   •   PRINT   •   NEXT THREAD >>


FORUMSTUTORIALSMAGAZINETRAININGVIDEOS - REELSPODCASTSEVENTSSERVICESNEWSLETTERNEWSBLOGS

© CreativeCOW.net All rights are reserved.

[Top]